| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | Um, hello? | |
| [00:04] | Hi. Is somebody there? | |
| [00:07] | Is this, uh… ? | |
| [00:10] | Oh. Can you repeat that? | |
| [00:12] | I can’t understand what you’re saying. | |
| [00:16] | Okay, great. | |
| [00:18] | Um, I’ve been told that you have, | |
| [00:21] | uh, a room with a heart-shaped tub. | |
| [00:24] | A tub that is, uh, shaped like a heart. | |
| [00:28] | No reservations. | |
| [00:29] | Cash in hour. | |
| [00:31] | Oh, okay. | |
| [00:32] | Um… listen, we would only need it | |
| [00:35] | for about three hours. | |
| [00:36] | Cleaning now. Now clean. | |
| [00:38] | Someone clean room. | |
| [00:39] | Okay, good. Good. | |
| [00:41] | Clean is good. I love clean. | |
| [00:43] | I pay now? | |
| [00:44] | Wait 40 minutes. | |
| [00:46] | You pay. 40 minutes. | |
| [00:47] | I have to wait 40… ? | |
| [00:49] | Can I reserve it? | |
| [00:52] | Ugh. | |
| [00:58] | Ugh! | |
| [01:02] | I don’t know about this, dude. | |
| [01:04] | You never, ever support me. | |
| [01:07] | I do support you. | |
| [01:09] | I’m in the middle of East L.A. renting you a sex motel room. | |
| [01:12] | You could get pregnant | |
| [01:14] | from bumping into the furniture in this hotel. | |
| [01:16] | Sorry, Mom. Not all of us knew | |
| [01:18] | we wanted to be actors at age nine or whatever. | |
| [01:21] | Honey, I support you. Okay? | |
| [01:24] | I support your vision. | |
| [01:26] | What is your vision, by the way? | |
| [01:29] | We need to shoot here. | |
| [01:31] | This is the original motel from the ’40s | |
| [01:33] | with, like, the first heart-shaped tubs | |
| [01:37] | and, like, the decay and-and all that. | |
| [01:40] | Mm-hmm. | |
| [01:42] | Never mind. You wouldn’t get it. | |
| [01:45] | Of course I get it. I was young once, too. | |
| [01:48] | I used to do shit like this all the time. | |
| [01:51] | One time, my friends and I… | |
| [01:57] | I support you. I do. | |
| [02:01] | You’re really following through. | |
| [02:03] | Good for you. | |
| [02:05] | I can’t wait to see the pictures. | |
| [02:08] | Thanks, Mom. | |
| [02:12] | You can go now. | |
| [02:13] | Oh, no way. | |
| [02:15] | I ain’t leaving you here alone. Nope. | |
| [02:17] | We will wait. | |
| [02:19] | I love the cleaning. | |
| [02:21] | Keep on cleaning. | |
| [02:22] | Wax on, wax off. | |
| [02:26] | Okay. | |
| [02:28] | Whoa! | |
| [02:31] | Ha-ha! Smells like my 20s. | |
| [02:34] | Really? | |
| [02:35] | Yes. | |
| [02:37] | – Oh, it’s great. – Okay, please try | |
| [02:39] | not to touch any surface of this room | |
| [02:42] | with your bare skin. | |
| [02:43] | Okay, Mom. Thanks. | |
| [02:44] | You can go now. | |
| [02:46] | Okay. | |
| [02:47] | – Sam, hi! – Hi. | |
| [02:49] | – Hi, baby. – Dude, this place… | |
| [02:51] | – C’est magnifique. – You look beautiful. | |
| [02:52] | Sam, bonjour. | |
| [02:54] | – Bonjour. Ça va? – Ça va très bien. | |
| [02:56] | This is, like, super professional… | |
| [02:59] | set up, nice, cool. | |
| [03:01] | Oh. | |
| [03:03] | Is that what you’re gonna wear? | |
| [03:05] | Hmm. Okay. | |
| [03:07] | – Well, yeah. – Okay, Mom. We’re good. | |
| [03:08] | We only have three hours. | |
| [03:10] | So, you like the part where I drive you | |
