| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | This may be the most important test you will ever take. | |
| [00:04] | It has been designed to illuminate, if you will, | |
| [00:07] | strengths and weaknesses which impact professional qualifications. | |
| [00:12] | Answer the questions honestly and forthrightly. | |
| [00:15] | – Any attempt to communicate… – Excuse me, Abby?. | |
| [00:20] | – Yes, Felicity?. – You probably know this. | |
| [00:23] | But our old manager, Javier, did employee evaluations on all of us. | |
| [00:29] | You’re right, I do know that. | |
| [00:31] | But remarks like, “A real cutie patootie,” | |
| [00:34] | and, “When he makes a mochachino I get tingly,” were hard to quantify. | |
| [00:38] | – Are you guys open?. – We open at eight. | |
| [00:41] | – Do you have a phone?. – The phone is for customers only. | |
| [00:45] | Hanna?. | |
| [00:47] | – Hi. – Hi! You work here?. | |
| [00:51] | Excuse me?. | |
| [00:53] | – What are you doing here?. – I wanted the phone. | |
| [00:56] | – In New York, I mean. – I moved here. | |
| [00:58] | I’m going to the Conservatory. | |
| [01:02] | So, does Noel know?. | |
| [01:04] | No. It’s… I’ve just been getting settled. It’s been crazy. | |
| [01:09] | – How’s he doing?. – He’s doing great, actually. | |
| [01:15] | I’m glad. | |
| [01:18] | We’re doing great. | |
| [02:14] | Yeah. I know, you’ve wanted to meet him since forever. | |
| [02:18] | – Guess who’s living in New York?. – It’s Hanna. | |
| [02:23] | Yeah, I know a guy who lives on 19th. | |
| [02:25] | Right, but a little closer to 1 Oth. | |
| [02:31] | Right, I know a “Chelsea Morning”. Sounds great. We’ll see you tonight. | |
| [02:36] | – She’s coming?. – OK, bye. | |
| [02:39] | OK, so, the girl who I went out with for two years | |
| [02:42] | has been secretly living five minutes away for the past two months?. | |
| [02:47] | Is she actually coming tonight?. I didn’t really invite her. | |
| [02:51] | I mentioned a group of us might be going out. I was over-compensating. | |
| [02:55] | It was a nervous reaction to prove I had no problem with her being here. | |
| [03:01] | – But you do have a problem?. – Should I have a problem?. | |
| [03:05] | – Do you?. – Should I?. | |
| [03:06] | You’re acting kind of nervous. | |
| [03:09] | You and me and her living in the same city. Is that not weird?. | |
| [03:12] | Is it weird?. | |
| [03:16] | No. | |
| [03:19] | No, it’s not weird. | |
| [03:22] | It’s… surprising. | |
| [03:23] | But it’s not weird. | |
| [03:31] | I’m serious. He’s gonna say mine needs a lot of work. | |
| [03:36] | – Did you hand yours in?. – I was gonna stop by his office… | |
| [03:40] | Yeah. You’re hanging out with your best friend, Hanna. | |
| [03:44] | Look, Hanna is fine. She’s fine with me. | |
| [03:47] | – I’ll drop yours off with mine. – Would you?. | |
| [03:50] | Yeah, no problem. You gotta keep an eye on your man, anyway. | |
| [03:54] | I’d like to keep an eye on him! | |
| [03:59] | I met him at the art studio. | |
| [04:01] | I saw him yesterday. | |
| [04:03] | OK, what’s happening?. He’s coming over here. | |
| [04:07] | Introduce me. I’m Elena, remember that. | |
| [04:10] | – Felicity. – Eli. | |
| [04:15] | – Elena… that’s… – What’s up?. | |
| [04:18] | – Hi. You can sit down if you want. – Thanks. | |
| [04:26] | I thought maybe I’d see you back at the studio. | |
| [04:28] | I’ve been just kind of drawing in my room. | |
| [04:32] | I think you left some of your sketches. | |
| [04:35] | I did?. | |
