| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | Previously on Felicity. | |
| [00:02] | If you’re going to complete the next lab, figure this out. | |
| [00:06] | You were right. This guy sucks. | |
| [00:09] | If you have a problem, no one’s forcing you to stay. | |
| [00:12] | The next few days are gonna be crazy because… I’m in a beauty pageant. | |
| [00:17] | – What was that? – All the other scholarships were taken. | |
| [00:21] | Best evening wear goes to… | |
| [00:24] | …Felicity Porter. | |
| [00:25] | I have a solution to your tuition problem. It’s a T.A. position. | |
| [00:31] | Professor May, I just wanted to say | |
| [00:33] | that although I have hardly any experience as a teaching assistant… | |
| [00:39] | um, actually, zero experience… | |
| [00:43] | um, I’m incredibly enthusiastic and hard-working, | |
| [00:46] | and, for what it’s worth, I think I’d do a great job. | |
| [00:49] | What do you think of this scarf? | |
| [00:53] | I saw it at Bloomingdale’s and just had to have it. | |
| [00:59] | It’s great. | |
| [01:02] | Here. Take it. | |
| [01:04] | – Oh, no. – Go on. | |
| [01:06] | I have hundreds just like it. | |
| [01:10] | Thank you. | |
| [01:13] | How do you think you’d be at running critiques? | |
| [01:16] | – Critiques? – Give this one a shot. | |
| [01:19] | Okay. Well, first of all, | |
| [01:23] | there’s an obvious tenderness that the artist has for the subject. | |
| [01:28] | But? | |
| [01:31] | But, uh, | |
| [01:34] | I think it’s a little derivative of the post-Impressionists, | |
| [01:37] | and I’d probably tell the artist to try to find his or her own style. | |
| [01:42] | Hers. | |
| [01:45] | It’s yours? | |
| [01:48] | It’s also my litmus test for future T.A.’s, | |
| [01:54] | and you passed. | |
| [01:55] | – I did? – Congratulations. | |
| [01:57] | – You got the job. – Thank you. | |
| [02:03] | And thank you for the scarf. | |
| [02:05] | [Elena] Was she hitting on you? | |
| [02:07] | – No. She’s, like, 70 years old. – So? | |
| [02:11] | Maybe that’s what we could go as. Old ladies. | |
| [02:13] | This party will be full of men. I don’t want to look old. I want to look hot. | |
| [02:19] | Hey. Where do you want me to put this puppy? | |
| [02:22] | Hey, Richard. Just in the kitchen. Thanks. | |
| [02:24] | I invited all my friends to the party tomorrow night. | |
| [02:28] | – All three of ’em. – I heard that. | |
| [02:32] | Richard, what are you coming dressed as? | |
| [02:35] | Can’t tell you. | |
| [02:36] | All I can say is be prepared to be majorly wowed. | |
| [02:40] | – Hello. Anyone home? – We’re back here. | |
| [02:42] | Yeah, it’s completely homemade and totally sweet. | |
| [02:45] | – What is it? A pie? – No, it’s not. | |
| [02:48] | – The door was wide open. – I’m on my way out. | |
| [02:50] | – Pay me back for the kegger? – [Felicity] Yeah. Thank you. | |
| [02:53] | – Bye. – Bye! | |
| [02:57] | Hope you two Halloween hostesses don’t mind, but I need a secret hideaway. | |
| [03:00] | Why? What’s going on? | |
| [03:02] | Samuel takes me for granted. | |
| [03:05] | We’ll see how well he does without me. | |
| [03:07] | What happened? What did he do? | |
| [03:09] | Well, I tried on my costume as Carmen Miranda. | |
| [03:13] | I had the dress, the turban, most of the fruit, | |
| [03:16] | and you know what he said to me? | |
| [03:18] | – What? – “Didn’t you wear that last year?” | |
| [03:21] | As if anyone could forget my costume last year. | |
| [03:26] | Okay. Well, you can forget, but not my husband. So I left. | |
| [03:31] | He’s not gonna make it two hours. I keep his life together. | |
| [03:34] | – I’m sure he’ll call and apologize. – And if he doesn’t, I’ll kick his butt. | |
| [03:41] | You two are the best. | |
| [03:44] | Come on. Group hug. | |
| [03:46] | Come on, come on. I need one, please. | |
| [03:49] | Okay, all right. Okay, you’re not really hugging, though. | |
| [03:53] | – So… – Oh! | |
