| 时间 | 英文 | 中文 |
|---|---|---|
| [00:22] | DURHAM: My father had few friends. | |
| [00:23] | A cathedral full of acquaintances, | |
| [00:26] | but few friends. | |
| [00:27] | Murray Fox was one of them. | |
| [00:30] | They’d both kill me for saying so. | |
| [00:31] | – (light laughter) – A Jew from the Bronx. | |
| [00:33] | An Irish Catholic from Westport. | |
| [00:35] | But they-they thought of each other like brothers. | |
| [00:38] | And so, on behalf of the Friars, | |
| [00:41] | hither and yon, past and present, | |
| [00:44] | it is my deep pleasure | |
| [00:46] | to honor Murray with this sketch | |
| [00:50] | to join our cadre. | |
| [00:52] | And to you, Sam, | |
| [00:54] | we bestow the title Honorary Friar in Perpetuity. | |
| [01:02] | Thank you. | |
| [01:04] | Oh, my God. Wow. | |
| [01:06] | Um… (clears throat) | |
| [01:08] | my father loved being a Friar, and he loved coming here, | |
| [01:11] | and this means a lot. | |
| [01:12] | I get a free martini, right? ‘Cause… | |
| [01:15] | – (light laughter) – Um, it’s a nice perk. | |
| [01:17] | But anyway… thanks, Durham. | |
| [01:19] | Okay. Thank you. | |
| [01:21] | I remember you were always so much older than me, | |
| [01:25] | and now we’re exactly the same age. | |
| [01:27] | How did that happen? | |
| [01:29] | Mm. I don’t know. | |
| [01:31] | I do. | |
| [01:34] | It’s this hair. | |
| [01:36] | My God. | |
| [01:38] | You have no right to have such good hair. | |
| [01:43] | You can do it again if you want. | |
| [01:44] | (both laugh) | |
| [01:47] | So, off topic. | |
| [01:49] | – No. – What? | |
| [01:50] | I don’t want to hear about | |
| [01:51] | how you shtupped Anne Bancroft | |
| [01:53] | when you were at the tender age of 15. | |
| [01:55] | – You don’t? – Or any of those. | |
| [01:57] | That’s an unsubstantiated rumor, you know. | |
| [01:58] | (laughing): Yeah. | |
| [02:00] | It’s true. And look at you. You, you know… | |
| [02:02] | it’s not like you haven’t had your world tour. | |
| [02:04] | No. No. Child actor. | |
| [02:06] | Married. Now I’m dead. | |
| [02:08] | (laughs) Hardly. | |
| [02:11] | So, off topic. | |
| [02:13] | Do you think it’s true… | |
| [02:15] | do you think your father and my mother… | |
| [02:18] | During that five-year period | |
| [02:20] | when Cormic and Murray weren’t speaking to each other… | |
| [02:23] | Do you think they, uh… did it? | |
| [02:25] | – What? – Yeah. | |
| [02:26] | – That was over a script. – Mm-hmm. | |
| [02:29] | I don’t think… N-No. | |
| [02:31] | I don’t know. I don’t know. | |
| [02:33] | It’s not like Cormic was, uh, | |
| [02:35] | the most faithful of men. | |
| [02:38] | Well, Murray would never… | |
| [02:40] | I mean, he was terrified of my mother’s wrath. | |
| [02:43] | (Durham chuckles) | |
| [02:45] | Your mom was a babe, though. I remember. | |
| [02:47] | Yeah. I remember your mom, too. | |
| [02:49] | – She was hot. – She was… | |
| [02:51] | – Hi, baby. – Oh. | |
| [02:53] | – Hey. – Hi. | |
| [02:54] | – I thought you had to do the… – I know. Jeremiah’s set isn’t | |
| [02:56] | – until 11:00. – Oh. | |
| [02:57] | – I’m Ruth. – Oh, yes. Sam. | |
| [03:00] | Sam. Uh, this is Sam. | |
| [03:02] | We grew up together. | |
| [03:03] | SAM: Mm-hmm. | |
| [03:04] | Yeah. We grew up together. | |
