| 时间 | 英文 | 中文 |
|---|---|---|
| [00:25] | Bonjour, laissez les bons temps… whatever. | |
| [00:28] | – Hi! How are you? – Hi. | |
| [00:31] | – I’m good. You look so handsome. – Oh, my God. | |
| [00:33] | Yes, yes, yes! You’re here. | |
| [00:34] | You made it! | |
| [00:36] | – Oh, my God. – We’re so happy you came. | |
| [00:38] | – Yes. – I can’t believe I’m here. | |
| [00:40] | I mean, I do get invited to so many gay Bolly-Billy weddings | |
| [00:45] | that I finally had to cave and accept one invitation. | |
| [00:48] | – Are you hungry? We’re hungry. – Yes, I’m starving. | |
| [00:50] | – And thirsty. – Okay, good. | |
| [00:52] | ‘Cause we are having brunch at a very “no shit” | |
| [00:54] | N’awlins legendary place. | |
| [00:56] | The only catch is you’ll have to eat | |
| [00:58] | with some of my batshit Southern family. | |
| [01:00] | I love batshit Southern families. | |
| [01:02] | Uh, and my crazy Indian family. | |
| [01:05] | I love crazy Indian families. | |
| [01:08] | – Great. – Even better peanut butter cup. | |
| [01:10] | Two great tastes that taste great together. | |
| [01:12] | Perfect. | |
| [01:16] | How are you today? | |
| [01:18] | Okay. | |
| [01:19] | Is this you folks’ first time in New Orleans? | |
| [01:21] | No, I’m from here. My family lives here. | |
| [01:23] | I never been here before. | |
| [01:25] | And now my family lives here, too. | |
| [01:27] | They’re getting married. | |
| [01:29] | Who’s getting married? | |
| [01:30] | He and I are. | |
| [01:32] | Oh. | |
| [01:34] | Okay. Hey, man, | |
| [01:36] | I’m all for the gays getting married and making families. | |
| [01:39] | ‘Cause you gonna be a whole lot better spouses | |
| [01:41] | than my ex-husbands. | |
| [01:45] | How old are your kids? | |
| [01:47] | 25, 19 and 10. | |
| [01:49] | They’re my whole world. | |
| [01:51] | Sweet. | |
| [01:52] | – You got kids? – Three girls. | |
| [01:54] | – Where’s the daddy? – You tell me. | |
| [01:57] | I know that’s right. | |
| [02:04] | Motherfucker. | |
| [02:12] | Yo, my man. | |
| [02:15] | Yo, go tell this fuck nigga cab driver she can’t drive. | |
| [02:17] | Hey, man, what’s the holdup? | |
| [02:20] | Come on! | |
| [02:23] | He say you a “fuck nigga.” | |
| [02:25] | Oh, yeah? | |
| [02:26] | You tell him his mammy is a fuck nigga! | |
| [02:29] | Dick-sucking-ass bitch! | |
| [02:32] | The fuck… He don’t know who he playing with. | |
| [02:35] | He better go ask some damn body. | |
| [02:38] | He messing with the wrong one today, that’s for damn sure. | |
| [02:49] | Unfortunately, we can’t seat you dressed like this. | |
| [02:54] | – Oh, come on. Really? – Like what? | |
| [02:55] | We require gentlemen to wear a collared shirt. | |
| [02:59] | – I want you to know… – Oh, God. | |
| [03:01] | – … this is a cashmere knit top. – Mm-hmm. | |
| [03:04] | Is there any way you could make an exception? | |
| [03:07] | No. | |
| [03:08] | – Wow. – Oh, damn. | |
| [03:10] | – Really? – Well, because, you see, | |
| [03:11] | these two gentlemen, | |
| [03:13] | they’re getting married, and this is their wedding brunch, | |
| [03:16] | – so… – Congratulations, gentlemen. | |
| [03:19] | However, we’ve been in business since 1893. | |
| [03:23] | Our traditions are integral to our identity. | |
| [03:27] | And this includes our dress code. | |
| [03:31] | Our apologies for any inconvenience. | |
| [03:34] | – Wow. – Okay. | |
| [03:36] | So… | |
| [03:39] | – Okay. – Whatever, let’s just go. | |
| [03:41] | – Our families… – Let’s go. Maneesh. | |
| [03:44] | You know what? | |
| [03:45] | I understand. | |
| [03:47] | It’s not him. | |
| [03:49] | This is ridiculous. | |
| [03:50] | I’m offended. You know, | |
| [03:51] | he only did that because we’re gay. | |
| [03:53] | No, he didn’t. Did you see him? He’s totally gay. | |