| [04:37] | I put ’em in my drawer, if you wanna come and get ’em. | |
| [04:40] | It just says “Eli” on it. They’re in there. | |
| [04:43] | Thanks. Yeah, I’ll stop by, then. | |
| [04:46] | – You should. – I will. | |
| [04:50] | OK. Nice to meet you. | |
| [04:53] | Yeah. | |
| [05:03] | Damn! You better go pick up those sketches. | |
| [05:28] | – That was nice. – Thanks. | |
| [05:31] | Yeah, it was pretty and sad. | |
| [05:34] | You know, sad and pretty. Am I even close?. Is it…?. | |
| [05:37] | Yeah, that’s kind of what I was going for. | |
| [05:40] | That was nice. | |
| [05:41] | The coach is like, “Whatever that is, I want it out of the pool now!” | |
| [05:46] | What’s going on?. You remember Lynn. Wes, Callie, Martin. Sean. | |
| [05:51] | – Guys. – Man, this is an awesome place. | |
| [05:53] | – Thank you. – Wes. | |
| [05:56] | Do you mind?. | |
| [05:59] | No. | |
| [06:01] | – Is this a D-28?. – No, it’s not a Martin. | |
| [06:04] | – Are you sure?. – It doesn’t say “Martin” on it. | |
| [06:07] | – You really ought to tune it. – No! That’s my own tuning. | |
| [06:11] | Or… it was my own tuning. | |
| [06:17] | You don’t mind if these guys hang around?. | |
| [06:19] | I don’t mind. Hey! You guys wanna try a new kind of breakfast cereal?. | |
| [06:24] | – Takin’ off?. – I was just working on a song. | |
| [06:27] | Well, if you want, we can leave. It’s fine. | |
| [06:30] | No, that’s OK. I have psych in about an hour, so I’m just gonna go. | |
| [06:35] | – Bye, you guys. – All right. | |
| [06:43] | So, the guy tells me to get off at the stop after 59th Street. | |
| [06:47] | He doesn’t tell me the next stop is 125th Street, thank you very much! | |
| [06:53] | I have no idea what train I’m on. | |
| [06:55] | – You were probably on the A. – I’m pretty sure it was a local. | |
| [06:58] | The local stops at 66th, after 59th. | |
| [07:00] | It’s 72nd, but those 8th Avenue trains are confusing. | |
| [07:04] | Anyway, when I finally found the store, | |
| [07:06] | it turns out it had been out of business for six months. | |
| [07:09] | Like when we drove all over Saugus looking for the software store. | |
| [07:13] | – The place you said you’d been to?. – No, that’s not true. | |
| [07:17] | It was “Soft-Wear”, a kids’ clothing store. | |
| [07:20] | – Hey, things happening over here?. – Have you seen Ben?. | |
| [07:24] | Ben is at the dart board, losing the farm. | |
| [07:27] | – Speaking of which, anybody know… – Excuse me. | |
| [07:30] | Hey, look, the loo is right over there behind the bar. | |
| [07:34] | Thank you. | |
| [07:36] | Thanks, Lynn. The Celtics are gonna take ’em. | |
| [07:45] | – You should come back to the table. – Just give me a couple of minutes. | |
| [07:49] | Sure. | |
| [08:08] | – What are you doing?. – Spying. Blatantly spying. | |
| [08:15] | – Are you worried about Hanna?. – No! | |
| [08:19] | A little bit?. | |
| [08:20] | Barely. | |
| [08:23] | You know that guy she was dating in Chicago?. | |
| [08:25] | Apparently, things didn’t work out. That’s all she said. | |
| [08:29] | And you know what?. She knew I worked at Dean & DeLuca. | |
| [08:32] | Javier was at the Thanksgiving party. | |
| [08:35] | Do you really think it was a coincidence we ran into each other?. | |
| [08:38] | – Why would she pretend?. – Cynically?. T o scope things out. | |
| [08:38] | – Why would she pretend?. – Cynically?. To scope things out. | |
| [08:42] | I mean, to make it look like she didn’t… | |
| [08:46] | Sorry. I’m being really judgmental. | |
| [08:48] | No. You’re just acting like… | |