| [03:12] | and I pay for the things, hmm? | |
| [03:14] | – Ollivier can drive me back. – I’ll-I’ll make sure | |
| [03:17] | your daughter gets home safely, Sam, okay? | |
| [03:18] | And thank you so much for everything that you’ve done. | |
| [03:21] | For the film, for the lens, | |
| [03:23] | for creating such a talented daughter. | |
| [03:25] | C’est vraiment joli. | |
| [03:28] | Cute. | |
| [03:30] | So sweet. Oh. | |
| [03:32] | Oh, okay. | |
| [03:33] | Changing right there. Paisley. | |
| [03:35] | Okay, so, | |
| [03:37] | you have to lock this door and let no people in. | |
| [03:40] | No person. Nobody. | |
| [03:42] | – Bien sûr, belle-mère. No problem. – Okay? | |
| [03:43] | – I got it. – Okay. | |
| [03:44] | And, uh, I got… | |
| [03:46] | Here’s your water, | |
| [03:48] | and here is some Purell, | |
| [03:50] | and there’s healthy snacks in here, | |
| [03:53] | but don’t take them out and put them | |
| [03:54] | on the surface of the bureau, okay? | |
| [03:56] | So, just, um, barricade this door. | |
| [03:59] | – Yes. – I mean barricade it. | |
| [04:00] | Like, put that in front of it, okay? | |
| [04:03] | ‘Cause if anybody walks in here and sees this, | |
| [04:05] | I could get arrested. What’s happening? | |
| [04:08] | I feel like I’m in trouble. | |
| [04:18] | You working? | |
| [04:20] | What? | |
| [04:21] | You working? | |
| [04:23] | Am I working? | |
| [04:26] | No… | |
| [04:27] | Oh, yeah. Am I working? | |
| [04:29] | No. | |
| [04:33] | Okay. | |
| [04:38] | Hang on. Can I ask you something? | |
| [04:40] | Yeah. | |
| [04:42] | What’s the going rate | |
| [04:44] | for someone like me? | |
| [04:46] | Depends. | |
| [04:48] | On what? | |
| [04:50] | It’s a buyer’s market. | |
| [04:51] | So… 15 minutes. | |
| [04:55] | What’s a good offer? | |
| [04:56] | The top ain’t bad, but how’s your caboose? | |
| [05:00] | It’s-it’s a nice caboose. | |
| [05:02] | It’s tight and high. | |
| [05:04] | Let me see. | |
| [05:11] | 35. | |
| [05:12] | 35? | |
| [05:15] | I was thinking 40, | |
| [05:17] | but the hand brace took it down. | |
| [05:19] | Oh. | |
| [05:21] | Mm. Okay. | |
| [05:29] | – See you around. – Have a nice day. | |
| [05:36] | I love that fucking car. | |
| [05:44] | Blue, purple and rainbow confetti. | |
| [05:49] | Yellow, green, pink. | |
| [05:55] | Fat carrot. | |
| [05:57] | Eggs with mustache. | |
| [06:00] | Eggs as basketballs, baseballs. | |
| [06:03] | Baby chicken being born in a pot of tea. | |
| [06:05] | Straw coming out of his head. | |
| [06:08] | Can I get five gold star balloons | |
| [06:10] | and the letter K? Do you have the letter K? | |
| [06:12] | – And H and J. – The letters H and J. | |
| [06:14] | Mylar or latex? | |
| [06:16] | – Mylar. | – Mylar. |
| [06:18] | – We’re out of Mylar. – They’re out of Mylar. | |
| [06:20] | You can’t be serious. They’re out of Mylar? | |
| [06:22] | – Out of Mylar. – Oh, my God. That’s ridiculous. | |
| [06:25] | Fine. I’ll just do latex. | |
| [06:27] | Can you tell me… | |
| [06:28] | is there a way to drive with balloons? Like, | |
| [06:32] | is there, like, a protocol for blown-up balloons | |
| [06:34] | for, like, visibility? | |
| [06:36] | Well, that’s up to you and how you drive. | |
| [06:38] | You know what I’m saying? | |
