| 时间 | 英文 | 中文 |
|---|---|---|
| [01:00] | Oh. | |
| [01:01] | Oh. | |
| [02:49] | Jerry Lewis. | |
| [02:53] | That was great, Frankie. | |
| [02:55] | That was great. | |
| [02:57] | Thank you. | |
| [03:00] | Wow. | |
| [03:02] | Turns out, her little brother | |
| [03:04] | and my ex-boyfriend Yanni Nakamora | |
| [03:07] | used to run together before Yanni got done by Winter Hill | |
| [03:10] | for ripping off a truck of ladies dresses. | |
| [03:12] | Anyways, I tracked her down. | |
| [03:15] | She was in town doing some kind of big TV hoop-de-doo | |
| [03:18] | for some kind of flavored schnapps… | |
| [03:19] | Uncle Eddy, do you want me | |
| [03:20] | – to help you move the furniture? – Eww. | |
| [03:21] | Thanks, Beanstalk. Bit shattered. | |
| [03:24] | But I’ll manage. | |
| [03:25] | Too much of the black stuff last night. | |
| [03:28] | Oh, no. | |
| [03:29] | My fags are soggy. | |
| [03:32] | Could do with a dry cigarette for once, I think. | |
| [03:34] | Well, there is the toaster oven. | |
| [03:36] | Oh, it’s come to that, has it? | |
| [03:38] | Harold, I’ll make you fresh food. | |
| [03:40] | You don’t have to eat the leftovers. | |
| [03:41] | Don’t give him any more. He already ate! | |
| [03:43] | It’s for later. You never know with these things. | |
| [03:45] | – Hi. Hi. – Hey! | |
| [03:47] | – Hi. Hi, hi. – Hi. When does everyone else come over? | |
| [03:49] | I have no idea. Bini? | |
| [03:52] | Is there another place you can get ready, honey? | |
| [03:54] | I didn’t know what bathroom to choose. | |
| [03:55] | What can I do? How can I help? | |
| [03:57] | Uh, please get out the food processor. | |
| [03:58] | – Hi. – For me. | |
| [04:00] | Oh, Mom. Who’s Madeline Kahn? | |
| [04:03] | – Queen. – What? Who is Madeline Kahn? | |
| [04:06] | – Oh, my God. – I was just saying | |
| [04:08] | how Harold used to drive Madeline Kahn around. | |
| [04:11] | – What? – Yeah, it was before | |
| [04:12] | all the Mel Brooks mishigas. | |
| [04:15] | She asked me to call her “Mads.” | |
| [04:17] | – Oh, my God. – Mom, can I wear the special one? | |
| [04:20] | Uh, yes, you can. | |
| [04:24] | – Thank you. – So, what’s gonna be | |
| [04:25] | the seating situation? | |
| [04:27] | Oh, there’s no seating situation. | |
| [04:29] | It’s just, like… You’ll see. | |
| [04:30] | It’s, like, a free-flowing kind of… | |
| [04:32] | There’s no seating situation. | |
| [04:34] | I like to know for sure the seating situation. | |
| [04:36] | I got the spinal stenosis in my back. | |
| [04:39] | We used to take her for chinks, out in Saugus. | |
| [04:41] | Samanther, Samanther. Remember when we used to go | |
| [04:44] | to Dragon Island for chinks? | |
| [04:45] | Jesus, with that. Bini! | |
| [04:47] | The vertebrates are all farkakt. | |
| [04:49] | I got to know where I’m sitting. | |
| [04:50] | Madeline said she didn’t remember him. | |
| [04:52] | But she was very nice about it | |
| [04:54] | and thanked him for all his hard work. | |
| [04:56] | Come on, Harold. You shtupped Madeline Kahn, didn’t you? | |
