| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | (Noel) ok, so this is my genius idea… | |
| [00:04] | To try and catch up with my four-year plan | |
| [00:07] | and get, like, a gem on my résumé, | |
| [00:09] | I’ve decided to try and sell an idea to the ice box. | |
| [00:12] | It’s that Internet cartoon site. You ever see it? | |
| [00:14] | Uh, no. Oh. | |
| [00:16] | My graphics professor, Mr. Morrison, works there as one of the programmers, | |
| [00:19] | and he’s a great contact for the outside world. | |
| [00:21] | If I had an idea, I could show it to him, | |
| [00:24] | and if he liked it, he’d take it to ice box. | |
| [00:27] | Well, I mean, this is really good. | |
| [00:29] | I like how the robot has this-this limp. | |
| [00:31] | It really gives him character. | |
| [00:33] | That’s not a robot, first of all, | |
| [00:35] | and he’s not supposed to be limping. | |
| [00:37] | Oh, he was… Um, I’m sorry. | |
| [00:40] | No, it’s ok. | |
| [00:41] | It was just that he was stiff. | |
| [00:43] | I love the elephant. The elephant is awesome. | |
| [00:46] | What elephant? | |
| [00:50] | Um… Right… | |
| [00:52] | The tail… | |
| [00:54] | That’s a mailbox. Are you kidding me? | |
| [00:56] | Ok, explain it to me. | |
| [00:58] | I’ll watch the whole thing again. | |
| [01:00] | No, forget it. You know what the truth is? | |
| [01:02] | Maybe I’m just being too ambitious. | |
| [01:04] | Maybe I shouldn’t be a graphics designer. | |
| [01:06] | Noel… No, I spent the past few weeks | |
| [01:08] | trying to get a handle on flash. | |
| [01:10] | Maybe I don’t have what it takes, namely talent and ability. | |
| [01:13] | Ok, hang on a second. What is flash? | |
| [01:16] | This animation program, which isn’t that hard. | |
| [01:18] | It’s what makes the non-robot look like he’s walking | |
| [01:20] | with some bounce, some rhythm. | |
| [01:22] | Ok, so your problem is artistic, not technical. | |
| [01:25] | Thanks. Are you trying to make me feel worse? | |
| [01:27] | No, I’m trying to find out if I can help you. | |
| [01:29] | I have taken life drawing and figures and motion. | |
| [01:31] | Hey, here. Please, draw. | |
| [01:33] | Ok, so what do I do? | |
| [01:34] | It’s just like a piece of paper. (Door closes) | |
| [01:36] | I’ve got the manual here, if you’re really interested. | |
| [01:40] | Ok. Let me take a… Yeah. | |
| [01:42] | Hey. | Hey. |
| [01:43] | Hey. | |
| [01:45] | You all right? | |
| [01:48] | I… I just got a letter. | |
| [01:50] | I’ve been asked to speak to the university disciplinary committee. | |
| [01:53] | What for? | |
| [01:54] | I’ve been named in a charge | |
| [01:56] | filed against professor mcgrath by one of his students. | |
| [01:58] | I’ve been named as one of eight women he had an affair with. | |
| [02:01] | With mcgrath? That’s insane. | |
| [02:03] | No, it’s… It’s not insane. | |
| [02:05] | I… I did have an affair with mcgrath, | |
| [02:08] | freshman year, when we had that class. | |
| [02:11] | It’s true. | |
| [02:14] | I already knew. | |
| [02:22] | ♪ Can you become | |
| [02:25] | ♪ can you become | |
| [02:28] | ♪ a new version of you♪ | |
| [02:33] | ♪ new wallpaper | |
| [02:34] | ♪ new shoe leather | |
| [02:36] | ♪ a new way home | |
| [02:40] | ♪ I don’t remember | |
| [02:43] | ♪ new version of you | |
| [02:46] | ♪ I need a new version of me | |
| [02:52] | ♪ new version of you | |
| [02:56] | ♪ I need a new version of me ♪ | |
| [03:08] | (Woman) and then my sister told me | |
| [03:10] | that she always knew that I knew, | |
| [03:13] | which proves that I’m not a very good actress. | |
| [03:16] | So, anyway, it was good to confront her, | |
| [03:20] | and I probably never would have without you guys, | |
| [03:23] | so thanks. | |
| [03:31] | Anyone else? | |
| [03:34] | Who else? | |
| [03:40] | I’ll go. | |
| [03:43] | The ongoing saga of Molly and James. | |
| [03:46] | Um… | |
| [03:48] | It looks like he’s gonna get evicted. | |
| [03:51] | He’s usin’ more and more now, and it’s not a big shock. | |
| [03:55] | I mean, he’s just… He’s run out of money. | |
| [03:58] | Uh… | |
| [04:00] | And I’m-I’m guilty, too, | |
| [04:02] | ’cause I’ve been using more and more. | |
| [04:07] | (Woman) using what? | |
| [04:09] | This is so hard. | |
| [04:15] | Cocaine. | |
| [04:17] | Crack cocaine? | |
| [04:19] | James has moved on to that, yeah. | |
| [04:21] | I mean, I’m-I’m trying to stay away from it myself. | |
| [04:30] | Thank you. | |
| [04:32] | Hey, Alicia, can I talk to you for a second? | |
| [04:34] | Oh, sure, what’s up? | |
| [04:37] | This might not seem so, uh, appropriate, | |
| [04:39] | but I just gotta say that sometimes I can’t stand these meetings. | |
| [04:42] | All we do is sit around and talk. | |
| [04:44] | Someone says they’re gonna start using crack, | |
| [04:46] | and we sit there and we nod our heads. | |
| [04:48] | You heard me tell Molly about that other program that she should look into. | |
| [04:51] | There’s gotta be something more we can do. | |
| [04:53] | I wanna do something. I wanna help somehow. | |
| [04:56] | Look, you know, I just run the meetings, | |
| [04:58] | but since you feel so strongly about it, | |
| [05:01] | just be her friend. | |
| [05:03] | But know that if she rejects your help, | |
| [05:06] | you gotta be prepared to accept that, too. | |
| [05:08] | Ok. | |
| [05:11] | Ok, all right. Well, I’ll see you next week. | |