| [08:50] | – Like what?. – Like a girlfriend. | |
| [08:55] | Is that what this is?. | |
| [09:00] | If I don’t get some practising in, I’m dead. | |
| [09:03] | No one will care if I leave, right?. | |
| [09:05] | No, I don’t think so. I’ll walk you out. | |
| [09:08] | – Yeah?. – Yeah. | |
| [09:13] | I’ve got this nightmare exercise. I’m supposed to be writing a fugue. | |
| [09:18] | A fugue?. I don’t exactly know what a fugue is. | |
| [09:21] | Two themes are repeated. You keep bringing in contrapuntal voices. | |
| [09:25] | Well, you know, anything with “contrapuntal” is hard. | |
| [09:30] | I was wondering if you could listen to what I’ve got. Maybe help me out?. | |
| [09:37] | Like you used to. | |
| [09:40] | Like I used to?. | |
| [09:44] | Sure. Yeah. | |
| [09:53] | – Thanks. – You’re welcome. | |
| [10:23] | Thanks. | |
| [10:24] | – So McGrath didn’t say anything. – When?. | |
| [10:28] | – In class. – About what?. | |
| [10:30] | My proposal. And the one time he did look at me, there was a vibe. | |
| [10:34] | It was like, “I read it and I hated it”‘ | |
| [10:36] | Felicity?. Can I have a word with you?. | |
| [10:39] | Watch how she talks to me. She doesn’t look at me. | |
| [10:42] | – OK, watch. – I am. | |
| [10:47] | – Yeah?. – Who’s that guy you’re talking to?. | |
| [10:50] | That’s my boyfriend. | |
| [10:52] | OK. Well, then, let’s have a talk away from this area. | |
| [11:01] | I’d really appreciate it if we could avoid, whenever possible, | |
| [11:05] | extended social moments, OK?. | |
| [11:07] | It’s something we need to be conscious of. | |
| [11:09] | You understand that word?. | |
| [11:12] | – Which word?. Conscious?. – It means aware. Aware! | |
| [11:16] | – No, I understand. – OK, good. | |
| [11:24] | Can you believe her?. Did you see how rude she was?. | |
| [11:28] | Hanna kissed me. | |
| [11:31] | Yesterday, when I got her a cab, she gave me this. | |
| [11:35] | It’s a piece she’s working on. She said she needed my help. | |
| [11:38] | Then she grabbed my head and kissed me. | |
| [11:51] | So, why didn’t you tell me last night?. | |
| [11:56] | Because it didn’t mean anything. I mean, I didn’t kiss her back. | |
| [12:01] | I don’t know, I guess I didn’t tell you because… it meant nothing. | |
| [12:07] | Well, maybe there’s another reason you’re telling me. | |
| [12:11] | Maybe you’re telling me because… | |
| [12:15] | .. you’re conflicted and you think that by telling me, | |
| [12:18] | it’ll squash those feelings, put it out there. | |
| [12:21] | No. That’s not it. | |
| [12:26] | So, how long was the kiss?. | |
| [12:29] | Well, it was… | |
| [12:32] | It was like this… Kind of… | |
| [12:37] | – Like that. – That’s kind of a long kiss. | |
| [12:40] | It was shorter than that. I’m not gonna see her again. | |
| [12:43] | She’s probably just lonely in New York. | |
| [12:46] | But after that kiss, I mean, what am I supposed to do?. | |
| [12:50] | – What do you want to do?. – I’m gonna send this tape back. | |
| [12:55] | And I’m not gonna see her again. | |
| [13:00] | – What?. – It’s fine! | |
| [13:02] | Obviously it’s not fine, especially when you say “It’s fine”. | |
| [13:05] | It’s your swim team group. They don’t like me. | |
| [13:08] | You’re nuts. They totally like you. | |
| [13:10] | – I don’t think they like her. – Can you stay out of this?. | |
| [13:13] | When Lynn mentioned there was an open-mike night, | |
| [13:16] | and I said I might like to do it, he just ignored me. | |
| [13:19] | He probably didn’t know you were serious! | |
