| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | Previously on Felicity: | |
| [00:02] | Ben got Lauren pregnant. She’s gonna move to Arizona. He might go with her. | |
| [00:06] | I was wondering if… | |
| [00:10] | you would come to Arizona with me. | |
| [00:13] | I just can’t do that. | |
| [00:15] | I need to find my own direction now. I need to find out what my life is. | |
| [00:23] | I mean, legally, I could try to keep you from going. | |
| [00:27] | You made all these decisions without me. You can’t do that any more. | |
| [00:31] | – [Sean] Wow! – [Ben] It’s weird. | |
| [00:33] | – [Sean] lt looks just like you. – [Ben] Shut up. | |
| [00:36] | [Sean] lt does! A big nose, squinty eyes… | |
| [00:39] | That’s not the head. That’s the head. | |
| [00:41] | – That’s the head? – Yes! | |
| [00:43] | – Oh, man, that is weird. – Yes. | |
| [00:46] | Wow. | |
| [00:48] | I can’t believe this. | |
| [00:51] | – So Lauren gave this to you? – Yeah. | |
| [00:53] | – Does that mean you guys are okay? – I guess, yeah. | |
| [00:57] | – And what about Arizona? – She hasn’t decided yet. | |
| [00:59] | Get a lawyer. You can keep her here. | |
| [01:02] | – I am not going to get a lawyer. – Yeah, but this baby… | |
| [01:05] | This baby is yours as much as hers. Aren’t you, you little… | |
| [01:09] | – You little future person! – Oh, my God. | |
| [01:12] | – What? – You really scare me sometimes. | |
| [01:15] | Shh! Shh! I’m bonding with the baby. | |
| [01:17] | Yeah, I know Daddy. Daddy can’t take care of a house plant. | |
| [01:22] | But Uncle Seany’s here and I’m gonna teach you… | |
| [01:25] | – What are you guys doing? – Uh… nothing. | |
| [01:31] | Lauren gave me a copy of the ultrasound. | |
| [01:33] | – Of the baby? – Yeah. | |
| [01:36] | – Yeah, you gotta check it out. – You don’t have to. | |
| [01:39] | – No, she does. – No, I want to. | |
| [01:41] | This is amazing. You can see everything. Look, look at that. | |
| [01:45] | That’s the head, the arms, the belly… | |
| [01:48] | – Oh, my God. – And look at that! | |
| [01:51] | What is that thing between the legs? | |
| [01:53] | – Lauren told me, it’s a boy. – Oh, my God, Ben. | |
| [01:57] | Okay, can I just say, Sean is a fantastic name. | |
| [02:01] | – I’m not naming him Sean. – Why not? Sean Covington? | |
| [02:04] | ”Now batting, Sean Covington.” Come on! That kid’s going places. | |
| [02:11] | – Congratulations. – Thank you. | |
| [02:22] | (sing) Can you become | |
| [02:24] | (sing) Can you become | |
| [02:28] | (sing) A new version of you | |
| [02:31] | (sing) New wallpaper | |
| [02:34] | (sing) New shoe leather | |
| [02:36] | (sing) A new way home | |
| [02:39] | (sing) I don’t remember | |
| [02:42] | (sing) New version of you | |
| [02:46] | (sing) I need a new version of me | |
| [02:51] | (sing) New version of you | |
| [02:55] | (sing) I need a new version of me (sing) | |
| [03:29] | – Meghan? – What? | |
| [03:30] | – Can you just type a little softer? – No. | |
| [03:34] | Thanks. | |
| [03:39] | What page are you on? | |
| [03:41] | 24. I’d be on 25 if you’d stop interrupting. | |
| [03:44] | – Sorry, I haven’t picked a topic yet. – What? | |
| [03:46] | – I’ll do it on Georgia O’Keeffe. – It’s due tomorrow. | |
| [03:50] | I know. I have a lot going on right now. | |
| [03:53] | With my architecture thing and my studio work. | |
| [03:55] | I know about the pregnancy. | |
| [03:58] | What? | |
| [03:59] | Sean told me everything, so I get it. | |
| [04:01] | I wouldn’t want to work on some lame-ass art history paper | |
| [04:05] | if I was losing my boyfriend to a boozy hag in Arizona. | |
| [04:08] | I’m not gonna lose my boyfriend. | |
| [04:11] | She doesn’t drink any more. | |
| [04:14] | Okay, whatever. Forget I brought it up. | |
| [04:26] | Did Sean tell you about the ultrasound? | |
| [04:30] | – Yeah. – You should’ve seen Ben looking at it. | |
| [04:35] | I could just feel him drifting away. | |
| [04:38] | Look. I shouldn’t have said that. | |
| [04:40] | You’re not losing Ben. He’s not going anywhere. | |
| [04:43] | Arizona? Please. | |
| [04:45] | Yeah, that’s what he keeps saying, but… | |
| [04:48] | That ultrasound’s just a piece of paper. | |
| [04:50] | What happens when it’s a person? | |
| [04:52] | A boy? | |
| [04:55] | Take an incomplete on your paper. | |
| [04:57] | Finish it over the summer. | |
| [04:59] | I can’t. I need the creds to graduate. | |
| [05:01] | – Okay. You know what I would do? – What? | |
| [05:05] | Go to the library’s dissertation section, | |
| [05:07] | get a paper on art history and copy it. | |
| [05:09] | I can’t do that. | |
| [05:11] | Why not? My friend Earl does it. | |
