| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | Previously on Felicity… | |
| [00:03] | So Noel’s just telling me about the animation project he and Felicity are doing. | |
| [00:06] | Have you seen it, Ben? Yeah, I have. It’s great. It’s really great. | |
| [00:09] | Why are you so angry? Because my mom made you admit | |
| [00:11] | that you have no plans, or because you have no plans? | |
| [00:14] | James, what are you doin’ here? | |
| [00:16] | You called me. | |
| [00:18] | Don’t threaten me, ok? I’ve told you this. | |
| [00:21] | Stop calling me! I don’t wanna talk to you anymore. | |
| [00:24] | I don’t wanna see you anymore. Goodbye! | |
| [00:28] | (Gunshot) | |
| [00:31] | What happened? | What happened? |
| [00:32] | We lost him. We chased him down Broadway. Is anybody hurt? | |
| [00:36] | I don’t know. Molly! Molly, are you ok? | |
| [00:39] | It’s my fault. No, it’s not your fault. Ok? This is not your fault. | |
| [00:42] | I’m so sorry. Listen. Have you seen Ben anywhere? | |
| [00:44] | He’s inside… | |
| [00:46] | (People shouting) | |
| [00:48] | Oh, my god. | |
| [00:51] | Get an ambulance. | |
| [00:52] | Yeah, yeah, yeah. | |
| [00:54] | (Phone beeps) | |
| [00:56] | Hi. Someone’s been shot. | |
| [00:59] | Uh, university of New York, sprose hall, ninth floor. | |
| [01:02] | You’re gonna need another ambulance. Oh, my god! Oh, my god! | |
| [01:04] | Someone else has been shot! Just… oh, my god, are you ok? | |
| [01:07] | Sit down, sit down! | |
| [01:09] | What’s your name? Avery. | |
| [01:11] | Avery, my name’s Ben, ok? You’re gonna be all right. | |
| [01:14] | You just keep lookin’ at me and keep breathing, ok? | |
| [01:29] | (Siren wailing) | |
| [01:32] | (Dispatcher speaking on police radio) | |
| [01:35] | Please take me to a good hospital. | |
| [01:38] | Don’t you worry. | |
| [01:39] | How’s she look? So far, so good. | |
| [01:41] | Hear that, Avery? He says you look good. You’re ok. | |
| [01:44] | I just bought this dress. | |
| [01:46] | Did you? It’s a nice dress. You look really nice. | |
| [01:53] | Just keep talking to her. | |
| [01:55] | Hey, what are you gonna do for winter break? | |
| [01:58] | I’m thinkin’ I’m gonna go down to Florida and get a tan. | |
| [02:01] | Do a little swimmin’, maybe even catch a fish. | |
| [02:05] | Her hand’s gettin’ cold, man. What’s that mean? | |
| [02:08] | Just keep talkin’ to her. | |
| [02:10] | Yeah, not that I’m a good fisherman. I’m terrible. I’m awful. | |
| [02:13] | You ever go fishing, Avery? | |
| [02:16] | (Monitor flatlines) Avery? | |
| [02:19] | Avery! What’s goin’ on, man? | |
| [02:21] | She’s in v-fib. Move your hands! | |
| [02:25] | (Flatlining continues) | |
| [02:29] | Clear. | |
| [02:30] | (Defibrillator zaps) | |
| [02:32] | (Defibrillator charging) | |
| [02:35] | Clear! | |
| [02:37] | (Defibrillator zaps) | |
| [02:39] | (Flatline stays steady) | |
| [02:48] | ♪ Can you become | |
| [02:50] | ♪ can you become | |
| [02:54] | ♪ a new version of you♪ | |
| [02:58] | ♪ new wallpaper | |
| [03:00] | ♪ new shoe leather | |
| [03:03] | ♪ a new way home | |
| [03:05] | ♪ I don’t remember | |
| [03:08] | ♪ new version of you | |
| [03:12] | ♪ I need a new version of me | |
| [03:17] | ♪ new version of you | |
| [03:21] | ♪ I need a new version of me ♪ | |
| [03:36] | She died in the ambulance. | |
| [03:39] | She looked at me, and she died. | |
| [03:42] | It just feels like a bad dream. | |
| [03:45] | You hear about things like this | |
| [03:47] | happening all the time, but… | |
| [03:50] | Not to you, not to people you care about. | |
| [03:54] | You know, when a plane crashes, | |
| [03:57] | how you see people on the news | |
| [04:00] | who are supposed to be on that plane, | |
| [04:03] | but because of, like, | |
| [04:04] | horrific traffic on the way to the airport, didn’t make the flight? | |
| [04:08] | Well, that’s… That’s what happened, | |
| [04:10] | except it wasn’t… It wasn’t traffic. | |
| [04:12] | It was, um… It was my shoe. | |
| [04:15] | Yeah, the laces were untied, so I bent down to tie ’em, | |
| [04:19] | and I guess the bullet whizzed right over me, | |
| [04:23] | and Avery was standin’ behind me. | |
| [04:25] | And then they used that thing on her heart. | |
| [04:28] | They shocked her heart, and she came back. | |
| [04:30] | (Sean) wow, that’s… That’s really amazing. | |
| [04:35] | It’s more than amazing. | |
| [04:37] | James is in prison now. | |
| [04:40] | They found him an hour after the shooting. | |
| [04:43] | He was hiding behind a dumpster. | |
| [04:45] | I don’t wanna go to Africa after what’s happened. Elena said I should. | |
| [04:50] | She’s adamant that she’s gonna be just fine. | |
| [04:53] | I was the lucky one. I just got hit in the shoulder. | |
| [04:56] | You know, no arteries or bones or anything. | |
| [04:59] | It’s a pretty important program, you know. | |
| [05:02] | I’ll be helping a lot of people. | |
| [05:04] | So I’m heading out Friday. | |
| [05:07] | I’m gonna go back to england for a while, you know. | |
| [05:10] | I think it’s the best thing to do right now. | |
| [05:13] | ♪ I feel all right… | |
| [05:15] | The world is-is too scary. | |
| [05:18] | You know, can you believe people | |
| [05:20] | can just go out and get a gun | |
| [05:22] | like it was a piece of candy… | |
| [05:25] | Instead of a piece? | |