| [13:22] | I thought you thought he was a jerk. | |
| [13:25] | He’s not a jerk and I think you’re overreacting. | |
| [13:28] | – She isn’t. – What’s your problem?. | |
| [13:30] | – This is none of your business. – My problem?. | |
| [13:33] | Only one of us owns this place and none of us is paying rent. | |
| [13:36] | I said I’d get you a cheque this week. | |
| [13:39] | You never mentioned anything about the open-mike night either. | |
| [13:43] | – I didn’t?. – No. | |
| [13:47] | So, you had a horrible time last night?. | |
| [13:50] | It wasn’t you and me. It was you and them and the girlfriend. | |
| [13:54] | Being the girlfriend is fine, once in a while… | |
| [13:57] | – But not all the time, Ben. – Sean, I got it. | |
| [13:59] | – I’m here if you need me. – Performing is a great idea. | |
| [14:03] | Obviously, you should do it. | |
| [14:06] | It’s tomorrow night and I just would like you to be there. | |
| [14:09] | Tomorrow night. I can’t wait. I’ll be there. | |
| [14:13] | OK. Bye. | |
| [15:17] | Hi. | |
| [15:21] | Is this a bad time?. | |
| [15:23] | No. | |
| [15:25] | Come in. | |
| [15:32] | Can I get you anything?. We have mango orange juice, | |
| [15:36] | sparkling water and cheese. | |
| [15:38] | Would you like a glass of cheese?. | |
| [15:42] | I… | |
| [15:44] | I did some thinking. | |
| [15:46] | You know?. Some active… sitting there… | |
| [15:50] | real thinking. | |
| [15:52] | And… I can’t help you. | |
| [16:02] | God, I’m so embarrassed. | |
| [16:06] | That kiss turned everything all serious, didn’t it?. | |
| [16:12] | What was that, exactly?. | |
| [16:14] | A mistake, clearly. | |
| [16:19] | Also the most natural thing I’ve done in months. Isn’t that funny?. | |
| [16:26] | I shouldn’t have done it. | |
| [16:29] | But it was… you and me. | |
| [16:33] | You know?. And… New York at night. | |
| [16:36] | We’d always talked about living here together. | |
| [16:40] | And after years of just kissing you… thousands of times… | |
| [16:46] | And after not seeing you for months… | |
| [16:56] | I’m so much more together than this. | |
| [17:00] | I haven’t cried once since I got here. | |
| [17:18] | I flipped a coin. That’s how I decided to come here. | |
| [17:25] | Heads was New York. | |
| [17:29] | After Thanksgiving, I went back to Chicago, | |
| [17:32] | and I started dating this guy who… | |
| [17:36] | .. turned out not to be so fantastic. | |
| [17:39] | And I suddenly didn’t know what the hell I was doing. | |
| [17:43] | And I had an acceptance letter to the New York Conservatory. | |
| [17:49] | Which was like a dream. | |
| [17:52] | Except… you were here. | |
| [17:59] | Anyway, I got heads, so here I am. | |
| [18:05] | But we can’t just act like things are the same as they were. | |
| [18:10] | I know. You don’t have to lecture me. I got it. | |
| [18:11] | This whole time, I thought you were in Chicago. | |
| [18:15] | With that guy, whoever that guy is. | |
| [18:19] | And instead I was here the whole time. | |
| [18:24] | Missing you. | |
| [19:06] | – You came. – Hi. | |
| [19:09] | Yeah, I just wanted to pick up those sketches. | |
| [19:14] | They’re in here. | |
| [19:20] | So, how’s that painting coming?. | |
| [19:22] | The one you were doing of the old man?. | |
| [19:25] | My grandfather. Yeah, it’s finished. | |
| [19:28] | You wanna see it?. | |
| [19:31] | Sure. | |
| [19:46] | It’s funny, he’s an old man, but… | |
| [19:51] | .. there’s something unbreakable about him. | |
| [19:56] | Yeah, that’s what he was like. He was a longshoreman. | |