| [05:13] | He’s never been caught. | |
| [05:14] | Nobody ever reads those things anyway. | |
| [05:18] | Thanks, but I’ll figure something out. | |
| [05:20] | I will figure something out. | |
| [05:22] | I’m sure you will. | |
| [05:24] | Probably get an ”A”, too. | |
| [05:25] | That’s what makes you so damn annoying. | |
| [05:31] | Did you hear? Tell me you heard. | |
| [05:33] | – Huh? – The Bowers account. 20 minutes ago. | |
| [05:36] | – Nailed it! And… – And what? | |
| [05:39] | Only Pop Tarts in the kitchen. Just showed up. | |
| [05:42] | I love this place, man. | |
| [05:45] | – You’re not excited at the Pop Tarts? – Not really. | |
| [05:48] | What’s the matter? | |
| [05:50] | I got back from lunch and this was on my desk. Webb wants to see me. | |
| [05:54] | – I’m sure it’s about Zoe. – She told him? | |
| [05:57] | This is it, the big talk: ”Let’s get it all out on the table.” | |
| [06:01] | ”When I see you, I see the guy who’s sleeping with my daughter.” | |
| [06:05] | I wanted to tell him. Now I don’t know what I’m going to say. | |
| [06:09] | You know what you need? My four-point plan. | |
| [06:12] | – What’s that? – FEPS. | |
| [06:13] | FEPS nailed the Bowers account. Get up. | |
| [06:15] | – ”Feps” is not even a word. – Trust me. | |
| [06:17] | – FEPS is the secret to my success. – What is it? | |
| [06:20] | – FEPS! Stand up. – Sean, I… Okay. I’m standing up. | |
| [06:25] | Okay. FEPS. F-E-P-S. All right? | |
| [06:28] | ”F”. Firm handshake. | |
| [06:31] | Lets ’em know you’re starting off confident. | |
| [06:33] | ”E”. Eye contact. You’re seeing what they’re seeing, all the time. | |
| [06:37] | There it is. Where you looking? There it is. Okay. | |
| [06:40] | ”P”. The power fist. | |
| [06:42] | At some point during the meeting, give ’em one of these. The power fist. | |
| [06:46] | It implies enthusiasm. Makes you look like a leader. | |
| [06:49] | And S. | |
| [06:51] | The solidarity squeeze. Nothing wrong with a little human contact. | |
| [06:55] | Let ’em know we all share this big blue planet together. | |
| [06:59] | Right? Looks like you care. That’s FEPS. | |
| [07:01] | [phone rings] | |
| [07:03] | Noel Crane. | |
| [07:05] | Uh, let him know I’ll be right there. Thank you. | |
| [07:08] | – Webb’s ready for me. – Woah! | |
| [07:10] | FEPS is gonna save your ass. Give me a power fist. | |
| [07:13] | I gotta go. | |
| [07:14] | lf you can’t do it for me, you can’t do it for him. | |
| [07:19] | What was that? No, a power fist, with enthusiasm. | |
| [07:22] | – You’re the man! – There you go! All right. | |
| [07:25] | Go get him. Go get him! | |
| [07:29] | Hopeless. | |
| [07:35] | – How do I look? – Javier, you look so handsome. | |
| [07:38] | Really? Usually, white makes people look so fat. | |
| [07:41] | No, on you it’s very slimming. | |
| [07:44] | You’ll attract a lot of men dressed like that. | |
| [07:46] | That’s the whole idea. | |
| [07:48] | The guy at the pro shop said ”It’s all about having fun.” | |
| [07:52] | I said, ”No. Tennis lessons are about finding a partner, | |
| [07:55] | and having a game, set and match made in heaven.” | |
| [07:58] | I think tennis is a great way to meet somebody. | |
| [08:01] | Hey, why don’t we do it together? | |
| [08:04] | We can do round-robins and meet the partner of our dreams. | |
| [08:09] | Actually, I already have a partner. | |
| [08:12] | – Have you taken lessons behind my back? – No, no! | |
| [08:16] | – I met somebody. – You did not! | |
| [08:18] | I did. His name’s Michael, he’s a dental hygienist. | |
| [08:21] | – Why didn’t you tell me? – I didn’t want to jinx it. | |
| [08:24] | – So this is serious? – lt hasn’t gotten physical yet, but… | |
| [08:29] | I really do like him. | |
| [08:31] | That’s wonderful. | |
| [08:34] | A dentist. | |
| [08:36] | – Dental hygienist. – Right. Yeah. | |
| [08:38] | Javier, I can tell. What’s the matter? | |
| [08:43] | Nothing, no, I… | |
| [08:45] | – I just want to be in love too. – You will be. | |
| [08:49] | You will. I know you’re gonna find love on the court. | |
| [08:52] | – You really think so? – Of course. | |
| [08:56] | I’m so happy for you. Really. | |
| [08:58] | Hey, why don’t I bring Michael by your work this afternoon, so you can meet? | |
| [09:02] | Okay, fantastic. I can’t wait. | |
| [09:05] | First, let me show you the rest of my outfits. | |
| [09:08] | Oh, my God. You have more? | |
| [09:10] | Honey, please. | |
| [09:17] | – So, the reason I called you in… – Mr Webb. | |
| [09:20] | I’m sorry to interrupt, but can I say, right off the top, | |
| [09:23] | thank you for calling me in. I know what this is about. | |
| [09:28] | My relationship with Zoe will in no way affect my work here. ln fact… | |
