| 时间 | 英文 | 中文 |
|---|---|---|
| [00:13] | ♪ Well, you only need the light when it’s burning low ♪ | |
| [00:16] | ♪ Only miss the sun when it starts to snow ♪ | |
| [00:19] | ♪ Only know you love her when you let her go ♪ | |
| [00:26] | ♪ Only know you’ve been high when you’re feeling low ♪ | |
| [00:29] | ♪ Only hate the road when you’re missing home ♪ | |
| [00:32] | ♪ Only know you love her when you let her go ♪ | |
| [00:39] | ♪ And you let her go. ♪ | |
| [00:53] | There’s a copy over here. | |
| [00:59] | Now, you better watch this | |
| [01:01] | and try to understand what’s going on. | |
| [01:03] | ♪ Staring at the ceiling in the dark ♪ | |
| [01:05] | ♪ Same old empty feeling in your heart ♪ | |
| [01:08] | ♪ ‘Cause love comes slow and it goes so fast. ♪ | |
| [01:33] | ♪ Only know you’ve been high when you’re feeling low ♪ | |
| [01:36] | ♪ Only hate the road when you’re missing home ♪ | |
| [01:40] | ♪ Only know you love her when you let her go ♪ | |
| [01:46] | ♪ And you let her go ♪ | |
| [01:48] | ♪ Oh-oh, oh. ♪ | |
| [02:14] | ♪ When you let her go ♪ | |
| [02:26] | ♪ ‘Cause you only need the light when it’s burning low ♪ | |
| [02:30] | ♪ Only miss the sun when it starts to snow ♪ | |
| [02:32] | No. Oh, no, no, no. | |
| [02:33] | ♪ Only know you love her when you let her go ♪ | |
| [02:35] | No. No. | |
| [02:37] | I don’t want to. | |
| [02:39] | ♪ Only know you’ve been high when you’re feeling low… ♪ | |
| [02:44] | ♪ Only hate the road when you’re missing home ♪ | |
| [02:46] | No. | |
| [02:47] | Shot? | |
| [02:52] | Stop it. Stop it. Stop it. Stop it. Stop it. | |
| [02:55] | ♪ I’ll always be thankful ♪ | |
| [03:00] | – ♪ I’ll always be grateful ♪ – ♪ Yeah. ♪ | |
| [03:05] | Okay. | |
| [03:07] | O-kay. | |
| [03:19] | You’re doing great, sweetie. | |
| [03:20] | Wow. | |
| [03:22] | Wow. | |
| [03:23] | You’re driving. | |
| [03:24] | Do you want to try to park? | |
| [03:26] | Can you not talk? | |
| [03:27] | Mm-hmm. | |
| [03:35] | Bro. | |
| [03:38] | You’re using both feet. | |
| [03:40] | You just got to use only the right foot. | |
| [03:42] | You got to alternate. | |
| [03:43] | Between the gas and… brake. | |
| [03:44] | What I told you before. | |
| [03:48] | You’re… | |
| [03:51] | Okay, good lesson. | |
| [03:53] | Thank you, Mom, | |
| [03:55] | for letting me illegal secret drive. | |
| [03:57] | Oh, you’re welcome, Frankie. | |
| [03:59] | My pleasure. | |
| [04:04] | God. | |
| [04:07] | Asshole. | |
| [04:10] | You’re too little to drive. | |
| [04:12] | Your feet won’t reach the pedals. | |
| [04:14] | What if I report you? | |
| [04:17] | To the police? | |
| [04:25] | Oh, Jesus. Come here. | |
| [04:30] | Mom. | |
| [04:32] | No way. Serious? | |
| [04:34] | Are you fucking kidding me? She gets everything I get. | |
| [04:36] | That’s not true. | |
| [04:40] | – You ready? Okay. – Yeah. | |
| [04:43] | Just keep your eyes on the road. | |
| [04:48] | Good. | |
| [04:50] | – You feel that? – Yeah. | |
| [04:52] | You want to do a doughnut? | |
| [04:54] | Yeah. | |
| [04:55] | Okay. Here we go. | |
| [05:02] | Okay! | |
| [05:04] | Maria Andretti! | |
| [05:07] | Yes! | |
| [05:14] | ♪ Navigatin’ as a young’un ♪ | |
| [05:16] | ♪ Man, I always had big dreams ♪ | |