| [20:00] | He was a pretty rugged guy. | |
| [20:05] | Unbreakable. | |
| [20:09] | You’re smart about this stuff. | |
| [20:11] | No, it’s obviously a really good painting, so… | |
| [20:15] | No, I mean your work. | |
| [20:19] | So you looked at my sketches?. | |
| [20:22] | – Is that OK?. – Sure. It’s fine. | |
| [20:26] | I really liked ’em. I’d love to talk to you about it sometime. | |
| [20:30] | Yeah. Sometime. | |
| [20:37] | But probably not right now. | |
| [20:40] | Whenever. | |
| [20:41] | I’m kind of busy right now. I’ve got a lot of, you know… | |
| [20:47] | You should keep at this, though. | |
| [20:49] | Thanks. | |
| [20:53] | I’ll see you around. | |
| [21:19] | Julie’s gonna play that open-mike thing. | |
| [21:25] | – What are you doing?. – Nothing. It’s just… | |
| [21:29] | Hanna’s tape. | |
| [21:32] | I thought you were gonna give that back. | |
| [21:35] | Well, I went to see her. | |
| [21:38] | I mean, to give her back the tape, but… you know… | |
| [21:45] | Nothing happened. We just talked. | |
| [21:48] | First of all, I wouldn’t ever assume that anything happened. | |
| [21:51] | And secondly, don’t underestimate talking. | |
| [21:58] | Those are pictures of her?. | |
| [22:03] | Felicity… | |
| [22:05] | I’m just… thinking about things. You know?. | |
| [22:10] | I’m a little confused. | |
| [22:12] | Confused about what?. Why are you using my name when you talk to me?. | |
| [22:16] | – You never do that. – Please… | |
| [22:19] | Don’t make me feel guilty about going to see Hanna. | |
| [22:22] | – I’m just trying to figure this out. – I’m sorry. | |
| [22:25] | I swear to God, I don’t wanna make you feel guilty about going. | |
| [22:30] | But I just apologised for you seeing your ex-girlfriend, who kissed you! | |
| [22:37] | So, you still love Hanna?. Is that what you’re trying to figure out?. | |
| [22:44] | Of course I still love Hanna. We went out for a long time. | |
| [22:47] | No, I don’t mean, “have feelings for her” or “care about her”. | |
| [22:54] | What I mean is… | |
| [22:57] | Do you still love Hanna?. | |
| [23:08] | No. | |
| [23:24] | – So I’ll see you tonight. – Yeah. | |
| [23:28] | Are you all right?. | |
| [23:30] | Yeah. You have practice, so go. | |
| [23:33] | Don’t worry about it. What’s going on?. | |
| [23:37] | It’s Hanna. | |
| [23:40] | Noel’s confused, so… | |
| [23:46] | Yeah, well, he’s a guy. I mean, guys are confused. | |
| [23:49] | That’s it. | |
| [23:52] | Things are gonna work out. I’m sure of it. | |
| [23:56] | – Why are you so sure of it?. – Because, I mean, think about it. | |
| [24:00] | Noel would never choose to be with somebody else | |
| [24:03] | when he could be with you. | |
| [24:08] | Thank you. | |
| [24:10] | OK. | |
| [24:19] | Our next guest actually need not be introduced, | |
| [24:22] | but I’m gonna do it anyway. | |
| [24:24] | Ladies and gentleman, Mr Bernie Clavin, | |
| [24:27] | the howling bard of Cornelia Street. | |
| [24:38] | All right, let’s do this. | |
| [24:49] | City, there’s a chant that holds me | |
| [24:52] | A cry that moulds me | |
| [24:54] | Your ragged throat Your furnace eyes | |
| [24:57] | Your pale blue jailhouse arms | |
| [25:03] | City, your street limbs that press and prove me | |
| [25:06] | Stretch and fold a winding sheet | |
| [25:09] | From my jazz-drive media brain | |
| [25:13] | City of love, transport me… | |
| [25:17] | You ready to lay some Lillith Fair lullabies | |
| [25:20] | on the assembled multitude?. | |
| [25:22] | Some McLachlan melody?. A little DiFranco?. | |