| [05:01] | Young man, nice uniform, | |
| [05:03] | driving around all night in a Lincoln? | |
| [05:04] | Chicken tenders on this one, huh? | |
| [05:06] | – Eh, it was a Grand Marquis. – Oh, okay. | |
| [05:09] | – Frankie! – Oh, vey iz mir! | |
| [05:11] | It was strictly a professional relationship. | |
| [05:13] | But I will say, the biggest bazungas I ever saw. | |
| [05:17] | Yeah, yeah, yeah. | |
| [05:18] | And she just left them hanging out there. | |
| [05:20] | She knew what she was doing. Huh? | |
| [05:23] | – God rest her soul. – Sure. | |
| [05:25] | – Mom? – Yeah? | |
| [05:26] | Paisley wants to know if her date can bring a friend | |
| [05:28] | – to Frankie’s Batceañera. – What? No. | |
| [05:30] | – Paisley’s not… no. – All right! | |
| [05:32] | Which one of you’s has laid a top-ten hit in that bog? | |
| [05:37] | Confess or burn. | |
| [05:38] | Does anyone smell smoke? | |
| [05:40] | Oh, yeah. | |
| [05:41] | Sorr… that’s me, that’s me. | |
| [05:50] | I’m serious about that shit, though. | |
| [05:51] | Think it’s grown a twin. | |
| [05:54] | Bugger me. | |
| [05:55] | Oh, fuck, my lips. | |
| [05:57] | – Eddy. – I’m eating here. | |
| [06:00] | Okay. You need any help? | |
| [06:02] | – Hi! – Buenas tardes, Sam. | |
| [06:04] | Buenas tardes. | |
| [06:05] | Hi, Rosita. | |
| [06:07] | – Welcome. – Hi! How are you? | |
| [06:09] | Looks so beautiful, Sam. | |
| [06:10] | I want a food truck! Knishes and carnitas. | |
| [06:13] | Don’t start nothing, I’m sneaking out for a crafty fag. | |
| [06:16] | Reinita. | |
| [06:17] | – Que bonita… – I don’t like it. | |
| [06:19] | – You look incredibly… – Don’t talk to me. | |
| [06:20] | I’m memorizing a speech. | |
| [06:22] | – Don’t interrupt and be annoying. – Right. | |
| [06:23] | – My garters are slipping! – Not ready yet, either. | |
| [06:26] | – Eddy. – What? | |
| [06:27] | – You got an extra fag? – No. | |
| [06:29] | – Look who’s here. – Bro. | |
| [06:31] | – Back to party. Better. Hello. – Always. | |
| [06:33] | – Wow. You look so… – Wow you. | |
| [06:35] | – My gorgeous. – Is she really wearing a men’s suit? | |
| [06:38] | Yes. From the ’40s. | |
| [06:40] | It’s a replica of one worn by Frida Kahlo. | |
| [06:42] | That’s really frickin’ cool. I love my cousins. | |
| [06:46] | Phil. | |
| [06:48] | I’ve said hello. | |
| [06:51] | – I mean, there’s nothing… – Let’s get a drink. | |
| [06:52] | – All right. – I-I did say hello. | |
| [06:54] | What a beautiful simcha, Sam. | |
| [06:57] | Thank you so much for coming, Esperanza. | |
| [07:00] | You know you taught me how to be a Jewish mother. | |
| [07:03] | – Where’s my Duke? – Oh, she’s, um, | |
| [07:06] | she’s actually out there with her friends, with the kids. | |
| [07:08] | – Ay. Okay. – You see? | |
| [07:10] | – Smoke show. – Hey. Hey. | |
| [07:12] | – Isn’t this cool? – It’s fantastic. | |
| [07:13] | – Hi. – Hey, Jaia. | |
| [07:15] | I’ve never been to a bat mitzvah like this before. | |
| [07:17] | Oh, you’re in for a treat, Caroline. | |
| [07:19] | We’re having a proper blowout. | |
| [07:20] | We have marichos, carnitas and knishes. | |