| [05:16] | (? Rock) | |
| [05:20] | (Door closes) | |
| [05:25] | Hey. | Hey. |
| [05:28] | How are you? How was your meeting? | |
| [05:31] | It was good. It was fine. | |
| [05:34] | Come here for a sec. | |
| [05:39] | What? | |
| [05:43] | What’s this for? | |
| [05:48] | Can I ask you somethin’? | |
| [05:50] | Yeah. | |
| [05:54] | What would you do if you knew someone who had an addiction, | |
| [05:57] | and you knew that they weren’t doing everything they could to deal with it? | |
| [06:01] | Uh, I don’t know. | |
| [06:04] | I guess I’d, um, just try to listen to them | |
| [06:08] | and… to be there for them as much as I could. | |
| [06:18] | I was just thinking about my dad. | |
| [06:36] | Thanks. That’s cool. Thanks. See you later. | |
| [06:39] | Wait a minute, hold on. It’s Carol Brady! Hey, Carol. | |
| [06:43] | Hey, losers! What’s goin’ on? | |
| [06:45] | I’m sorry. “Losers”? I didn’t quite… You called me what? | |
| [06:48] | Where are you goin’? | |
| [06:49] | What do you care? | |
| [06:50] | What do you got there… Shopping bags? Nice. | |
| [06:52] | It’s Martha Stewart. | |
| [06:54] | I’m a big fan. Love your magazine. | |
| [06:56] | That whole thing you did about oatmeal… fantastic. | |
| [06:59] | What’s your problem? | |
| [07:00] | Nothing, ffoe… Former friend of Earl’s. | |
| [07:05] | Are you joking around? | |
| [07:07] | No, I’m not joking. Before you ask why, here’s the deal. | |
| [07:10] | You sold out. Earl… | |
| [07:12] | No, I’m gonna say these things. | |
| [07:14] | You walk around making a lot of noise like you the shiznits, | |
| [07:17] | but when it comes down to it, you’d rather wear a housecoat than leather panties. | |
| [07:21] | I don’t know… | |
| [07:23] | You’re boring, all right? | |
| [07:25] | You found a guy with a little square footage | |
| [07:27] | and you bailed the scene, which is a defining moment. | |
| [07:29] | Which makes me say, you wanna know where we’re goin’? | |
| [07:32] | To a club I bet you never even heard of. | |
| [07:34] | I’ll see you later. | |
| [07:40] | I’m sorry about that. | |
| [07:42] | You don’t agree with him, do you? | |
| [07:53] | (? Klezmer music) | |
| [07:55] | Hi. | |
| [07:57] | What are you doing? | |
| [07:58] | Makin’ oatmeal. Why? | |
| [08:01] | Listen to me. We have to go out. | |
| [08:05] | Ok. Yeah. | |
| [08:07] | Let me just finish the oatmeal first. | |
| [08:10] | Noel, something just occurred to me. | |
| [08:13] | I’ve changed. | |
| [08:15] | Aren’t you gonna say anything? | |
| [08:18] | You’ve changed a little bit. I love it. It’s great. | |
| [08:21] | No, not in a good way. | |
| [08:23] | I’ve become… | I’ve become… boring. |
| [08:25] | I’m-I’m… I’m a shell of my former self. | |
| [08:29] | When you left for the store, you were in a really good mood. | |
| [08:32] | What happened to that? | |
| [08:34] | I need to party. I need to dance. | |
| [08:37] | Let’s go to a rave or something. | |
| [08:39] | Do I have to remind you? I just lost a testicle, ok? | |
| [08:42] | The absolute last place I’m going tonight is a mosh pit. | |
| [08:45] | Listen… | |
| [08:50] | For the last month, | |
| [08:51] | I have been nothing but supportive and giving and kind, | |
| [08:54] | but it just occurred to me that I can’t remember | |
| [08:56] | the last time I had my hand stamped. | |
| [08:59] | My ears haven’t rung from loud music in a month. | |
| [09:02] | My life… it’s-it’s boring. | |
| [09:05] | You know, I’ll tell you what. | |
| [09:07] | We’ll throw some raisins in here, some cinnamon, | |
| [09:09] | we’ll mix it up a little bit. | |
| [09:11] | I’m going out. | |
| [09:13] | Hey, we rented a movie. What are you talking about? | |
| [09:16] | When I’m 40 years old and hunched over from osteoporosis, | |
| [09:18] | I’ll rent movies, | |
| [09:20] | but tonight I’m wild, I’m young, and I’m wearing leather. | |
| [09:25] | Her name is Sabina briscoe. | |
| [09:28] | She graduated in ’96. | |
| [09:30] | She was enrolled in the Columbia medical program this semester but dropped out. | |
| [09:34] | She claims the two-month-long relationship with professor mcgrath | |
| [09:37] | while she was a freshman | |
| [09:39] | caused her “severe emotional distress.” | |
| [09:43] | She wants him fired. | |
| [09:45] | How did she get my name? | |
| [09:47] | It seems that mcgrath’s former assistant | |
| [09:49] | was sympathetic to Ms. Briscoe. | |
| [09:51] | She gave her the names of other women | |
| [09:54] | she believed had been… Involved with him. | |
| [10:01] | Ms. Tyler… | |
| [10:03] | I want to be up front with you. | |
| [10:06] | Peter’s a friend. | |
| [10:08] | This, as you can imagine, | |
| [10:10] | is a difficult position in which to be. | |
| [10:14] | What exactly is her complaint? | |
| [10:19] | That, uh, | |
| [10:21] | “professor mcgrath used his position of authority | |
| [10:24] | “to coerce miss briscoe and others | |
| [10:26] | “into sexual relationships, | |
| [10:28] | “and that, in exchange for those favors, | |
| [10:31] | he gave them higher grades.” | |
| [10:37] | You’re unbelievable. | |
| [10:40] | It’s not bad, right? | |
| [10:41] | You only had it for a day. | |
| [10:43] | I know, but I told you, I took figures and motion. | |
| [10:46] | Yeah, so did I. | |
| [10:48] | I tried to make him a little more human. | |
| [10:50] | I put a collar on his shirt and fixed his shoes | |