| [03:55] | Uh… Really? | |
| [03:58] | I mean, w-we can’t brunch with our family | |
| [04:01] | because of some antebellum dress code? | |
| [04:02] | They only want you to wear a collared shirt | |
| [04:05] | and a sports coat. | |
| [04:09] | We accept your challenge! | |
| [04:14] | It’s okay, it’ll be fun. Let’s go shopping. | |
| [04:18] | Okay. | |
| [04:19] | – Oh. – This isn’t bad. | |
| [04:21] | Okay. This is nice. | |
| [04:23] | Hey, guys. You know what? | |
| [04:24] | I want to drink alcohol on the streets. | |
| [04:27] | That’s what you do in New Orleans, right? | |
| [04:29] | – Yeah. – You, like, drink beer on the streets? | |
| [04:30] | – Go ahead, I don’t care. – Whatever. | |
| [04:32] | – Find something cute. I’m just gonna go – Have fun. All right. | |
| [04:34] | I think, right here. | |
| [04:36] | Okay. | |
| [04:43] | This place is somewhere around here… | |
| [04:45] | – It’s, like, one more block. – I mean, I came here… Oh! | |
| [04:47] | – Jesus Chr… Oh! – Oh, my God! | |
| [04:48] | – Whoa… Okay. – Oh, I’m sorry. | |
| [04:49] | – That’s okay. Oh… – Sorry. Use these. | |
| [04:50] | – I have napkins. – Oh, I think it’s beer. | |
| [04:52] | This is beer, right? It smells like beer. | |
| [05:04] | Right? It smells like beer. | |
| [05:07] | – Thank you for the napkins. – Yeah, it’s beer. | |
| [05:09] | It’ll come out. Except the smell. | |
| [05:11] | All right, uh… | |
| [05:14] | Why did you thank her? | |
| [05:16] | She gave me napkins. | |
| [05:18] | Hi. | |
| [05:19] | – Hey. – Hi. | |
| [05:20] | – You like? Is it me? – Oh, my god. So cute. | |
| [05:23] | – Yeah. – You guys look so good. Let’s go eat. | |
| [05:25] | – Mm-hmm. – Who was that? | |
| [05:27] | Uh, nobody. | |
| [05:30] | – Nobody. Y-You want some beer? – I… | |
| [05:39] | – You came back. – Mm-hmm. | |
| [05:42] | I’ll be damned. | |
| [05:44] | Rarely do patrons come back with another set of clothes. | |
| [05:48] | I can’t tell you how impressed I am. | |
| [05:50] | Thank you for being respectful. | |
| [05:52] | Horace, get these lovely folks | |
| [05:55] | a bottle of Bichot Burgundy on the house. | |
| [05:58] | – Right this way, folks. – That’s very nice. | |
| [06:00] | All right. | |
| [06:01] | Should make it two. This tie was frigging expensive. | |
| [06:04] | Hello! | |
| [06:07] | This is Sam. | |
| [06:08] | – Hi. – Heard about you… | |
| [06:14] | – Finally, finally. – Hi. | |
| [06:16] | I’m very honored to be here. | |
| [06:18] | – Welcome to New Orleans. – Thank you. | |
| [06:20] | So, you start drinking early here? | |
| [06:22] | Well, there’s breakfast drinking, there’s brunch drinking, | |
| [06:26] | there’s afternoon drinking and there’s dinner drinking. | |
| [06:28] | Sometimes there’s a little bedtime nip. | |
| [06:30] | I love a nip. | |
| [06:32] | “This is a cashmere knit top.” | |
| [06:34] | I know. Don’t get me started. | |
| [06:36] | Is she the one that everybody… | |
| [06:37] | She’s the one everyone thinks we look alike. | |
| [06:39] | We used to look like twins growing up. | |
| [06:40] | Well, that’s just ’cause I wore your clothes | |
| [06:43] | – all the time. – And then you… Well… | |
| [06:44] | – Maneesh. – Cheers. | |
| [06:45] | – Daddy, like, a little… – Oh. | |
| [06:47] | He loves. Daddy lovey. | |
| [06:50] | My son is only gonna get married once. You know? | |
| [06:52] | And I want to enjoy every second of it. | |
| [06:55] | Dad, we’re not at the wedding yet. | |
| [06:56] | You can never start early enough. | |
| [06:58] | He sounded a little Irish there. | |
| [07:02] | “You can never start early enough.” | |
| [07:04] | – Well, this is an arranged marriage. – It is. | |
| [07:06] | – Thank you, Mom and Dad. – What a good job. | |
| [07:09] | – A woman of great taste. – Thank you. So far, it’s working out. | |