| [25:25] | – Lynn! – What’s up?. | |
| [25:27] | Could you just lay off, please?. | |
| [25:30] | – Sure thing. – Have you seen Ben?. | |
| [25:33] | No. | |
| [25:36] | Great. I’m really nervous and completely out of tune. | |
| [25:39] | – You wanna give me a shot?. – OK. | |
| [25:42] | Past Molach and Murdoch | |
| [25:45] | Trump and Humpty-Dump Mayor Rudy and Judge Judy | |
| [25:51] | City of Terror, awaken… | |
| [25:54] | There. You were really close. | |
| [26:02] | Thank you. | |
| [26:04] | I can’t play for crap, but I got perfect pitch. | |
| [26:07] | It’s the fourth thing I do better than anyone else. | |
| [26:13] | No fear, OK?. | |
| [26:16] | I mean, look at this guy. | |
| [26:19] | Y2K?. | |
| [26:22] | Why not 2K?. | |
| [26:26] | Is it too much to ask?. | |
| [26:29] | T o love?. | |
| [26:31] | A pox on both your houses | |
| [26:35] | A plague is rising | |
| [26:47] | – What’s up?. – Not much. | |
| [26:49] | – Let’s go get some ice cream. – It’s freezing out. | |
| [26:52] | Some hot chocolate?. Something sweet?. | |
| [26:55] | – We’re gonna see Julie tonight?. – Yeah, let’s go there. | |
| [26:58] | – I just have to change. Are you OK?. – Yeah. | |
| [27:14] | Can I talk to you for a minute?. | |
| [27:31] | OK, I don’t wanna assume anything, | |
| [27:35] | so I’m just gonna come right out and ask you what’s going on. | |
| [27:40] | Hanna came to see me. She needs some help. | |
| [27:43] | So, you’re gonna go… help her?. | |
| [27:51] | Fine. Go. | |
| [27:52] | I don’t know what to do. She’s desperate. | |
| [27:55] | If you defend her or your decision, I might throw up! | |
| [27:58] | This isn’t about her music or writer’s block! | |
| [28:01] | This about you! You and her! | |
| [28:03] | If you don’t want me to go, just tell me. | |
| [28:05] | I’m not gonna tell you what to do! | |
| [28:07] | You’re acting like it’s so easy! | |
| [28:10] | You don’t stop feeling for someone because you feel for someone else! | |
| [28:14] | Obviously it was a really deep relationship. | |
| [28:18] | Yes, it was! | |
| [28:19] | Deeper than I could understand, since we never slept together! | |
| [28:23] | – That has nothing to do with it. – Thank God I never gave that much | |
| [28:27] | to someone who’s so uncertain about me! | |
| [28:33] | OK. | |
| [28:37] | I thought it was over between us. | |
| [28:41] | And maybe it is. | |
| [28:45] | But I don’t know. | |
| [28:48] | And that’s the honest truth. | |
| [28:57] | Are you… I mean, you’re not…?. Are you breaking up with me?. | |
| [29:06] | I know that I can’t ask you to wait for me while I’m with Hanna. | |
| [29:15] | Wait for me to make up my mind. | |
| [29:17] | You’ve already made up your mind. | |
| [29:19] | If I hadn’t walked in, you’d be gone already! | |
| [29:24] | – Felicity… – Can you please leave my room?. | |
| [29:27] | My God. | |
| [29:41] | I’m sorry. | |
| [30:16] | Ladies and gentlemen, our next performer is making her debut. | |
| [30:21] | She’s very talented and I know she has exquisite taste, | |
| [30:25] | because she took an instant dislike to me. | |
| [30:27] | Give it up for Julie Emrick. | |
| [30:35] | Hi. | |
| [33:10] | Sorry. This is a bad time?. | |
| [33:13] | No, I was just… | |
| [33:18] | No. | |
| [33:20] | – I’ll go. – No, wait. What did you want?. | |
| [33:24] | I mean… Let me start over. | |
| [33:27] | – Hi. | – Hi. |
| [33:30] | I just had a stupid thought. | |
| [33:33] | I made some sketches. I thought maybe you’d like to see them. | |
| [33:37] | They’re at the studio. | |