| [03:06] | Except he was older. Much older. | |
| [03:08] | – (Durham chuckles) – So much older. | |
| [03:10] | You know the feeling? | |
| [03:11] | – You know what I mean, Ruth? – (cell phone buzzing) | |
| [03:12] | Just a second. Hello? | |
| [03:13] | Wait. Actually, no, honey. | |
| [03:14] | You can’t take… No calls. | |
| [03:15] | You… Will you take that in the lobby? | |
| [03:17] | Seriously? | |
| [03:18] | Seriously. It’s-it’s a rule. | |
| [03:21] | (Durham sighs) | |
| [03:22] | – It’s a rule. – RUTH: Hello? | |
| [03:25] | RUTH (fading into distance): Hey. You’re here? Yeah. | |
| [03:27] | – She’s adorable. – S-Stop it. | |
| [03:29] | – Stop it. Stop it. – I didn’t… I’m not even… | |
| [03:31] | – Don’t. Don’t. Come on. – Okay. | |
| [03:32] | It’s not like I asked for that. | |
| [03:33] | – (grunts) – This isn’t a demographic | |
| [03:36] | – I go casting my net for. – Mm-hmm. | |
| [03:38] | – It’s not… – Yeah, I mean, because | |
| [03:39] | it’s not like there’s | |
| [03:40] | a whole swath of women in their 40s and 50s | |
| [03:44] | who are totally available, | |
| [03:46] | with great minds and better bodies, | |
| [03:49] | – lovely, sweet, amazing, – Mm. | |
| [03:51] | Next-level, recently divorced, | |
| [03:54] | – well-adjusted, – I know. | |
| [03:55] | Ready to go out and share a meal, | |
| [03:58] | have a good time, not boring. | |
| [04:01] | And you just skip over all of them. | |
| [04:03] | I mean, you guys just skip a whole generation. | |
| [04:07] | Or three. | |
| [04:08] | All right, I know, I know. | |
| [04:09] | And-and, by the way, I agree. | |
| [04:11] | You know? I have lived a bunch of life, | |
| [04:13] | and now I’m just glomming onto hers, | |
| [04:15] | you know, and it’s… it’s not fair. | |
| [04:17] | I-I don’t know why she agrees to it. (chuckles) | |
| [04:19] | – It’s, you know… – Mm-hmm. | |
| [04:22] | I’m speechless. | |
| [04:23] | (whispers): Yeah, it’s… | |
| [04:25] | it’s tough. | |
| [04:26] | – I feel for you. I mean… – (Durham grunts) | |
| [04:30] | But anyway… | |
| [04:32] | – I’ll leave you to Ruth. – Oh, come on. | |
| [04:34] | Sam, Sam, come on, she’ll be gone in 20. | |
| [04:36] | She is 20, bro. | |
| [04:40] | Let’s have dinner later. | |
| [04:41] | Peace out, Friar Durham. | |
| [04:43] | Oh, the hair! | |
| [04:45] | Come on. Sam. | |
| [04:46] | This was fun. | |
| [04:48] | Deuces! | |
| [04:49] | Text me if you change your mind. | |
| [04:52] | ♪ Cigarette smoke is in my eyes ♪ | |
| [05:03] | ♪ | |
| [05:07] | (bicycle bell rings) | |
| [05:09] | (birds chirp, squawk) | |
| [05:15] | Hi. Thanks. | |
| [05:18] | What are you doing in my hotel? | |
| [05:21] | This is my hotel. | |
| [05:22] | It’s definitely my hotel. | |
| [05:25] | Oh, okay. | |
| [05:28] | Um… I didn’t think you were coming in for this. | |
| [05:31] | Yeah, I’m gonna see yours and a couple other readings. | |
| [05:33] | Oh. Cool. | |
| [05:36] | You know, I’m really l-looking forward to it. | |
| [05:39] | – Yeah. – Thanks. | |
| [05:40] | Yeah. Do you have an early call? | |
| [05:42] | No, no, no, not too early. | |
| [05:45] | Not too early. | |
| [05:46] | That’s so funny that you’re staying in my hotel. | |
| [05:49] | Well, you have good taste, I have good taste. | |