| [07:12] | First wedding, I think… | |
| [07:14] | – We’ll see how it goes. – Aw. | |
| [07:15] | You’re gonna be with me forever. | |
| [07:16] | – With that face. – I need… I need more wine. | |
| [07:22] | Hey, hey, hey, hey, hey, hey, hey, hey. | |
| [07:25] | I know you. I know you! I know you… I knew it. | |
| [07:28] | You’re from TV and the movies. | |
| [07:30] | And I-I… you’re the, uh, | |
| [07:32] | I saw you… you know what? I know you, though. | |
| [07:33] | I know you. I know who you are. | |
| [07:35] | Yeah, I think you have me mistaken for somebody else. | |
| [07:38] | – I get that a lot. – Okay. Right, sure, | |
| [07:39] | uh, listen. I’m-a say something, | |
| [07:41] | and don’t take you this the wrong way, okay? | |
| [07:44] | Okay. | |
| [07:46] | I masturbated to you… | |
| [07:49] | – … more than once. – Whoa, whoa. | |
| [07:51] | – Get him out of here. – What? What? Okay. | |
| [07:52] | – Have some manners. – What? What? | |
| [07:54] | – Just back off. – All right. | |
| [07:55] | – Okay, I’m the bad guy. Okay. – Yes. Yeah. | |
| [07:58] | You try to say something nice… | |
| [08:00] | – Wow. – “Try to say something nice”? | |
| [08:02] | – My God. – What the hell was that? | |
| [08:04] | – I’m so sorry. – It’s okay, Miss Louise. | |
| [08:06] | Uh-uh. Somebody should teach that man a lesson. | |
| [08:10] | He’s just drunk. | |
| [08:12] | That is no excuse. | |
| [08:14] | And he never even took off his hat | |
| [08:17] | while he was addressing you. | |
| [08:19] | No. Twice, | |
| [08:21] | he has disrespected my alma mater. | |
| [08:24] | And… | |
| [08:25] | did he say “masturbate”? | |
| [08:29] | Um… yes. | |
| [08:31] | – He did say that. – Yes. | |
| [08:32] | Well, nope. | |
| [08:34] | – I’m gonna set that boy straight. – Oh, no, no, no, no. | |
| [08:36] | Miss Louise, Miss Louise, it’s not worth it. | |
| [08:38] | Just stay right here. | |
| [08:40] | You’re gonna wake up some scary ghost in him. | |
| [08:42] | That is incredible that you want | |
| [08:45] | – to defend my honor like that. – Darling, no, no… | |
| [08:47] | I don’t even know that anybody… | |
| [08:48] | – Hey, hey, okay. Come on, man. – I just, no, I just… It’s okay. | |
| [08:50] | It’s okay, look. Uh, I just want to say, uh… | |
| [08:53] | I-I’m sorry for what happened before | |
| [08:55] | – when I was sitting here… – You! | |
| [08:57] | – Ow! – Whoa! | |
| [08:58] | – Back up. You… – What the hell’s going on? | |
| [08:59] | – Don’t poke me with your stick! – Step away from this woman | |
| [09:02] | – right now! – Get off me with that stick! | |
| [09:04] | Right this minute. Do you hear me? | |
| [09:06] | – Back off! – Don’t poke me. | |
| [09:07] | You are not welcome here. | |
| [09:09] | I was apologizing when you… | |
| [09:13] | Ladies and gentlemen… | |
| [09:15] | – I told you. She’s everything. – Honey. | |
| [09:17] | I… | |
| [09:19] | – Grandma Louise! – Grandma! | |
| [09:24] | Andrew started doing my hair back in L.A. in like, | |
| [09:26] | I think it was like mid-2000s? | |
| [09:28] | But now I fly him back here mostly just to do my color. | |
| [09:31] | But it’s not just about the hair with Andy. | |
| [09:33] | – I just love him so much. – Me too. | |
| [09:36] | He’s actually the only thing I miss about L.A. | |
| [09:39] | Really? He’s the only thing you miss? | |
| [09:42] | Mmm, I miss Tacos Tu Madre. | |
| [09:44] | I miss the Hollywood Bowl on a cool night. | |
| [09:47] | But I’m just so happy here, Sam. | |
| [09:49] | Do you know that I bought this whole house | |
| [09:51] | for half the cost of my house in Bel Air? | |
| [09:55] | – Really? – Mm-hmm. | |
| [09:56] | – This place is unbelievable. – I know. | |
| [09:58] | I love it. And it’s not just the house, Sam. | |