| [09:33] | I think it may actually make us more productive. | |
| [09:35] | – No… – Another thing. | |
| [09:37] | Zoe told me about her last relationship and what happened. | |
| [09:42] | I assure you that’s not going to happen with me. | |
| [09:44] | I like your daughter… Sir. | |
| [09:48] | No, that’s not the reason I called you in. | |
| [09:50] | – I want to talk to you about Sean. – Oh. | |
| [09:54] | Okay. Of course. I heard he nailed the Bowers account. | |
| [09:59] | – Sean told you that? – Yes, sir. | |
| [10:02] | – He didn’t nail it? – Bowers is going with Deakin’s. | |
| [10:06] | – What? Why? – He didn’t like Sean. | |
| [10:09] | But what’s not to like? He’s got so much enthusiasm… | |
| [10:12] | And that’s all he’s got. I gotta be honest with you. | |
| [10:15] | I’ve sat in on meetings, watched Sean pitch clients. | |
| [10:18] | And it’s the same thing every time. He’s all instinct, no skill. | |
| [10:22] | And his instincts, they are not good. | |
| [10:25] | I don’t think that’s entirely fair… | |
| [10:27] | He’s got one setting, full speed ahead. | |
| [10:29] | He’s bouncing off the walls, arms flailing… | |
| [10:32] | His style, what you’ve got to love about him. | |
| [10:34] | Yeah, I know. And I don’t like it. | |
| [10:40] | Well, I don’t know what to say. Sean is my partner. We’re a team. | |
| [10:44] | I understand that and I admire you for sticking by him. | |
| [10:48] | I need you to take a supervisory role. We have a presentation tomorrow. | |
| [10:52] | – Yeah, the suitcase company. – Take the lead in that meeting. | |
| [10:56] | Keep an eye on Sean. I don’t want to lose any more business because of him. | |
| [11:02] | Noel. I’m having this conversation with you because if I have it with Sean, | |
| [11:07] | it’s gonna be to let him go. | |
| [11:09] | – You understand? – Yes, sir. | |
| [11:18] | – Javier, can I have another coffee? – Sure. Do you know any single gay guys? | |
| [11:22] | Don’t tell me about the cheerleader guy, that did not work out. | |
| [11:26] | – Well, I know you. – Thanks, that helps. Anyone else? | |
| [11:31] | I don’t know. I’d have to think about it. | |
| [11:33] | There’s 8 million people in this city. | |
| [11:35] | Me and Mr Ra-Ra cannot be the only gay single guys that you know. | |
| [11:40] | – Javier? Javier. – Oh, hi! | |
| [11:43] | I want you to meet somebody. This is Michael. | |
| [11:47] | – Michael, this is Javier and Elena. – Hi, there. | |
| [11:50] | – Hello, how are you? – Hi. | |
| [11:52] | Great to meet you. Rita talks about you all the time. | |
| [11:55] | – I told him about your tennis lessons. – I’m looking for a doubles partner. | |
| [12:02] | [laughs] | |
| [12:05] | Um, Elena, can you help me a minute? I need you to unload the Kenyan roast. | |
| [12:11] | – What? – I need your help for a second. | |
| [12:14] | Yeah, but I don’t work here. – Yes, you do. Okay. So, um… | |
| [12:18] | Please, have a seat, enjoy the ambience. We’ll be back in a couple of minutes. | |
| [12:24] | – Thanks. – Javier, what are you doing? | |
| [12:30] | – What is wrong with you? – I know him. | |
| [12:32] | – That guy, Michael. – So? | |
| [12:34] | He used to date a friend of mine, Andy. They had a whole thing. | |
| [12:37] | And? | |
| [12:38] | And, Andy is a guy. | |
| [12:41] | – Oh. | – Oh. Exactly. |
| [12:44] | What shall I do? I should tell Rita, right? | |
| [12:47] | – No, stay out of it. – Really? | |
| [12:48] | Absolutely. | |
| [12:51] | You’re right. | |
| [12:53] | [computer beeps] | |
| [12:55] | Every time I try to get online this stupid thing crashes. | |
| [12:58] | Let me give it a try. Can I try? | |
| [13:01] | – What’s the site called? – Guggenheim.edu. | |
| [13:05] | They have stuff on Georgia O’Keeffe but I can’t get to it. | |
| [13:08] | – …heim.edu? – Yeah. | |
| [13:11] | [beeps] | |
| [13:12] | Agh! See? lt freezes. I’ll never get this paper done. | |
| [13:16] | You’ll get it done. Let’s try again. | |
| [13:18] | [phone rings] | |
| [13:22] | Hello? | |
| [13:24] | Hey. Yeah. | |
| [13:29] | You wanna do a Lamaze class? | |
| [13:32] | Um… Yeah, okay. | |
| [13:35] | Yes. Yes, definitely. Do you want me to come there, or stop by here? | |
| [13:40] | All right, I’ll see you then. Okay. | |
| [13:44] | Sorry. | |
| [13:49] | – You’re gonna do Lamaze? – I guess so. | |
| [13:52] | I want to participate more so she doesn’t want to move away. | |
| [13:56] | – lt was my dad’s suggestion. – That sounds like a good idea. | |
| [14:01] | Yeah. | |
| [14:03] | – Felicity. – It’s okay. | |
| [14:06] | – It’s just a class. – I know, I know. | |
| [14:08] | I’m just stressed out about this paper. | |