| [05:51] | – Mm-hmm. – Makes sense. | |
| [05:52] | Yeah, we can go with that. | |
| [05:55] | Are you freaked out? | |
| [05:56] | No. No! No. No. | |
| [05:59] | No, no, no, no, no. | |
| [06:01] | No. Just… | |
| [06:03] | (clears throat) Anyway… | |
| [06:06] | I don’t want you to think that I’m rude, but… | |
| [06:10] | I have to, uh, FaceTime my daughters | |
| [06:12] | and go up to my room, but | |
| [06:14] | it’s really good… I’m gonna see you… | |
| [06:16] | tomorrow at the reading. | |
| [06:19] | Thank you. | |
| [06:21] | I’m gonna… I just… ‘Cause… | |
| [06:23] | (quietly): I mean, it’s great. | |
| [06:25] | You have good taste, I have good taste, | |
| [06:26] | we’re staying in a hotel. | |
| [06:28] | (loudly): I’ll see you tomorrow, Mer. | |
| [06:29] | Good night. | |
| [06:30] | Anyway, seriously, sorry. | |
| [06:33] | I told my daughters that I would Face… | |
| [06:35] | It’s better in the room. I’ll see you tomorrow. | |
| [06:37] | Thank you. | |
| [06:40] | Anyway… | |
| [06:43] | ♪ | |
| [06:45] | ♪ If you’d only start to kiss me once ♪ | |
| [06:49] | ♪ And say “I love you” some more ♪ | |
| [06:53] | ♪ But you’re either very bashful ♪ | |
| [06:57] | ♪ Or else just a little bit sore ♪ | |
| [07:00] | ♪ So if you really want to baby me ♪ | |
| [07:05] | ♪ Then, baby, why not do the thing right ♪ | |
| [07:08] | ♪ Because you really disappointed me ♪ | |
| [07:12] | ♪ When you forgot to | |
| [07:14] | ♪ Kiss me good night | |
| [07:19] | ♪ Good night. | |
| [07:20] | WOMAN: Hey, Sam. | |
| [07:22] | – Hi. – We’re on the main stage. | |
| [07:23] | Okay, cool. | |
| [07:27] | – (Sam chuckles) – MARK: Uh-oh. | |
| [07:29] | – Nice. – Cute. | |
| [07:31] | Yeah. Nice green shirt. I see you got the memo. | |
| [07:33] | SAM (laughs): Yes! | |
| [07:35] | – You’re my brother! – We hate each other. | |
| [07:38] | – Yeah, this is gonna be hard. – I know. | |
| [07:39] | – We’re gonna have to act. – Yeah, you think | |
| [07:40] | – you got it in you? – I think I do. | |
| [07:42] | – I’m not sure about you. – Me too. | |
| [07:43] | – ♪ – (indistinct chatter) | |
| [07:46] | Good morning, sunshines. | |
| [07:47] | – Good morning. – OTHERS: Hi! | |
| [07:49] | (indistinct chatter) | |
| [07:54] | Aunt Sissy and I haven’t seen each other since, uh, what? | |
| [07:56] | I saw you at Joe’s Pub last month. | |
| [07:58] | – Oh. Last month. – Yeah. | |
| [08:00] | Thanks, man. | |
| [08:01] | ♪ | |
| [08:03] | Hi. Didn’t read the script. Did you guys read it? | |
| [08:06] | (sighs) | |
| [08:08] | Everybody, your character’s name is on your script. | |
| [08:11] | Just a few announcements. We are on a straight six | |
| [08:13] | with a half-hour lunch, and I think | |
| [08:15] | we have an Equity deputy here… Jon Jon. | |
| [08:18] | – So concerns go to him. – (whooping) | |
| [08:19] | – Jon Jon! – Oh, my God. No, not you. | |
| [08:22] | (chuckles) Can we take another vote, please? | |
| [08:24] | – MARK: Yeah. – Your deputy commands you. | |
| [08:26] | – (chuckles) Yes, Mama. – (light laughter) | |
| [08:28] | And I will turn it over to your director Trevor. | |
| [08:30] | – Yes! – Trevor! | |
| [08:32] | (clapping) | |
| [08:33] | What’s up, guys? | |
| [08:35] | Thank you for coming in today. | |
| [08:36] | Um, I’ve been working on this play | |