| [05:18] | ♪ Young man rumble and I ♪ | |
| [05:20] | ♪ Grew accustomed to the thunder ♪ | |
| [05:21] | ♪ I’ll always be thankful… ♪ | |
| [05:27] | – Can I play Minecraft? – Mm-mm. | |
| [05:31] | – Just… just let me… – Stop. | |
| [05:33] | – Wait. Just for one second. – Stop. | |
| [05:34] | – For a second. – Stop. Sam. | |
| [05:38] | Ow. Mom. | |
| [05:39] | Ow, ow. Frankie. | |
| [05:41] | Frankie. No hitting. | |
| [05:44] | It’s not my fault she lost her own phone. | |
| [05:45] | – Frankie. – And is a supremely irresponsible baby. | |
| [05:48] | – I mean, Dad bought that for you. – Frankie. | |
| [05:50] | And you just know there are children in Malaysia | |
| [05:52] | who worked 15 hours a day and probably slept | |
| [05:54] | in toilets just so you can… | |
| [05:55] | – Frankie, shah! – Here’s your pie. | |
| [05:57] | Oh… nice. | |
| [06:00] | – Muchas gracias. – Gracias. | |
| [06:02] | Gracias. | |
| [06:05] | What happened to your phone? | |
| [06:06] | I don’t have a phone, Mom. | |
| [06:14] | I know about the phone. | |
| [06:18] | And if you broke it or you lost it, | |
| [06:20] | you’re not gonna get in trouble. | |
| [06:22] | Okay? It happens. | |
| [06:24] | Nice double standard. | |
| [06:26] | I’d be in so much trouble. | |
| [06:28] | It’s true. | |
| [06:31] | Frankie, can you go feed the meter? | |
| [06:34] | Please? | |
| [06:37] | Do not touch my pie. | |
| [06:38] | I’m not gonna touch your pie. | |
| [06:44] | When’s the last time you had your phone? | |
| [06:47] | I don’t know. | |
| [06:51] | My dad was supposed to FaceTime me on Friday. | |
| [06:56] | And I didn’t like carrying it around and looking at it | |
| [06:59] | waiting for him to call me when he said he would. | |
| [07:02] | But then he never did. | |
| [07:06] | Just doesn’t feel good. | |
| [07:09] | So… think I lost it. | |
| [07:12] | Okay. | |
| [07:14] | I get it. | |
| [07:21] | You know, he gets, uh… | |
| [07:25] | busy. | |
| [07:26] | Yeah, he’s really busy. | |
| [07:29] | Here. You can play Minecraft on mine. | |
| [07:33] | It’s okay. It’s okay. | |
| [07:39] | You know, life is kind of better without a phone. | |
| [07:45] | Don’t worry. | |
| [07:49] | I can hate him for you… so you don’t have to. | |
| [07:59] | ♪ DJ Suede… ♪ | |
| [08:00] | Hi. | |
| [08:02] | Wait, I didn’t touch your pie. | |
| [08:04] | I didn’t touch your pie. | |
| [08:06] | – Now you have to do everyone’s. – Okay. Jesus. | |
| [08:09] | I didn’t even want pie. | |
| [08:13] | I didn’t even want pie. Mmm. | |
| [08:16] | And then the dining chair, it-it moved. | |
| [08:19] | I mean, like, like, I didn’t see it specifically move | |
| [08:21] | – across the floor, but, Mom… Mom. – Oh. | |
| [08:24] | Mom. Mom. It was tucked under the table | |
| [08:26] | one minute, and then I looked away, | |
| [08:27] | and it was, like, four feet away. | |
| [08:28] | I mean, I heard the sound | |
| [08:30] | – of it dragging… – Don’t talk about it right now. | |
| [08:33] | Please, please, please. It’s night. | |
| [08:38] | You’re scaring your sister. | |
| [08:40] | Mom. | |
| [08:42] | – Um… – What? | |
| [08:44] | Surprise! | |
| [08:46] | Max! | |
| [08:47] | – Hi, stinker. – I missed you! | |
| [08:49] | I missed you, too, buddy. | |
| [08:51] | You’re doing college. This isn’t college. | |