| [14:11] | And that computer’s never gonna work so I’m gonna go to the library. | |
| [14:16] | But I… I’ll see you later. | |
| [14:31] | Excuse me, where is the dissertation section? | |
| [14:33] | – The dissertation section? – Yeah. | |
| [14:39] | A friend of mine wrote a dissertation and I just wanted to take a look at it. | |
| [14:43] | See her name in print. | |
| [14:47] | She was a very good friend of mine. | |
| [14:50] | Who died, suddenly. | |
| [14:54] | – Sixth floor. ln the back. – Thanks. | |
| [14:57] | [sad, gentle song plays] | |
| [16:51] | – Is that your paper? – Yeah. | |
| [16:55] | You finished a 30-page paper in one night? | |
| [16:57] | This is what I was talking about. Unbelievable. | |
| [17:00] | It’s not that great. | |
| [17:01] | It took me three weeks to write this. I’ll get a ”C” and you’ll get an ”A”. | |
| [17:05] | – That’s what I mean about annoying. – I’m not gonna get an ”A”. | |
| [17:08] | We’ll see. | |
| [17:11] | You wrote it on Manet? I thought you were writing on Georgia O’Keeffe. | |
| [17:15] | I changed my mind. | |
| [17:20] | A problem with your paper, Felicity? | |
| [17:24] | No, sorry. | |
| [17:43] | [door closes] | |
| [17:45] | [Ben sighs] | |
| [17:51] | – Hey. – What’s going on? | |
| [17:55] | Uh… | |
| [17:58] | – Lauren’s gone. – To Arizona? | |
| [18:01] | Yeah, she told me yesterday at that class. | |
| [18:03] | What did she say? | |
| [18:05] | That her boyfriend, or ex-boyfriend, whatever, is moving down there. | |
| [18:10] | So she’s gonna go with him. | |
| [18:13] | – What are you gonna do? – I’m thinking about it. | |
| [18:17] | – I’m gonna go see a lawyer. – A lawyer? | |
| [18:21] | Yeah. Sean says that, legally, I can keep her here. | |
| [18:28] | – Ben, I’m really sorry…. – lt sucks, but I’ll deal with it. | |
| [18:31] | It’s a hassle. | |
| [18:33] | [door opens] | |
| [18:35] | Oh. Finished your paper so you don’t go to class any more? | |
| [18:38] | – Yeah, I just slept in. – Carnes wants to see you. | |
| [18:43] | – She does? Why? – I don’t know. Your paper, I guess. | |
| [18:47] | She probably hasn’t even read it yet. | |
| [18:49] | That would be weird considering she handed them back today. | |
| [18:54] | I got a ”B Plus”. Thanks for asking. | |
| [18:56] | Is that your art history paper? | |
| [18:59] | Yeah. It’s probably nothing. What time were you going to see that lawyer? | |
| [19:04] | Not until this afternoon. | |
| [19:09] | Look, Sean, the Waldron presentation today… | |
| [19:12] | The suitcase company? That meeting is mine. | |
| [19:14] | Bowers yesterday, suitcases today. | |
| [19:16] | I was actually thinking that… | |
| [19:18] | …maybe I could take the lead on this one. | |
| [19:21] | Er… Why not? I’ll sit back, watch you use FEPS, maximize all the points… | |
| [19:25] | – I may not use FEPS this time. – What did you say? | |
| [19:28] | I want to read the room, see if it’s a situation that calIs for it. | |
| [19:32] | I’ve never seen one that didn’t. | |
| [19:34] | Let’s just see, okay? | |
| [19:35] | Okay. But I guarantee you’ll use that solidarity squeeze. | |
| [19:40] | – You’re probably right. – Yeah. | |
| [19:41] | [knock on door] | |
| [19:48] | Oh, my God, Javier. What happened? | |
| [19:50] | Tennis elbow. Can you believe it? | |
| [19:53] | You poor thing, I’ve heard that’s very painful. I’m so sorry. | |
| [19:58] | It’s not so bad if I don’t move a single muscle in my body. | |
| [20:01] | But guess what? I found a guy for you! | |
| [20:04] | – What? – ln my tennis class. | |
| [20:06] | And Mother, Mary and Joseph, he is yummy! | |
| [20:09] | Just like Warren Beatty, pre Shampoo. | |
| [20:14] | Javier, I already have somebody. | |
| [20:18] | – You mean Michael? – Of course I mean Michael. | |
| [20:22] | – What, you don’t like him? – No, I like him a lot, it’s just… | |
| [20:29] | Okay. I think you’d better sit down for this. | |
| [20:33] | What is it? | |
| [20:36] | Okay, remember when you and I did Streetcar together? | |
| [20:40] | And I said that I was a lot like Tennessee Williams? | |
| [20:46] | Yeah. Because you’re both gay. | |
| [20:50] | – MichaeI’s a lot like Tennessee too. – What? | |
| [20:54] | He dated a friend of mine, a male friend. | |
| [20:57] | – That’s impossible. – I called the friend to make sure. | |
| [21:00] | – You’re checking up on him? – They went to Jamaica together. | |
| [21:06] | Javier, I’m really surprised at you. | |
| [21:08] | I understand you’re alone and it’s hard to see friends… | |
| [21:12] | No, that’s not what this is. | |
| [21:17] | lsn’t there a reason why you haven’t been physical? | |
| [21:20] | We’re waiting for the right time. | |