| [04:02] | # Can you become | |
| [04:09] | # A new version of you | |
| [04:12] | # New wallpaper | |
| [04:14] | # New shoe leather | |
| [04:17] | # A new way home | |
| [04:19] | # I don’t remember | |
| [04:23] | # New version of you | |
| [04:26] | # I need a new version of me | |
| [04:31] | # New version of you | |
| [04:35] | # I need a new version of me # | |
| [04:49] | – Hi. I’m Ben. – [people] Hi, Ben. | |
| [04:52] | So, I made a pretty big decision this year. I’m premed. | |
| [04:59] | Which has been kind of tough, | |
| [05:01] | ’cause I’ve really never been that strong a student. | |
| [05:07] | Most people didn’t think I could do it. | |
| [05:10] | Maybe I didn’t think I could do it. | |
| [05:14] | Then last week this whole thing happened in chemistry class. | |
| [05:19] | And it made me realize that, I don’t know, maybe I was wrong. | |
| [05:43] | – That sucked. – Yeah, didn’t he say… | |
| [05:46] | – Totally. – What a dick. | |
| [05:49] | He specifically told us not to worry about benzene compounds. | |
| [05:53] | It’s like he wants us to fail. | |
| [05:58] | You didn’t fail. | |
| [06:00] | I mean, if anything, you just missed a few questions. | |
| [06:04] | I missed more than a few questions. I missed a whole section. | |
| [06:08] | – Maybe you misunderstood him. – I didn’t misunderstand him. | |
| [06:12] | – I’m not a complete idiot. – That’s not what I meant. | |
| [06:17] | You were in premed. O- chem is where they weed people out. | |
| [06:29] | What can I do to help? | |
| [06:33] | Nothing. | |
| [06:38] | Why do we have to return these? They’re just bath towels. | |
| [06:41] | – They’re not just bath towels. – They’re Egyptian cotton. | |
| [06:44] | You have any idea how much Uncle Eliot paid for these? | |
| [06:47] | Uncle Eliot should have gotten the initiaIs right. | |
| [06:49] | I am Meghan Rotundi, not Blumberg. “M.R.” | |
| [06:52] | I’m gonna choose not to be offended by that. | |
| [06:54] | Seriously, feel these. They’re so snuggly and soft. | |
| [06:57] | – What the hell? – Hi there. | |
| [07:00] | Barb Jones, trend-spotter for Teeny-Bop magazine. | |
| [07:02] | – Teeny what? – My job is to spot | |
| [07:04] | the next big thing before it becomes the next big thing, | |
| [07:07] | and that shirt, huge. | |
| [07:09] | – Trust me. – Really? | |
| [07:11] | She actually made this shirt. | |
| [07:13] | And these are actually tube socks for sleeves. | |
| [07:16] | It is great. If I could get you to sign this release form, | |
| [07:20] | we can publish those pictures. | |
| [07:22] | – Thanks. – I don’t think so. | |
| [07:25] | – Are you serious? – Are you annoying? Let’s go. | |
| [07:28] | – When you say big thing, how big? – Sean! | |
| [07:44] | Wait, you guys. I’m sure Professor May’s gonna be here any minute. | |
| [07:48] | – Who are you? – Felicity Porter. I’m the T.A. | |
| [07:51] | Oh, we have a T.A. now? What for? | |
| [07:54] | Um, to assist with teaching. | |
| [07:58] | I’ve seen you before. | |
| [08:01] | I’ve gone to school here for four years, so it’s definitely possible. | |
| [08:05] | Nah, it wasn’t here. It was at the Sunrise Beauty Pageant. | |
| [08:09] | I worked the sets. You won Miss Evening Gown, right? | |
| [08:13] | Um… No, I mean, I don’t… No, that wasn’t me. | |
| [08:18] | Oh, excuse me. Who’s in charge in here? | |
| [08:21] | – Oh, Miss Evening Gown over there. – I’m the T.A. | |
| [08:24] | Ah. | |
| [08:25] | Kathy Lindstrom from Administration. | |
| [08:28] | – Do you think you and I could talk? – Sure. | |
| [08:36] | I have bad news. I got a call from the police. | |
| [08:39] | Professor May has been arrested for shoplifting. | |
| [08:45] | Are you kidding? | |
| [08:46] | They caught her at Bloomingdale’s | |
| [08:48] | stuffing a hat and a scarf into her purse. | |
| [08:52] | – Really? – Apparently she has a real sickness. | |
| [08:56] | I know this is last-minute, but if you could run her next few classes… | |