| [08:54] | Oh, I told you I wasn’t being challenged, Mom. | |
| [08:56] | Yes, but you’re having an experience. | |
| [08:59] | That’s why you’re over there across the country. | |
| [09:02] | Having an experience. | |
| [09:03] | The women in our family | |
| [09:04] | don’t like to be institutionalized. | |
| [09:06] | They don’t take to institutional learning, do they, dear? | |
| [09:09] | – No. – You knew about this? | |
| [09:12] | – I know about many things. – By the way, | |
| [09:15] | I-I took your lava lamp, and I’m-I’m not giving it back. | |
| [09:21] | – Mom. – Look, honey, | |
| [09:23] | I’m real happy that you came home for a little visit, | |
| [09:26] | but there is another seven weeks of paid tuition, | |
| [09:29] | so maybe by Sunday you can… | |
| [09:32] | Mom, why are you acting like this? | |
| [09:35] | Because, Max, we had a plan. | |
| [09:38] | You were gonna try it. | |
| [09:40] | And I tried it, okay? | |
| [09:41] | Do you want me to, like, waste my life? | |
| [09:43] | Well… | |
| [09:44] | Can you try it just a little longer? | |
| [09:47] | A little longer, like, maybe till Frankie | |
| [09:49] | goes to college? | |
| [09:51] | I am an adult now. | |
| [09:52] | I can make my own decisions. | |
| [09:54] | Yes. And this is a big one | |
| [09:56] | involving much, much planning and many, many dollars. | |
| [10:01] | Fine. I’ll just go live | |
| [10:02] | with Paisley. I’ll live out of a van. | |
| [10:04] | I’ll get raped and become a meth head. | |
| [10:06] | Good! That’s not living at home. | |
| [10:13] | Are you hungry? I can fix you some food | |
| [10:16] | before you start your adult meth… | |
| [10:19] | ♪ I’ll always be… ♪ | |
| [10:20] | Oh. | |
| [10:21] | Okay. | |
| [10:23] | ♪ I’ll always be grateful… ♪ | |
| [10:26] | – It’s good to see you. – Really? | |
| [10:28] | You’re in trouble. | |
| [10:29] | – How much trouble? – A lot of trouble. | |
| [10:32] | Let me fix you something nice. | |
| [10:34] | You’ll be all right. | |
| [10:36] | You can have the flowers. | |
| [10:43] | All right. | |
| [10:46] | Oh. | |
| [10:47] | Just get right in there. Yep. | |
| [10:51] | Feel free to just… | |
| [10:55] | Thank you. | |
| [11:05] | This is the only thing that works for headaches. | |
| [11:06] | – Oh, my God, that feels so good. – Right? | |
| [11:08] | Ah! Jesus, you are stro… | |
| [11:11] | Ow. Ow. Ow. | |
| [11:13] | Oh, you can’t take that? | |
| [11:14] | I like it hard. Here. | |
| [11:16] | – Do me. – Yeah. | |
| [11:20] | Yeah, harder. | |
| [11:22] | Harder. | |
| [11:24] | – Sorry. – Yeah. | |
| [11:25] | Go for Nikki. | |
| [11:27] | Yeah. Go ahead. | |
| [11:34] | Transpo asked me | |
| [11:35] | to relay to you, please don’t flush your lady things. | |
| [11:38] | You clogged your trailer. | |
| [11:39] | New pages. | |
| [11:42] | Copy. | |
| [11:47] | So, how is this supposed to work? | |
| [11:49] | We aren’t driving, but we’re driving a stunt car? | |
| [11:51] | Uh, no, that’s not a stunt car. That’s a pod car. | |
| [11:54] | Yeah, but this pod car | |
| [11:56] | is being driven by a stunt driver. | |
| [11:58] | Uh, no, it’s being driven by a pod car driver, | |
| [12:00] | somebody who knows how to drive these. | |