| [08:38] | for a couple years now with Mook. | |
| [08:40] | (whistling, clapping) | |
| [08:42] | I’m gonna speak for the both of us. | |
| [08:44] | We think this play is pretty tight, so… | |
| [08:47] | we’re not really looking for a bunch of ad-libbing | |
| [08:49] | or suggestions. | |
| [08:51] | So, just do what’s on the page. | |
| [08:54] | Basically, after Williamstown, | |
| [08:55] | the play’s been getting a lot of buzz, | |
| [08:59] | uh, both here and the West End. | |
| [09:01] | So, basically, I’ll stop you if I have any adjustments. | |
| [09:04] | But otherwise, we’re gonna try for a few reads | |
| [09:08] | and get it up onstage. Cool. | |
| [09:10] | MARK: I-I never get cold sores. | |
| [09:12] | I just feel, like, a little tingle. | |
| [09:13] | – Oh, Jesus. – NORM: You never get cold sores, | |
| [09:15] | and you got a whole tub of lysine in your bag? Okay. | |
| [09:18] | Okay, relax, Norm. All right, relax. | |
| [09:20] | – SAM: Wait. I’m moving over. – NORM: Scary. | |
| [09:21] | Give Daddy a kiss. | |
| [09:22] | – Put it right there. – (laughing): No. | |
| [09:24] | HOLLAND: Come over here and sit by me. | |
| [09:25] | – I’m immune. – (laughter) | |
| [09:28] | – Give me one. Now I’m scared. – Okay. Yeah, you never know. | |
| [09:33] | Deserted truck stop outside of Ames. | |
| [09:35] | Copulating like swine under a lone sodium lamp. | |
| [09:39] | This is straight out of a Hopper painting. | |
| [09:45] | Oh, shit. It’s me. Sorry. | |
| [09:47] | NORM: I called you. | |
| [09:48] | – That’s points right there. – JON JON: Were you? | |
| [09:49] | – Maybe. – Either you were or you weren’t. | |
| [09:52] | Uh, look, uh, I’m sorry for stopping, | |
| [09:55] | but did I call? | |
| [09:57] | I mean, you did, and you didn’t. | |
| [10:02] | Gotcha. | |
| [10:04] | And have shards of broken bottles shoved down my throat | |
| [10:08] | while being lowered slowly into a vat of rabid rats. | |
| [10:12] | Um, okay. I’m gonna stop you right there. | |
| [10:16] | Sam… | |
| [10:18] | I… | |
| [10:20] | really feel like you’re enjoying this torture scenario. | |
| [10:24] | And, like, | |
| [10:26] | you’re playing it at an eight, and I’m gonna need you | |
| [10:28] | to take it down to, like, a six. | |
| [10:31] | (chuckles) | |
| [10:33] | – (whispers): A six. – TREVOR: Okay, good. | |
| [10:34] | – So, uh, let’s take it again. – MARK: Okay. | |
| [10:36] | Well, I would rather, uh, get the hairs of my balls | |
| [10:39] | – plucked one by one. – (Trevor clears throat) | |
| [10:40] | Okay, guys, it’s still a little hot, guys. | |
| [10:43] | Um, the comedy lies | |
| [10:46] | in this being… | |
| [10:48] | a totally… | |
| [10:49] | you know, like… | |
| [10:53] | you know… kind of tone. | |
| [10:56] | Yeah? | |
| [10:58] | – (soft chuckle) – Uh, yeah. | |
| [11:00] | – Totally. – We… Uh, we know. | |
| [11:02] | – Sure. – TREVOR: Oh, crap. | |
| [11:03] | We got to take a lunch. All right. | |
| [11:05] | – Half hour, people. – That was, like, a seven. | |
| [11:07] | – TREVOR: Thanks. – SAM: It lies in the tone. | |
| [11:10] | I mean, it’s not good, right? | |
| [11:11] | (chuckling): Yeah. | |
| [11:13] | There’s no way they’re bringing this to Broadway. | |
| [11:14] | You never know. | |