| [21:22] | lf a person doesn’t want to have sex, it doesn’t mean he’s gay. | |
| [21:25] | He asked me to be his doubles partner. | |
| [21:29] | – What, he was hitting on you? – I don’t know. I’m just saying that… | |
| [21:33] | You know what I think? I think you have a problem. | |
| [21:37] | You’re attracted to him and you can’t deal with the fact that he likes me. | |
| [21:41] | – You know I’m not attracted to him. – How? | |
| [21:44] | Because if I was, I’d tell you. | |
| [21:46] | Rita, I just don’t want you to get hurt. | |
| [21:50] | Michael is a wonderful man and he would never hurt me. | |
| [21:54] | You’re the one who’s doing that. | |
| [21:57] | – Good luck with your tennis lessons. – Rita, come on… Ow… | |
| [22:00] | [gasps in pain] | |
| [22:02] | Holy guacamole. | |
| [22:05] | – Meghan? – I’m busy. | |
| [22:06] | I need to talk to you. It’s kind of an emergency. | |
| [22:13] | What? | |
| [22:14] | I know why Professor Carnes wants to talk to me. | |
| [22:17] | That’s your emergency? My forehead is a sea of blackheads. | |
| [22:20] | – That is an emergency. – Wait. | |
| [22:25] | – I copied my paper. – What? | |
| [22:27] | – I went to the library. – The dissertation section? | |
| [22:30] | – My God, you’re totally busted. – No, please God, don’t say that! | |
| [22:34] | I didn’t know what to do. It was 30 pages long. | |
| [22:37] | – Ben was scheduling Lamaze classes… – Just relax, all right? | |
| [22:40] | You act like you’re having a baby. | |
| [22:42] | – This happened to Earl once. – You said he wasn’t caught! | |
| [22:45] | – He wasn’t! Jeez! – Great! | |
| [22:48] | Before they could prove anything, | |
| [22:51] | he got rid of the dissertation he copied. | |
| [22:54] | Wouldn’t it be easier to confess? | |
| [22:56] | What? They’ll kick you out for sure if you do that. | |
| [22:59] | Go to the library and get that dissertation. | |
| [23:04] | – Now! – I’m going. | |
| [23:06] | Wait, will you just tell me that everything’s gonna be okay? | |
| [23:09] | – It’s gonna be okay. – Okay. | |
| [23:15] | [whistles] | |
| [23:46] | Uh… What are you doing? | |
| [23:50] | – Me? – You dropped a book in the trashcan. | |
| [23:57] | Oh, my God. I thought that was the book drop. | |
| [23:59] | No, it’s a trashcan. | |
| [24:03] | Well, I guess I should get the book out of the trash. | |
| [24:06] | That would be a good idea. | |
| [24:09] | I’ll… | |
| [24:35] | People really shouldn’t bring food in the library. | |
| [24:43] | – Why don’t you give that to me? – Oh, I’ll… I’ll put it back. | |
| [24:47] | – Give me the book. – I really, I don’t mind. | |
| [24:49] | Give me the book or I’ll have to report you. | |
| [24:56] | – Anything else I can do for you today? – No, that’s all. Thanks. | |
| [25:07] | – I won’t do anything with the suitcase. – Okay. | |
| [25:10] | Dan, you remember our new associates, Noel Crane, Sean Blumberg. | |
| [25:15] | – Mr Waldron. – Big Dan. | |
| [25:16] | – Easy. Bones are brittle. – Yeah? Well, the mind’s still sharp. | |
| [25:20] | Huh? [laughs] | |
| [25:23] | – Why don’t we get started? – All right. Good to see you. | |
| [25:29] | All right. Um… | |
| [25:33] | – Right? – Yeah. | |
| [25:35] | So, your 2002 product line, specifically the new rolling travel bag, | |
| [25:39] | is unique to the marketplace for three reasons. | |
| [25:42] | Three reasons, right? What do those three reasons have in common? | |
| [25:45] | Only this. | |
| [25:47] | None of them have anything to do with a monkey. | |
| [25:50] | We all remember the commercial. | |
| [25:52] | The ape takes the bag over his head, tries to destroy it… | |
| [25:55] | – No, Sean, not now. – Don’t worry. You’ll get your turn. | |
| [25:59] | You know what? Let’s take a five-minute break. Would that be okay? | |
| [26:02] | – Can I talk to you outside? – Absolutely. | |
| [26:11] | I know you were to take the lead but I saw you starting off real slow. | |
| [26:14] | – I jumped in to help you out. – You’re not helping. | |
| [26:17] | This is how I landed the Bowers account. | |
| [26:20] | You didn’t. You lost Bowers. | |
| [26:22] | – What? Come on. – They went with Deakins. | |
| [26:25] | All right. You gotta back off. Your style, you need to bring it down. | |
| [26:30] | One pitch doesn’t go well and I have to change my style? | |
| [26:33] | No, Sean. It’s not just one pitch. | |
| [26:36] | – All right? It’s… – It’s…? What? What is it? | |
| [26:40] | The meeting I had with Webb wasn’t about Zoe. | |
| [26:42] | It was about you, the way you pitch clients. And if… | |
| [26:45] | lf you don’t change it, he’s gonna fire you. | |
| [26:49] | – He said that? – Yes. | |