| [12:02] | Yeah, but this is kind of reading like a stunt. | |
| [12:04] | But it’s not. Well, at least, I don’t think so. | |
| [12:07] | Can you run lines with me? | |
| [12:09] | I wish I could. | |
| [12:13] | I’ll run lines with you, kid. | |
| [12:15] | I’m Storm. You guys ready to go? | |
| [12:17] | Oh. Oh, hi. | |
| [12:20] | Hi, Storm. How old are you? | |
| [12:22] | – 23. – All right. You’re slightly older | |
| [12:24] | than my daughter, who doesn’t drive, | |
| [12:26] | and I kind of like an older stunt dude, so… | |
| [12:30] | can we possibly get a geriatric pod car driver? | |
| [12:34] | You’re so funny. | |
| [12:37] | Wait. Wh-Why are they wearing harnesses? | |
| [12:41] | Can we… can we just lose this gak? | |
| [12:45] | Wh-Where are my riggers? | |
| [12:47] | Uh, riggers? | |
| [12:52] | They’re smoking us out. | |
| [12:54] | Oh, God. | |
| [12:57] | You say something. | |
| [12:58] | – You say something. – You. | |
| [13:00] | I think it’s your turn. | |
| [13:02] | I’m not gonna do it. | |
| [13:04] | Fine. Jesus, I’ll say something. | |
| [13:07] | Uh, yeah, Storm? | |
| [13:09] | Can you cut the engine, buddy? | |
| [13:11] | Thank you. | |
| [13:14] | Dude! | |
| [13:16] | Dude, you want to get over here? | |
| [13:19] | Your kid’s getting asphyxiated. | |
| [13:21] | Princess, sweetie, you okay? | |
| [13:23] | Oh, she’s fine. It’s fine. | |
| [13:26] | You good, right? | |
| [13:28] | She’s ready to roll. | |
| [13:31] | Why are we not rolling? | |
| [13:33] | Action! | |
| [13:35] | Whoa. | |
| [13:47] | Oh, ow! | |
| [13:55] | – You okay? – Cut. Cutting. | |
| [14:00] | Let’s do one more and then I’m gonna call it. | |
| [14:15] | Okay, that’s lunch! | |
| [14:17] | Half hour. | |
| [14:18] | Tears at sundown. | |
| [14:35] | I know you think you got to speak up, cookie. | |
| [14:39] | And you got to be a whistle-blower. | |
| [14:42] | But be smart. Don’t be stupid. | |
| [14:44] | Someone else will say something. You hang on to your job. | |
| [14:48] | Although… | |
| [14:50] | …you know, | |
| [14:52] | I was on the board of the WGA, | |
| [14:54] | so I know about unions, | |
| [14:57] | so I know about workplace practices. | |
| [15:00] | ♪ Other nights ♪ | |
| [15:02] | ♪ They call you, but what do they know… ♪ | |
| [15:05] | Hi. | |
| [15:06] | Can I have a word? | |
| [15:08] | Can I just…? | |
| [15:11] | – Of course. What’s up? – Hi. | |
| [15:12] | Is there a producer around here? | |
| [15:14] | Anywhere? Like, oh, anybody who… | |
| [15:17] | Yeah. I’m sorry, I just… I have to say | |
| [15:19] | some things out loud here. | |
| [15:21] | Was that legal, what just happened? | |
| [15:25] | Aren’t you supposed to be protecting everybody a lot? | |
| [15:28] | Like, a lot more than what just happened? | |
| [15:30] | Uh, hi. | |
| [15:32] | We didn’t know any of the actors | |
| [15:33] | – had any, uh, motion sickness issues. – Who are you? | |
| [15:36] | Well, I’m Tray Gubbins. I’m the stunt coordinator. | |
| [15:38] | Yeah, see, we’ve never met. | |
| [15:40] | And I just did a stunt this morning | |
| [15:42] | with two of my fellow actors. | |
| [15:43] | That wasn’t a stunt. | |
| [15:45] | Also, I didn’t have a safety meeting. | |
| [15:49] | Uh, we had a safety meeting early this morning. | |