| [10:53] | and made him a bit more fluid. | |
| [10:55] | Just making drawings move, it’s like art that’s alive. | |
| [10:59] | I love it. | |
| [11:00] | It looks pretty good against that background, too. | |
| [11:02] | Your backgrounds are great. They’re not horrible. | |
| [11:05] | We should do something else together. | |
| [11:07] | (Door slams) Yeah. Oh, hey. | |
| [11:10] | What did the Dean say? I’m not gonna do it. | |
| [11:12] | You’re not gonna talk to the committee? | |
| [11:14] | No, there’s no point. | |
| [11:16] | Whatever happened between this girl and mcgrath | |
| [11:18] | is totally different from what happened with me. | |
| [11:20] | You know who it is? Remember that Sabina? That girl that we met? | |
| [11:23] | Yeah, she’s the one who filed the claim. | |
| [11:26] | She did have this weird… | |
| [11:28] | Vibe. Yes. | |
| [11:29] | I remember. What’d she say? | |
| [11:31] | She said it was coercion, that he forced her into a relationship with him. | |
| [11:34] | That’s not what happened with me. I pursued him. | |
| [11:37] | You don’t look very relieved. | |
| [11:39] | Well, while all this is happening, | |
| [11:41] | this whole time, | |
| [11:43] | all I can think about and all I can feel | |
| [11:45] | is how much I miss Tracy. | |
| [11:47] | You could call him. | |
| [11:49] | He doesn’t want to hear from me. | |
| [11:59] | Hey. | |
| [12:02] | Hey. I was actually looking for you. | |
| [12:04] | Um… | |
| [12:06] | I wanted to talk to you for a second. | |
| [12:09] | Do you have a second? Uh-huh. | |
| [12:12] | I really don’t know how I’m gonna say it, so I’m just gonna say it. | |
| [12:17] | I really think you gotta break it off with this guy James. | |
| [12:19] | I really do. | |
| [12:21] | Ben, I appreciate this. | |
| [12:27] | I do. Um… | |
| [12:29] | But just because you know some of my secrets doesn’t mean you know me. | |
| [12:32] | I hear you talk about him every week, | |
| [12:35] | and every time you talk about him, it gets worse. | |
| [12:41] | Have you ever had an addiction? | |
| [12:44] | Um… | |
| [12:45] | I mean, I don’t mean the occasional drink | |
| [12:49] | or chocolate or… | |
| [12:52] | I mean a no-joke addiction. | |
| [12:57] | No, I haven’t. | |
| [13:01] | Hey, you. Hey, baby. | |
| [13:03] | (Chuckles) | |
| [13:09] | Um, Ben, this is James. James, this is Ben. | |
| [13:13] | Hey. How are you? | |
| [13:14] | How you doin’? Good. How are you? | |
| [13:16] | I’m good. We goin’? | |
| [13:17] | Uh, yeah. | |
| [13:19] | And thank you. I’ll see you later. | |
| [13:21] | Ok. | |
| [13:32] | Excuse me. Elena Tyler? Yes? | |
| [13:35] | I’m Sabina briscoe. | |
| [13:37] | Can I talk to you for a minute | |
| [13:39] | about professor mcgrath? | |
| [13:41] | Peter took advantage of me and others, including you. | |
| [13:45] | Peter never took advantage of me. | |
| [13:47] | So you won’t talk to the committee? | |
| [13:49] | There’s no reason for me to. | |
| [13:52] | If so many women went through this, why aren’t they coming forward? | |
| [13:54] | Because they’re afraid of going up against a tenured professor. | |
| [13:57] | Anyone who took his classes | |
| [13:59] | is either applying to or attending medical school. | |
| [14:01] | They’re making a choice. | |
| [14:03] | Look, having someone else talk to the school so I’m not alone in this, | |
| [14:06] | it would make all the difference. | |
| [14:08] | I need your help. | |
| [14:13] | Ok, this is my situation. | |
| [14:15] | My relationship with Peter was totally consensual. | |
| [14:19] | I was the one who wanted the relationship. | |
| [14:21] | That’s what he does. He makes you feel like you’re going after him. | |
| [14:25] | But it doesn’t matter because the university has a no-tolerance policy. | |
| [14:28] | But the difference is I don’t want to get Peter fired. | |
| [14:30] | Ever since my relationship with Peter ended, | |
| [14:33] | I have had the increasing realization | |
| [14:35] | that what happened between us was not just wrong, | |
| [14:38] | it was harassment. | |
| [14:40] | I appreciate what you’re saying. | |
| [14:42] | I just don’t feel that Peter did anything to me. | |
| [14:46] | I was the one who wanted the relationship, | |
| [14:49] | and sometimes I think it would have never happened at all if… | |
| [14:52] | If he hadn’t been going through a difficult time and needed someone. | |
| [15:00] | His ex-wife was sick, right? | |
| [15:02] | Yeah. | |
| [15:04] | His ex-wife is not sick. | |
| [15:06] | She was never sick. | |
| [15:10] | She was never his ex-wife. | |
| [15:14] | I got that story, too. | |
| [15:17] | You think about what I’m saying. | |
| [15:19] | Just… Really think about it. | |
| [15:23] | Please. | |
| [15:32] | Ok, I’m a master at the backgrounds. I mean, we all know that. | |
| [15:35] | But what about the animation? | |
| [15:37] | Is it good enough to show Morrison? | |
| [15:40] | Um, ok, can I just ask you a question, | |
| [15:44] | and you promise you won’t get mad? | |
| [15:47] | What? | |
| [15:48] | Um, is that an elephant? | |
| [15:52] | Right there? | |
| [15:54] | Are you kidding me? | |
| [15:56] | What about the concept? Just the concept! | |
| [15:59] | Yeah. Yeah, a cartoon about a boy on a farm. | |
| [16:01] | I li… I like it. You don’t like it. | |
| [16:05] | No. | |
| [16:06] | How can you not like the concept? | |