| [09:02] | I don’t know if that’s a good idea. I’m not qualified. | |
| [09:05] | Until I find a replacement. | |
| [09:08] | The thing is, I mean, I can already tell | |
| [09:11] | that these students aren’t gonna listen to me. | |
| [09:15] | Just keep them busy. | |
| [09:17] | I promise. I will find you somebody as soon as I possibly can. | |
| [09:35] | Ring, you stupid thing. | |
| [09:40] | What’s he waiting for? It’s been like a day already. | |
| [09:44] | [sighs] | |
| [09:45] | I need a distraction. Otherwise, I’m going to call him. | |
| [09:48] | – How about a movie? – No. | |
| [09:50] | Movies remind me of Samuel. | |
| [09:52] | Okay, um, how about a bar? | |
| [09:56] | – I met Samuel in a bar. – Right. | |
| [10:04] | Lionel Richie! In Atlantic City. That would do it. | |
| [10:07] | We’re not going. It’s a two-hour drive. | |
| [10:10] | You got someplace better to be? | |
| [10:12] | Here. There’s a Halloween party here tonight. | |
| [10:15] | Nobody loves Halloween more than me, but this is Lionel. | |
| [10:19] | And your point is? | |
| [10:21] | I saw his concert in Central Park my first summer in America. | |
| [10:25] | And I was young… well, younger… | |
| [10:28] | and full of hope and… it was a party all night long. | |
| [10:36] | I want to feel that way again. Hey. | |
| [10:39] | If you haven’t seen Lionel live, you haven’t lived. | |
| [10:43] | No offense, but you could use a trip, too. | |
| [10:46] | – What does that mean? – I know all about you and Felicity. | |
| [10:52] | Don’t worry. Your secret is safe with me. | |
| [10:54] | But what are you gonna do at this party? | |
| [10:57] | Stare at Felicity and Benjamin looking thin in their costumes? | |
| [11:00] | – Yes. I’m fine with that. – And I’m fine staring at this phone. | |
| [11:04] | – We can make the late show. – I don’t want to go. | |
| [11:08] | – Yes, you do! – Lionel Richie. I’m not a fan. | |
| [11:11] | You will be. Everyone’s a fan of Lionel. | |
| [11:14] | Oh! | |
| [11:41] | How’d you do? | |
| [11:46] | Me, too. | |
| [11:54] | – What are you doing? – Sir, can I talk to you? | |
| [11:57] | Office hours are Monday and Friday, 3 to 5. | |
| [11:59] | Yeah, I know. It’s about the midterm. | |
| [12:01] | – We think it was unfair. – Unfair? | |
| [12:03] | There were questions on benzene… | |
| [12:05] | That’s the beauty of science. There’s a right and a wrong answer. | |
| [12:08] | – Fairness has nothing to do with it. – But you specifically said… | |
| [12:11] | Sir, we were hoping that we could retake the test. | |
| [12:15] | Not everyone failed. Most of your colleagues passed. Some even got A’s. | |
| [12:19] | You said benzenes would not be on the test. | |
| [12:22] | You’re both premed. What will you do when a dying patient comes to you? | |
| [12:26] | – Say “It wasn’t on the syllabus.”? – Look, we can’t fail this class. | |
| [12:30] | That’s too bad. You’re both well on your way. | |
| [12:37] | Sir, give us a chance to retake the test. | |
| [12:40] | This conversation’s over. | |
| [12:42] | – You’re being unfair… – Did you hear me? | |
| [12:45] | This conversation is over. | |
| [12:47] | Why do you have to be such a dick about it? | |
| [12:53] | I want you both out of this class now. I’m failing you both. | |
| [12:57] | No, we need this class. | |
| [12:58] | You should have thought of that before you opened your mouths. | |
| [13:16] | [door slams] | |
| [13:21] | My dad’s gonna murder me. | |
| [13:27] | Maybe I just won’t tell him. | |
| [13:35] | – Your dad a doctor? – [laughs] | |
| [13:38] | No, my dad’s not a doctor. | |
| [13:42] | Mine’s a vascular surgeon. | |
| [13:46] | Only time he talks to me is to tell me how H.M.O.’s are ruining medicine, | |
| [13:51] | or how stupid the nurses are. | |
| [13:54] | Not so stupid he won’t sleep with them, though. | |
| [14:01] | He thinks I should be a pathologist. Stick to the autopsies. | |