| [10:00] | It’s, like, the whole feeling of this city. | |
| [10:03] | It’s added years to my life. | |
| [10:05] | The culture. The food. | |
| [10:08] | The sex I’m having. | |
| [10:10] | Oh, yes. | |
| [10:12] | It has improved. It’s actually, like, restored. | |
| [10:16] | This place is a romantic, sexy fuck city. | |
| [10:20] | – Whoa. – Yeah. | |
| [10:21] | Let me ask you a question. In Los Angeles, | |
| [10:24] | did men stop talking to you somewhere | |
| [10:26] | in, like, your mid-40s? | |
| [10:31] | Um, yep. | |
| [10:34] | Well, it’s a whole different song here. | |
| [10:36] | All sorts of men hit on me, every day. | |
| [10:39] | Young men, old men. | |
| [10:42] | – So, young men hit on you here? – Yes. | |
| [10:45] | NOLA men ain’t looking for shallow water. | |
| [10:46] | They are looking for full lives. | |
| [10:49] | And that is why I’m getting dick all the time. | |
| [10:54] | How “all” is “all the time”? | |
| [10:56] | I’m literally picking dick out of my pussy, Sam. | |
| [10:59] | – Whew. – You got to sell | |
| [11:01] | your house and move out here. | |
| [11:02] | You, of all people, would love it. | |
| [11:04] | I want to pick dick out of my pussy, too. | |
| [11:07] | I’m moving to New Orleans. | |
| [11:09] | – Cheers. – Wow. | |
| [11:11] | Maneesh and I went to college together. | |
| [11:14] | I think he wrote all my English lit papers. | |
| [11:16] | He was the brilliant one that lived down the hall from me. | |
| [11:19] | I never left him alone. | |
| [11:21] | I’m sorry. Please excuse me for a second. | |
| [11:24] | I need to kiss my wife. | |
| [11:34] | Yeah, of course. | |
| [11:39] | – Oh, sorry. – Ow. | |
| [11:41] | I’m sorry. | |
| [11:42] | Oh. | |
| [11:46] | – Hi. – Ha… Hi. | |
| [11:49] | – Hello, yes. Hi. – Hello. | |
| [11:50] | – Hi. – Yes, hello. Hi. | |
| [11:53] | Oh, my God. | |
| [11:58] | So, uh… | |
| [11:59] | You know Maneesh and Andrew? | |
| [12:01] | She knows Andrew, right? She works with Andrew. | |
| [12:04] | Oh. | |
| [12:06] | Wait, you were the… on the street? | |
| [12:09] | – Yeah. – You two know each other? | |
| [12:11] | Uh, Lainie, this is Sam. Sam, Lainie. | |
| [12:14] | Uh, hi. | |
| [12:15] | Nice to meet you, Lainie. | |
| [12:17] | Nice to meet you. | |
| [12:19] | Wait, I’m so confused. | |
| [12:21] | Why didn’t you two say hi to each other on the street? | |
| [12:27] | Yeah, that was… kind of weird. | |
| [12:31] | Yeah… | |
| [12:34] | Yeah. | |
| [12:36] | – I… – Um, yeah. | |
| [12:39] | Anyway, it’s very nice… | |
| [12:41] | Yes, so… | |
| [12:43] | – I’ll see you around this… – See you around the, uh… | |
| [12:46] | I-I think we’re over there. Yeah. | |
| [12:47] | – Yes. Right. We’ll see you. – Okay. | |
| [12:49] | Yeah. | |
| [12:56] | Yeah. | |
| [13:02] | Ladies and gentlemen, | |
| [13:03] | I’d like to introduce the newlyweds, | |
| [13:05] | Mr. Maneesh Pyati, and Mr. Andrew W. Pyati. | |
| [13:12] | Congratulations! | |
| [13:30] | Mm… Ooh. | |
| [13:33] | Gamma, do you have something for me? | |
| [13:35] | Well, | |
| [13:36] | I think maybe this belongs to you, darling. | |
| [13:39] | – Thank you. – Mm. | |
| [13:41] | Okay, everybody, uh, thank you all for being here. | |
| [13:45] | I love all of you so much I can’t stand it. | |
| [13:48] | Um, this is for… my husband. | |
| [13:53] | Aw. | |
| [14:02] | ♪ Operator, number, please ♪ | |
| [14:05] | ♪ It’s been so many years ♪ | |
| [14:09] | ♪ Will she remember my old voice ♪ | |
| [14:13] | ♪ While I fight the tears? ♪ | |
| [14:16] | ♪ Hello, hello there, is this Martha? ♪ | |
| [14:20] | ♪ This is old Tom Frost ♪ | |
| [14:23] | ♪ And I am calling long-distance ♪ | |
| [14:26] | ♪ Don’t worry ’bout the cost ♪ | |
| [14:30] | ♪ ‘Cause it’s been 40 years or more ♪ | |
| [14:33] | ♪ Now, Martha, please recall ♪ | |