| [26:51] | I gotta take notes on how to pitch clients from him? | |
| [26:53] | He owns the company. | |
| [26:55] | Know the last time he was in a room selling clients? 20 years ago. | |
| [26:58] | – He made some good points. – You agree? | |
| [27:01] | – No, just listen to me, Sean. – No. | |
| [27:03] | You’re in a room, and you’ve… | |
| [27:05] | – You’ve got tooIs at your disposal. – Right, I know how to do this. | |
| [27:08] | But sometimes you don’t. | |
| [27:11] | Okay, look. Look. | |
| [27:13] | One of my summers, I spent doing construction. We were building a house. | |
| [27:18] | – Don’t give me that look. – Yeah. | |
| [27:21] | The point is, I remember the tools they had, all these different hammers. | |
| [27:26] | A ball-peen hammer, if you needed to hammer something delicately. | |
| [27:30] | lf you were gonna do demolition, they had the sledgehammer. | |
| [27:33] | – You always use the sledgehammer. – Because it always works. | |
| [27:37] | It doesn’t. It wasn’t working in there, Sean. | |
| [27:43] | All right. | |
| [27:46] | Well, I see how this is going. | |
| [27:48] | – You’re sort of maneuvering yourself. – Sean, come on. | |
| [27:51] | You and Webb. You know what? That’s fine. | |
| [27:54] | You can stop maneuvering because I’m getting out of your way. | |
| [27:58] | I quit. | |
| [28:00] | Sean… | |
| [28:19] | – Excuse me, Professor Carnes. – Felicity, hi. | |
| [28:22] | – Hi. I heard you wanted to see me. – Yep. | |
| [28:25] | It’s about your paper. | |
| [28:28] | Before you say anything, I didn’t have a lot of time to write it. | |
| [28:31] | I’ve been overwhelmed with my personal life. | |
| [28:34] | – It’s fantastic. – What? | |
| [28:37] | It’s far and away the best paper I’ve read all semester. | |
| [28:41] | – I’ve submitted it to the UNY journal. – Oh, my God. | |
| [28:45] | The editorial board has to review it before they publish it, but… | |
| [28:48] | I’m sure they’ll love it. | |
| [28:50] | l… | |
| [28:53] | – It’s a big honor. Congratulations. – Thanks. | |
| [29:07] | I can’t believe it. I’ve officially become a cheater. | |
| [29:10] | – You’re not a cheater. – I cheated on Ben and on this paper. | |
| [29:13] | Fine. You’re a cheater. Just don’t get caught this time. | |
| [29:16] | It’s being published. Everyone’ll see it. | |
| [29:18] | Everyone! All 1 0 people that read the UNY journal. | |
| [29:23] | Did you at least get rid of the dissertation? | |
| [29:26] | – No. – Oh, my God. | |
| [29:28] | I’m sorry, but that guy who works there, he freaks me out. He scares me. | |
| [29:33] | Okay, go to Carnes and tell her you don’t want it published. | |
| [29:36] | I can’t. She’ll get suspicious. | |
| [29:39] | Do you know nothing about breaking the rules? | |
| [29:41] | When they get suspicious, deny. Deny, deny, deny. | |
| [29:46] | – Deny what? – Hey! | |
| [29:48] | Hey. What are you telling her to deny? | |
| [29:51] | Nothing. | |
| [29:55] | My… um… | |
| [29:57] | art history paper is being published. | |
| [30:01] | – Really? – lsn’t that great? | |
| [30:04] | – Yeah. – Did the whole thing in one day. | |
| [30:06] | – Meghan. – It’s true. | |
| [30:09] | – Well, um, congratulations. – Thanks. | |
| [30:14] | [noise of computer game] | |
| [30:17] | [click of controls] | |
| [30:20] | Jump. Jump. Jump! | |
| [30:25] | Sean. | |
| [30:28] | – We need to talk about what happened. – What’s to talk about? | |
| [30:31] | You walked out in the middle of a pitch. | |
| [30:34] | – What about it? – lt was unprofessional. | |
| [30:36] | – I was unprofessional? – You’re my partner. You abandoned me. | |
| [30:40] | I abandoned you! You abandoned me way before. | |
| [30:43] | I fought for you in that meeting with Webb. | |
| [30:45] | I was protecting your job, Sean. | |
| [30:48] | I don’t need protection. Have fun with Webb! | |
| [30:50] | – What does that mean? – That I quit, okay? | |
| [30:53] | I said I was gonna do it. I called Webb. | |
| [30:55] | All right. This whole thing has been blown out of proportion. | |
| [30:58] | You’re enthusiastic and that’s a good thing. That’s what I told Webb. | |
| [31:03] | Sometimes, you can be a little overbearing. | |
| [31:06] | – Overbearing? – Yes, sometimes. | |
| [31:08] | Sometimes? | |
| [31:11] | Is that your opinion or is that Webb’s? | |
| [31:16] | That’s what I thought. | |
| [31:22] | – I’m gonna go for a walk. – Sean. | |
| [31:24] | I think I’ve had enough career advice for one day. | |
| [31:36] | So, tennis elbow. I’m surprised that Rita didn’t mention it. | |
| [31:40] | Apparently, she doesn’t tell you everything. | |
| [31:42] | – Sound like someone else you know? – Open. | |
| [31:48] | – Yeah. You’re not flossing, are you? – Yes! | |