| [07:25] | A lot more than cheese. Right, darling? | |
| [07:28] | Well, I guess I won’t have to leave early, then, will I? | |
| [07:32] | It’s, uh, “mariachi.” | |
| [07:34] | – It’s mariachi. – Okay. | |
| [07:36] | So… Yeah, so we thought we’d throw them all, | |
| [07:39] | – everybody, into… – In the… Sure, in-into one pot. | |
| [07:42] | Hello. | |
| [07:46] | Hello, everyone. | |
| [07:50] | Oh, hi. | |
| [08:08] | I’m so proud of you. I love you. | |
| [08:52] | Congratulations. | |
| [09:05] | This is my childhood. | |
| [09:11] | All mothers are slightly insane. | |
| [09:19] | Ka nui nga mihi. | |
| [09:21] | I’m proud of you. | |
| [09:25] | Frankie. Beautiful. | |
| [09:27] | – I love you. | – I love you. |
| [09:29] | That’s beautiful. | |
| [09:31] | – Did you get that out of my room? – No, I didn’t. | |
| [09:33] | I can’t believe you did that. | |
| [09:35] | – Didn’t you give me that? – I did, yeah. | |
| [09:55] | ♪ De Colores ♪ | |
| [09:58] | ♪ De Colores se visten los campos ♪ | |
| [10:01] | ♪ En la primavera ♪ | |
| [10:05] | ♪ De Colores ♪ | |
| [10:08] | ♪ De Colores son los pajarillos ♪ | |
| [10:12] | ♪ Que vienen de afuera ♪ | |
| [10:15] | ♪ De Colores ♪ | |
| [10:18] | ♪ De Colores es el arco iris ♪ | |
| [10:22] | ♪ Que vemos lucir ♪ | |
| [10:26] | ♪ Y por eso los grandes amores ♪ | |
| [10:30] | ♪ De muchos colores ♪ | |
| [10:32] | ♪ Me gustan a mi ♪ | |
| [10:34] | ♪ Y por eso los grandes amores ♪ | |
| [10:38] | ♪ De muchos colores ♪ | |
| [10:39] | ♪ Me gustan a mi… ♪ | |
| [11:01] | ♪ Canta el gallo ♪ | |
| [11:04] | ♪ Canta el gallo con el quiri quiri ♪ | |
| [11:08] | ♪ Quiri quiri quiri ♪ | |
| [11:11] | ♪ La gallina ♪ | |
| [11:14] | ♪ La gallina con el cara cara ♪ | |
| [11:18] | ♪ Cara cara cara ♪ | |
| [11:21] | ♪ Los polluelos ♪ | |
| [11:24] | ♪ Los polluelos con el pio pio ♪ | |
| [11:28] | ♪ Pio pio pi… ♪ | |
| [11:35] | You okay? | |
| [11:37] | Babe, what are you doing? | |
| [11:39] | – Huh? Hi. – Hi. | |
| [11:41] | Oh, nothing. Go back to the party. | |
| [11:44] | I’m looking for a little… | |
| [11:51] | Did you see him out there? | |
| [11:53] | I did. | |
| [11:54] | Playing “dad” for the crowd. | |
| [11:56] | And we all just smile and nod. | |
| [11:58] | Ooh, my goodness. It’s amazing you came. | |
| [12:01] | What do you expect, Sam? | |
| [12:03] | You want him to give you a public apology? | |
| [12:07] | Uh, yeah. | |
| [12:09] | That’d be great. A little public humility. | |
| [12:11] | That would… I would really like that. | |
| [12:13] | Frankie wanted him here, and you fulfilled that request. | |
| [12:20] | Yeah, what choice did I have, though, really? | |
| [12:23] | Is Frankie having a great time? | |
| [12:26] | ‘Cause that’s all that really matters. | |
| [12:29] | Honestly, I’m more concerned about you. | |
| [12:33] | What is that supposed to mean? | |
| [12:35] | You know what, never mind. | |
| [12:36] | – Forget it. – No, no, no, no. | |
| [12:37] | I really… I would like to know. | |
| [12:40] | I would like to know. Let’s talk. | |