| [14:07] | That way I can’t kill anybody. | |
| [14:17] | Man, I’m really sorry for getting you kicked out. | |
| [14:21] | – What are you talking about? – You didn’t do this. Hodges did. | |
| [14:24] | I’m still sorry. | |
| [14:28] | – You wanna get another? – Oh, yeah. | |
| [14:31] | Can we get two more, please? | |
| [14:42] | Jackie, oh, do you look good! | |
| [14:44] | Yeah, whatever. | |
| [14:46] | What about me? Ready? | |
| [14:48] | [clears throat] Ari, Ari, Ari. | |
| [14:50] | The only thing to fear, Ari, is fear itself, Ari. | |
| [14:54] | That’s F.D.R., not J.F.K. | |
| [14:56] | – Really? – Really. | |
| [14:58] | You sure? | |
| [15:00] | I talked to a friend who runs a factory specializing in low-end textiles. | |
| [15:03] | – You mean a sweatshop? – No. | |
| [15:06] | Sort of. He’s a nice guy, though. | |
| [15:08] | He could make the sock shirts for $3.50 apiece. | |
| [15:11] | – Excuse me? – $3.50. | |
| [15:13] | I’m thinking we could wholesale those out for a tenner. | |
| [15:16] | – This is like printing money. – You’re not selling my look. | |
| [15:18] | – It’s not your look. It’s your shirt. – It’s who I am. | |
| [15:21] | You heard the trend-spotter. This could be huge. | |
| [15:24] | Huge, Ari. Come on. | |
| [15:26] | – Your dad will be asking me for money. – First, no, he’s not. | |
| [15:30] | Second of all, you’re not selling ’em. | |
| [15:32] | I don’t understand what the problem is. | |
| [15:33] | Then you don’t understand me. | |
| [15:37] | I’ll see you at the party. | |
| [15:40] | Jackie treated Jack with a lot more respect than that. | |
| [15:51] | – That was the worst bus ride ever. – Are you gonna complain the whole time? | |
| [15:54] | I’m not the one calling my voicemail every five minutes. | |
| [15:57] | We’re out of range. How would I know if someone called if I don’t check? | |
| [16:01] | – [gasps] – What? | |
| [16:02] | – Oh, no, no. This can’t be happening. – Lionel Richie sold out? | |
| [16:07] | I told you. The American people love Lionel. | |
| [16:10] | What am I gonna do? I am seconds from calling Samuel. | |
| [16:13] | I need Lionel! | |
| [16:15] | – You guys looking for tickets? – Oh, yes, thank you. | |
| [16:18] | – Two for $400 apiece. – No, that’s 800 bucks. | |
| [16:21] | Oh, excuse us one second. How much do you have? | |
| [16:25] | Javier, I do not have 800 bucks. | |
| [16:27] | Okay, neither do I. | |
| [16:29] | We’re gonna have to earn it like everyone else does. | |
| [16:32] | At the slot machines. | |
| [16:33] | Everyone loses money at the slot machines. We’re not doing it. | |
| [16:37] | I’m not kidding around, Noel. Lionel is my only hope. | |
| [16:40] | So hold the phone. No matter what, do not let me call Samuel. | |
| [16:44] | Mr. Scalper, we’ll be right back, please. ‘Kay. | |
| [16:58] | He kept telling the class that I was Miss Evening Gown. | |
| [17:02] | Tell them all to mind their own business. | |
| [17:04] | Tear this ship apart | |
| [17:06] | until you’ve found those plans, and bring me the passengers. | |
| [17:09] | I want them alive! | |
| [17:11] | Is this a shoe-in for the cash prize or what? | |
| [17:14] | – It’s me, Richard. – Can you breathe in that? | |
| [17:16] | – I’m serious about the cash prize. – How much you guys doling out? | |
| [17:22] | – Amateurs. – You look so great! | |
| [17:29] | Bet she appreciates a good costume. | |
| [17:31] | – Go get her. – Ladies. | |
| [17:39] | You mind? I gotta talk to my wife. | |
| [17:41] | [sighs] I am his wife. It’s true. For now. | |
| [17:47] | Sell any more of my stuff yet? | |
| [17:55] | Uh, I’m sorry. I am. | |
| [17:58] | I know how important your individuality is. | |
| [18:01] | I do. I just… This whole thing with your parents hating me, | |
| [18:05] | it’s throwing me off my game. | |
| [18:07] | I need a hit, clearly. But it’s not gonna be your sock shirt. | |
| [18:12] | I don’t think the sock shirt was the key to my dad’s heart. | |