| [05:26] | They say that guns don’t kill people, | |
| [05:29] | people kill people. | |
| [05:31] | But that’s like saying, | |
| [05:34] | “butter knives don’t spread butter on bread, | |
| [05:36] | people spread butter on bread.” | |
| [05:38] | Well, you know, I mean, of course that’s true, | |
| [05:41] | but that doesn’t make it a smart thing to say. | |
| [05:45] | Guns are, like, bad to have. | |
| [05:48] | Like me, for instance, I have zero guns. | |
| [05:51] | The only things that should have a pistil are flowers. | |
| [05:56] | I wore that, um, sling for a few weeks. | |
| [05:59] | I didn’t think I’d ever be able to move my arm | |
| [06:01] | or ever feel safe again. | |
| [06:03] | But that was… Was three months ago. | |
| [06:06] | (Sean) what are you doing about it? | |
| [06:09] | Well, what I’m doing now is I’m takin’ a self-defense class. | |
| [06:13] | And now, I could kick your ass. | |
| [06:15] | Really? Oh, yeah. | |
| [06:17] | Hyah! | |
| [06:19] | Elena, this has to stop. | |
| [06:21] | Now, if I was a burglar, you would be dead right now. | |
| [06:24] | Can you please get off of me? Not until you agree to take the class. | |
| [06:27] | Elena, I will take the self-defense class when I have time. | |
| [06:29] | The thing is, I have a very important deadline. | |
| [06:31] | More important than defending yourself? | |
| [06:33] | Felicity, you have to take control! | |
| [06:36] | I was shot, and I felt helpless. | |
| [06:38] | Now I feel like I can handle any situation. | |
| [06:40] | Do you know how empowering this is? | |
| [06:42] | Yes, because you’ve told me a lot. | |
| [06:45] | And, listen, I just have so much going on right now | |
| [06:47] | with work and with classes and Noel. | |
| [06:49] | I mean, he’s having this existential crisis. | |
| [06:52] | Well, maybe he needs a good flipping over. | |
| [06:54] | Yeah, maybe I should try that. | |
| [06:57] | You can learn how today at 4:00, rutlick hall. Be there! | |
| [07:00] | Ok, lock the door. | |
| [07:02] | I will. | |
| [07:03] | (Phone rings) | |
| [07:09] | Yeah? | |
| [07:11] | Hey, Morrison called. We have to get pet store done. | |
| [07:13] | I don’t really feel like workin’. | |
| [07:15] | Look, I know you don’t, but we have no choice, ok? I’m gonna come over later. | |
| [07:18] | (Knock on door) | |
| [07:19] | Fine. | |
| [07:21] | (Dial tone) | |
| [07:24] | Hi. I’m looking for Ben. | |
| [07:28] | Yeah? | |
| [07:29] | Does he live here? | |
| [07:32] | Depends how you define live. | |
| [07:36] | Can I leave a message for Ben? | |
| [07:38] | Oh, uh, pen on the table. Close the door. | |
| [07:51] | If he calls, | |
| [07:53] | could you, um, let him know that Avery Swanson dropped by? | |
| [07:59] | Oh, my god. | |
| [08:00] | What? | |
| [08:02] | Well, it’s you. You’re her. You’re Avery. | |
| [08:06] | I’m Avery. You’re the reason that I’m laying here. | |
| [08:09] | Excuse me? The reason that I’m not ok. | |
| [08:11] | Ever-ever since that night, | |
| [08:12] | I been-i been thinking about what happened. | |
| [08:15] | I’ve been going over, over and over it. | |
| [08:17] | Do you wanna-wanna sit down? Do you want a chair? | |
| [08:19] | No, I’m ok, thanks. I can stand on my own again. | |
| [08:21] | I kinda like to do it as much as I can. | |
| [08:24] | Ok, I have to ask you a question. | |
| [08:26] | Since that night, does it all seem pointless to you? | |
| [08:30] | Random and arbitrary, you know, who lives or who dies? | |
| [08:34] | I mean, does life seem like one big, stupid cosmic whim? | |
| [08:39] | Actually, I had the exact opposite reaction. | |
| [08:42] | That night reprioritized everything for me, | |
| [08:47] | gave me new purpose. | |
| [08:49] | Really? | |
| [08:50] | Yeah. | |
| [08:54] | What’s the problem now? | |
| [08:56] | Dr. Swarsky, my psych professor, | |
| [08:58] | just gave me my work-study assignment for the semester. | |
| [09:00] | And you’re not happy about it? I’m working with midgets. | |
| [09:03] | They’re called little people. | |
| [09:05] | Kids. You are now dating the teacher’s assistant | |
| [09:07] | for the university elementary school. | |
| [09:09] | Oh, yeah? And what’s wrong with that? | |
| [09:12] | I can’t work with kids. I’m not a kid person. | |
| [09:15] | I don’t like ’em. They’re loud, and they smell weird. | |
| [09:18] | Huh. Ok, so just don’t do it. | |
| [09:20] | I have to do it. It’s part of my lame-ass requirement. | |
| [09:23] | You know what the problem is? You don’t get it. | |
| [09:25] | Ok, so now I’m the problem? | |
| [09:27] | I can’t go back to the playground. I can’t. | |
| [09:30] | I get all clammy, and my palms sweat. | |
| [09:32] | Kids suck! | |
| [09:33] | Hey, hey, hey. Whoa, whoa. Calm down. | |
| [09:35] | Calm down. Come on. Take a deep breath. | |
| [09:39] | (Breathes deeply) | |
| [09:41] | Good. Shake it out. Come on. Shake it out. | |
| [09:43] | All right. Now hop on one foot. | |
| [09:46] | Sean… | |
| [09:48] | You’re gonna be fine. I bet you even have fun. | |
| [09:50] | You think? | |
| [09:52] | Hey. | |
| [09:53] | Hey. | |
| [09:54] | (Car chase on TV) | |
| [09:57] | Noel, what are you doing? | |
| [09:59] | Um, I’m eating ding dongs. Taking solace in ding dongs. | |
| [10:03] | Ok. No, no. | |
| [10:04] | Yep. You know what? Scoot over. | |