| [12:43] | Uh, you’re so concerned about me. | |
| [12:46] | I love when people are concerned about me. | |
| [12:49] | Fine. This death grip you have on your anger. | |
| [12:52] | What happened to you, what he did. | |
| [12:54] | We all know. We were there. | |
| [12:56] | We don’t need to rehash it every day. | |
| [12:58] | It’s incessant with you. | |
| [12:59] | The folded arms and the eye rolls; | |
| [13:02] | it is not flattering. | |
| [13:04] | And your friends don’t want to tell you ’cause we love you. | |
| [13:07] | But… | |
| [13:09] | you gotta move on. | |
| [13:15] | Okay. Wow. | |
| [13:19] | That… | |
| [13:23] | So, you’ve been separated from Jeff for what, | |
| [13:26] | about 15 minutes now? | |
| [13:28] | And you’re gonna tell me that I need to move on? | |
| [13:32] | Yeah, I am. | |
| [13:38] | That’s really great. | |
| [13:45] | Ow. | |
| [13:58] | I really need to find weed. | |
| [14:41] | Can you feel something on my back? | |
| [14:43] | Yes. It-it is lumpy. Uh… what is that? | |
| [14:46] | It’s my corset of torment. | |
| [14:50] | You see, I have an arrhythmia. | |
| [14:52] | My heart flutters from time to time. | |
| [14:55] | Uh, a-are you okay to dance right now? | |
| [14:58] | Oh, yes. | |
| [14:59] | Frankly, I think my cardiologist is an idiot. | |
| [15:02] | I only listen to him because my daughter forces me to. | |
| [15:05] | My son only let me have two glasses of wine a night. | |
| [15:11] | So I sneak tequila. | |
| [15:16] | I steal swims. | |
| [15:19] | Desnuda. | |
| [15:20] | Oh, my God. | |
| [15:23] | Very interesting. | |
| [15:29] | I-I… you want to sit down? | |
| [15:31] | No, I don’t want to sit down. | |
| [15:33] | – Okay, all right. – We’ve only just started. | |
| [15:35] | Okay, baby, let’s go again. | |
| [15:38] | – Let’s. – Oh, wow. | |
| [15:42] | – Hi. | – Hi. |
| [15:43] | Nothing. | |
| [15:44] | Nothing? | |
| [15:46] | Oh, and I hadn’t even asked. | |
| [15:47] | What are you doing? | |
| [15:48] | – Nothing. – We’re hiding. | |
| [15:50] | – What do you think? – I see. | |
| [15:52] | Well, I’m hiding, so… | |
| [15:55] | – Hi. – Hi, Mark. | |
| [15:56] | – Hey. | – Hey. |
| [15:58] | What a shock, bumping into you | |
| [16:00] | at the party you brought me to. | |
| [16:03] | – Of course. – Sorry. | |
| [16:05] | – I stole her for, like… – Let’s, uh, grab a drink. | |
| [16:08] | If you had a minute, yeah. | |
| [16:11] | – Excuse me. – Yeah, sure. | |
| [16:13] | Oh. | |
| [16:14] | Oh, hello. | |
| [16:16] | – Hey. – Hi. Hi. | |
| [16:18] | Do you… Having… | |
| [16:20] | Did you… did you try, um, the horchata? | |
| [16:25] | Uh, not yet. Is that pork? | |
| [16:27] | Huh? No. It’s a drink. | |
| [16:29] | – Never mind. – Oh, sorry. | |
| [16:30] | – Yeah. – I-I’ll check it out. | |
| [16:37] | Hmm? | |
| [16:38] | – Do you, uh… – Believe in magic? What? | |
| [16:40] | Do you want him to leave? | |
| [16:41] | Yeah. What do you think? | |
| [16:43] | But he’s in his element. He’s not gonna leave. | |
| [16:45] | No, I mean, do you want me to go talk to him? | |
| [16:47] | You know, scare him a little. | |