| [16:08] | Um, can I tell you an idea I had? | |
| [16:13] | You have an idea for a cartoon? | |
| [16:15] | Yeah, what? | |
| [16:17] | Um… | |
| [16:18] | Ok, it’s, uh… | |
| [16:20] | It would be called, um, loser pet store or something, | |
| [16:25] | and it’s about all of the animals in the pet store | |
| [16:27] | that no one really buys, | |
| [16:29] | so they’re the loser animals. | |
| [16:31] | The loser animals. | |
| [16:34] | Yeah, like, there’s this one character | |
| [16:36] | who is this poodle, and he’s insane. | |
| [16:38] | He just got neutered, and he’s convinced he’s a cat. | |
| [16:41] | A cat. | |
| [16:42] | I made sketches, if you want to look at them. | |
| [16:45] | It’s just like… Look at, if you want. | |
| [16:48] | If that’s… you know. What’s this? | |
| [16:50] | That’s a snake who thinks he’s in this really great relationship | |
| [16:53] | with this other snake, totally in love, | |
| [16:55] | but it turns out it’s his tail. | |
| [16:57] | He’s in this relationship with his tail. | |
| [17:00] | Aren’t snakes just one long tail? | |
| [17:02] | Um, and… but there’s one other character that I thought of, | |
| [17:06] | which would be this really pissed-off alcoholic goldfish, | |
| [17:09] | and he always wants his water changed to smirnoff. | |
| [17:12] | Hmm. | |
| [17:14] | Uh, you think we could get Javier to do the voice of the poodle? | |
| [17:17] | You’re mocking me. You don’t like it. | |
| [17:19] | No, I’m not mocking you. | |
| [17:21] | Look, it’s better than my lame farm boy thing. | |
| [17:24] | Really? Yeah. | |
| [17:27] | Can I run with this? | |
| [17:29] | With the loser pet store? Yeah. | |
| [17:31] | Yeah. Ok. | |
| [17:32] | Oh, yeah, run with it. You can do whatever you… | |
| [17:35] | Ok. I’ll take it to Morrison. Thank you. | |
| [17:38] | Yeah! I’m glad you like it. | |
| [17:40] | I do. I’ll see ya. Ok. | |
| [17:46] | Hey. | Hey. |
| [17:48] | Uh, I’ve been thinking | |
| [17:50] | about what you were saying about James. | |
| [17:53] | Yeah? | |
| [17:56] | And, uh, he’s a problem, | |
| [17:59] | and I don’t know what to do next. | |
| [18:02] | I met James last year in London. | |
| [18:06] | At the pub. | |
| [18:09] | He was, uh, he was there with his brother Tripp. | |
| [18:14] | I kinda came to New York for him. | |
| [18:17] | You know, I’d had crushes on boys before and stuff, | |
| [18:20] | but James is like… | |
| [18:24] | I mean, he smiles at me, | |
| [18:26] | and I know I’m in, like, serious, serious trouble. | |
| [18:30] | He-he’s so charmin’, you know? | |
| [18:33] | Everybody loves him. My mum adores him. | |
| [18:36] | I mean, she hasn’t got a clue what he’s really about, but… | |
| [18:39] | And she still calls herself psychic. | |
| [18:45] | You’re kind of the first person… | |
| [18:47] | That’s ever cared enough to say anything, so thank you. | |
| [18:50] | You don’t have to thank me. | |
| [18:52] | And I know how hard it is to keep it a secret, | |
| [18:55] | so I really, really do appreciate you not sayin’ anything to Felicity. | |
| [18:59] | Yeah, well, you’re tryin’ to get some help, | |
| [19:01] | so I’m not gonna say anything. I really won’t. | |
| [19:05] | But does James know that you’re here? | |
| [19:10] | No. | |
| [19:12] | Uh… | |
| [19:14] | When I, uh, asked you before | |
| [19:16] | if you’d ever had an addiction, | |
| [19:19] | I wasn’t talking about drugs. | |
| [19:21] | I was talking about him. | |
| [19:25] | I have this horrible feeling | |
| [19:27] | that givin’ up coke’s gonna be really, really hard. | |
| [19:32] | But giving up James, I can’t even imagine. | |
| [19:37] | Tracy. Hey. | |
| [19:40] | Hey. Um, what’s up? | |
| [19:42] | Um… so what’d you get? | |
| [19:45] | Um, 78. What’d you get? | |
| [19:48] | 95. Wow! | |
| [19:51] | Yeah. Good goin’. | |
| [19:53] | Yeah. Well, I gotta go. | |
| [19:55] | Um, how are you? | |
| [19:57] | I’m fine. I gotta go. | |
| [20:00] | Ok. | |
| [20:03] | Everything good I’ve gotten in the last two years, I don’t deserve. | |
| [20:07] | Elena, you’re being crazy. | |
| [20:08] | Am I? I didn’t deserve that grade I got from mcgrath. | |
| [20:11] | I saw it. He changed it. | |
| [20:13] | It was a b-minus before we slept together | |
| [20:15] | and an a afterwards, and I didn’t say anything. | |
| [20:18] | And based on that grade, I got into upper-division courses | |
| [20:21] | and then I got on the Dean’s list. | |
| [20:23] | Wait a second. You didn’t get all of those things because of one grade. | |
| [20:26] | It’s not like you were failing that class. | |
| [20:29] | If I hadn’t gotten that grade, I never would’ve gotten into those courses. | |
| [20:33] | And I never would have met Tracy. So? | |
| [20:35] | Because once we started working together, my grades shot up. | |
| [20:37] | And I never would have gotten that chance | |
| [20:39] | if I hadn’t taken that grade. | |
| [20:41] | So what it comes down to is, I’m not who everybody thinks I am. | |
| [20:45] | I’m a fraud. Elena, come on. | |
| [20:47] | And that thing that happened to that girl Sabina… | |
| [20:52] | That’s exactly what happened to me. | |
| [20:57] | So what are you thinkin’, | |
| [20:59] | that you might testify against him now? | |
| [21:02] | What if this grade thing comes out? | |
| [21:05] | My teachers will know. | |
| [21:07] | It’ll be on my transcript. | |
| [21:10] | I’ll never get into medical school. | |