| [14:37] | ♪ Meet me out for coffee ♪ | |
| [14:40] | ♪ Where we’ll talk about it all ♪ | |
| [14:44] | ♪ And… ♪ | |
| [14:46] | ♪ Those were the days of roses ♪ | |
| [14:49] | ♪ Poetry and prose and, Martha ♪ | |
| [14:53] | ♪ All I had was you ♪ | |
| [14:55] | ♪ And all you had was me ♪ | |
| [15:01] | ♪ And I feel so much older now ♪ | |
| [15:04] | ♪ And you’re much older, too ♪ | |
| [15:08] | ♪ How’s your husband? How’s your kids? ♪ | |
| [15:11] | ♪ You know that I got married, too ♪ | |
| [15:16] | ♪ Lucky that you found someone ♪ | |
| [15:19] | ♪ To make you feel secure ♪ | |
| [15:23] | ♪ ‘Cause we were all so young and foolish ♪ | |
| [15:26] | ♪ Now we are mature ♪ | |
| [15:31] | ♪ And those were the days of roses ♪ | |
| [15:36] | ♪ Poetry and prose and, Martha ♪ | |
| [15:40] | ♪ All I had was you ♪ | |
| [15:42] | ♪ And all you had was me ♪ | |
| [15:48] | ♪ There was no tomorrows ♪ | |
| [15:51] | ♪ We’d packed away our sorrows ♪ | |
| [15:55] | ♪ And we saved them for a rainy day ♪ | |
| [16:01] | ♪ I was always so impulsive ♪ | |
| [16:05] | ♪ I guess that I still am ♪ | |
| [16:08] | ♪ And all that really mattered then ♪ | |
| [16:12] | ♪ Was that I was a man ♪ | |
| [16:16] | ♪ I guess that our being together ♪ | |
| [16:19] | ♪ Was never meant to be ♪ | |
| [16:23] | ♪ Martha ♪ | |
| [16:25] | ♪ Martha ♪ | |
| [16:27] | ♪ I love you, can’t you see? ♪ | |
| [16:31] | ♪ And those were the days of roses ♪ | |
| [16:36] | ♪ Poetry and prose and, Martha ♪ | |
| [16:40] | ♪ All I had was you ♪ | |
| [16:42] | ♪ And all you had was me ♪ | |
| [16:48] | ♪ There was no tomorrows ♪ | |
| [16:51] | ♪ We’d packed away our sorrows ♪ | |
| [16:54] | ♪ And we saved them for a rainy day ♪ | |
| [17:08] | ♪ And I remember quiet evenings ♪ | |
| [17:12] | ♪ Trembling close to you ♪ | |
| [17:38] | Many of you may not know this, but, uh… | |
| [17:41] | I met Maneesh on a burning airplane. | |
| [17:45] | It’s true, true story. | |
| [17:47] | Shout out to Flight 27 in the crowd! | |
| [17:51] | Survivors! | |
| [17:53] | That cockpit in flames feels like | |
| [17:55] | it happened to someone else. | |
| [17:57] | Like, um, I was a curious onlooker, | |
| [18:01] | or, uh, in some kind of a fever dream, | |
| [18:05] | quite frankly. | |
| [18:06] | But despite that scare, I look back on that day | |
| [18:10] | with great warmth. | |
| [18:12] | My fellow passengers and I did some trauma bonding, | |
| [18:16] | and because of that, | |
| [18:19] | I met this amazing human being, Maneesh, | |
| [18:22] | and later, his wonderful Andrew. | |
| [18:27] | And for that I am eternally grateful. | |
| [18:29] | So, to Maneesh and Andrew, | |
| [18:32] | I wish you a lifetime of intimacy, companionship | |
| [18:37] | and love. | |
| [18:38] | But most of all, great gay sex. | |
| [18:49] | I need to ask you: no date? | |
| [18:52] | No. No date. | |
| [18:54] | It’s just me dancing alone here with you, | |
| [18:57] | and that is very okay with me. | |
| [18:59] | Well, I’ve attended a lot of weddings alone myself. | |
| [19:05] | My husband passed away, what, 22 years ago. | |
| [19:09] | Prostate cancer. | |
| [19:11] | Oh. I’m so sorry to hear that. | |
| [19:14] | Well, don’t be. He was an asshole. | |
| [19:16] | I kind of knew you were gonna say that. | |
| [19:19] | ♪ I should not want… ♪ | |
| [19:21] | Oh, Miss Louise… | |
| [19:25] | ♪ Nor should you want to be around me ♪ | |
| [19:30] | ♪ It’s all because… ♪ | |
| [19:33] | – You know what? Can I get…? – You may. Enjoy. | |
| [19:36] | – Thank you. – Okay. | |
| [19:37] | – I get to dance with both of you. – I know. | |
| [19:40] | ♪ First time we met ♪ | |
| [19:43] | ♪ If you knew ♪ | |
| [19:47] | ♪ Knew how blue ♪ | |
| [19:50] | ♪ How lonely I have come to be ♪ | |