| [11:16] | We haven’t drunk the Kool-Aid yet. | |
| [11:17] | – Just wait. – (phone rings) | |
| [11:18] | It’s the home front. | |
| [11:20] | – I’ll be right back. – Okay. | |
| [11:22] | (door opens, bell jingles) | |
| [11:24] | (door closes) | |
| [11:25] | Huh? | |
| [11:27] | Really? | |
| [11:32] | Oh. Mark. | |
| [11:34] | Huh? | |
| [11:35] | Nice. | |
| [11:39] | (indistinct chatter) | |
| [11:41] | ♪ | |
| [11:52] | (applause, cheering) | |
| [12:02] | TREVOR: So, we’re gonna go | |
| [12:04] | straight through, no intermission. | |
| [12:06] | Let’s do the play. Skewered by Mook Simmonds. | |
| [12:10] | Watch the axe impacting my skull | |
| [12:12] | and have shards of broken bottles | |
| [12:14] | shoved down my throat | |
| [12:16] | while being lowered slowly into a vat of rabid rats. | |
| [12:20] | Really? | |
| [12:21] | That sounds like joyous rapture. | |
| [12:23] | He told me he wanted to marry you. | |
| [12:27] | What? | |
| [12:28] | He said he was crazy for you. | |
| [12:31] | What are you talking about? | |
| [12:33] | – Maybe you should tell her. – Absolutely not! | |
| [12:36] | Don’t even think about it! | |
| [12:37] | Jon. | |
| [12:41] | – It’s time. – It’s time? | |
| [12:43] | ♪ Windows on the world… | |
| [12:45] | That’s funny, coming from you. | |
| [12:47] | HOLLAND: I don’t care about the gossip of the thing. | |
| [12:49] | I care about the thing! | |
| [12:51] | We’re talking wha-what… 30 years? | |
| [12:55] | – It doesn’t matter. – I’m a hundred million years old now. | |
| [12:57] | Doesn’t matter to me. | |
| [12:58] | I am sick of it! | |
| [13:00] | I am sick of being the Lenny to your George. | |
| [13:03] | Okay, I’m not sitting in the audience watching the movie | |
| [13:07] | of your life! | |
| [13:09] | Your quarter’s up. | |
| [13:11] | ♪ That floor you’re standing on ♪ | |
| [13:12] | Now it’s your turn. | |
| [13:13] | ♪ Ain’t gonna sweep itself | |
| [13:17] | GABRIELLE (crying): His whole life | |
| [13:18] | just clamps down. | |
| [13:20] | Literally clamps down. | |
| [13:23] | ♪ Painting every room… | |
| [13:27] | I can’t do anything. | |
| [13:32] | (cheering, applause) | |
| [13:42] | MAN: Bravo! Bravo! | |
| [13:44] | (cheering, whistling) | |
| [13:46] | – You killed it. You killed it. – That was awesome. | |
| [13:48] | – Couple things… (laughs) – (laughs) | |
| [13:50] | I hope they get the funding. | |
| [13:51] | – It was just wonderful. – Wow. | |
| [13:53] | – MARK: Thanks, Trevor. – GABRIELLE: Thank you. | |
| [13:54] | The audience really loved it, man. | |
| [13:55] | – Amazing writing. – Thank you. | |
| [13:57] | You know, I was in an apartment with my parents on one side | |
| [14:00] | and my brother and his wife and their baby on the other. | |
| [14:02] | – What was the title? – 9JKL. | |
| [14:03] | – SAM: And I get afraid… – Oh. | |
| [14:05] | – Yeah, not a great title. – …because I-I feel like | |
| [14:06] | I’m hoarding it. Yeah, well, you are. | |
| [14:08] | – Hi. Hi. – Hey. | |
| [14:10] | – Oh, sorry. – We’ll see you at Dear John’s. | |
| [14:11] | – Oh, okay. – All right. | |
| [14:13] | Yeah. I’ll-I’ll meet up with you guys. | |
| [14:15] | Hi. Good? Was it good…? I think it’s good, right? | |
| [14:18] | I was chatting with the folks from the festival, | |
| [14:20] | and Mook loves you, of course. | |