| [18:16] | – You know what the key to my heart is? – What? | |
| [18:19] | – Those little ’60s hats. – Oh. | |
| [18:22] | – They really turn me on. – Really? | |
| [18:24] | Mm-hm. | |
| [18:27] | You’re getting kind of into your role there, Jack. | |
| [18:29] | Oh, really? | |
| [18:37] | – Hey! | – Hey! |
| [18:40] | – You look great. – Thank you. | |
| [18:43] | Have you guys been drinking? | |
| [18:45] | Yeah, a little bit. | |
| [18:48] | This is Trevor. This is my girlfriend, Felicity. | |
| [18:51] | Hi. | |
| [18:52] | – Where’s the keg? – It’s in the kitchen. | |
| [18:56] | What? | |
| [18:59] | – What’s going on? – Oh, we got kicked out of o-chem. | |
| [19:03] | – What? – I don’t want to talk about it. | |
| [19:05] | Yeah, don’t really want to talk about it, | |
| [19:08] | so, uh, where’s the keg? | |
| [19:12] | – I think it’s still in the kitchen. – Right. | |
| [19:16] | Let’s go get lit, bro. | |
| [19:17] | – See ya. – [Felicity] All right. | |
| [19:19] | I’ll talk to you about that later. | |
| [19:27] | – [Javier] A kiss for you. – That’s your gambling ritual? | |
| [19:31] | It works. Watch. | |
| [19:35] | The idea is to get three of a kind. | |
| [19:43] | You have to put in three dollars, not one. | |
| [19:45] | Why three? Then I lose three times as much. | |
| [19:47] | Put in one and hit a jackpot, you barely win anything. | |
| [19:51] | You gotta maximize your chances. | |
| [19:52] | [woman squeals] | |
| [19:54] | That lady knows how to play. Five dollars a pull. Smart woman. | |
| [19:57] | Do it again. You’re gonna win this time. | |
| [20:00] | This is like love. | |
| [20:01] | You put your heart on the line, and it comes up snake eyes. | |
| [20:05] | That’s what’s so great about Lionel. | |
| [20:07] | For him, love is dancing on the ceiling. There’s always hope. | |
| [20:12] | Okay. | |
| [20:13] | All right, this time I put in three. | |
| [20:16] | – Put in three. – One, two, three. | |
| [20:20] | This kissing reminds me of Samuel. Give me the phone. | |
| [20:23] | – You’re not calling him. – I can’t take it. | |
| [20:25] | – Give me the phone! – I’m not giving you the phone. | |
| [20:27] | – I want to see if he called. – Hey, come on! | |
| [20:31] | Look, I got 21. | |
| [20:32] | That’s not 21. That’s a jackpot! | |
| [20:34] | [bell ringing] | |
| [20:36] | Here. Hold the phone. | |
| [20:37] | Oh, my God! Okay. | |
| [20:39] | Hold the phone. Don’t touch my money! | |
| [20:44] | Your Highness, we will discuss the location of your hidden rebel base.” | |
| [20:50] | – So, Darth… – Call me Richard. | |
| [20:52] | So, Richard, you must be thirsty. Do you want a drink? | |
| [20:56] | Yeah, that’d be great. | |
| [21:06] | [grunting] | |
| [21:10] | Um, can you hold on a minute? | |
| [21:14] | Yeah, sure. | |
| [21:19] | – [shouts] – Yo! | |
| [21:25] | – It’s stuck! – What? | |
| [21:27] | – My mask! I can’t get it off! – It’s stuck? | |
| [21:30] | That’s what I said. | |
| [21:35] | – Cheers, gentlemen. – Whoo! | |
| [21:54] | [Trevor] Come on, come on, come on. | |
| [22:03] | Yeah! | |
| [22:15] | No tequila shots? | |
| [22:20] | No. | |
| [22:23] | No. | |
| [22:35] | You wanna talk about it? | |
| [22:41] | I don’t know. | |
| [22:45] | Just felt like I was ten years old. | |
| [22:49] | Like I knew I was right, but it just didn’t matter. | |
| [22:55] | He just would not admit he was wrong. | |
| [23:04] | Reminded me of the same old crap my father used to pull. | |
| [23:09] | [sighs] | |
| [23:14] | – Ow! Ow! Take it easy! – How did you get this thing on? | |
| [23:19] | I got a chick out there who’s hot for me. She’s practically a sure thing. | |
| [23:23] | I have to have my lips accessible if I’m going to make this happen. | |
| [23:26] | – Maybe we can cut it off. – What, are you nuts? | |
| [23:30] | This isn’t some Wal-Mart special. This baby’s Coad-made. | |
| [23:32] | It’s worth a lot of money. No cutting. | |