| [21:16] | (Sighs) | |
| [21:22] | (Door opens, voices murmuring) | |
| [21:25] | Yes. | |
| [21:29] | Hello there. | |
| [21:31] | Oh, hey. | |
| [21:33] | Hey, have you, uh… Have you ever met Earl? What’s up, buddy? | |
| [21:36] | No, I don’t think I’ve had the immense pleasure. | |
| [21:38] | Ok. What’s your problem? | |
| [21:44] | Where have you been? | |
| [21:45] | Out. | |
| [21:46] | Out? All day and all night? | |
| [21:49] | Yeah, I told you I was going out. | |
| [21:51] | Yeah, but with him? | |
| [21:53] | Excuse me. Standing right here. | |
| [21:55] | I’m sorry if I couldn’t spend every waking second with you, | |
| [21:58] | but I had a life before you, you know. | |
| [22:00] | Oh, congratulations. Ok, listen. | |
| [22:02] | I’m not asking you go to back in time and erase what you did. | |
| [22:05] | I thought we were a couple. | |
| [22:07] | We’re a couple losers that sit around and do nothing. | |
| [22:10] | Hey, man, I heard about the whole dealie with the… | |
| [22:12] | That’s gotta… sorry. | |
| [22:14] | Could you leave, please? | |
| [22:17] | Uh, all right. | |
| [22:21] | See ya later? Nice meeting you. | |
| [22:22] | Goodbye. | |
| [22:28] | What’s going on? (Door closes) | |
| [22:31] | I mean, it’s like you’re this entirely different person. | |
| [22:33] | No, actually, this is who I am, but, see, I’ve changed for you. | |
| [22:38] | I’ve-I’ve worked so we could be a couple, but have you done anything? | |
| [22:41] | Have you tried at all? No, and I’m sick of it. | |
| [22:43] | I lost a testicle! | |
| [22:45] | That ball can only get you so far! | |
| [22:51] | Hello? (Felicity) hey, we’re back here. | |
| [22:55] | Hey, what’s goin’ on? | |
| [22:57] | So guess what. What? | |
| [22:59] | We have a new roommate. Molly’s boyfriend’s moving in for a little while. | |
| [23:02] | She’s had a boyfriend for, like, two months and hasn’t said anything. | |
| [23:05] | Can you believe that? Hey, man. | |
| [23:07] | Hey. How are you? | |
| [23:08] | Good. How you doing? | |
| [23:10] | Hey, you. Hey. | |
| [23:20] | (James) you know, I understand raising the rent. | |
| [23:22] | I mean, if I owned the place, I’d do the same thing. | |
| [23:25] | But $1,200 a month? | |
| [23:26] | (Molly) it wasn’t that bad. Yeah, it was. | |
| [23:29] | I’ll be right back. | |
| [23:31] | Don’t listen to her. This place was a mess. | |
| [23:33] | I mean, come on. The bathtub was in the kitchen. | |
| [23:35] | (Felicity) actually, Ben and I had an apartment like that. | |
| [23:38] | Well, almost. | |
| [23:40] | The cockroaches were huge. I hate those things. | |
| [23:45] | Hey, what the hell’s going on? | |
| [23:48] | We had a long talk. I thought you were gonna break up with him. | |
| [23:51] | No, I said I was gonna talk to him. And we’ve made a plan. | |
| [23:55] | He’s gonna come with me to my meetin’ today at the clinic at three. | |
| [23:58] | Wait, listen, listen, listen to me. | |
| [24:00] | My dad, he would pull the same crap. | |
| [24:02] | He’d get drunk. My mom would threaten to leave him. | |
| [24:04] | He’d promise he’d never touch a bottle of scotch again, | |
| [24:07] | and then the next week, the same cycle all over again. | |
| [24:09] | That’s not what this is. | |
| [24:11] | I really think it is the same thing. | |
| [24:13] | It is. | |
| [24:14] | Hey, what’s going on? | |
| [24:16] | Nothing. We’re just, you know, | |
| [24:18] | talking about all four of us going out tonight. | |
| [24:20] | That could be fun. Yeah. | |
| [24:22] | Um, listen, you know how Elena’s | |
| [24:24] | kind of going through this tough time right now? | |
| [24:27] | Yeah. I was thinking of maybe telling Tracy. | |
| [24:31] | Yeah, it could be good. I guess, yeah. | |
| [24:34] | That’s what I was thinking. | |
| [24:36] | Hey, by the way, our room’s fine. | |
| [24:38] | Oh, thank you. | |
| [24:39] | I’m sleeping at your place tonight. | |
| [24:41] | Good. Ok. | |
| [24:46] | Listen, you’re right. | |
| [24:49] | You’re right! | |
| [24:50] | I’ve been a selfish pig. I have been. | |
| [24:53] | And all month long, you’ve been doing nothing but devote yourself to me. | |
| [24:57] | And I’ve done nothing in return. But you know what? | |
| [25:00] | That’s all about to change because tomorrow night you and I are going out. | |
| [25:06] | “Catch a rising star.” | |
| [25:08] | Yeah, it’s a comedy club. I know what it is. | |
| [25:10] | How is this you doing something for me? | |
| [25:13] | Well, you wanted to go out, so we’re going out. | |
| [25:15] | This isn’t where I want to go. This isn’t where anyone wants to go. | |
| [25:17] | Why don’t you give me a hint, then? Where do you want to go? | |
| [25:20] | The fetish ball. | |
| [25:22] | What? I went last year. | |
| [25:24] | It was un-frickin’-believable. It’s tonight at ammo. | |
| [25:26] | It’s tonight? Yeah. I’m going as a pregnant woman. | |
| [25:29] | Oh, my god, you could go as a giant stiletto heel. | |
| [25:34] | Yeah, I can’t go tonight. It’s the sabbath. | |
| [25:36] | You’re kidding, right? | |
| [25:38] | No, it’s Friday night, Megan. You know that I’m observing. | |
| [25:41] | Yeah, and you know what I’m observing? Megan, it’s my religion. | |
| [25:45] | It’s Friday night, Sean! This is the problem in our relationship. | |
| [25:48] | You’re willing to do something for me | |
| [25:50] | as long as it’s convenient for you! | |