| [15:51] | Yeah, but, see, my call was for 2:00. | |
| [15:53] | So I didn’t get a safety meeting, | |
| [15:56] | and I know Donte | |
| [15:57] | didn’t get a safety meeting. | |
| [15:59] | And I’m not sure about Princess. | |
| [16:02] | Oh, we’re good. We’re happy. | |
| [16:05] | I got a baby on the way. | |
| [16:08] | As long as it’s coming up, | |
| [16:10] | our department hasn’t been sufficiently notified, | |
| [16:13] | like, for the majority of… the setups. | |
| [16:18] | All of these people are hardworking people. | |
| [16:21] | They’re working their butts off. | |
| [16:22] | And you’ve got, like, a hundred people and one toilet. | |
| [16:26] | And this guy gets his own honey bucket. | |
| [16:29] | I don’t need my own toilet. | |
| [16:31] | It’s DGA standard. | |
| [16:32] | You can have my toilet. | |
| [16:34] | Okay, forget about the toilets. | |
| [16:37] | It’s not about the toilets. | |
| [16:38] | The point is, we are making a multimillion dollar | |
| [16:42] | blockbuster movie, and everybody’s scared. | |
| [16:46] | And nobody’s gonna say anything. | |
| [16:48] | And we’re all supposed to be feeling really lucky. | |
| [16:51] | Like, really lucky to be working with you, | |
| [16:54] | and I don’t feel lucky. | |
| [16:56] | I mean, you’re nice and all, but this is a job. | |
| [16:59] | And people aren’t being taken care of. | |
| [17:02] | They’re being shit on. | |
| [17:05] | So… | |
| [17:10] | Okay, I guess I just… | |
| [17:15] | …had to say something because… | |
| [17:18] | Tell on you guys to each other or something. | |
| [17:21] | But, uh… | |
| [17:23] | that’s all I have to say, so… | |
| [17:30] | I mean… an apology would be a thing? | |
| [17:35] | ♪ Sometimes you call… ♪ | |
| [17:36] | That would be nice, but no? | |
| [17:39] | No. No. Okay. Thank you. | |
| [17:44] | Um, I just want to say… | |
| [17:47] | you are so brave. | |
| [17:48] | You’re like Erin Brockovich brave. | |
| [17:50] | And I know ’cause I grew up with brothers. | |
| [17:53] | Standing up to guys? | |
| [17:54] | I’m a guys’ girl, so… | |
| [17:57] | You’re bad at your job. | |
| [17:59] | And I’ve seen you squid your ink over every man on this set, | |
| [18:03] | and neutralize all of the women. | |
| [18:05] | I’m a guys’ girl. | |
| [18:07] | I’m a girls’ girl. | |
| [18:08] | And you know what? I’m a guy, too. | |
| [18:11] | So, I’m wondering, why aren’t you, like, | |
| [18:12] | flipping your hair in my face | |
| [18:14] | and giving me arm massages, | |
| [18:16] | and rubbing your leg against my boner by mistake, hmm? | |
| [18:21] | You’re so funny. | |
| [18:25] | Uh-huh. | |
| [18:30] | What did I miss? | |
| [18:34] | ♪ Like a madman at midnight ♪ | |
| [18:36] | ♪ Riding on a wheel of fire… ♪ | |
| [18:54] | ♪ Envision your lightest light ♪ | |
| [19:00] | ♪ All the things you have you might not like… ♪ | |
| [19:05] | It’s just I don’t need to spend Friday nights | |
| [19:07] | with my married friends and their kids. | |
| [19:09] | No way. What single person would? | |
| [19:11] | I mean, I’m single with kids, | |
| [19:12] | and I don’t want to be around other people’s kids. | |
| [19:14] | I don’t want to be around my own kids. | |
| [19:17] | My options are limited. | |