| [16:49] | Yes. | |
| [16:51] | Wait. Wait, wait, wait, wait, wait, wait, wait, wait. | |
| [16:54] | – Stop. – What? | |
| [16:56] | What were you gonna…? | |
| [16:58] | What are you gonna say to him? | |
| [16:59] | What would you do? | |
| [17:01] | What would I do to him right now? | |
| [17:02] | Yeah, wh-what-what would you say to him to make him leave? | |
| [17:06] | I would get right up in his face, | |
| [17:08] | – like this. – Mm-hmm. Mm-hmm. | |
| [17:10] | And I would say, | |
| [17:11] | “Why are making your daughter’s night | |
| [17:13] | “about you? | |
| [17:15] | It’s time for you to leave, asshole.” | |
| [17:18] | And what if he didn’t? | |
| [17:21] | It wouldn’t get that far. | |
| [17:24] | But if it did? | |
| [17:27] | Well, then I would give him what we call | |
| [17:29] | a Chicago beatdown. | |
| [17:31] | Do you know what a Chicago beatdown is? | |
| [17:32] | Nope. No, I don’t, but please tell me. | |
| [17:36] | A Chicago beatdown is the type of beatdown that, | |
| [17:38] | after you’ve gotten one… | |
| [17:39] | Mm-hmm, mm-hmm, mm-hmm. | |
| [17:41] | … you don’t go out in public for over a month. | |
| [17:44] | No. No. Mm. | |
| [17:47] | You’d do that? You’d do that for me? | |
| [17:52] | Boop. | |
| [17:54] | Whoa, whoa, whoa, whoa. | |
| [17:55] | Wait, wait, wait, wait. Stop. | |
| [17:56] | Stop, stop. Come back, come back. | |
| [17:59] | Come back. | |
| [18:02] | Ooh. Very… | |
| [18:05] | – satisfying exercise, buddy. – Yeah? Yeah? | |
| [18:08] | – I got you, buddy. – I like that. | |
| [18:10] | – My God, feel my heart. – Oh. | |
| [18:11] | My heart is, like, racing. | |
| [18:15] | Get your hand off my heart. | |
| [18:23] | Hi. | |
| [18:25] | Ooh. Hi. | |
| [18:29] | Yes! | |
| [18:32] | Um, so I want to give a toast… | |
| [18:34] | – Thank you. – Mm-hmm. | |
| [18:35] | I want to give a toast, but before I do that, | |
| [18:38] | I want to ask the room a question. | |
| [18:41] | Who here was raised by a single mom? | |
| [18:51] | Same. | |
| [18:53] | And I can say, from watching it all go down, | |
| [18:55] | that it’s a thankless job. | |
| [18:58] | But now I get to thank my mom… | |
| [19:01] | Sam “Old Iron Pants” Fox. | |
| [19:04] | – Thank you. – Louder! | |
| [19:08] | I’m gonna murder you. | |
| [19:10] | – What? I can’t hear her. – Shh! | |
| [19:12] | So, I-I just want to add that I’ve come to realize | |
| [19:15] | that life is about choices. | |
| [19:18] | Rabbi Hilary told me that when she looked at a graveyard, | |
| [19:21] | what she didn’t see was | |
| [19:22] | the rows of headstones with a bunch of faded names and dates. | |
| [19:26] | What she saw was the choices | |
| [19:28] | that went into all of these lives. | |
| [19:31] | So I think life is about the choices that we make. | |
| [19:34] | Anyway, Dad, thank you for coming | |
| [19:38] | and for being here now. | |
| [19:40] | That was a good choice. | |
| [19:42] | And thank you, everybody else, for coming. | |
| [19:44] | I love you all so much. | |
| [19:45] | Good night, Detroit! | |