| [14:22] | Really? Mm. | |
| [14:24] | How come Tressa didn’t know? | |
| [14:25] | Oh. Healthy boundary around that. | |
| [14:29] | I mean… (exhales) | |
| [14:30] | I never would have done this. | |
| [14:32] | I never would have been able to even… | |
| [14:35] | be part of this if you hadn’t set it up. | |
| [14:39] | How come she didn’t know that? | |
| [14:41] | I’m not good at strategies. | |
| [14:42] | Isn’t that what a manager’s supposed to do? | |
| [14:45] | (scoffs) | |
| [14:46] | We’ve been together 20 years. We’re like family. | |
| [14:50] | But you’re asking me if I could do a Broadway run? | |
| [14:54] | Well, yes, I would like to. | |
| [14:56] | I would like to say that I did that, | |
| [14:58] | that I was on Broadway. | |
| [15:00] | Then you should do it. | |
| [15:01] | I can talk to Tressa for you. | |
| [15:03] | There are ways to make this work. | |
| [15:04] | Oof. | |
| [15:06] | All right, well, I’ll see you back in L.A. | |
| [15:08] | Wait. What are you doing? | |
| [15:09] | I got to go up to my room, make some calls. | |
| [15:12] | But the cast… we’re all gonna go have drinks and sing songs. | |
| [15:15] | (chuckling): I need to work. | |
| [15:16] | No, no, no, no, no, no, no, no, no, no, no. Please, please. | |
| [15:20] | Okay, let’s just go in here for one drink. One drink, okay? | |
| [15:23] | – Okay, one drink. – Okay, good. | |
| [15:26] | – (phone rings) – Ooh. I’m sorry. | |
| [15:27] | – That’s all right. – Wait. Hang on. | |
| [15:29] | Do you mind if I take this? | |
| [15:31] | Yeah, I’ll order for you. | |
| [15:33] | Okay. Thanks. | |
| [15:37] | (sighs) | |
| [15:39] | Hello. | |
| [15:40] | – TRESSA: How’d it go? – The reading? | |
| [15:42] | No, the opera. Yes, the reading. | |
| [15:45] | Well, there’s a lot of buzz. | |
| [15:47] | Mer says they’re gonna take it to Broadway. | |
| [15:51] | Oh, Mer’s there. | |
| [15:52] | (sighs) Yeah, she’s the one | |
| [15:54] | who thought of me for this. | |
| [15:57] | You know, she figured that the playwright and I | |
| [15:59] | might connect, so… | |
| [16:02] | Mer told you this? | |
| [16:03] | Yeah, after the thing. What? | |
| [16:07] | – So, you want to do it? – I don’t know. | |
| [16:09] | But this is good. It’s good. | |
| [16:12] | I’m gonna make this an easy conversation for you. | |
| [16:14] | What conversation? | |
| [16:16] | You obviously feel the need to move on to greener pastures. | |
| [16:20] | And I get it. We’ve been together a long time. | |
| [16:22] | And we both respect each other. | |
| [16:24] | But you feel the need to shake things up. | |
| [16:26] | I don’t. I’m not saying that. Have I said that? | |
| [16:29] | And I value our friendship too much to stand in your way. | |
| [16:32] | This conversation has been a long time coming. | |
| [16:33] | Since the movie. | |
| [16:35] | And I want you to feel that you have the support you need, | |
| [16:37] | – so I will step aside. – Wait. Wait, wait, wait, | |
| [16:39] | wait, wait, wait. Tressa. | |
| [16:40] | You don’t need to say another word. I get it. | |
| [16:42] | Best of luck to you, Sam. | |
| [16:44] | (groans) | |
| [16:46] | (scoffs) | |
| [16:48] | – What, just now? – Mm-hmm. | |
| [16:50] | – Just now. – Why? | |
| [16:52] | I don’t know. She’s jealous. | |