| [10:07] | Oh, no. | |
| [10:08] | (Pops lips) Move. Ok, look at this. | |
| [10:12] | I have this idea for these two new characters. | |
| [10:15] | Two cats… George and Georgia. They’re brother and sister. | |
| [10:18] | They’ve been in the same cage forever. | |
| [10:20] | Then, all of a sudden, someone wants to come and buy Georgia. | |
| [10:23] | George is obviously distraught… | |
| [10:25] | Until he realizes he has, like, 80 brothers and sisters, so what does it matter? | |
| [10:29] | Or a character who sits around all day | |
| [10:32] | and feels sorry for himself. | |
| [10:34] | I’m not feeling sorry for myself. Oh. | |
| [10:36] | I can’t be like you guys. I thought at least Avery would understand. | |
| [10:39] | Avery Swanson? | |
| [10:42] | Avery Swanson came by today. | |
| [10:43] | What? Are you serious? | |
| [10:45] | She’s back? Mm-hmm. | |
| [10:47] | Was she ok? I mean, what’d she want? | |
| [10:49] | She was cuter than I remember. She wanted Ben, so I sent her to Dean and DeLuca. | |
| [11:00] | Don’t we have work to do? | |
| [11:58] | (Children laughing, playing) | |
| [12:05] | Miss rotundi, miss rotundi! | |
| [12:08] | What? | |
| [12:09] | Miss rotundi, they’re being mean to me. | |
| [12:11] | So? Wait till junior high. | |
| [12:15] | Megan, can I talk to you? | |
| [12:18] | Yes. | |
| [12:19] | It’s about your attire. | |
| [12:21] | Oh, it’s king’s dungeon on greenwich. | |
| [12:24] | Uh, the leather frightens the children and all of the faculty. | |
| [12:28] | I know it’s different in college, | |
| [12:30] | but you’re a professional here, and we expect you to dress like one. | |
| [12:35] | So you want me to wear my bra under my shirt? | |
| [12:37] | If it wouldn’t be a bother. | |
| [12:38] | Sure thing. | |
| [12:52] | Yeah, I proved ’em wrong. | |
| [12:54] | Yeah, you really did. | |
| [12:56] | Hey. | |
| [12:58] | Hey, hey, hey. This is Avery. | |
| [13:01] | I know. I just… I’m Felicity. | |
| [13:03] | Oh, god, hi. Thank you so much for the candles and blankets. They were so lovely. | |
| [13:08] | You’re welcome. God, that was the least I could do. | |
| [13:11] | I really needed it. The hospital was cold and gross. | |
| [13:14] | Just sit down. Are you sure? | |
| [13:15] | Yeah. Yeah, yeah, yeah. | |
| [13:18] | Avery was just talking about her physical therapy. | |
| [13:20] | It just sounded terrible. | |
| [13:22] | How’s Elena? That’s her name, right? | |
| [13:25] | She’s fine. She’s back to normal, a little more than normal, actually. | |
| [13:29] | What does that mean? | |
| [13:31] | The university teaches this class that’s this self-defense course. | |
| [13:33] | She’s really into it and wants me to take it. | |
| [13:36] | I was gonna take that class. Oh, really? | |
| [13:38] | I was thinking about starting it this afternoon. | |
| [13:40] | You’re more than welcome to join me, if you want. | |
| [13:43] | Yeah, sure. Yeah, I’d like to. | |
| [13:45] | You know what? I gotta get back to work. | |
| [13:47] | Wait, wait. I haven’t, um, told you why I came. | |
| [13:51] | Ahem. I wanted to give you that. | |
| [13:54] | Oh. | |
| [13:56] | Thank you. | |
| [14:01] | Oh, my god. | |
| [14:03] | That’s the best swimmer’s watch they make. | |
| [14:05] | You can time all your laps and stuff on there. | |
| [14:07] | Your mom said you were a swimmer. | |
| [14:08] | My mom? You talked to my mom? | |
| [14:10] | Yeah. I wanted to get you something, | |
| [14:12] | and I didn’t know where to begin, so… | |
| [14:15] | That’s amazing. | |
| [14:16] | That’s unbelievable. | |
| [14:18] | I also… I wanted to tell you, you saved my life that night. | |
| [14:22] | No, I didn’t. | |
| [14:24] | You did. You saved my life, and I want to repay you. | |
| [14:26] | Thank you, but you don’t have to buy me… | |
| [14:29] | I know I don’t have to, but I insist, | |
| [14:31] | and I’m not taking “no” for an answer, | |
| [14:33] | so if there’s anything that you want or you need, please tell me. | |
| [14:42] | I was on my way to lab, and I turned a corner, and there he was. | |
| [14:46] | Tracy was back, and he hadn’t called me, and he wasn’t alone. | |
| [14:53] | I couldn’t believe it. | |
| [15:02] | (Felicity) so did you talk to him? | |
| [15:04] | I could barely breathe. | |
| [15:06] | I didn’t even know he was back. | |
| [15:08] | I bet you he met her in Africa. | |
| [15:12] | You gotta talk to him. | |
| [15:15] | You know, not that it’s my business, but Felicity’s right. | |
| [15:17] | It’s probably not what you think. | |
| [15:19] | (Russian accent) Ok, next. | |
| [15:21] | You. The one talking. And you in the halter top. | |
| [15:25] | Oh, god. | |
| [15:30] | Ok, you both saw the basic choke-hold and take-down technique? | |
| [15:34] | Yeah. | |
| [15:35] | Let’s see you do it. Halter, you take down talker. | |
| [15:38] | Ok. Are you sure you’re ok to do this? | |
| [15:41] | Yeah, I’m fine. | |
| [15:43] | Uh, ok, I’m just gonna, you know… | |
| [15:46] | Hyah! | |
| [15:49] | Oh, my god, are you ok? | |
| [15:53] | Yeah. | |
| [15:54] | Yeah. | |
| [15:59] | (Door slams) | |
| [15:59] | So it went well? | |
| [16:01] | The kids aren’t so bad. See? | |
| [16:03] | It’s the teachers that suck. | |
| [16:06] | What? | |
| [16:08] | You know, I show up there this morning, I’m ready to be all open-minded. Whatever. | |