| [07:32] | That’s so cute. | |
| [07:37] | Can you turn your head a little bit more to the right? | |
| [07:40] | That’s awesome. | |
| [07:44] | Can you just face that down a little, please? | |
| [07:45] | Of course. | |
| [07:46] | – Oh, that looks awesome. – Right? | |
| [07:48] | – Good night. – Night. | |
| [08:30] | – Hey. – Oh, hi. | |
| [08:32] | Whoa! Thank you. | |
| [08:34] | Oh. Really? | |
| [08:38] | Real-oh? | |
| [08:41] | Huh. | |
| [08:43] | Thank you for helping us with the shoot, | |
| [08:45] | belle mère. Bisou. | |
| [08:47] | Ollivier. | |
| [08:49] | Hashtag he fucked her. | |
| [08:57] | – Bape up. – Hmm. | |
| [08:59] | – Time to bape up. – Hmm? | |
| [09:00] | Don’t you want to come and see what | |
| [09:02] | the Easter Bunny left you? | |
| [09:09] | Good morning. Good morning. | |
| [09:12] | The Easter Bunny came. | |
| [09:14] | – What do you think about that? – Oh, my God. | |
| [09:17] | Mom, must we with the charade? | |
| [09:19] | Yes, we must! | |
| [09:21] | We must! Good morning! | |
| [09:23] | How are you? Guess what? | |
| [09:27] | Candy. Candy for breakfast. | |
| [09:30] | Peter Cottontail is downstairs. Let’s go! | |
| [09:32] | Thank you, Mom. | |
| [09:37] | Phil! | |
| [09:38] | I didn’t find my name on a basket. | |
| [09:41] | You don’t get a basket. You’re Jewish. | |
| [09:43] | Darling, you better hurry. | |
| [09:46] | It’s a brunch, you know, | |
| [09:47] | and the food always goes cold if you’re late. | |
| [09:50] | Oh, I’m not going, but I made a nice cake for you | |
| [09:53] | – to bring to Walter. – You certainly are going. | |
| [09:56] | I’m not going on my own. | |
| [09:57] | You are. | |
| [09:58] | – Yes! – What?! | |
| [10:00] | Ooh, candy! | |
| [10:02] | You said you were coming with me. | |
| [10:04] | I never said that. I was never going. | |
| [10:06] | Then I’ll take Duke. | |
| [10:08] | Duke wants to stay home with me. Don’t you, honey? | |
| [10:11] | There are gonna be games, and an Easter egg hunt | |
| [10:14] | and all sorts of things. | |
| [10:16] | – I’ll go. – Hmm? | |
| [10:18] | Is it okay, Mom? | |
| [10:20] | Not that you asked, | |
| [10:21] | but I think this whole holiday is offensive. | |
| [10:23] | Like, it’s-it’s basically marking the fertility of women. | |
| [10:27] | Like, the beginning of breeding season. | |
| [10:28] | But we like the candy. | |
| [10:31] | Duke, grab your basket, go upstairs and get dressed. | |
| [10:35] | You’re going with Nan to her married boyfriend’s house. | |
| [10:38] | Okay. | |
| [10:44] | Mm, come on. Let’s go upstairs. | |
| [10:45] | His wife is 82, | |
| [10:48] | and she has advanced Alzheimer’s | |
| [10:50] | and sits in a chair all day long. | |
| [10:52] | But doesn’t it feel disrespectful to her? | |
| [10:55] | I mean, how do you think that she feels? | |
| [10:58] | Oh, Pipsqueak, if you haven’t worked this out by now, | |
| [11:01] | life gets very complicated. | |
| [11:03] | When you’re young and someone’s married, | |
| [11:07] | it’s an automatic no. | |
| [11:08] | But as you get older, | |
| [11:11] | you see that… sometimes | |
| [11:14] | some people find themselves in situations | |
| [11:16] | that are untenable. | |
| [11:19] | And yet they can’t leave a marriage. | |
| [11:21] | There’s insurance and children | |