| [25:52] | For me? This has nothing to do with me. | |
| [25:55] | This is about god, ok? This is his night. | |
| [25:57] | Well, why don’t you tell god | |
| [25:59] | that your ex-girlfriend is spending his night at the fetish ball? | |
| [26:13] | Hey. | |
| [26:14] | You wanna come in? | |
| [26:16] | Yeah. Ok. | |
| [26:18] | Thanks. Please. | |
| [26:19] | Thanks. | |
| [26:25] | Um, listen, I know, uh, | |
| [26:29] | what’s going on with you two is none of my business. | |
| [26:32] | There’s nothing going on between us. | |
| [26:34] | I know, um… | |
| [26:37] | But there’s a lot goin’ on with Elena. | |
| [26:40] | She’s really… | |
| [26:42] | She’s really not handling this mcgrath thing very well. | |
| [26:47] | Is it true she took grades? | |
| [26:49] | She didn’t take grades. | |
| [26:50] | There was one grade. She didn’t ask for it. He gave it to her. | |
| [26:53] | And she accepted. | |
| [26:56] | And now she’s suffering for it. | |
| [26:59] | Look, that’s why I’m here. I’m just worried about her. | |
| [27:06] | Look, she was holding this thing in for two years. | |
| [27:10] | It’s finally out, and she feels like a phony, | |
| [27:13] | like somehow being with mcgrath, getting that grade | |
| [27:16] | made everything else in her life possible, | |
| [27:19] | including you. | |
| [27:21] | She wouldn’t have gotten into o chem if it weren’t for that grade. | |
| [27:25] | Why are you telling me this? | |
| [27:27] | Because I’ve tried to talk to her, | |
| [27:29] | but it didn’t help, | |
| [27:31] | and I think hearing from you might. | |
| [27:36] | Oh, um, uh, I’m sorry. | |
| [27:42] | Look, I miss you guys, and I miss her in a way, too, | |
| [27:45] | but… I can’t, no. | |
| [27:49] | I’m sorry. | |
| [27:51] | She needs you. | |
| [27:55] | Hey, don’t you think the Molly thing is really weird? | |
| [27:59] | Why? Just, I mean… thanks. | |
| [28:01] | She’s been dating this guy for two months | |
| [28:03] | and she hasn’t said a thing? | |
| [28:05] | Don’t you think that’s a little bizarre? What did she say? | |
| [28:08] | Just that they wanted to wait to tell people until it was more settled. | |
| [28:11] | I’ve been thinking about it, | |
| [28:13] | and she could have introduced him as a friend, anything. | |
| [28:16] | Yeah, it is a little weird, yeah. It’s weird, right? | |
| [28:19] | Yes, it is. Thank you. | |
| [28:20] | What time is it there? Ten to three. | |
| [28:22] | Ten to three? I gotta go. Can you cover me? | |
| [28:25] | Yeah, where are you going? | |
| [28:27] | I have, uh, like, um… | |
| [28:29] | My poli sci professor was out sick last week, so I got a makeup lecture. | |
| [28:31] | A makeup lecture? | |
| [28:32] | I know, it’s kind of intense. Intense guy. | |
| [28:35] | Can you cover for me? I’ll see you tonight at the loft. | |
| [28:37] | Ok. | Ok. |
| [28:40] | Ok, thanks. | |
| [28:45] | Ok, I didn’t know the rest was gonna be on here, but it is, so… | |
| [28:49] | (Tracy) hey. Hi. | |
| [28:52] | You got a minute? Uh, yeah, sure. | |
| [28:56] | Sorry. How’s it goin’? | |
| [28:59] | I’m ok. Thanks. | |
| [29:01] | I know what’s going on with mcgrath. | |
| [29:04] | How do you know? | |
| [29:06] | I just do. | |
| [29:08] | And I wanted to tell you | |
| [29:10] | that I didn’t get into mcgrath’s seminar freshman year. | |
| [29:14] | You didn’t? | |
| [29:15] | I’m serious. | |
| [29:17] | You should’ve been accepted instead of me. | |
| [29:21] | Elena… you’re the smartest person I know. | |
| [29:25] | Look, I am not. Yes, you are. | |
| [29:27] | Ok, whatever. | |
| [29:29] | I’m pissed as hell at you. | |
| [29:31] | You think I’d be telling you this if I didn’t think it? | |
| [29:34] | It’s not like the smartest people can’t do the stupidest things, now. | |
| [29:37] | Don’t start feeling sorry for yourself, | |
| [29:40] | imagining you don’t deserve the things you’ve done the last two years. | |
| [29:44] | Felicity talked to you, right? | |
| [29:46] | If testifying against mcgrath is the right thing to do, | |
| [29:49] | you can’t not do it | |
| [29:51] | out of fear of being found out, | |
| [29:53] | because you got it all. | |
| [29:56] | Not everything is cool with us. | |
| [30:00] | It’s not water under the bridge. | |
| [30:02] | As a matter of fact, there’s no bridge, | |
| [30:05] | not yet. | |
| [30:07] | But I’m a man of faith, and god’s about forgiveness, | |
| [30:10] | so I’m working on it. | |
| [30:16] | Thanks. | |
| [30:23] | (? Rap) | |
| [30:28] | Come on, you. We’re gonna be late. | |
| [30:30] | Hang on. | |
| [30:31] | ♪ I waltz up in the club | |
| [30:34] | ♪ and the ladies lookin’ lovely | |
| [30:37] | ♪ tried to show some buzz | |
| [30:39] | ♪ but the caterers tried to mug me | |
| [30:42] | ♪ walk up to the bar… | |
| [30:43] | Come on. | |
| [30:45] | Come here. | |
| [30:46] | ♪ Zip on my freak | |
| [30:49] | ♪ if you wanna get bank on | |
| [30:52] | ♪ oh, no ♪ no | |
| [30:53] | ♪ pump your brakes | |
| [30:55] | ♪ pump your brakes… | |
| [30:57] | Come here. | |
| [30:58] | ♪ They can’t take | |
| [30:59] | ♪ they can’t take | |
| [31:01] | ♪ oh, no ♪ no | |
| [31:03] | ♪ pump your brakes | |
| [31:05] | ♪ pump your brakes | |
| [31:06] | ♪ make ’em shake it | |
| [31:07] | ♪ shake it, shake | |
| [31:08] | ♪ they can’t take | |
| [31:09] | ♪ they can’t take | |
| [31:11] | ♪ top-notch pop drop… | |
| [31:48] | You know what you need? | |