| [16:11] | And this witch that works there, Ann kring… | |
| [16:15] | She is the most uptight, repressed clean freak | |
| [16:18] | I have ever met in my entire life, | |
| [16:20] | so I figure I’m just gonna zone out, | |
| [16:22] | put on my headphones, blast some ministry, I’m all good. | |
| [16:25] | Guess why I came home. | |
| [16:26] | ‘Cause you miss me? | |
| [16:28] | To change my clothes. | |
| [16:30] | What? | |
| [16:31] | She sent me home to change my clothes! | |
| [16:34] | (Both laugh) | |
| [16:36] | And the worst part is, these kids are gonna wind up being robotrons just like her. | |
| [16:40] | You wanna get her back, drive her nuts? | |
| [16:42] | Teach those kids witchcraft. | |
| [16:44] | (Knock on door) | |
| [16:52] | Who was that girl? | |
| [16:53] | What girl? | |
| [16:55] | The one I saw you put your arm around. | |
| [16:57] | Oh, y-you mean Rose. | |
| [17:00] | Rose? | |
| [17:01] | Yeah. | |
| [17:03] | Is Rose the reason you came back a month early and didn’t call me? | |
| [17:07] | Um, she was in Africa with her church group, | |
| [17:10] | and we were working in the same village. | |
| [17:13] | Well, her, uh, her group was scheduled to leave three days ago, | |
| [17:17] | so I just opted to go with them. | |
| [17:21] | Are you two goin’ out? | |
| [17:24] | Yeah. | |
| [17:29] | (Doorbell buzzes) | |
| [17:31] | God. | |
| [17:35] | Hey. | |
| [17:37] | Hi. I can’t believe I flipped you. | |
| [17:39] | I took one karate class years ago, that’s it. | |
| [17:42] | Please, don’t… I’m fine. Don’t worry about it. | |
| [17:46] | Do-do you wanna come in? | |
| [17:47] | Yeah, just for a second. I actually have a class, but I wanted to give you this. | |
| [17:52] | Come on in. | |
| [18:00] | You know, really, you don’t have to get me anything. | |
| [18:03] | No, I saw it, and I thought of you. | |
| [18:05] | This is… It’s really beautiful. | |
| [18:08] | I don’t need another top, especially one that costs more than rent. | |
| [18:10] | No, it was nothing. And it really matches your coloring. | |
| [18:12] | You already got Ben a watch. | |
| [18:15] | Does he like it? I couldn’t tell. | |
| [18:17] | Yeah. No, he loves it. It’s just… it’s a lot. | |
| [18:20] | So how long have you guys been going out? | |
| [18:23] | Um, a year, but we’ve sort of known each other since high school. | |
| [18:28] | ‘Cause you seem like you were made for each other. | |
| [18:31] | I can’t take this, really. It’s just too much. | |
| [18:35] | Ok, I’ll make you a deal. | |
| [18:37] | Next time in class, you flip me, and then I get a gift. | |
| [18:42] | Ok. Uh, thank you for this. | |
| [18:46] | You’re welcome. | |
| [18:47] | (Richard) she’s a trustafundia. | |
| [18:49] | She’s a what? | |
| [18:50] | A trust-fund baby. They all hang out together. | |
| [18:53] | The rockefellers, the phipps, the Swansons. Come on! | |
| [18:56] | So she’s rich. I don’t care if she’s rich. | |
| [18:58] | What are you, a communist? | |
| [18:59] | No, I’m with Ben. Money can’t buy you anything important. | |
| [19:02] | No one gave me this PlayStation 2. | |
| [19:03] | Well, how rich is she really? | |
| [19:06] | You know how ambitious I am right now? | |
| [19:08] | I would be totally satisfied with my life if I were her dad’s Butler. | |
| [19:10] | (Richard) her dad’s a banking magnate. | |
| [19:13] | No, he owns a magazine. | |
| [19:14] | Guys, he owns a publishing empire. He was on 60 minutes. | |
| [19:18] | Ben, listen, if she’s in the mood to give, | |
| [19:20] | here’s what you gotta do… ask. | |
| [19:22] | I don’t care how rich she is. I’m not asking her for anything. | |
| [19:25] | (Ben) oh, my god, you got courtside seats. | |
| [19:27] | Mm-hmm. My dad is friends with Dave checketts. | |
| [19:29] | Yeah. He’s the-the general manager of the Knicks. | |
| [19:31] | That’s right. So come. | |
| [19:32] | Um, Avery, I want to, I really do, but I didn’t do anything. | |
| [19:38] | They’re right next to the bench. | |
| [19:40] | Um… | |
| [19:42] | Oh, my god, it’s for tonight? | |
| [19:45] | Uh… | |
| [19:48] | Ok, yes, yes, I’d love to go. | |
| [19:51] | Good. | |
| [19:54] | Courtside seats. I couldn’t say no to courtside seats. | |
| [19:56] | No, I’m not saying you should’ve. | |
| [19:58] | I just think it’s weird that someone would offer you tickets | |
| [20:00] | and then not let you decide who you wanted to bring. | |
| [20:03] | Yeah, but you don’t even like basketball. | |
| [20:05] | No, I know. But Sean does. | |
| [20:07] | You could’ve taken Sean or Tracy or Noel or Richard. | |
| [20:12] | Richard? What do you mean, Richard? | |
| [20:14] | I just thought she wanted to do something for you, | |
| [20:19] | not for you and her. | |
| [20:23] | Do you wanna come? I mean, I’m sure she could get another ticket. | |
| [20:29] | I’m sure she could. | |
| [20:32] | Look, I can’t tonight, anyway. | |
| [20:34] | I have to do a loser pet store with Noel. | |
| [20:37] | It’s just a basketball game. That’s all it is. | |
| [20:39] | Yeah, I know. | |
| [20:41] | Yeah, I’m actually feeling sort of sorry for her. | |
| [20:43] | I mean, the only way she knows how to make friends is to buy them things. | |
| [20:47] | I mean, it’s kinda sad. | |
| [20:49] | I mean, isn’t it, don’t you think? | |
| [20:52] | Yeah. | |