| [23:35] | Now, try again. Come on. Bring it. | |
| [23:39] | Ow! Ow! God, oh! | |
| [23:42] | Ah, oh! | |
| [23:43] | I’m okay! | |
| [23:44] | Oh, shoot! | |
| [23:46] | I’m starving. You wanna get something to eat? Let’s get something to eat. | |
| [23:51] | Okay. | |
| [23:57] | [chuckles] | |
| [24:08] | – What are you doing? – He’s out, man. | |
| [24:12] | – Trevor! – I was building that! | |
| [24:14] | Shut up, man! Wake up, Trevor. | |
| [24:19] | Call 911 right now. | |
| [24:36] | – You came in with Trevor O’Donnell? – Yes. How’s he doing? | |
| [24:40] | – He’s in a coma. – My God. | |
| [24:43] | His blood alcohol level was.38. The legal limit is.08. | |
| [24:48] | It’s good you called when you did. Otherwise, he’d be dead. | |
| [24:53] | – Is he gonna make it? – We won’t know for a while. | |
| [24:57] | You two should go home. Get some sleep. All we can do now is wait. | |
| [25:26] | – What are you doing? – Freezing my head. | |
| [25:28] | – Cold causes shrinkage. – That is never gonna work. | |
| [25:31] | You kidding me? This baby’s gonna slide right off. | |
| [25:36] | Hi. | |
| [25:39] | Ah. Oh, hey there. Just chilling out. | |
| [25:45] | It was nice to meet you. | |
| [25:47] | Oh, yeah. It was nice to meet you, too. | |
| [25:51] | It’s so weird. I did a tequila shot with that guy, Trevor. | |
| [25:55] | He seemed wasted, but I had no idea how bad. | |
| [25:59] | Kinda makes Halloween seem stupid, doesn’t it? | |
| [26:02] | Yeah, definitely. | |
| [26:08] | Okay. | |
| [26:10] | Well, see ya. | |
| [26:12] | Yeah. | |
| [26:20] | Stupid, stupid, stupid! | |
| [26:25] | It’s okay. It’s not like we lost everything. | |
| [26:28] | I got a few pennies left. | |
| [26:31] | I guess my lips aren’t as lucky as I thought. [sighs] | |
| [26:36] | Now I have no money, no love, no Lionel, no nothing. | |
| [26:41] | Except a lot of blackheads. | |
| [26:43] | Javier, I’m sure SamueI’s gonna call you. | |
| [26:45] | It doesn’t matter. | |
| [26:46] | The one thing this extravaganza has taught me, don’t gamble with the heart. | |
| [26:50] | That’s the whole point. If you don’t play, you can’t win. | |
| [26:54] | But it’s rigged! The house always wins. | |
| [27:01] | – What? – That’s him. | |
| [27:02] | – Who? – That’s him. Lionel Richie. | |
| [27:05] | Okay, just be cool. Act like we’re equals. | |
| [27:08] | Okay. | |
| [27:09] | Excuse me. I hate to bother you, Mr. Richie, | |
| [27:12] | while you’re about to take care of business, but I am your biggest fan. | |
| [27:19] | Um… Thank you so much. | |
| [27:22] | We came from the Big Apple to see your concert, but it was sold out. | |
| [27:27] | Noel couldn’t believe it was sold out, | |
| [27:29] | but I said, “Of course it’s sold out. It’s Lionel Richie. | |
| [27:32] | Everyone knows Lionel, because Lionel loves love.” | |
| [27:39] | Can you autograph my chest? Could we do that on a piece of paper? | |
| [27:43] | Oh! Get me some paper! | |
| [27:46] | Yeah, so, um… Can I ask you something? | |
| [27:52] | – Sure. – I mean, you’re so smart | |
| [27:55] | and know so much about the ways of love and dancing on the ceiling, | |
| [28:00] | and so I was wondering if I could ask you for some advice. | |
| [28:04] | Like when Lionel and his lady fight, what does Lionel do? | |
| [28:12] | – Well, my theory is that… – Should I be writing this down? | |
| [28:16] | – Yeah? Do you have a pen? – No. | |
| [28:19] | – Give me your pen! – Guys, guys. | |
| [28:21] | You have a pen! [sniffs] | |
| [28:26] | No matter what it is, no matter how angry you get, | |
| [28:29] | you just tell her, “Honey, you’re right.” | |
| [28:34] | – That works? – Every time. | |
| [28:40] | Um, did you want me to… | |
| [28:43] | Oh, yes. | |
| [28:44] | To Javier. Um, with a “J.” | |
| [28:47] | – Javier with a “J.” – Yes. | |
| [28:51] | Thank you so much. Thank you for everything. | |
| [28:54] | Thank you. | |
