| 时间 | 英文 | 中文 |
|---|---|---|
| [00:03] | ♪ Swear I’ll change that light bulb ♪ | |
| [00:06] | ♪ When I’ve read The Dharma Bums ♪ | |
| [00:08] | Jesus! Ugh! | |
| [00:10] | ♪ Buy you Springsteen tickets on a day that never comes… ♪ | |
| [00:16] | I just bought these. | |
| [00:18] | Really? How did this happen? | |
| [00:20] | Ooh! | |
| [00:24] | Ooh! | |
| [00:27] | Seriously? | |
| [00:29] | I’m bigger. | |
| [00:31] | I’m a big lady, man. | |
| [00:32] | Okay. It’s okay. | |
| [00:34] | You fit me? | |
| [00:39] | Not bad. No! | |
| [00:42] | Mm. | |
| [00:44] | Did my boobs just get… fat? | |
| [00:48] | Ugh. | |
| [00:51] | Look, honey. | |
| [00:53] | Before, after. Before, after. | |
| [00:56] | Favorite jacket. | |
| [01:00] | Who’s the lucky guy? | |
| [01:02] | Meet you around the corner | |
| [01:03] | in a half an hour. | |
| [01:06] | Ugh. | |
| [02:15] | Ooh! | |
| [02:17] | – Oh, yeah, I like that one. – Our favorite. | |
| [02:20] | Condoms, condoms. | |
| [02:23] | Pads. Pads. | |
| [02:27] | Panty liners, panty liners. | |
| [02:30] | Condoms, condoms. | |
| [02:33] | Oh. PMS relief. | |
| [02:35] | You need, like, five of those? I’m kidding. | |
| [02:39] | Condoms, condoms. | |
| [02:41] | Ooh. DivaCup. | |
| [02:43] | Oh. | |
| [02:45] | – Aw, look. – Mom, I love this color. | |
| [02:47] | Oh, me, too. | |
| [02:49] | Ramen. Ramen. | |
| [02:53] | – Oh. Vaginal contraceptive foam. – Mom. | |
| [02:57] | Ramen. | |
| [02:58] | Pregnancy tests. Plan B. | |
| [03:00] | – Mom? – Plan B. Plan B. | |
| [03:02] | Jesus, what the fuck? | |
| [03:04] | Well, you know, you could keep ’em in a bowl. | |
| [03:06] | You know, for a party. You could pass ’em out like candy. | |
| [03:09] | Max, I got ramen. | |
| [03:12] | Oh. Advil. Benadryl. | |
| [03:14] | Claritin. Emergen-C. | |
| [03:18] | Motrin. Motrin. | |
| [03:21] | We’re probably gonna have to buy this stuff | |
| [03:22] | in two transactions, you know, because they have… | |
| [03:24] | – Meth labs, Mom. I know. – Yeah. Ooh. | |
| [03:26] | Ooh! Neti pot. Neti pot. | |
| [03:55] | Ooh! | |
| [03:58] | The competition… You got to be ready | |
| [04:00] | for when they open the building, baby. | |
| [04:02] | Ready for what? Mom… | |
| [04:04] | Mom, I-I-I just want to get a good room | |
| [04:06] | or, like, a-a… a good bed space. | |
| [04:08] | I don’t even care if the room is that great. I’d… | |
| [04:10] | rather have the best bed in the worst room | |
| [04:13] | than the worst bed in the best room. | |
| [04:16] | Hey, didn’t you | |
| [04:18] | play in that show about the lawyers in space? | |
| [04:21] | Oh. Yeah, that was me. | |
| [04:23] | – I knew that was you. – Thank you. | |
| [04:26] | Listen, would you mind if you could give us a hand? | |
| [04:30] | That’s fine. Ugh. | |
| [04:33] | Okay, we got to figure out how to get you into the dorm | |
| [04:35] | with all this shit, baby. | |
| [04:36] | What if my roommates are psychos? | |
| [04:40] | This is giving me so much anxiety. | |
| [04:41] | I mean, what-what am I doing? | |
| [04:42] | – All freshmen… – This is by far | |
| [04:44] | the scariest thing I’ve ever done. | |
| [04:46] | But at the same time, I feel like | |
| [04:48] | I’m really putting myself out there and living my life. | |
| [04:50] | Sort of like how a pioneer feels when they go off… | |
| [04:51] | Honey! Honey! | |
| [04:52] | – What? What?! – Honey. | |
| [04:53] | Go! | |
| [05:14] | Best bed in the worst room! | |
| [05:30] | Hi. Hi. | |
| [05:37] | Okay, well… | |
| [05:39] | These things. | |
| [05:40] | Oh. | |
| [05:43] | Just gonna take them myself. | |
| [05:46] | It’s fine. | |
| [05:48] | It’s fine. | |
| [05:50] | It’s fine. | |
| [05:57] | Hi. Thank you. | |
| [06:00] | Can you watch my stuff for me? | |
| [06:02] | I’ll be right back. | |
| [06:04] | Just, if you look… if you just keep an eye. | |
| [06:06] | Thank you so much. I’ll get you a cup of coffee. | |
| [06:09] | We’ll have coffee together. Thank you. | |
| [06:16] | – Yeah. – Oh, really? | |