| [31:52] | Mm-hmm. | |
| [31:54] | You need to cut your hair. Oh, yeah. | |
| [31:57] | Yeah. No, no. | |
| [31:59] | Yeah, you need a haircut. No. | |
| [32:03] | Come on. Mnh-mnh. | |
| [32:04] | Up. Mnh-mnh. | |
| [32:05] | Up. | |
| [32:15] | Come here. | |
| [32:17] | No. Come here. | |
| [32:24] | I don’t want a haircut. | |
| [32:26] | Come on. I d… | |
| [32:28] | Up. | |
| [33:06] | Oop. Sorry. Oh! | |
| [33:08] | (Clears throat) | |
| [33:09] | Um, that’s ok, I… Just gimme a second. | |
| [33:12] | Uh, Morrison loved it. | |
| [33:13] | Loved… Loved loser pet store? Yeah. | |
| [33:16] | Oh, my god, he loved loser pet store. | |
| [33:19] | I went to him after class and told him about it. | |
| [33:21] | He wants to take it to ice box. | |
| [33:23] | No! Oh, my god, that’s so exciting. I’m so happy for you. | |
| [33:27] | Happy for us, I mean, because we did it, you know. | |
| [33:30] | And we should… Look, we should keep doin’ it. | |
| [33:32] | I wanna do loser pet store with you. | |
| [33:34] | I mean, if ice box decides they want it. | |
| [33:37] | You, um… but I mean… | |
| [33:39] | We’ll do it together, you know? | |
| [33:41] | And it was your idea anyways. | |
| [33:43] | Yeah, but you’re the one who actually did something with it. | |
| [33:46] | We both did. It’s ours. So… so let’s do it together. | |
| [33:50] | Really? Yeah. | |
| [33:52] | Um, oh, my god. | |
| [33:54] | Yeah! I would love to do that with you. | |
| [33:57] | Good. Good. | |
| [34:05] | Hey, man… Hey. | |
| [34:09] | Good to see you. | |
| [34:10] | Hello? | |
| [34:12] | (Felicity) Ben? I’m in here. | |
| [34:21] | Hey. | Hey. Look at this. |
| [34:24] | Whose hair is that? I guess it’s Molly’s. | |
| [34:27] | Is she here? No, but I mean… | |
| [34:29] | She could have at least cleaned it up. | |
| [34:32] | Don’t you think this is weird? Yeah. | |
| [34:34] | You know what? I just… I really don’t want this guy staying here anymore. | |
| [34:37] | What are you talking about? | |
| [34:39] | There’s something about him I don’t like, all right? | |
| [34:43] | Wait, Ben. What are you doing? | |
| [35:02] | Molly’s… Molly’s in my al-anon group. | |
| [35:05] | Why didn’t you tell me? | |
| [35:08] | I wanted to, but that’s the whole point, that it’s anonymous. | |
| [35:11] | Ok, I don’t understand. James goes to the… | |
| [35:13] | No, she just… She talks about him a lot. | |
| [35:15] | And… (Sighs) | |
| [35:17] | He and Molly… | |
| [35:21] | He’s using crack and I don’t know what else. | |
| [35:25] | And she’s… well, she’s usin’. I don’t know what she’s usin’, but she’s usin’. | |
| [35:28] | So you knew that my roommate was doing serious drugs, | |
| [35:31] | and you didn’t tell me? | |
| [35:32] | I’m sorry. I should’ve told you before. I’m sorry. | |
| [35:35] | Oh, my god. | |
| [35:37] | I mean… | |
| [35:39] | This is crazy. | |
| [35:42] | I know it’s crazy. Uh… this guy James. | |
| [35:45] | You know that’s the reason she came to New York? | |
| [35:48] | I don’t know anything about him, but I don’t want him living in this apartment. | |
| [35:51] | No, and we’ll tell him that as soon as he gets back here. We’re gonna kick him out. | |
| [35:55] | I’m sorry. I’m really sorry. I should’ve told you before. | |
| [35:58] | It’s ok. | |
| [36:00] | What do we do with the gun? | |
| [36:08] | Did professor mcgrath promise you a better grade if you went out with him? | |
| [36:12] | (Elena) no. | |
| [36:14] | He never hinted at that in any way? | |
| [36:19] | No. | |
| [36:21] | When you were in his class, did professor mcgrath | |
| [36:23] | initiate a personal relationship? | |
| [36:30] | No. | |
| [36:32] | We had a personal relationship, but he didn’t initiate it. | |
| [36:37] | I don’t know if this matters or if it’ll affect what happens. | |
| [36:41] | I came on to him. He didn’t come on to me. | |
| [36:45] | And he accepted your initiative? | |
| [36:48] | Yes. | |
| [36:50] | In other words, while you were an 18-year-old freshman, | |
| [36:53] | you and then-44-year-old professor mcgrath | |
| [36:57] | had a sexual relationship? | |
| [36:59] | I didn’t know his age at the time. | |
| [37:02] | Nevertheless, you did have a sexual relationship with Dr. Mcgrath? | |
| [37:17] | Yes. | |
| [37:28] | Excuse me, Dean? Yes? | |
| [37:31] | There’s, uh, one more thing that didn’t come up in the interview. | |
| [37:41] | The grade I received in mcgrath’s seminar… | |
| [37:44] | I didn’t earn that grade. | |
| [37:46] | You said he never suggested an exchange. | |
| [37:49] | Yes, sir, but that doesn’t mean that one didn’t happen. | |
| [37:53] | Elena, the records show you’re an exceptional student. | |
| [37:56] | The records are wrong, and I can’t let this go on until I set it straight. | |
| [38:01] | I’d like to take that class again. | |
| [38:03] | With your course load, your other work is bound to suffer. | |
| [38:06] | I don’t care, as long as it’s my work. | |
| [38:11] | You don’t have to do this, Elena, not for the administration. | |
| [38:17] | I know. | |
| [38:18] | I need to do it for me. | |
| [38:22] | (? Techno) | |
| [38:42] | What the hell are you doing? | |
| [38:44] | Rubbing your belly. | |
| [38:45] | Did I ask you to do that? Did I invite you to do that? | |
| [38:47] | No. No, I didn’t. | |
| [38:49] | So take your hand away, turn around, and get outta my life. | |
| [38:52] | (Earl laughs) What? | |