| [29:11] | – Hi. What’d you get? – Uh, nothing. | |
| [29:15] | Sean? | |
| [29:20] | They’re… They’re sock shirts. | |
| [29:22] | Okay? But I ordered them before last night. | |
| [29:25] | And I think they’re great. | |
| [29:27] | Okay, clearly, you’re not hearing me. | |
| [29:30] | It’s clothin. It’s nothing personal. | |
| [29:32] | It is personal. To me. It’s part of my look. | |
| [29:35] | If you sell it to everyone else, I’ll look like everyone else. | |
| [29:38] | – Let’s be honest. You already do. – What? | |
| [29:40] | The sock shirt’s great, but your whole look? Come on. | |
| [29:45] | It’s not like you’re breaking new ground. | |
| [29:47] | What do you know about fashion? You wear tube socks. | |
| [29:50] | – So do you! – As sleeves. | |
| [29:52] | That’s what I think is fantastic. Come on! | |
| [29:56] | – Don’t you want to see the shirts? – [door slams] | |
| [30:13] | All right. Let’s start with… Let’s start with this one. | |
| [30:23] | I’ll go ahead and start. What I like about this drawing | |
| [30:26] | is how the artist uses black and white to explore light. | |
| [30:30] | Like, right here. | |
| [30:31] | It really looks like light reflecting off glass. | |
| [30:34] | Whose is this? | |
| [30:37] | – It’s really good, Max. – I was inspired by you. It’s a tiara. | |
| [30:46] | Why don’t we come back to this one? | |
| [30:48] | Don’t you want to know what about you inspired me? | |
| [30:52] | The packaging and objectification of the feminine form. | |
| [30:54] | – Do you get a scholarship for that? – No, I personally did not. | |
| [30:59] | Well, you got a T.A. position. | |
| [31:04] | I am here because I’m an art major, not because I won a prize. | |
| [31:07] | Oh. | |
| [31:09] | – Miss Porter? – Yes. Felicity. | |
| [31:12] | Not to judge you for entering a beauty pageant, | |
| [31:16] | but I have to say that we, as artists, | |
| [31:19] | will be fighting the pressures of commercial concerns | |
| [31:22] | at every turn, and you traded on your looks. | |
| [31:26] | You already sold out. | |
| [31:28] | It’s not a lesson I want to pay to learn in this or any class. | |
| [31:40] | Thank you. | |
| [31:53] | I already kicked you out of this class. Don’t make me do it again. | |
| [31:58] | I just thought you should know what happened. | |
| [32:01] | Trevor O’Donnell is in a coma. | |
| [32:07] | He got alcohol poisoning. | |
| [32:11] | After you kicked us out, we went drinking. | |
| [32:22] | We came to you for help. That’s your job, isn’t it? To help your students? | |
| [32:28] | No, my job is to teach chemistry. | |
| [32:30] | All we asked was that you be fair, let us retake the test. | |
| [32:33] | If coming is your attempt to get back… | |
| [32:36] | I don’t care about this stupid class. He’s in a coma. | |
| [32:43] | Would it have been that big of a deal for you to admit that you were wrong? | |
| [33:04] | A paper towel autographed by Lionel Richie. That’s not bad. | |
| [33:08] | Whatever. | |
| [33:10] | Look, why don’t you just call Samuel? You’ll feel a lot better. | |
| [33:16] | Maybe you’re right. Why am I holding out? I love the guy. | |
| [33:21] | – I don’t know how you do it. – What? | |
| [33:24] | Live without being with the one you love. | |
| [33:28] | [cell phone rings] | |
| [33:33] | Hello? It’s him! | |
| [33:41] | He says he’s sorry. Oh, I miss you so much, too! | |
| [33:47] | Oh, the last two days have been terrible! | |
| [33:50] | Oh! | |
| [33:52] | Oh, we went to Atlantic City, and we met Lionel Richie. | |
| [33:58] | Yes, of course I’m serious. | |
| [34:00] | Yeah, I got his autograph and everything. | |
| [34:07] | Why would I lie about that? | |
| [34:12] | I met Lionel Richie. | |
| [34:14] | In the men’s room at the casino. Here we go again. | |
| [34:19] | Javier, Javier. Remember LioneI’s theory. Okay? | |
| [34:25] | Okay, you know what? You know what? | |
| [34:28] | Honey, you are right. | |
| [34:38] | Oh, I love you, too. | |