| [19:18] | Everyone I know is in a couple, and by this age, I mean, | |
| [19:21] | every lesbian has done each other, so, that’s fun. | |
| [19:23] | Jesus. Is that true? | |
| [19:25] | We don’t get enough credit for our sexual prolific-ness. | |
| [19:28] | Is that a word? | |
| [19:29] | I don’t know. | |
| [19:31] | Do you know how annoyed I am that I’m not dating? | |
| [19:33] | I’m so bloody annoyed. | |
| [19:34] | Been waiting for the third wave of singlehood to show up. | |
| [19:37] | I don’t know about the waves. | |
| [19:39] | Are they gay waves? | |
| [19:41] | They are gay waves, but they would absolutely apply | |
| [19:43] | to someone “straight” like you. | |
| [19:45] | Why do you air-quote “straight” at me? | |
| [19:50] | So, the first wave | |
| [19:53] | is all the unavailable married folks. | |
| [19:55] | That’s… No. I hate that. | |
| [19:57] | Next, we have the youth, like 20s. Way young. | |
| [20:00] | Oh, yeah. What do you talk about? | |
| [20:02] | I could never do a youngster. | |
| [20:04] | Agreed. Eh, but, you know, at a party. | |
| [20:11] | Then the third wave comes. | |
| [20:12] | The problem is, you don’t have chemistry right away. | |
| [20:14] | It’s a slow burn. | |
| [20:15] | But these are grown people, and they’ve got their shit together. | |
| [20:18] | So… you’re a third wave. | |
| [20:21] | You just described yourself. | |
| [20:22] | I don’t know what I am. | |
| [20:24] | So, what I’m picking up is | |
| [20:26] | that you like the first two waves | |
| [20:29] | because you don’t want a commitment. | |
| [20:31] | Commitment… not super attractive. | |
| [20:34] | Is that a “you” thing, or is that a lesbianicle thing? | |
| [20:39] | I may be guilty of an attraction to drama. | |
| [20:44] | That may be a “me” thing. | |
| [20:45] | Hmm. | |
| [20:48] | I don’t know why I told you that. | |
| [20:51] | It’s okay. | |
| [20:52] | It’s really… um, interesting to hear someone… | |
| [20:56] | be so honest about themselves. | |
| [20:59] | You’re highly evolved. | |
| [21:01] | Well, thank you. | |
| [21:03] | So, what about yourself? | |
| [21:07] | What’s your situation? Your straight situation? | |
| [21:11] | Oof, ugh… | |
| [21:13] | – You’ve been burned. – I don’t… Mm. | |
| [21:17] | You’re just gonna leave me flapping in the breeze? | |
| [21:20] | Mm-hmm. | |
| [21:25] | Are you trying to manage me? | |
| [21:27] | Tressa warned me about you. | |
| [21:29] | I don’t poach. | |
| [21:32] | She also warned me about… | |
| [21:36] | Your whole… | |
| [21:38] | Not your hole, but your whole, your whole. | |
| [21:41] | – Oh, she did? – Mm-hmm. | |
| [21:43] | – Mm. – Mm-hmm. | |
| [21:45] | Yeah. | |
| [21:54] | ♪ Take yourself into… ♪ | |
| [22:02] | ♪ The unknown ♪ | |
| [22:36] | ♪ Did it for love, and love didn’t show ♪ | |
| [22:42] | ♪ It looked just like a part of you ♪ | |
| [22:45] | ♪ The part you hold ♪ | |
| [22:48] | ♪ You skinned yourself to uncover your bones ♪ | |
| [22:54] | ♪ It’s with nothing that everything grows ♪ | |
| [23:01] | ♪ Take yourself into ♪ | |
| [23:06] | ♪ The unknown ♪ | |
| [23:13] | ♪ Take yourself into… ♪ | |
| [23:22] | ♪ The unknown. ♪ | |
| [24:05] | Thank you. | |
| [24:18] | How awesome was that? | |
| [24:25] | Thank you so much. Thank you. |