| [11:23] | and illness, property. | |
| [11:25] | There’s a million reasons | |
| [11:27] | why they stay together when they shouldn’t. | |
| [11:29] | So the question doesn’t become | |
| [11:32] | “Are you married” | |
| [11:34] | but “How married are you?” | |
| [11:37] | Hmm. | |
| [11:40] | And to answer your question, “How does his wife feel?” | |
| [11:44] | I think she sits in a chair and drools all day long. | |
| [11:47] | That’s what I think. | |
| [11:49] | That cake is adorable, by the way. | |
| [11:51] | Put it in the tin. | |
| [11:53] | Ta-ra. | |
| [12:01] | Oh, look who’s here. | |
| [12:02] | Happy, happy. | |
| [12:04] | – I brought you a cake. – Ah. | |
| [12:06] | Old family recipe. | |
| [12:08] | Thank you, sweetheart. | |
| [12:09] | Mmm. | |
| [12:14] | My… My sister Delia. | |
| [12:17] | – This is my friend Phyllis. – Hello. | |
| [12:22] | Uh, Duke, uh, | |
| [12:25] | you go downstairs with the kids, ’cause | |
| [12:27] | they’re hiding the Easter eggs out back. | |
| [12:29] | – Okay. | – Okay. |
| [12:33] | So, you’re the British lady | |
| [12:36] | this guy can’t stop squawking about. | |
| [12:37] | I’m Jeremy, | |
| [12:39] | blessed with the best genes of all the bunch. | |
| [12:41] | And such a humble man at that. | |
| [12:44] | Get out of here. | |
| [12:48] | This is so pretty. | |
| [12:50] | May the 57th annual | |
| [12:53] | Stanton Family Easter Egg Hunt… | |
| [12:57] | begin! | |
| [13:05] | – Hi. | – Hi. |
| [13:10] | Oh. | |
| [13:11] | Oh… | |
| [13:12] | There’s more over there. | |
| [13:14] | Okay. Found one. | |
| [13:19] | Aah! | |
| [13:23] | Ow. | |
| [13:27] | – Ah, is it bleeding? – It’s just a little scratch. | |
| [13:32] | Get back in there. Eye on the prize. | |
| [13:34] | Are you sure she didn’t cut her cornea? | |
| [13:36] | Are you seeing blurry, honey? | |
| [13:38] | – Hmm. – No, she’s just fine. | |
| [13:40] | Tough as nails. | |
| [13:42] | There we are. | |
| [13:43] | I’ve got some Neosporin in the house. | |
| [13:45] | Let me fix you up, sweetie. | |
| [13:48] | Come on, sweetie. | |
| [13:49] | Let me fill up your basket, dear. | |
| [13:51] | – Oh. – Go on. | |
| [14:10] | Come on out. | |
| [14:14] | You got wet? | |
| [14:19] | … the wrapped ones. | |
| [14:22] | No. Those are the… | |
| [14:25] | Ah. | |
| [14:32] | You know Theresa. | |
| [14:49] | You know… | |
| [14:51] | when your mother got pregnant with your sister, | |
| [14:54] | I told her she had to get married | |
| [14:56] | to your father right away, but she didn’t want to do that. | |
| [14:59] | So I told her she had to get an abortion right away. | |
| [15:02] | She didn’t want to do that, either. | |
| [15:05] | She never really loved your father. | |
| [15:08] | I suppose that’s why | |
| [15:10] | the marriage was doomed from the outset. | |
| [15:15] | These are things you should know, my little angel. | |
| [15:23] | Hey, little big man. | |
| [15:25] | Hi, Uncle Marion! | |
| [15:27] | Time to go, Phil. | |
| [15:30] | What are you doing here? | |
| [15:32] | You called me to pick you up? | |
| [15:34] | Hmm? Let’s go. | |
| [15:35] | Well, I haven’t finished my drink. | |
| [15:38] | Ah, that means we can be here ten more days. | |
| [15:40] | Come on. | |
| [15:41] | Why such a rush? | |