| [31:52] | – Okay, no. – Your gums are receding. | |
| [31:55] | You got a lot of plaque build-up in there. | |
| [31:57] | Okay, Michael. I’m not really here to talk about my teeth. | |
| [32:03] | Okay. | |
| [32:06] | Thank you. | |
| [32:08] | I’m just gonna say this straight out, so to speak. | |
| [32:11] | But first, could you put down that really sharp thing? | |
| [32:19] | Thank you. | |
| [32:22] | – Okay, Michael, the gig’s up. – What? | |
| [32:24] | I’m friends with Andy Cragnotti. | |
| [32:27] | I don’t know anyone by that name. | |
| [32:30] | You dated him for three months, you went to Jamaica together… | |
| [32:35] | I’m sorry. You have me confused with somebody else. | |
| [32:38] | Okay. I don’t care who you sleep with, believe you me. | |
| [32:41] | I just don’t like you using my friend Rita as your beard. | |
| [32:44] | My beard? She’s my girlfriend. | |
| [32:46] | Okay, your girlfriend, whatever you want to call her. | |
| [32:49] | She’s my friend friend, okay? | |
| [32:51] | And if you hurt her, I will hunt you down with a posse… | |
| [32:54] | Not literally, but you know what I mean. | |
| [32:57] | I’m sorry, but, uh… you got the wrong guy. | |
| [33:01] | Okay, if that’s the way you want to play it. | |
| [33:04] | That’s the way it is. | |
| [33:07] | [Meghan] I can’t tell you everything, she’d kill me, but basically, | |
| [33:11] | Felicity followed my advice and now it’s a disaster. | |
| [33:14] | Normally, I wouldn’t give a rat’s ass but with her I have this thing. | |
| [33:18] | I feel protective or something. It’s so annoying. | |
| [33:23] | – Hey, Sean. – Yeah. | |
| [33:25] | – What’s on the ceiling? – Nothing. | |
| [33:29] | – Do you think I’m overbearing? – Yeah. | |
| [33:33] | I’m serious, I mean, do you think people are put off by me? | |
| [33:38] | You’re not a wallflower. You walk into a room, people know it. | |
| [33:41] | – Great. Now my wife agrees. – Agrees with who? | |
| [33:44] | Nobody. Just everyone at work. | |
| [33:49] | Listen. | |
| [33:53] | I’m an honest person. I’ve been that way my whole life, I was born that way. | |
| [33:58] | And sometimes, people whine. They tell me I’m too harsh. | |
| [34:03] | But there’s nothing you can do about that. That’s who you are. | |
| [34:06] | No, I can tone it down anytime I want. The thing is, I like being that way. | |
| [34:11] | You gotta know when to turn it on and when to turn it off. | |
| [34:14] | When to use the ball-peen hammer, when to use the sledgehammer. | |
| [34:18] | – You just lost me. – Doesn’t matter, I quit this afternoon. | |
| [34:21] | – What? – Yeah, I lost an account. | |
| [34:24] | Wait, one bad day at work and you quit? That’s the stupidest thing I ever heard. | |
| [34:28] | You might want to use the ball-peen. | |
| [34:30] | Stop with the hammer, now. You love that job. | |
| [34:35] | I know! | |
| [34:44] | – Did you tell her to stop the presses? – No. | |
| [34:47] | – You want me to do it for you? – No. | |
| [34:50] | God, talk about annoying. | |
| [34:58] | Professor Carnes, do you have a minute? | |
| [35:02] | I was just about to ask you the same thing. | |
| [35:04] | – Really? – What’s up? | |
| [35:07] | – You go first. – Okay. | |
| [35:10] | Well, it’s about your paper. | |
| [35:11] | The editorial board read it and they had some questions. | |
| [35:15] | Apparently, one of the members thought some of the material sounded familiar. | |
| [35:19] | Familiar? | |
| [35:20] | Yes, and they were wondering if it was your work. | |
| [35:23] | I told them what a great student you are. | |
| [35:26] | There’s no way you would do something like that. | |
| [35:28] | Yeah, no… Um… | |
| [35:31] | But if you do change your mind about wanting to publish it… | |
| [35:35] | Are you kidding? I support you 1 00°/.. | |
| [35:38] | They’ll clear this up in no time. | |
| [35:41] | So what was it you wanted to ask me? | |
| [35:45] | It’s not important. Thanks. | |
| [35:52] | What happened? | |
| [35:54] | – They know. – What? | |
| [35:55] | The editorial board knows it’s not my work. | |
| [36:00] | Oh, crap. | |
| [36:10] | Hey, here. | |
| [36:13] | Oh, my God. This is it! | |
| [36:15] | I didn’t go to the library and steal one that wasn’t it. | |
| [36:17] | And you’re right, that guy Jerry’s a freak. | |
| [36:20] | – Who’s Jerry? – Jerry, that wack-job that works there. | |
| [36:23] | I promised to go out with him Saturday. | |
| [36:25] | – What? – It’s the only way I could get by him. | |
| [36:29] | Meghan, thank you. | |
| [36:31] | No, no, I’m not actually going out with him. lt was… What’s the matter? | |
| [36:36] | Nothing, just some guy from the editorial board called. | |