| [19:54] | Friends, family, | |
| [19:57] | I would now like to present the entertainment. | |
| [20:00] | One of the town’s greatest cultural artifacts, | |
| [20:04] | the Bayou Bon Bon, | |
| [20:06] | also known as the Flirty Martini with a twist… | |
| [20:12] | New Orleans’ very own, and my dear friend, | |
| [20:16] | Ms. Sharon Greenstein. | |
| [20:21] | Come on out, Sharon. | |
| [20:24] | Yes! | |
| [20:33] | Ever since I was a young woman, | |
| [20:35] | I saved every sari I owned. | |
| [20:38] | I told myself I was saving it | |
| [20:40] | for our future daughter. | |
| [20:43] | A daughter which we never had. | |
| [20:46] | Instead, we had a magnificent son. | |
| [20:50] | Our sweet Maneesh, | |
| [20:53] | who, from a very young age, made it clear | |
| [20:57] | that he would not have a traditional wife. | |
| [21:02] | We got around to the idea, | |
| [21:05] | and so today he has married a wonderful man named Andrew. | |
| [21:09] | We are so proud of both of you. | |
| [21:12] | So, I have placed a dowry chest | |
| [21:16] | in your hotel room. | |
| [21:18] | In it, you will find all my old saris. | |
| [21:22] | You can do whatever you want to with them. | |
| [21:27] | We love you both very much. | |
| [21:29] | And now I have two sons. | |
| [21:32] | Which is great, | |
| [21:33] | but it’s also, you know, crazy. | |
| [21:36] | Because in Mumbai, where I’m from, | |
| [21:40] | they hate to be a gay. | |
| [21:43] | Thank God my brother’s not here. | |
| [21:46] | And my terrible sister-in-law… | |
| [21:49] | who runs a sweatshop in Gujarat. | |
| [21:51] | – Hey, Dad… – That woman stole | |
| [21:52] | from the family, you know. And she stole my gold tooth. | |
| [21:55] | – I know that. – Andrew should know about your family. | |
| [22:00] | Oh, no. | |
| [22:14] | Sharon! | |
| [22:57] | Hi. Good evening. | |
| [22:59] | I mean… Oh. | |
| [23:01] | Good morning. Yes. | |
| [23:03] | Um, just curious. | |
| [23:04] | Is my room available for one more night? | |
| [23:09] | Uh, yes, I would. | |
| [23:12] | Great. | |
| [23:14] | Yeah, let’s do it. | |
| [23:41] | Hi. | |
| [23:43] | Um, I’m actually looking to buy a potion today. | |
| [23:46] | What you looking for? Something medicinal? | |
| [23:49] | – No. Not that. – Love? | |
| [23:51] | What? No. Ew. | |
| [23:53] | Okay, so, what do you want to do? | |
| [23:56] | You want to anoint something? Conjure something? | |
| [23:59] | You want to bless something or thwart something? | |
| [24:03] | No. I think that… | |
| [24:06] | I just want something for me, for today. | |
| [24:10] | To experience the city. | |
| [24:12] | Oh. | |
| [24:14] | I got you. | |
| [24:17] | This is a potion | |
| [24:19] | made by our in-house high priest, | |
| [24:23] | Jean-Baptiste. | |
| [24:24] | Oh. Is that his real name? | |
| [24:26] | Yes, that’s the chef’s name. Jean-Baptiste. | |
| [24:29] | Oh, okay. Well, it just sounded like, kind of made up, | |
| [24:32] | like a Pirates of the Caribbean thing. | |
| [24:35] | And he made this potion… | |
| [24:38] | exclusively for us. | |
| [24:40] | It’s for newcomers to New Orleans. | |
| [24:43] | To help them to see the city through mystic eyes. | |
| [24:49] | Oh. | |
| [24:51] | I want that one. | |
| [24:52] | I’ll take… Okay. | |
| [24:53] | So, you just drink this? | |
| [24:56] | You just drink it. | |
| [25:00] | Okay. It… | |
| [25:02] | Is it sanitary? | |
| [25:05] | Well… | |
| [25:11] | Mm-hmm. | |
| [25:13] | Thank you. I think I’m gonna stay here and wait, | |
| [25:17] | see if it kicks in a little bit. | |
| [25:21] | You got anything for hands? | |
| [25:34] | – Ready to order, miss? – Uh, yeah. | |
| [25:36] | I really want the crawfish, but I can’t eat a pound. | |
| [25:40] | Is that really the smallest amount that I can order? | |