| [20:56] | It’s just a basketball game. | |
| [21:09] | Ok, so what does George do | |
| [21:12] | once he realizes he’s about to lose Georgia? | |
| [21:15] | You know, that stuff’ll kill you. | |
| [21:17] | Something will. | |
| [21:19] | It might as well be spray cheese. | |
| [21:22] | (Sprays the cheez whiz) | |
| [21:24] | What did Ben decide to do about Avery? | |
| [21:27] | He, uh, went to a Knicks game with her. | |
| [21:29] | What? | |
| [21:30] | They were courtside seats. He couldn’t say no. | |
| [21:34] | So just the two of them? | |
| [21:35] | Yeah, but don’t say it like that. | |
| [21:38] | Who cares? It’s just a basketball game. | |
| [21:40] | I don’t think she’s that cute. | |
| [21:42] | Ok. | |
| [21:43] | She’s not. Is she? | |
| [21:45] | From a guy’s point of view, for what it’s worth, | |
| [21:48] | she isn’t an ugly person. | |
| [21:51] | So are you saying I should be worried? | |
| [21:53] | No. | |
| [22:04] | Good morning. | |
| [22:07] | I’m sorry. I had to pick up some stuff. Here’s the great thing. | |
| [22:09] | What? | |
| [22:11] | I finally figured out what I wanna do with my life. | |
| [22:13] | What, the transvestite designer clothing? | |
| [22:15] | No! Teach. | |
| [22:17] | What? | |
| [22:19] | Yes! I am really good at it. | |
| [22:21] | You should’ve seen Leslie today. She smiled! | |
| [22:24] | I didn’t even know she had teeth. I know! | |
| [22:27] | We were doing pooping and peeing spells | |
| [22:28] | on the little kids that were playing tetherball. | |
| [22:30] | I kind of worked out some incantations for the kindergarten set. | |
| [22:33] | Wait. So you’re actually teaching her witchcraft? | |
| [22:36] | Yeah. That’s how come I was late. | |
| [22:38] | I was getting all these things for a spell kit I’m making her. | |
| [22:42] | You know what? I was trying to cheer you up when I suggested witchcraft. | |
| [22:45] | I was totally kidding. | |
| [22:46] | It’s just creative, you know? | |
| [22:49] | You should’ve seen Leslie on the playground. | |
| [22:51] | She was, like, she had this newfound sense of self. | |
| [22:54] | And the other kids were talking to her, which never happens. | |
| [22:57] | You know what? Teaching… Teaching kids… | |
| [22:59] | That’s one thing, that’s fantastic, | |
| [23:01] | but teaching kids how to become a sorcerer of the black arts, | |
| [23:04] | that’s insane. | |
| [23:06] | The one time I show an interest | |
| [23:08] | in any profession whatsoever, and you have to criticize. | |
| [23:10] | Oh, here we go. | |
| [23:12] | This is a big deal for me, Sean. | |
| [23:14] | I have never wanted to do anything with my life | |
| [23:16] | that was even remotely legal, let alone worthwhile, | |
| [23:19] | and just because I’m not doing it the way you think I should, | |
| [23:21] | the point is, I’m doing it! | |
| [23:26] | You’re right. | |
| [23:28] | What? | |
| [23:29] | You’re right! You’re right. I’m sorry. | |
| [23:32] | I shouldn’t have said that. I’m sorry. (Sighs) | |
| [23:35] | You’re gonna make a great teacher, and I really am… | |
| [23:37] | I’m glad that you… that you found something you like to do. | |
| [23:40] | This is weird. | |
| [23:43] | What? | |
| [23:45] | We had a fight, and we didn’t break up. | |
| [23:48] | Yeah, that’s possible. | |
| [23:52] | Wow. | |
| [23:59] | Come on, let’s eat. | |
| [24:02] | (Phone rings) | |
| [24:04] | Hello? | |
| [24:06] | Hey, it’s me! Seats were unbelievable! I wish you’d been there! | |
| [24:09] | Yeah, me, too. I’m glad it was fun, though. | |
| [24:13] | Yeah! Anyway, look, this party’s pretty great. You should come. | |
| [24:16] | I mean, Avery put you on the list, so, yeah, you should come. | |
| [24:20] | Oh, really? Can you… Hang on one second, ok? | |
| [24:23] | You wanna go to a party? No. | |
| [24:25] | Can Noel come, to? I said no. | |
| [24:27] | What’s that? | |
| [24:28] | Can Noel come to? | |
| [24:29] | Hold on a second! Hold on! | |
| [24:31] | (? Rock music) | |
| [24:32] | Is it all right if Noel comes? | |
| [24:34] | Absolutely. | |
| [24:36] | Ok. Yeah, it’s fine. Yeah, yeah, you should both come. | |
| [24:39] | Ok. Where is it? | |
| [24:41] | (Chattering) | |
| [24:47] | Hi. Uh, we’re on the list. | |
| [24:50] | Felicity Porter, plus one. | |
| [24:52] | That’s me. I’m “plus one.” I have no identity of my own. | |
| [24:55] | Nope. | |
| [24:58] | Uh, can you check Covington, Ben? Or maybe Avery Swanson? | |
| [25:03] | Not here. Sorry. | |
| [25:06] | Now I’m minus one. | |
| [25:08] | Can you check one more time? I’m sure we’re on the list. | |
| [25:10] | You two wanna step back there, please? You’re not on the list. | |
| [25:15] | Ouch. | |
| [25:18] | I bet you she did not put us on the list on purpose. | |
| [25:20] | No. See? Now you’re being paranoid. Am I?! | |
| [25:23] | Just calm down. Relax. All right? | |
| [25:26] | Let Leon take care of this. You have any money on you? | |
| [25:28] | Samantha cummings, Cecelia Dean, | |
| [25:31] | this is Ben Covington. | |
| [25:32] | Hi. Finally. | |
| [25:34] | So, do you like the watch? | |
| [25:36] | Oh, yeah, I do. It’s, um, heavy. | |
| [25:38] | Get used to it. | |
| [25:40] | Avery’s the most generous person alive. | |
| [25:42] | Excuse me! Who bought me these earrings? | |
| [25:45] | Hey, can I borrow your phone? I just wanna call Felicity. | |