| [19:47] | We love you! | |
| [19:51] | Mazel tov! | |
| [19:55] | Mazel tov! | |
| [19:57] | Mazel tov, siman tov! | |
| [19:59] | Siman tov, mazel tov! Mazel tov, siman tov! | |
| [20:02] | Siman tov, mazel tov! | |
| [20:06] | Frankie. | |
| [20:08] | Baby. Thank you. | |
| [20:10] | I love you. | |
| [20:14] | Uh… | |
| [20:16] | Hi. Uh, Frankie, | |
| [20:19] | I just wanted to say a few words. | |
| [20:22] | Um… | |
| [20:24] | I am so proud of you. | |
| [20:27] | You’ve grown into a very impressive young woman. | |
| [20:32] | Uh, your future is bright. | |
| [20:35] | Uh, every time I see you, | |
| [20:37] | uh, which I know isn’t often enough… | |
| [20:41] | you always impress me. | |
| [20:44] | And, uh, you’ve impressed all of us here today. | |
| [20:49] | So, congratulations. | |
| [20:53] | Happy sweet 16. | |
| [20:55] | She’s 15, you moron! | |
| [20:58] | Quinceañera. Quinceañera. | |
| [21:02] | Really. | |
| [21:22] | Hey. Uh, Rob? | |
| [21:24] | Ralph? | |
| [21:25] | Ray? Rich. Good to see you. | |
| [21:29] | You know… | |
| [21:31] | since the girls aren’t around, | |
| [21:33] | I’m gonna let you in on a little something. | |
| [21:35] | I have been your daughters’ emergency contact | |
| [21:37] | on all their school forms. | |
| [21:39] | I’ve driven them to soccer tournaments in Temecula. | |
| [21:42] | Chaperoned field trips to the missions. | |
| [21:44] | And you know what so many strangers say to me? | |
| [21:46] | “Your daughters are fantastic.” | |
| [21:48] | “Oh,” I say, “they’re not my daughters. | |
| [21:50] | “But I wish they were my daughters. | |
| [21:52] | Because they are fantastic.” | |
| [21:54] | And you know what else? | |
| [21:55] | It has been my pure pleasure watching them grow up. | |
| [21:57] | And being there for them. And I can’t imagine my life | |
| [21:59] | without them. Excuse me. | |
| [22:09] | ♪ What does a girl do? ♪ | |
| [22:12] | ♪ What should she do? ♪ | |
| [22:15] | ♪ What does a girl do? ♪ | |
| [22:18] | ♪ What should she do? ♪ | |
| [22:20] | ♪ I’ve only known him a short time, it’s true ♪ | |
| [22:26] | ♪ I should be careful and watch what I do ♪ | |
| [22:30] | Hey, princess, what’s up? | |
| [22:31] | I’m gonna whisper in your ear | |
| [22:33] | because I don’t want to embarrass you. | |
| [22:35] | – ♪ Oh ♪ – ♪ What does a girl do? ♪ | |
| [22:40] | ♪ What should I do? ♪ | |
| [22:42] | ♪ How do I know he’s not ♪ | |
| [22:45] | ♪ Playing a game? ♪ | |
| [22:48] | ♪ And if he is ♪ | |
| [22:50] | ♪ Will he put me to shame? ♪ | |
| [22:53] | ♪ Now he’s getting near ♪ | |
| [22:55] | ♪ Oh, my, oh, my dear, oh ♪ | |
| [22:59] | Hmm. | |
| [23:03] | Oh. I know exactly what you’re going through, bro. | |
| [23:07] | Persona non fucking grata. | |
| [23:10] | And here, with your family, it sucks. | |
| [23:14] | I used to be you. | |
| [23:15] | Oh, everybody hated me after Sunny and I split. | |
| [23:18] | They don’t anymore? | |
| [23:19] | No. They still do. | |
| [23:21] | – Just not like before. – Why not? | |
| [23:26] | I went on, like, an amends tour. | |