| [34:41] | Oh, that is so sweet. | |
| [34:45] | Oh, you’re so bad. Oh! | |
| [34:48] | No, I… No. | |
| [34:51] | – I’m allergic to leather. – Javier, come on. | |
| [34:54] | Let me call you back. Okay, I’ll rush… | |
| [34:57] | – Latex is okay, but… – Come on. | |
| [34:59] | Okay, I gotta go. Okay, bye. | |
| [35:03] | Are you still in bed? It’s noon. | |
| [35:08] | I don’t wanna be a T.A. | |
| [35:11] | They sing the theme to Miss America every time I walk in the room. | |
| [35:15] | You see? That makes me mad. You don’t have to take that. | |
| [35:20] | Yeah, but they’re right. | |
| [35:22] | I was in a beauty pageant, and I’m not a good T.A. | |
| [35:27] | – I’m sorry, but can I say something? – What? | |
| [35:29] | You have to stop apologizing for who you are and what you’ve done. | |
| [35:34] | You’re not the first to screw up on their way to figuring out who they are. | |
| [35:42] | You gotta own your mistakes and get some strength from them. | |
| [35:47] | You know what I’m saying? | |
| [36:03] | [students whistle] | |
| [36:07] | Yes, I was in a beauty pageant, and this is the dress I wore. | |
| [36:13] | Any questions? | |
| [36:15] | Good. Let’s get started. | |
| [36:18] | Who wants to go first? | |
| [36:21] | Professor Cavallo. | |
| [36:23] | Miss Porter. What are you doing? | |
| [36:26] | I’m… I’m the T.A. | |
| [36:29] | I’m the new professor. | |
| [36:32] | Do you come to class like that, or is this in celebration of my first day? | |
| [36:36] | – [students laugh] – Um… | |
| [36:56] | [woman singing] # Living on the 13th floor | |
| [37:01] | # Only makes me love you more | |
| [37:05] | # Caught in a revolving door | |
| [37:08] | # Spinnin’ round | |
| [37:13] | # Looking through a telescope | |
| [37:18] | # Counting every star I know | |
| [37:22] | # Not that you’re my only hope… | |
| [37:26] | – Meghan? – Upstairs. | |
| [37:29] | – What are you doing? – It’s yours. | |
| [37:32] | Hey, you know, Halloween’s over. | |
| [37:35] | It’s not a costume. | |
| [37:38] | Uh, I don’t understand. | |
| [37:40] | It’s my new look. Get used to it. | |
| [37:45] | Really? | |
| [37:46] | – Mm-hm. – I like it. | |
| [37:49] | I know. Just don’t steal it. | |
| [38:18] | Uh, they’re not admitting visitors yet. | |
| [38:24] | – But he’s awake. – He is? | |
| [38:32] | I hear you handled the situation pretty well. | |
| [38:37] | Yeah. | |
| [38:45] | You may have been right. | |
| [38:52] | Maybe I could have been more helpful. | |
| [38:56] | [door opens] | |
| [39:03] | And I might have said that benzenes weren’t going to be on the test. | |
| [39:13] | My mistake. | |
| [39:18] | I’d better go. | |
| [39:25] | See you in class. | |
| [39:29] | Thank you, sir. | |
| [39:44] | You know, I have a son your age. | |
| [40:07] | [Ben] See, when I was a kid, my dad would get drunk, | |
| [40:11] | and he’d just kind of disappear for days. | |
| [40:15] | And then when he finally did show up, | |
| [40:19] | he’d just kinda pretend that we didn’t exist. | |
| [40:25] | I think when you’re a kid, you wanna fix things. | |
| [40:29] | You wanna help. | |
| [40:32] | That’s why I do want to become a doctor, so I can help. | |
| [40:38] | It’s just funny how something good comes out of something so bad. | |
| [40:52] | – Hey. | – Hey. |
| [41:03] | How’s the nature show? | |
| [41:04] | – Oh, it’s good. – It looks good. | |
| [41:07] | Yeah, I’m thinking maybe I could get a job as a zookeeper. | |
| [41:17] | Well, Hodges let us back in. | |
| [41:22] | – Really? – Yeah. | |
| [41:25] | And, uh, I still need a lab partner. | |
| [41:31] | I’ll think about it. I don’t think so. | |
| [41:36] | I’m very busy. | |
| [42:02] | [Ben] I don’t know. I guess I’m thinking that I can do this now. | |
| [42:09] | That maybe it’s not about the person who’s the best student. | |
| [42:15] | That maybe… | |
| [42:20] | That maybe it’s about the person who cares the most. |