| [25:48] | Yeah. | |
| [25:49] | Thank you. It was nice meetin’ you guys. | |
| [25:51] | (Both) bye. | |
| [25:52] | So, who’s Felicity? | |
| [25:54] | His girlfriend. | |
| [25:57] | I’m not checking the list again. | |
| [25:59] | No, that’s just it. I don’t want you to check the list. | |
| [26:02] | I want you to ask yourself one simple question. | |
| [26:05] | Does the list matter? Yeah. | |
| [26:08] | See, I can tell by the glazed look in your eyes | |
| [26:11] | that you’re getting sick of me, or you’re really hungry. | |
| [26:13] | So either way, I’m, uh… | |
| [26:16] | Lemme get straight to the point here. | |
| [26:18] | Um, look, man, there’s only one list that matters, | |
| [26:22] | and that’s the list that says who’s goin’ upstairs, you know? | |
| [26:26] | Not the vip room upstairs, but upstairs. | |
| [26:31] | Yeah. | |
| [26:35] | You’re kiddin’, right? | |
| [26:37] | It’s all I got, man. | |
| [26:45] | Thank you. | |
| [26:46] | (? Rock music continues) | |
| [27:03] | Hey, you made it. | |
| [27:04] | Hey, I just called you. Guess you were on your way. This place… check it out. | |
| [27:08] | Yeah, I will. Can I talk to you for a second? | |
| [27:10] | Me? Yeah, sure. | |
| [27:16] | You wanna dance? | |
| [27:17] | No. | |
| [27:18] | I was kidding. | |
| [27:25] | So what’s up? | |
| [27:26] | Here’s the thing. My name wasn’t on that list. | |
| [27:29] | Ok, or your name or Ben’s. | |
| [27:31] | And before you start telling me that you told them | |
| [27:34] | and they made a mistake or, you know, you just forgot, | |
| [27:37] | I really don’t like feeling insecure, ok? | |
| [27:39] | So I’d rather ask you this, deal with it and get past it. | |
| [27:42] | Are you interested in my boyfriend? | |
| [27:45] | Yes. | |
| [27:47] | Yes? | |
| [27:49] | I’m only telling you, admitting it, | |
| [27:53] | because I don’t have a chance. | |
| [27:56] | Ben is so obviously in love with you. | |
| [27:59] | And you guys make a great couple. | |
| [28:02] | But I died that night in the ambulance, | |
| [28:04] | and Ben was with me. | |
| [28:06] | I know… | |
| [28:08] | His face was the first and last thing that I saw. | |
| [28:12] | And in that moment, I felt… | |
| [28:15] | Like I connected with him, | |
| [28:18] | like I saw into his soul. | |
| [28:20] | All I know is, it’s been months, | |
| [28:24] | and I can’t stop thinking about him. | |
| [28:30] | Look, I know that I’m a rich brat. | |
| [28:34] | And one of these days, | |
| [28:36] | I’m gonna learn I can’t have everything I want. | |
| [28:40] | I guess. | |
| [28:45] | It took me a while, but what I realized is | |
| [28:50] | is Tracy needs to be in a relationship without sex. | |
| [28:54] | And this girl Rose who he met… at church, | |
| [28:57] | they obviously have a lot in common, you know? | |
| [29:01] | He should be with a girl like Rose. | |
| [29:04] | I mean, he and I… It was just too complicated. | |
| [29:08] | And I’m ok with that. | |
| [29:10] | (Man)? You say you’re leavin’ | |
| [29:12] | ♪ that it’s all right… | |
| [29:15] | Um, I want you to know | |
| [29:19] | that I’ve thought about-about it, | |
| [29:22] | and I’m cool with it, I mean, with Rose. | |
| [29:26] | Elena, I didn’t wanna hurt you. I didn’t know how to tell you. | |
| [29:29] | I think you should be with her right now. | |
| [29:33] | I mean, I don’t know her, | |
| [29:37] | but the whole church thing… | |
| [29:38] | Maybe she’s a better match for you than I am at the moment. | |
| [29:42] | At the moment? | |
| [29:45] | Well, I don’t know if we ever would’ve figured that sex thing out. | |
| [29:50] | I mean, eventually, it would’ve been the end of us. | |
| [29:52] | (Chuckles) | |
| [29:55] | Anyway, I… | |
| [29:59] | …i just want you to be happy, | |
| [30:01] | and if being with Rose makes you happy, | |
| [30:06] | then she’s your answer. | |
| [30:09] | Thank you. | |
| [30:10] | ♪ You say you’re honest | |
| [30:13] | ♪ if it soothes the show… | |
| [30:15] | You wanna eat somethin’? | |
| [30:16] | Yeah, sure. | |
| [30:19] | It’s on me. Order whatever you want. | |
| [30:21] | Get me a burger. | |
| [30:24] | ♪ So when did I just change into someone you can’t stand♪ | |
| [30:30] | ♪ ’cause I am the one you met | |
| [30:36] | ♪ way back when… | |
| [30:39] | I mean, I straight out asked her if she was interested in you, | |
| [30:42] | and she said yes. | |
| [30:43] | No one says yes to that question. You know what I think? | |
| [30:46] | I think she’s an evil person. I think she’s unabashedly evil. | |
| [30:50] | Felicity, it’s not a normal situation, it’s not. The girl was shot. | |
| [30:54] | Ok, wait a second. Come on. How long is that gonna last? | |
| [30:57] | What do you mean? | |
| [30:58] | I mean, I get it. She was shot. | |
| [31:00] | She’s a person. She has to take responsibility for her actions. | |
| [31:03] | What? Why are you smiling? | |
| [31:06] | ‘Cause I’ve never seen you actually hate somebody before. | |
| [31:08] | I don’t hate her. | |
| [31:09] | Yes, you do! Yes, you do! I mean, and it’s weird. | |
| [31:12] | Your lips, they get all tight. | |
| [31:14] | I’m just… Who is this girl? | |
| [31:16] | We never would’ve even met her if it weren’t for Molly, | |
| [31:19] | and then James shoots her, and then Molly’s gone, | |