| [23:29] | It was a whole AA thing. | |
| [23:30] | Basically, I apologized. | |
| [23:34] | But I don’t have anything to apologize for. | |
| [23:37] | I haven’t done anything wrong. | |
| [23:40] | Totally. | |
| [23:43] | Hey. Nice speech, man. | |
| [23:48] | It was a great speech. | |
| [23:50] | Parts… that one part… you know. | |
| [23:54] | Shit. | |
| [23:56] | Are my teeth blue? | |
| [23:58] | Goddamn it. | |
| [23:59] | ♪ I’ve only known him a short time, it’s true ♪ | |
| [24:04] | ♪ I should be careful ♪ | |
| [24:07] | ♪ And watch what I do ♪ | |
| [24:10] | ♪ But now he wants to park ♪ | |
| [24:12] | ♪ Where it’s awfully dark, oh ♪ | |
| [24:27] | – Oh. – Hey. Hey. | |
| [24:30] | – Hi. | – Hi. |
| [24:31] | Can we talk? | |
| [24:33] | Um… this is not really the right time | |
| [24:37] | for a money conversation, Xander. | |
| [24:39] | We do that through lawyers. | |
| [24:41] | Yeah, not money. No. | |
| [24:42] | Um, just hear me out. | |
| [24:47] | Uh, this whole… you know… | |
| [24:52] | today, this… | |
| [24:56] | I don’t really know how to put it. | |
| [24:57] | Um… I guess I feel… | |
| [25:02] | Yeah, I mean, Frankie and you | |
| [25:04] | and the girls and… | |
| [25:08] | this mix of cultures and, uh… | |
| [25:12] | all the love in the room… | |
| [25:15] | I’m moved. | |
| [25:19] | O… kay. | |
| [25:22] | Great. You’re moved. | |
| [25:25] | And also I just want… I just wanted to say that, | |
| [25:28] | um, I wish I had been at more of these. | |
| [25:30] | Well, you could have, Xander. You were invited. | |
| [25:33] | If the girls wanted you there, I made sure you knew about it. | |
| [25:36] | I know. I know. That’s not what I meant. | |
| [25:39] | Um… I just wanted to say that I… | |
| [25:45] | I should have done better. | |
| [25:52] | I had no excuse. | |
| [25:57] | How long are you in town for? | |
| [26:00] | Um… | |
| [26:02] | Do you want to come for dinner Friday? | |
| [26:05] | Me and the girls? | |
| [26:07] | Yes. | |
| [26:09] | Yeah, that would be… | |
| [26:12] | Yeah, I would like that. | |
| [26:13] | – Okay. – Yeah. What time? | |
| [26:16] | Um… what time…? | |
| [26:20] | – You know what… – I’ll see you Friday. | |
| [26:22] | – Okay. | – Okay. |
| [26:39] | Shit. | |
| [26:41] | All of a sudden there’s, like… | |
| [26:43] | – this, like, tiny little hedgehog… – Dormin? | |
| [26:52] | Present. | |
| [26:53] | I’m sorry. | |
| [26:59] | Gimme. | |
| [27:03] | Your son. | |
| [27:04] | – Oh, my God. – Oh, come… | |
| [27:10] | I love you, sweetie. | |
| [27:11] | I love you. | |
| [27:13] | – Be good, take care. – You, too. | |
| [27:17] | I wish that, that you would cut loose some more. | |
| [27:19] | – All right. – I’m serious. | |
| [27:21] | – Do you feel better? – Mom. | |
| [27:23] | – Marion. – Good night, Phyllis. | |
| [27:24] | See you, Gran. | |
| [27:27] | How you doing, lumpy, hmm? | |
| [27:30] | Oh. | |
| [27:39] | Everybody’s leaving. | |
| [27:42] | Come on, let’s go say goodbye. | |
| [27:45] | I already did. | |
| [27:46] | Well, let’s go say goodbye again. | |