| [38:56] | Nothing, nothing. Welcome back. | |
| [38:57] | I didn’t go anywhere. | |
| [38:58] | This Sean thing, your whole brush with the bourgeoisie… | |
| [39:01] | I am just glad it is over. | |
| [39:03] | Well, I’m glad you’re glad. | |
| [39:05] | I do not blame you for trying out the creature comforts. | |
| [39:08] | Can we just drop this? | |
| [39:10] | In the end, we both know this guy would bore you to death. What’s up? | |
| [39:15] | What? | |
| [39:17] | You’re wearing nipple rings. Yeah, so? | |
| [39:19] | You’re criticizing my boyfriend, and you’re wearing nipple rings. | |
| [39:22] | Wait. Boyfriend? I thought you guys broke up. | |
| [39:24] | It’s what we do. It’s our fetish. Megan, this guy is a loser. | |
| [39:28] | Hey, excuse me. I don’t date losers. | |
| [39:30] | I just hang out with them. | |
| [39:38] | Hi. | |
| [39:39] | Hey. | |
| [39:41] | Um, I… I testified against mcgrath, | |
| [39:46] | and he’s… He’s gonna be fired over what happened. | |
| [39:51] | You feel bad about it? | |
| [39:53] | Well, I mean, I feel bad that it happened at all. | |
| [39:57] | Um, about what happened yesterday, | |
| [39:59] | about what you said to me, you know, | |
| [40:02] | about, um… | |
| [40:04] | Telling the truth and… | |
| [40:06] | And not being afraid of who I am… | |
| [40:09] | Thanks. | |
| [40:13] | You have no reason to doubt yourself. | |
| [40:19] | I miss you. | |
| [40:21] | I hope so. | |
| [40:22] | (Laughs) | |
| [40:25] | Um, ok. | |
| [40:28] | Ok. | |
| [40:39] | Is Sean here? | |
| [40:40] | Uh, no, but do you want to see somethin’ cool? | |
| [40:43] | What? Look. | |
| [40:44] | Ok, he’s delusional, he’s half-blind, | |
| [40:46] | his fur keeps falling out, and he keeps gluing it back on, | |
| [40:49] | and he’s tellin’ all the other animals that he’s been to all these places, | |
| [40:51] | but the truth is, he’s never been anywhere, | |
| [40:53] | and the only one who knows his secret is the chihuahua in the next cage. | |
| [40:57] | That’s the cool thing? | |
| [40:59] | It’s gonna be animated. | |
| [41:01] | Where did Sean go? I… | |
| [41:03] | (Door opens) Hey, I rented some… | |
| [41:07] | Tell me you didn’t just wear that to temple. | |
| [41:10] | No, I wasn’t at temple. | |
| [41:12] | I was at the fetish ball, looking for you. | |
| [41:17] | Oh, that’s nice. | |
| [41:18] | No, Sean, that’s so sweet. | |
| [41:20] | I don’t want to talk right now, ok? I just wanna change. | |
| [41:25] | (Noel laughing) | |
| [41:26] | Oh, ass-less pants. Yeah. | |
| [41:29] | Sean… | |
| [41:34] | You know what? I gotta go to bed. Let’s go to bed. | |
| [41:37] | I don’t know if I should be angry or worried. | |
| [41:40] | Come on, let’s go to bed. Help me. | |
| [41:42] | (Door closes) | |
| [41:47] | Hey. | Hey. |
| [41:48] | Hey. | |
| [41:49] | Where’s, uh… Where’s James? | |
| [41:51] | Oh, um, he just went back to the apartment to get the last of his stuff. | |
| [41:54] | But I told him not to make too much noise when he comes back. | |
| [41:58] | And thank you so much for lettin’ him stay here. | |
| [42:00] | I mean, he loves you guys. Felicity knows. | |
| [42:04] | Felicity knows what? | |
| [42:06] | She knows everything. | |
| [42:10] | She knows the things we talked about in secret, Ben, | |
| [42:13] | the things we talked about in trust. | |
| [42:19] | You were supposed to help me, Ben. What are you talkin’ about? | |
| [42:21] | I was waiting for you today at the rehab center. You never showed up. | |
| [42:24] | I know how that looks, but just give it time, and you’ll see… | |
| [42:27] | No, you want to know what I think? | |
| [42:30] | I think he’s dealing again, and I think you know he’s dealing again. | |
| [42:33] | No. No, he’s not. He told me that he’s not. | |
| [42:37] | Guys, I’m so tired. Um, it’s really late. | |
| [42:40] | Can I just… can we just get some sleep, | |
| [42:43] | and then tomorrow… Tomorrow morning, | |
| [42:45] | we’ll talk about it, all four of us… | |
| [42:47] | No, that’s not gonna happen, ’cause he’s not gonna stay here. | |
| [42:50] | This isn’t your apartment, Ben. | |
| [42:51] | He’s got a gun. | |
| [42:53] | Do you know that? Do you know he’s got a gun? | |
| [42:56] | Molly, I don’t feel comfortable with him staying here… | |
| [42:59] | So not only do you betray people’s trust, | |
| [43:02] | you look through their personal things as well? | |
| [43:04] | Nobody was looking through his personal things, all right? | |
| [43:07] | You gotta go back to the clinic. | |
| [43:09] | I don’t care if it’s with James or not, but you gotta go back. | |
| [43:12] | And what if I don’t? | |
| [43:14] | Then you can’t stay here, either. | |
| [43:16] | Wait, Ben… No, I’m sorry. | |
| [43:18] | She said she was gonna go, and she didn’t go. | |
| [43:21] | And you’re the person that talks about trust. | |
| [43:24] | Is-is that what you want, Felicity? | |
| [43:26] | You want me to go? | |
| [43:29] | No, I… | |
| [43:30] | I want you to get help. | |
| [43:33] | And that’s how you’re gonna help me, by kicking me out? | |
| [43:36] | No, Molly, wait. | |
| [43:39] | You know what’s funny, guys? | |
| [43:41] | You’re standing there, and you’re judging me | |
| [43:43] | like I’m the person that’s done something wrong, | |
| [43:46] | like I’m the person with the problem. | |
| [43:50] | And this is the kind of people that you are. | |
| [44:03] | (Door slams) |