| [31:21] | and then, all of a sudden, Avery’s everywhere. | |
| [31:23] | And when I walked in, she was all over you! | |
| [31:25] | Oh, gimme a… Would you stop? All right? Stop! | |
| [31:29] | You don’t have to worry about me, all right? | |
| [31:31] | I really don’t wanna be with anybody else. I wanna be with you. | |
| [31:37] | I know. I’m just… | |
| [31:40] | (Sighs) like that top she gave me. | |
| [31:45] | I mean, I didn’t want it, but she really wanted me to have it. | |
| [31:49] | And then, all of a sudden, I’m wearing it. | |
| [31:52] | And you didn’t want anything from her, | |
| [31:55] | and then, all of a sudden, | |
| [31:57] | you’re at this great basketball game with these courtside seats | |
| [32:01] | and this great watch she gave you. | |
| [32:02] | Would you just stop? Come here, come here, come here. | |
| [32:05] | Come here. Ok. Forget about Avery. Ok? | |
| [32:09] | She wanted to say thank you, and now she did. | |
| [32:12] | I wanna go back to being normal. That’s what I want. All right? | |
| [32:15] | (Laughs) | |
| [32:18] | I didn’t like what she was touching. | |
| [32:20] | I’m sure you didn’t. | |
| [32:29] | So is this ok? | |
| [32:32] | Ok? Yeah. It’s ok. | |
| [32:34] | I just didn’t feel like the night was over, you know? | |
| [32:38] | I didn’t… I didn’t even want to go out tonight. | |
| [32:42] | You know? I mean, I haven’t had that much fun, though, in like… | |
| [32:46] | This is pathetic, in months. | |
| [32:48] | (Purrs) ohh. | |
| [32:49] | You’re a good dancer. | |
| [32:53] | Oh. Ok. | |
| [32:54] | No, no, really. | |
| [32:56] | You said you weren’t a good dancer, but you are. | |
| [32:58] | I gotta go get some tonic water. | |
| [33:00] | Oh, I don’t need water. | |
| [33:03] | Right. | |
| [33:04] | (Bottle opens) | |
| [33:06] | Can I… | |
| [33:07] | Yes. Yeah? | |
| [33:08] | (Liquid pours) | |
| [33:12] | So here’s to… Closing the club. | |
| [33:17] | That’s weird, isn’t it? | |
| [33:20] | Like, when they… When they turn the music off | |
| [33:24] | and they turn the lights on, you know? | |
| [33:25] | Yeah. | |
| [33:27] | Yeah. | |
| [33:28] | (Giggles) | |
| [33:30] | Ah! Ahem. | |
| [33:33] | Lightweight. | |
| [33:34] | Mm-mmm. It’s just no tonic. | |
| [33:37] | You guys have a great apartment. | |
| [33:39] | Yeah. It’s rent-control. | |
| [33:41] | Hmm. | |
| [33:42] | Hmm. | |
| [33:43] | Is Ben coming back tonight? | |
| [33:46] | Hmm. Nah. I think he’s staying at Felicity’s. | |
| [33:48] | Ah… | |
| [33:49] | Yeah. | |
| [33:54] | So… remember when I told you my life had all this new purpose? | |
| [34:00] | Yeah. | |
| [34:02] | I don’t feel that way anymore. | |
| [34:05] | Well, why not? What happened? | |
| [34:08] | Mmm, I just feel like I had all these expectations | |
| [34:12] | about how my life was gonna be now, | |
| [34:14] | and I didn’t live up to any of them. | |
| [34:18] | So now I’m just kinda lost. | |
| [34:20] | Yeah. | |
| [34:23] | I mean, I know that feeling, | |
| [34:25] | ’cause I’m graduating in, like, eight weeks, | |
| [34:28] | you know, which isn’t long, | |
| [34:30] | and so I know exactly what you’re talkin’ about. | |
| [34:33] | I know how that… Yeah. | |
| [34:36] | Hmm… | |
| [34:38] | Hmm. | |
| [34:39] | Yeah. Wow. | |
| [34:41] | Mm-hmm. | Mm-hmm. |
| [34:45] | (Moans) | |
| [34:52] | And this is rattlesnake root. | |
| [34:55] | You use it when people are mean to you, and… | |
| [34:57] | You’re supposed to burn it, | |
| [34:59] | but since you probably shouldn’t be playing with matches, | |
| [35:01] | you can just hold it in your hand and say, “shazam.” | |
| [35:03] | Megan? Just two minutes. | |
| [35:05] | The children say you’re teaching Leslie witchcraft. | |
| [35:08] | Shazam. | |
| [35:09] | Excuse me? | |
| [35:10] | It’s nothing. | |
| [35:11] | What’s in the box? | |
| [35:12] | That’s rattlesnake poop. | |
| [35:13] | Megan… She was kidding. | |
| [35:14] | I’m reporting you. | |
| [35:16] | To who? | |
| [35:17] | To the head of the psychology department. Why? | |
| [35:19] | I think maybe you need an evaluation. | |
| [35:25] | I hate her. | |
| [35:27] | (Sean) what’s wrong? | |
| [35:29] | I’m screwed. I’m an idiot, and I’m screwed. | |
| [35:31] | Why? What happened? | |
| [35:33] | That woman from the little brat school, | |
| [35:35] | she ordered a psychological evaluation, | |
| [35:37] | which means I’m gonna have to meet the school shrink, | |
| [35:41] | who’s gonna label me a dangerous eccentric or something… | |
| [35:43] | Stick it on my record. | |
| [35:45] | That’s what happened. | |
| [35:47] | I’m screwed. | |
| [35:49] | Will you turn the camera off?! | |
| [35:53] | I don’t think he knows what he’s talkin’ about. | |
| [35:58] | Uh… what’s that? | |
| [36:02] | (Sean) this thing’s unbelievable. | |
| [36:03] | What’re you gonna name her? What? | |
| [36:05] | You know what? Read the card. | |
| [36:14] | “I know this is too much, but I couldn’t resist. Avery.” | |
| [36:18] | (Sean) you know what? I’m in love? | |
| [36:20] | With who? Avery or the bike? | |
| [36:21] | Both. You know how much this thing costs? This is stupid. | |
| [36:24] | I can’t believe she bought you a motorcycle. | |
| [36:26] | She’s crazy. I’m not keeping it. | |
| [36:28] | On the off chance you do keep her, you gotta name her. | |
| [36:30] | A bike like this needs a name. | |