| [33:41] | I feel like I interrupted you. | |
| [33:44] | – No. – Good. | |
| [33:49] | And I’d love to see the sketches. | |
| [33:54] | Let me just get my coat. | |
| [34:11] | First, a preamble. These are rough sketches. | |
| [34:14] | – You don’t have to apologise. – Well, I sorta do. | |
| [34:18] | I’ve only ever seen you a few times, so these are just from memory. | |
| [34:22] | Wait. So, these sketches are of me?. | |
| [34:25] | Yeah. I usually have at least a photograph. For reference. | |
| [34:35] | This is so strange, looking at pictures of yourself. | |
| [34:41] | – Is that a thumbs-down?. – No. | |
| [34:43] | I’ve never really had anyone draw me before, so… | |
| [34:48] | I mean, they’re really good. | |
| [34:52] | You know, you’re here. | |
| [34:54] | It’s nice and quiet. | |
| [34:58] | Would you sit for me?. Let me draw you for real?. | |
| [35:01] | – I’d be way too self-conscious. – What are you talking about?. | |
| [35:05] | There’s only one other person to be embarrassed in front of, besides me. | |
| [35:09] | I don’t know. | |
| [35:30] | It’s like a brick wall. | |
| [35:34] | I get to the coda and there’s no inspiration left. | |
| [35:38] | – No, it’s like “Baby Teeth”. – It sounds derivative?. | |
| [35:42] | – No, you had the same problem. – I don’t remember. | |
| [35:46] | You wanted something different, like a tempo change or a key change. | |
| [35:50] | But, of course, I saved the day with a brilliant symphonic idea. | |
| [35:54] | Which was what?. | |
| [35:56] | Well, my humble layman’s advice was to go back to what you already had. | |
| [36:01] | Is that what you think I should do here?. Go back to the intro?. | |
| [36:06] | That might be nice. | |
| [36:22] | – What?. – I… This is just really silly. | |
| [36:26] | No, it isn’t. You’ve painted people before, haven’t you?. | |
| [36:30] | A couple of times. In a summer school art class, but… | |
| [36:34] | I never knew how a model could be a model without being self-conscious. | |
| [36:43] | There was one woman, an old woman, | |
| [36:45] | and she kept so still, it was remarkable. | |
| [36:48] | I mean, it was like she was dead. | |
| [36:50] | I was supposed to be drawing her, but she wasn’t blinking. | |
| [36:54] | I just kept watching her, hoping to see her clothes move, | |
| [36:57] | to show that she was breathing. | |
| [37:00] | See ya! You got the keys?. | |
| [37:02] | – I didn’t bring ’em. – I’ll lock up. | |
| [37:05] | – Just close the door behind you. – Cool. Thanks. | |
| [37:14] | So, what happened to the lady?. | |
| [37:17] | – Who?. – The dead model. | |
| [37:19] | She wasn’t dead. It turns out, she was just really good. | |
| [37:29] | I’ll be right back. | |
| [38:08] | So, get comfy. | |
| [38:13] | Is this lame?. I mean, I don’t know what you want. | |
| [38:17] | Do you mind?. | |
| [38:19] | No, it’s… | |
| [38:58] | You know what?. Would you excuse me for just a minute?. | |
| [39:02] | Yeah, sure. | |
| [39:26] | Hi, it’s Noel, I’m sitting next to my phone, screening this call… | |
| [41:04] | Are you sure you’re comfortable like that?. | |
| [41:07] | – Yeah. – Here, let me just… | |
| [41:17] | Let me just… | |
| [41:52] | Is that better?. | |
| [43:29] | What?. | |
| [43:32] | – We can’t do this. – What do you mean?. | |
| [43:44] | You can… | |
| [43:47] | You can just stay here. We don’t have to do anything. | |
| [43:51] | I know. But I shouldn’t be here. | |
| [43:58] | I’m sorry. | |
| [44:05] | Are you OK?. | |
| [44:08] | Yeah. | |
| [44:11] | Do you wanna stop?. |