| [27:48] | You’re not gonna see ’em for a while. | |
| [27:50] | – So? They don’t care. – Huh? | |
| [27:54] | We never see them. | |
| [27:55] | We never see anyone in our family, | |
| [27:57] | because that’s the way you want it, | |
| [27:58] | and that’s the way they want it. | |
| [28:02] | Just go say goodbye. What’s the big deal? | |
| [28:06] | They didn’t come here to see me, Mom. | |
| [28:08] | They came here to see Frankie. And now they’re leaving again. | |
| [28:15] | Duke. | |
| [28:16] | Okay, Mom. Jesus Christ! | |
| [28:27] | You were my last fun child. | |
| [28:34] | Did you see that shit? | |
| [28:48] | Yes. | |
| [28:49] | – What are you doing? – Hello, I have a reservation. | |
| [28:52] | Get out of here. | |
| [28:53] | I believe it’s under Bob Dobalina. | |
| [28:56] | You need a mint, Mom. | |
| [28:59] | Excuse me. | |
| [29:01] | Is the bar open seating? | |
| [29:05] | – Right this way. – Thank you. | |
| [29:09] | – Just sit right here. – Thank you very much, Miss. | |
| [29:15] | – Good evening. – Hi! | |
| [29:17] | – How you doing? – Good. How are you? | |
| [29:19] | – I’m doing well. – Uh, I would like a bottle | |
| [29:22] | of your least expensive wine. | |
| [29:24] | I think I can do better than that. | |
| [29:26] | Thank you. | |
| [29:30] | Okay. I have two seats for you right here. Excuse me. | |
| [29:36] | Let me get a little video. | |
| [29:38] | Okay, here are your menus, | |
| [29:39] | and I’ll be right back with some bread. | |
| [29:40] | Okay… | |
| [29:42] | – Yes. – Mom. | |
| [29:44] | Very, very professional. | |
| [29:47] | That’s my kid. | |
| [29:49] | My daughter. It’s her first job. | |
| [29:52] | I’m kvelling a little bit. | |
| [29:55] | Spying on her. | |
| [29:57] | So you’ve pointed out, so often. | |
| [29:59] | So many qualities, so often. Her loyalty, efficiency, | |
| [30:03] | devotion, warmth and affection. | |
| [30:04] | And so young. So young and so fair. | |
| [30:08] | I can’t believe you’re making this up. | |
| [30:10] | It sounds like something out of an old Clyde Fitch play! | |
| [30:13] | Hi, baby. All About Eve. | |
| [30:15] | Yeah, I put it on. | |
| [30:17] | I’m so proud of you. | |
| [30:19] | Good, hard, honest work. | |
| [30:21] | – Fuck yeah. – Thanks. | |
| [30:25] | – Are you the mother? – Oh. Yes, I am. | |
| [30:27] | I’m Cesario. Thank you for coming to my restaurant. | |
| [30:30] | Your daughter is very beautiful and kind. | |
| [30:33] | – Oh… – Nice to meet you, Chef. | |
| [30:34] | Nice to meet you. | |
| [30:36] | She comes in early to help my babbo with his English. | |
| [30:40] | You do? You help his babbo? | |
| [30:43] | – I love Babbo. – Oh, thank you. | |
| [30:49] | – Oh. Can I sit here? – Uh, sure. | |
| [30:52] | Thanks. | |
| [30:58] | – Oh. This for you. – Oh. Thank you very much. | |
| [31:02] | Uh, I understand you’re an actress. | |
| [31:05] | Yeah. | |
| [31:06] | I have so many stories, | |
| [31:08] | but I don’t know what to do with them. | |
| [31:09] | I’m not a writer. | |
| [31:12] | When I was a boy, | |
| [31:13] | my mother worked long hours… |