| [36:32] | Can I suggest one? | |
| [36:35] | Mm-hmm. | |
| [36:36] | Hellion. It’s what I called my car in high school. | |
| [36:39] | What kind of car was it? | |
| [36:40] | She was a celica. Oh, yeah. | |
| [36:43] | A celica. You can’t name a celica hellion. | |
| [36:46] | I cannot believe that girl. | |
| [36:49] | (Sean) a station wagon… Celica? | |
| [36:51] | Ok, um… so, hey, I figured it out. | |
| [36:52] | George and Georgia, how he saves her. | |
| [36:54] | They pretend that they’re siamese, | |
| [36:56] | like siamese cats, like they can’t come apart. | |
| [36:58] | That’s great. I know, I know, I know. | |
| [37:01] | Hey, wait a second. | |
| [37:03] | The existential crisis, is that over now? | |
| [37:06] | No, I mean, it’s not over. | |
| [37:09] | I still think, you know, we’re all gonna die, and the world is pointless, | |
| [37:13] | but it’s funny, right, I mean, the siamese thing? | |
| [37:15] | Actually, I do. I like it. | |
| [37:17] | Thanks, thanks. | |
| [37:18] | Did you see the motorcycle? I mean… | |
| [37:21] | I know. I mean, I was there when she called the guy. | |
| [37:23] | She picked up the phone and she ordered it, like it was a pizza. | |
| [37:26] | Wait. When? | |
| [37:27] | Uh, when we came back here last night. | |
| [37:30] | Avery was here last night? | |
| [37:32] | Yeah, yeah. She and I, uh… | |
| [37:36] | You… You slept with Avery? | |
| [37:39] | Well, it just sort of happened. | |
| [37:42] | (Sighs) oh, my god. | |
| [37:44] | I know. But when Avery wants something, she wants it. | |
| [38:03] | Uhh, I was just checkin’ it out. | |
| [38:13] | Three simple moves… | |
| [38:16] | Turn, stepping forward into your attacker… | |
| [38:21] | Where’s Elena? | |
| [38:22] | I don’t know. I haven’t seen her. | |
| [38:23] | Remember, stay on the offensive! | |
| [38:25] | I saw the bike. | |
| [38:27] | Isn’t it gorgeous? I couldn’t resist. | |
| [38:29] | Yeah, Ben’s gonna return it. | |
| [38:31] | No guy’s gonna return a bike like that. | |
| [38:33] | He’s not keeping it. | |
| [38:35] | (Snickering) | |
| [38:36] | Ok, you two, gossips, get up here. | |
| [38:40] | I’m sure I can convince him. | |
| [38:42] | I don’t think you can. Avery, you choke Felicity. | |
| [38:45] | Trust me. Heh. | |
| [38:46] | Attack! | |
| [38:49] | (Grunts) | |
| [38:51] | By the way, I returned the top. They’re gonna credit your account. | |
| [39:03] | Yaah! I did it! Let me go. | |
| [39:06] | I flipped Avery! Oh, my god, I wish you would’ve been there! | |
| [39:08] | Will you just let me go? | |
| [39:10] | What, you miss one class, you forget your headlock defense? | |
| [39:13] | It was so great. It was just like you said. | |
| [39:15] | It was so empowering. What? | |
| [39:17] | Hey, what’s wrong? What? | |
| [39:20] | He doesn’t love me. | |
| [39:22] | Tracy? What happened? | |
| [39:25] | He’s-he’s sleeping with her. | |
| [39:28] | Are you kidding me? | |
| [39:30] | Yeah, all this time, | |
| [39:31] | I thought the thing that was keeping us apart was the sex thing. | |
| [39:35] | But that’s not it. It was me. | |
| [39:38] | He just… | |
| [39:39] | He never loved me. | |
| [39:42] | Elena, come here. | |
| [39:43] | (Sobbing) | |
| [39:49] | Yeah, I just… I don’t wanna push her away. | |
| [39:53] | I mean, she’s been through a lot… Avery. | |
| [39:56] | But, yeah, yeah. | |
| [39:59] | I guess Felicity’s right. | |
| [40:01] | She’s gone too far with everything, the motorcycle and stuff, | |
| [40:04] | so, yeah, I gotta go tell her to stop. | |
| [40:07] | Do you like the bike? | |
| [40:08] | Yeah, it’s great. Um, I can’t keep it. | |
| [40:11] | Sure, you can. It’s yours. | |
| [40:14] | Avery, I can’t. I can’t. | |
| [40:17] | Uh, I can’t keep… | |
| [40:20] | …i can’t keep this watch, either. | |
| [40:26] | I want you to stop buying me things. | |
| [40:28] | I know that you’re just trying to be nice, | |
| [40:30] | and I know that you’re just trying to say thank you. | |
| [40:33] | I don’t want this stuff. Ok? | |
| [40:45] | That night, in the ambulance… | |
| [40:48] | …what did you see? | |
| [40:54] | I saw you die. | |
| [41:02] | When it was happening, | |
| [41:05] | did you hear anything? | |
| [41:07] | What do you mean, did I hear anything? | |
| [41:13] | I could hear you. | |
| [41:15] | I was looking right at your face, and you weren’t talking, | |
| [41:18] | but I could hear you. | |
| [41:20] | It was like you were talking inside me. | |
| [41:30] | And you said, | |
| [41:33] | “don’t go, Avery.” | |
| [41:38] | “Stay.” | |
| [41:44] | Yeah, that’s sort of what I was thinking. Yeah. | |
| [41:48] | And I heard you, and I stayed. | |
| [41:56] | And when I opened my eyes, you were there. | |
| [42:02] | And now I feel like I belong with you. | |
| [42:05] | But you don’t. I mean, you know that you don’t. | |
| [42:09] | You know that I… I have a girlfriend. | You know that |
| [42:12] | Yeah. | |
| [42:18] | You know what? | |
| [42:21] | You can take back the watch, | |
| [42:23] | and you can take back the bike. | |
| [42:27] | They’re just things. | |
| [42:32] | I think what matters… | |
| [42:35] | Ah… is what we went through that night… | |
| [42:41] | …and what I feel right now. | |
| [42:45] | I’ve never felt this way before, Ben. | |
| [42:50] | And I don’t think you have, either. |