| [25:43] | A pound of crawfish ain’t that much meat, miss, | |
| [25:44] | ’cause we weigh them shells and all. | |
| [25:46] | Once you crack them open with your fingers and dig around, | |
| [25:47] | it comes out much less than a pound. | |
| [25:49] | Oh, wow. That’s a lot of hands, sounds like. | |
| [25:52] | I’m not sure if my hand’s up to that. | |
| [25:55] | Well, maybe you should order crab cakes. | |
| [25:57] | But that’s lame. Coming to crawfish boil | |
| [25:59] | and not ordering the crawfish? | |
| [26:01] | I’ll help you out with those. | |
| [26:03] | – You will? – Sure, why not? | |
| [26:04] | Let’s pinch them tails and suck them heads. | |
| [26:06] | Okay. Come on. | |
| [26:08] | – Folks. – Ah… | |
| [26:10] | – Suck away. – Thank you. | |
| [26:12] | Can we get two plates? | |
| [26:13] | – Oh, it’s not that hard. – Nah. | |
| [26:15] | – Mmm. – This is where all the flavor’s at. | |
| [26:18] | – In here? – You hold the body, twist the tail. | |
| [26:20] | Just put it in your mouth, crunch it and suck… | |
| [26:22] | just crunch it. Bite down. | |
| [26:23] | It’s salty… | |
| [26:24] | – Tell me about yourself. – Stormin’ Norman, the one and only, | |
| [26:28] | shucking oysters 42 years. | |
| [26:29] | I’m Michael Broadway. | |
| [26:30] | They call me “Hollywood” for short. I’m a bad mother-shucker. | |
| [26:33] | This is my moneymaker. | |
| [26:34] | – Look at that hand. – Big. | |
| [26:36] | I shuck and jive all day long. | |
| [26:39] | They’re good. Spicy. | |
| [26:41] | You can peel the claws off, too. | |
| [26:42] | – That one is dead. – Yep. | |
| [26:45] | – Just eat the potato like this? – Mmm. | |
| [26:47] | – Personal favorite is the corn. – Yum. | |
| [26:49] | Anybody asks you how you like your oysters, | |
| [26:50] | you tell them clean and cold. | |
| [26:52] | ‘Cause they taste better. | |
| [26:53] | Breakfast of champions. | |
| [26:56] | Breakfast of champions. | |
| [26:58] | – You need another beer. – That’s true. | |
| [27:00] | Cheers, you guys. | |
| [27:01] | I love the Big Easy. | |
| [27:03] | – Welcome to the Big Easy. – Thank you. | |
| [27:05] | Get up, boy! | |
| [27:07] | You can’t do that here. | |
| [27:09] | Get your ass out my door. | |
| [27:41] | Look at this crown moldings | |
| [27:43] | – and the high ceilings. – Mm. | |
| [27:44] | This place is only this much? | |
| [27:46] | You guys are giving it away. You’re crazy. | |
| [27:48] | A house like that is a small fortune for us locals. | |
| [27:52] | Oh. I didn’t mean to sound like that. | |
| [27:55] | Oh, no, that’s all right, honey. I’m-I’m used to it. | |
| [27:58] | You see, we are survivors in this city, | |
| [28:00] | so whatever it takes to get through | |
| [28:02] | what we got to get through, we just do it. | |
| [28:06] | Yes, ma’am. | |
| [28:09] | Is this place sold? | |
| [28:11] | Yeah. | |
| [28:12] | That went into escrow this week. | |
| [28:14] | Chinese fella bought it. | |
| [28:16] | Oh. | |
| [28:18] | Okay. | |
| [28:20] | Well, you have my info, you know what I like, | |
| [28:23] | so if you see something, give me a call. | |
| [28:25] | I got you, baby. I know your taste. | |
| [28:27] | You like a big kitchen and bathrooms, | |
| [28:31] | good room flow and great toilets. | |
| [28:33] | That’s the one. | |
| [29:14] | ♪ No one to walk with ♪ | |
| [29:16] | ♪ All by myself ♪ | |
| [29:18] | ♪ No one to talk with ♪ | |
| [29:20] | ♪ I’m happy on the shelf ♪ | |
| [29:22] | ♪ Ain’t misbehavin’ ♪ | |
| [29:24] | ♪ Saving all my love for you ♪ | |
| [29:29] | ♪ Oh, babe ♪ | |
| [29:31] | ♪ Like Jack Horner, I’m in a corner ♪ | |
| [29:34] | ♪ I don’t swing enough, well, what should I care? ♪ | |
| [29:39] | ♪ All your loving ♪ | |
| [29:42] | ♪ Waiting for me, babe… ♪ | |
| [30:11] | ♪ We’re all going crazy ♪ | |