| [15:43] | It’s not as if you have anywhere to be. | |
| [15:46] | – Careful. – It’s the truth. | |
| [15:48] | You have no place to be. You never have any place to be. | |
| [15:51] | That’s enough. | |
| [15:52] | You’ve been play-acting some busy-busy | |
| [15:56] | since you crashed into California. | |
| [15:58] | One second. | |
| [16:04] | You cannot speak to me that way. | |
| [16:06] | I can speak to you any way I like. | |
| [16:08] | You apologize. Now. | |
| [16:11] | Little Lord Fauntleroy. | |
| [16:13] | I mean it, Phil. Say you’re sorry. | |
| [16:15] | Well, I do feel sorry. | |
| [16:18] | – Do you? – I feel sorry | |
| [16:19] | that you are as insecure as your father. | |
| [16:22] | But at least he had | |
| [16:23] | – a sense of humor. – No more. This is it. | |
| [16:24] | Red line drawn. I demand a statement of remorse. | |
| [16:28] | A what? | |
| [16:29] | A statement of remorse! | |
| [16:30] | For what? | |
| [16:31] | For everything. For e… | |
| [16:33] | everything! | |
| [16:34] | Pull yourself together. | |
| [16:36] | Making a scene. | |
| [16:38] | I want a statement of remorse, Phil. | |
| [16:41] | For the last 53 years of my life | |
| [16:42] | with you. | |
| [16:43] | And I’m not leaving here until I get it. | |
| [16:45] | Oh, the dramatics. | |
| [16:47] | The neglected Marion. | |
| [16:49] | No one’s even asked me why I’m still out here. | |
| [16:51] | Darling, no one needs to ask. | |
| [16:53] | We all know that little toad of a wife | |
| [16:56] | kicked you to the curb months ago, | |
| [16:57] | but we’ve been too polite to mention it. | |
| [17:02] | Come on. | |
| [17:05] | Let’s get away from Satan. | |
| [17:11] | Hey. | |
| [17:12] | Piece of pie? | |
| [17:14] | Something sweet for my sweet? Hmm? | |
| [17:18] | I think I’ll just go | |
| [17:19] | – and freshen up for a moment. – Hmm? Hmm? No. No, no. | |
| [17:20] | No, sit. Sit down. Sit. | |
| [17:25] | Family is complicated. | |
| [17:28] | It always has been. | |
| [17:30] | But when you round out enough of these holidays, | |
| [17:35] | focus on the good. | |
| [17:37] | Life is too short. | |
| [17:43] | I’m glad you came today. | |
| [17:46] | Thank you, dear. | |
| [17:47] | Okay. | |
| [17:57] | Is it true that my mom didn’t want to marry my dad? | |
| [18:02] | I’m not gonna even ask where you heard that from. | |
| [18:07] | My mom didn’t love my dad? | |
| [18:23] | Look, kid, I’m gonna tell you something | |
| [18:25] | your mother never will or has to. | |
| [18:28] | Your father’s an asshole. | |
| [18:31] | And it’s important that you… | |
| [18:33] | are respectful and find love in your heart for your father. | |
| [18:37] | But I’m telling you, kid, | |
| [18:39] | he is a yoiner and a putz and a complete schmuck. | |
| [18:43] | Unfortunately, we don’t get to choose our parents. | |
| [18:46] | Just have to play the hand we’re dealt. | |
| [18:49] | And the sooner you see your father for who he is, | |
| [18:52] | the sooner you can move on in life. | |
| [18:57] | And, look… | |
| [18:59] | just because your father is a loser, | |
| [19:02] | that does not rub off on you. | |
| [19:04] | Okay? | |
| [19:05] | It’s not genetic. It’s not. | |
| [19:07] | You’re different, okay? | |
| [19:09] | And not weird-different. Cool. | |