| [36:39] | I have a meeting next week to show them the references I used. | |
| [36:43] | Oh, my God! Could these people please get a clue? | |
| [36:47] | Everybody does this. It’s not that big a deal. | |
| [36:50] | – Want me to go talk to them? – No. | |
| [36:52] | – Why? It’s my fault. – No, it’s not your fault. | |
| [36:55] | You’re right. It’s Ben’s fault. | |
| [36:57] | lf he hadn’t got Miss Booze-Cruise preggers, you’d have… | |
| [37:00] | It’s my fault. It was such a stupid thing to do. | |
| [37:03] | I’ll be known as the girl who got kicked out of college for copying a paper. | |
| [37:07] | lf they kick you out for this, I’ll set the administration building on fire. | |
| [37:12] | And in a year, you’re not even gonna remember this happened. | |
| [37:15] | Hell, you probably won’t even remember me by then. | |
| [37:18] | What? Of course I’m gonna remember you. We’ll probably see each other every day. | |
| [37:23] | Really? You think after this, we’ll be friends? | |
| [37:26] | Yes! | |
| [37:28] | Okay, God, I was just asking! | |
| [37:31] | Relax, freak show. | |
| [37:35] | I think I just made the feet too big. Hold on. | |
| [37:38] | You know what, let me call you back. Yeah, I will. Bye. | |
| [37:42] | – Hey. | – Hey. |
| [37:43] | So, I just… talked to Webb and he’s giving me a second chance. | |
| [37:47] | – He gave me my job back. – That’s great, Sean, that’s great. | |
| [37:54] | Yeah, I basically told him that I… you know… | |
| [37:57] | I’m gonna change my style, make it more like yours. | |
| [38:00] | No, that’s the last thing you wanna do. We bring different things to the table. | |
| [38:05] | Yeah, one of the things you bring is loyalty. Webb told me you stuck by me. | |
| [38:09] | Of course. You have your own way of doing things and it’s great. | |
| [38:12] | – It’s just it’s too big. – No, it’s not. | |
| [38:16] | Sometimes, yes, it’s a little big. | |
| [38:19] | – But you’ll keep me in check, right? – Yeah. | |
| [38:25] | – Thanks. – Of course. | |
| [38:44] | Rita, what are you doing? | |
| [38:47] | Oh, I was just coming to talk to you. | |
| [38:49] | ln that? | |
| [38:52] | I signed up for some lessons. | |
| [38:56] | It turns out you were right. Michael is a lot like Tennessee Williams. | |
| [39:01] | [whispers] I knew it. | |
| [39:04] | – Did he come right out and tell you? – Yeah. | |
| [39:09] | – Javier, I’m sorry. – No, I’m sorry. You really liked him. | |
| [39:13] | I did. But there’ll be someone else, right? | |
| [39:15] | Yeah, I wasn’t kidding about that guy in my tennis class. | |
| [39:18] | The one that looks like a young Warren Beatty? | |
| [39:21] | Okay, a middle-aged Warren Beatty. Kinda like Bugsy with Botox. | |
| [39:27] | But he has a really good forehand. | |
| [39:29] | That’s okay, as long as he’s straight. | |
| [39:31] | Lately, every guy I like turns out to be gay. | |
| [39:35] | You and me both. | |
| [39:37] | So, does this mean that we get to be mixed doubles partners now? | |
| [39:40] | Of course. But you should know, I’m not very athletic. I’m warning you. | |
| [39:45] | Who said anything about athletic? | |
| [39:47] | You look good on the court. ln this game, that’s all that matters. | |
| [39:51] | I agree. I love your new shirt… | |
| [40:02] | Hi. | |
| [40:04] | Hey. | |
| [40:11] | What are you doing? | |
| [40:13] | I was just looking at this. It was on your desk. | |
| [40:20] | It’s pretty hard to get used to, isn’t it? | |
| [40:23] | Yeah, a little. | |
| [40:41] | So I saw that lawyer today. | |
| [40:45] | Yeah, how did that go? | |
| [40:48] | Not so good. She thinks I should move to Arizona. | |
| [40:53] | What? | |
| [40:55] | But I told her that’s not gonna happen. | |
| [40:58] | I’m not going anywhere. | |
| [41:00] | I’m not. | |
| [41:04] | And you know that, right? | |
| [41:06] | Hey. | |
| [41:08] | I’m not going anywhere. | |
| [41:13] | – Can I tell you something? – Yeah. | |
| [41:17] | – You know my art history paper? – Yeah? | |
| [41:19] | – They think I copied it. – What do you mean? That’s crazy. | |
| [41:24] | I did, I copied it. I went to the library and I… | |
| [41:29] | – I copied someone’s dissertation. – Why? | |
| [41:33] | I don’t know. I’ve just been… | |
| [41:36] | so freaked out about everything that’s going on with us. | |
| [41:39] | I can’t concentrate, I couldn’t write… | |
| [41:46] | I’m in such big trouble. I don’t even know if I’m gonna graduate. | |
| [41:50] | No, you’re gonna graduate. | |
| [41:53] | You are. | |
| [41:55] | Look, I know I’ve said it a thousand times but we are gonna get through this. | |
| [42:01] | We are. | |
| [42:05] | This time I’m just not so sure. |