| [30:13] | ♪ While jammin’ and… ♪ | |
| [30:15] | ♪ I said, hangin’ in the Tremé ♪ | |
| [30:18] | ♪ Watchin’ people sashay ♪ | |
| [30:21] | ♪ Past my step… ♪ | |
| [30:28] | ♪ Once knew a girl named Judy ♪ | |
| [30:31] | – ♪ Judy! ♪ – ♪ She had the nicest booty ♪ | |
| [30:34] | – ♪ Booty! ♪ – ♪ And all the guys in town ♪ | |
| [30:37] | ♪ Would gather around to see Judy twerk her booty… ♪ | |
| [30:42] | Hey, Selwyn, how you doing tonight, baby? | |
| [30:44] | What’s going on, man? What you got? | |
| [30:45] | Uh, let me get a double of Jameson straight, no chaser. | |
| [30:48] | You got it. | |
| [30:53] | Hi. I’m so sorry to bother you, I just, | |
| [30:56] | I love your set, I love your music, I’m a big fan. | |
| [30:59] | Well, thank you very much, love. | |
| [31:01] | Um, what’s your name? | |
| [31:03] | – I’m Sam. – Well, it’s nice to meet you, Sam. | |
| [31:06] | Nice to meet you. | |
| [31:07] | – Where you from? – I’m from L.A. | |
| [31:09] | Oh, L.A. I love L.A. | |
| [31:11] | You mind if I buy you a drink? | |
| [31:12] | Oh, sure. Yeah. | |
| [31:14] | Hey, Selwyn, can I get another double Jameson straight-up? | |
| [31:18] | Coming right up. | |
| [31:20] | Um, I got a show actually coming up in L.A. in August. | |
| [31:23] | Oh. That is such great news. | |
| [31:26] | – You are so talented. Damn it. – Yes. | |
| [31:29] | That’s why when I met him two years ago, | |
| [31:31] | I knew I had to have him. | |
| [31:33] | – And now he’s mine. – Oh. | |
| [31:35] | – Irina. – Hello. Sam. | |
| [31:38] | Yes. Of course. | |
| [31:39] | You know, you’re pretty talented your own self. | |
| [31:42] | I’ve been following your work for a long time now. | |
| [31:44] | – I really enjoy it. – Oh, thank you. | |
| [31:47] | By the way, that show in L.A. is on August 23rd. | |
| [31:50] | Okay. Great. I’m getting tickets. | |
| [31:52] | – I’m gonna bring my… – Good. We’ll, uh, | |
| [31:55] | we’ll see you there, then. | |
| [31:56] | Okay. Yes. Well, nice to meet you. | |
| [31:59] | Thanks for the drink. Mm. | |
| [32:02] | Oh… Sorry. | |
| [32:05] | Wow. | |
| [32:11] | Yeah, another Sam body slam. | |
| [32:14] | How’d I get so lucky? | |
| [32:15] | Hi. | |
| [32:16] | – Hi. – What? | |
| [32:19] | What? | |
| [32:20] | – What? | – What? |
| [32:21] | Aren’t you… missing something? | |
| [32:25] | Someone? | |
| [32:27] | No. I don’t think so. | |
| [32:31] | She could tell I wanted to be someplace else, | |
| [32:33] | so, uh, she went back to the hotel. | |
| [32:36] | – Oh. Hmm. – And I came here. | |
| [32:38] | That makes you not a very good date. | |
| [32:42] | It was her idea. | |
| [32:44] | Oh. | |
| [32:54] | Okay. Where are we going? | |
| [32:57] | – Come on. – All right. | |
| [33:32] | Sam, it’s Mae, | |
| [33:34] | your New Orleans Realtor. | |
| [33:36] | You will not believe this, but that house that you loved… | |
| [33:38] | The one that was in escrow to the Chinese guy? | |
| [33:41] | Well, the deal fell through and it is back on the market. | |
| [33:45] | So this could really work out perfect for you. | |
| [33:48] | So let me know when you want to see it. I will set it up. | |
| [33:50] | Okay. Call me. | |
| [33:52] | Bye. | |
| [33:53] | Sara! | |
| [33:55] | That’s you? | |
| [33:57] | – Oh… – You rememb… you remember me? | |
| [34:03] | We was eating crawdaddies. | |
| [34:05] | Yes. Thank you for helping me with those. | |
| [34:07] | – Oh, yeah. – Okay. | |
| [34:10] | Have a good night. | |
| [34:12] | Call me. | |
| [34:17] | – He’s my best friend. – You never told me your name was Sara. | |
| [34:21] | Well… | |
| [34:23] | I have lots of secrets, too. | |
| [34:26] | – Oh, yeah? – Mm-hmm. | |
| [34:28] | You want to tell one? | |
| [34:34] | Well, you just found out. | |
| [34:35] | My name is Sara. |