| [19:12] | Cool-different. | |
| [19:14] | All right, and I’ve got some other good news. | |
| [19:17] | Your mother may be the greatest mother in-in the world. | |
| [19:20] | She’s crazy | |
| [19:22] | and a complete pain in the ass | |
| [19:25] | and annoying, | |
| [19:27] | but she loves you | |
| [19:29] | and she would do anything for you. | |
| [19:31] | And the most important thing in the world… | |
| [19:34] | the most important thing… | |
| [19:35] | is that she’s there. | |
| [19:38] | You wake up, she’s there. | |
| [19:40] | You go to sleep, she’s there. | |
| [19:42] | You need her, she’s there. | |
| [19:43] | You don’t need her, she’s there. | |
| [19:46] | Even when she isn’t there… | |
| [19:50] | she’s there. | |
| [19:54] | She’ll always be there, | |
| [19:56] | and that is all that matters. | |
| [20:03] | Okay, what’s my favorite ice cream? | |
| [20:05] | – Mint chip. – That’s true. | |
| [20:07] | Let’s go get some. | |
| [20:41] | Well, you must be Esther. | |
| [20:45] | Lovely to meet you. | |
| [20:46] | I’ve heard so much about you. | |
| [20:51] | I’m Phil. | |
| [20:53] | I don’t know if Walter’s told you about me, | |
| [20:56] | but he’s my friend. | |
| [20:57] | My special friend. | |
| [21:00] | He thinks the world of you. | |
| [21:19] | You have such pretty hair. | |
| [21:26] | I was born behind the veil. | |
| [21:29] | A caulbearer, they call it. | |
| [21:31] | The amniotic sac was still attached to my head | |
| [21:34] | during birth. Very rare. | |
| [21:37] | Sign of good luck. | |
| [21:40] | It’s supposed to protect me from drowning, | |
| [21:43] | provide good fortune at court, | |
| [21:45] | and grant safety on the battlefield. | |
| [21:47] | And I can also feel ghosts and spirits | |
| [21:50] | due to the caul. | |
| [21:56] | So, you see, I’ve always felt lucky. | |
| [21:59] | You’re lucky, too. | |
| [22:01] | I lost my husband years ago. | |
| [22:03] | So it’s just me now. | |
| [22:05] | And I do okay. | |
| [22:07] | Knock wood. | |
| [22:09] | Oh. | |
| [22:12] | ♪ Never saw you look ♪ | |
| [22:13] | ♪ Quite so pretty before ♪ | |
| [22:18] | ♪ Never saw you dress ♪ | |
| [22:20] | ♪ Quite so handsome ♪ | |
| [22:22] | ♪ What’s more ♪ | |
| [22:25] | ♪ I could hardly wait ♪ | |
| [22:27] | ♪ To keep our date ♪ | |
| [22:29] | ♪ This lovely Easter morning ♪ | |
| [22:33] | ♪ And my heart beat fast ♪ | |
| [22:35] | ♪ As I came ♪ | |
| [22:37] | ♪ Through the door ♪ | |
| [22:40] | ♪ For… ♪ | |
| [22:44] | ♪ In your Easter bonnet ♪ | |
| [22:47] | ♪ With all the frills upon it ♪ | |
| [22:52] | ♪ You’ll be the grandest feller ♪ | |
| [22:56] | ♪ In the Easter parade ♪ | |
| [23:00] | ♪ I’ll be all in clover ♪ | |
| [23:05] | ♪ And when they look us over ♪ | |
| [23:08] | ♪ We’ll be the proudest couple ♪ | |
| [23:13] | ♪ In the Easter parade ♪ | |
| [23:17] | ♪ On the avenue ♪ | |
| [23:21] | ♪ Fifth Avenue… ♪ | |
| [23:26] | ♪ The photographers will snap us ♪ | |
| [23:30] | ♪ And you’ll find that you’re in the rotogravure ♪ | |
| [23:34] | ♪ Oh, I could write a sonnet ♪ | |
| [23:38] | ♪ About your Easter bonnet ♪ | |
| [23:43] | ♪ And of the guy I’m taking ♪ | |
| [23:47] | ♪ To the Easter parade ♪ | |
| [23:52] | ♪ On the avenue ♪ | |
| [23:57] | ♪ Fifth Avenue ♪ | |
| [24:01] | ♪ The photog… ♪ |