| [16:54] | She gets her feelings hurt all the time. | |
| [16:56] | I can’t ever tell her about anything that goes on. | |
| [16:59] | She’s always like, “Well, I wanted to go | |
| [17:00] | to the thing with you.” | |
| [17:02] | Why? I didn’t invite you. | |
| [17:04] | – You hurt her feelings. – Yes. | |
| [17:06] | I can’t stand working with women. | |
| [17:09] | I hate it. They get so fricking emotional. | |
| [17:12] | Uh-huh. Anything that smells like a feeling, | |
| [17:14] | you can’t do that. (inhales) | |
| [17:15] | – Can’t do that. – Look, | |
| [17:17] | I get what feelings are, | |
| [17:18] | but I also know how women are, and it is so boring. | |
| [17:21] | I know this is bait and I should walk away from it, | |
| [17:23] | but I kind of can’t because it’s absurd, what you’re saying. | |
| [17:26] | Yeah, it’s also kind of true. | |
| [17:28] | Someone should punch you for saying it. | |
| [17:29] | I mean, I know it looks like I’m getting worked up. | |
| [17:31] | I know it looks like you’re riling me up, | |
| [17:33] | but you’re just so wrong. | |
| [17:35] | So essentially wrong. | |
| [17:36] | Women are so much more complicated | |
| [17:38] | than the way you’re portraying them. | |
| [17:39] | You’re just ragging on them | |
| [17:41] | ’cause of your own suppressed, fearful bullshit, | |
| [17:42] | so you got to put it all over women. | |
| [17:44] | I wish you would just evolve already. | |
| [17:45] | – You evolve. | – You evolve. |
| [17:47] | You evolve. | |
| [17:49] | (chuckling): You evolve. | |
| [17:50] | (chuckles) | |
| [17:56] | Would you like me to do something about this? | |
| [17:59] | About Tressa? | |
| [18:00] | No, not about Tressa. | |
| [18:03] | About this. | |
| [18:06] | Oh. | |
| [18:08] | Um… | |
| [18:09] | Oh. | |
| [18:11] | Yes or no? | |
| [18:15] | (sighs) | |
| [18:18] | Yes or no? | |
| [18:25] | I’m not… not saying no. | |
| [18:31] | You’re really something else. | |
| [18:34] | Uh, what? | |
| [18:37] | Come on, Sam. Come on. | |
| [18:40] | Look, you say things to me, | |
| [18:42] | and you look at me a certain way, | |
| [18:44] | and I get dizzy. | |
| [18:46] | You know, it feels like flirting. | |
| [18:49] | – But that’s not what it is. – It is. | |
| [18:52] | It feels like flirting because it is. | |
| [18:54] | No, no, no. I’m… | |
| [18:55] | It’s a line from Hannah and Her Sisters. | |
| [18:57] | “I’m a little buzzed from all this flirting.” | |
| [19:00] | I’m fine. Either way, I’m fine. | |
| [19:02] | But just so you know, I didn’t misinterpret. | |
| [19:04] | I didn’t pick up on something that wasn’t there. | |
| [19:06] | And I’m not even blaming you. | |
| [19:08] | I know better. I do. | |
| [19:10] | I’ve seen it a thousand times. | |
| [19:12] | Seen what? | |
| [19:14] | Oh, that’s right. | |
| [19:15] | “I don’t know what’s happening.” | |
| [19:17] | Your entire sense of self | |
| [19:19] | has been scrambled. I get it. I’ve scrambled you. | |
| [19:21] | It doesn’t make sense for you to be attracted to me. | |
| [19:22] | I don’t have a dick. | |
| [19:24] | Well, I have a sack full of dicks. But still… | |
| [19:26] | I understand. Confusing. | |
| [19:28] | Wait, go back. You have a sack of them? | |
| [19:30] | (chuckles): No. No. | |
| [19:32] | And yet, my dear, | |
| [19:34] | even if you don’t know what it means, | |
| [19:36] | I’ve been around this block | |
| [19:37] | many, many more times than you have. | |
| [19:40] | So there’s no need to gaslight me. | |
| [19:43] | No need. | |
| [19:46] | We’ll just call it a draw. | |
| [20:02] | Good night, then. | |
| [20:05] | See you. | |
| [20:16] | GABRIELLE: This song is great. | |
| [20:18] | Okay! | |
| [20:20] | ♪ I have often walked ♪ | |
| [20:23] | ♪ Down this street before ♪ | |
| [20:26] | ♪ But the pavement always stayed ♪ | |
| [20:28] | ♪ Beneath my feet before ♪ | |
| [20:32] | ♪ All at once am I ♪ | |
| [20:35] | ♪ Several stories high ♪ | |
| [20:38] | ♪ Knowing I’m on the street ♪ | |
| [20:42] | ♪ Where you live ♪ | |
| [20:45] | ♪ Are there lilac trees ♪ | |
| [20:48] | ♪ In the heart of town? ♪ | |
| [20:51] | ♪ Can you hear a lark ♪ | |
| [20:53] | ♪ In any other part of town? ♪ | |
| [20:58] | ♪ Does enchantment pour ♪ | |
| [21:01] | ♪ Out of every door? ♪ | |
| [21:04] | ♪ No, it’s just on the street ♪ | |
| [21:08] | ♪ Where you live ♪ | |
| [21:10] | GABRIELLE: Here we go. | |
| [21:12] | ♪ And, oh ♪ | |
| [21:14] | ♪ The towering feeling ♪ | |
| [21:18] | ♪ Just to know ♪ | |
| [21:20] | ♪ Somehow you are near ♪ | |
| [21:25] | ♪ The overpowering feeling ♪ | |
| [21:30] | ♪ That any second you may suddenly appear ♪ | |
| [21:35] | (woman laughs) | |
| [21:37] | ♪ People stop and stare ♪ | |
| [21:40] | ♪ They don’t bother me ♪ | |
| [21:44] | ♪ For there’s nowhere else on Earth ♪ | |
| [21:46] | ♪ That I would rather be ♪ | |
| [21:50] | ♪ Let the time go by ♪ | |
| [21:54] | ♪ I won’t care if I ♪ | |
| [21:59] | ♪ Can be here ♪ | |
| [22:01] | ♪ On the street ♪ | |
| [22:02] | ♪ Where you live ♪ | |
| [22:06] | ♪ And, oh ♪ | |
| [22:09] | ♪ The towering feeling ♪ | |
| [22:13] | ♪ Just to know somehow you are near ♪ | |
| [22:17] | – I’m here. – There you are. | |
| [22:19] | ♪ The overpowering feeling ♪ | |
| [22:25] | ♪ That any second ♪ | |
| [22:27] | ♪ You may suddenly appear ♪ | |
| [22:31] | MAN: Hey, Norm, take us home. | |
| [22:34] | ♪ People stop and stare ♪ | |
| [22:38] | ♪ They don’t bother me ♪ | |
| [22:41] | ♪ For there’s nowhere else on Earth ♪ | |
| [22:44] | ♪ That I would rather be ♪ | |
| [22:47] | ♪ Let the time roll by ♪ | |
| [22:53] | ♪ I won’t care if I ♪ | |
| [22:58] | ♪ Can be here on the street ♪ | |
| [23:03] | ♪ Where you live. ♪ | |
| [23:10] | (cheering, whooping) | |
| [23:23] | ♪ Daisy, Daisy ♪ | |
| [23:27] | ♪ Give me your answer, do ♪ | |
| [23:31] | ♪ I’m half crazy ♪ | |
| [23:34] | ♪ All for the love of you ♪ | |
| [23:37] | ♪ It won’t be a stylish marriage ♪ | |
| [23:41] | ♪ I can’t afford a carriage ♪ | |
| [23:44] | ♪ But you’ll look sweet upon the seat ♪ | |
| [23:47] | ♪ Of a bicycle built for two ♪ | |
| [23:50] | – JON JON: One more time! – NORM: Oh! | |
| [23:51] | ♪ Daisy, Daisy ♪ | |
| [23:54] | ♪ Give me your answer, do ♪ | |
| [23:58] | ♪ I’m half crazy ♪ | |
| [24:01] | ♪ All for the love of you ♪ | |
| [24:05] | ♪ It won’t be a stylish marriage ♪ | |
| [24:07] | GABRIELLE: Dump him. | |
| [24:08] | ♪ I can’t afford a carriage ♪ | |
| [24:11] | ♪ But you’ll look sweet upon the seat ♪ | |
| [24:15] | – ♪ Of a bicycle built for two. ♪ – GABRIELLE: Meow, meow, meow. |