| [06:18] | – Yeah. – Are you just going with her? | |
| [06:19] | Oh, no, I’m… | |
| [06:21] | Aw… Oh, you’re not? | |
| [06:22] | – Hello? – Oh, I got to go. | |
| [06:24] | Oh, hi! Are you our neighbor? | |
| [06:26] | Hi. I’m Talasco. This is my room. | |
| [06:30] | Roomie! | |
| [06:32] | Hi! | |
| [06:33] | Okay. Oh, uh, | |
| [06:35] | – you’re in here with me. – Oh, we’re in here? | |
| [06:37] | Sweet. Yeah, where are you from? | |
| [06:39] | I’m from California. | |
| [06:40] | – I can see that. – Oh, yeah? You like L.A. girls? | |
| [06:42] | Yeah, yeah, you got that vibe. You got that vibe. | |
| [06:44] | Oh, do I? | |
| [06:45] | Oh, hi. Talasco. I’m the mom. | |
| [06:50] | – So… – Don’t worry. Gay. Mostly. | |
| [06:53] | I’m still figuring it out. | |
| [06:54] | Mm-hmm. Hmm. | |
| [06:58] | Your daughter is safe. | |
| [07:10] | Safe… for now. | |
| [07:21] | My baby. | |
| [07:24] | My baby. | |
| [07:26] | – You’re in the world. – I know. | |
| [07:28] | This is the world. | |
| [07:31] | Whew! | |
| [07:32] | Just drink it all in. | |
| [07:35] | You know, take as many classes as you can. | |
| [07:38] | Ask questions. Gather your good medicine. | |
| [07:41] | “Be bold, and mighty forces will come to your aid.” | |
| [07:45] | Goethe said that. | |
| [07:50] | I want to take you to hear music. | |
| [07:52] | We’re in Chicago. This is crazy. | |
| [07:56] | Why do we have to wait till you’re 21 to go to a place? | |
| [07:59] | We got to wait until you’re a junior? | |
| [08:02] | – Mom. – Hmm. | |
| [08:03] | I would like to introduce you to… | |
| [08:06] | my fake ID. | |
| [08:08] | I’ve had it for three years. | |
| [08:10] | Oh. | |
| [08:11] | That is so awesome to hear that. | |
| [08:13] | I know you had one. | |
| [08:15] | Yeah, but I hid it from my parents. | |
| [08:18] | Plus, I had to kill the lady whose identity I stole. | |
| [08:21] | Oh. | |
| [08:22] | Okay, Tracey Cromwell, | |
| [08:24] | what’s your address and date of birth? | |
| [08:26] | 47 Karucha Court, Arlington, Virginia 31425. | |
| [08:31] | 07/09/95. | |
| [08:33] | – And this works? – Mom… | |
| [08:36] | no one ever asks you for it. | |
| [08:38] | I just… | |
| [08:42] | Slut bucket. | |
| [08:45] | – Let me see it again. – Yeah? | |
| [08:48] | It’s pretty good. | |
| [08:49] | – Yeah, it’s a good ID. – So, we’re going out. | |
| [08:51] | – Really? – Yes! | |
| [08:52] | Oh, so you’re not mad? | |
| [08:54] | Cheers, Tracey. | |
| [08:57] | – Love you. – I love you. | |
| [09:00] | ♪ Once upon a time ♪ | |
| [09:04] | ♪ When you were mine ♪ | |
| [09:10] | ♪ I treated you ♪ | |
| [09:15] | ♪ So unkind… ♪ | |
| [09:17] | – Hey. – Oh, my God. | |
| [09:19] | – What’s going on? – Hey. Oh, how are you? | |
| [09:23] | I’m good. My friend Samantha. I don’t know if you… | |
| [09:25] | Hi. | |
| [09:26] | Samantha! | |
| [09:27] | – Hi. – What’s up? | |
| [09:29] | Um… | |
| [09:30] | ♪ You, you were the one ♪ | |
| [09:33] | ♪ After all ♪ | |
| [09:35] | Oh, uh… uh… | |
| [09:41] | ♪ You came to me ♪ | |
| [09:44] | Okay, love you. | |
| [09:46] | ♪ You gave me your hand ♪ | |
| [09:48] | Have fun. | |
| [09:50] | ♪ So don’t worry ’bout it ♪ | |
| [09:54] | – ♪ I will understand… ♪ – Wait! | |
| [10:00] | I want my big life This Is Us | |
| [10:03] | milestone moment goodbye hug. | |
| [10:06] | Come on. | |
| [10:08] | This Is Us. Let’s go! | |
| [10:12] | ♪ You were the one after all ♪ | |
| [10:16] | Yes. | |
| [10:20] | ♪ Life’s too short ♪ | |
| [10:25] | ♪ It’s give and it’s take ♪ | |
| [10:30] | ♪ It’s not a game that you play ♪ | |
| [10:35] | ♪ It’s the love that you make ♪ | |
| [10:40] | ♪ You were so patient ♪ | |
| [10:44] | ♪ So kind, I recall ♪ | |
| [10:49] | ♪ You were the one ♪ | |
| [10:53] | ♪ After all ♪ | |
| [11:00] | ♪ You were the one ♪ | |
| [11:04] | ♪ After all ♪ | |
| [11:11] | ♪ You. ♪ | |
| [11:20] | Would you like to do this in private, or is here okay? | |
| [11:22] | Here is okay. | |
| [11:24] | I will now cup my hand under your right breast. | |
| [11:27] | Yes. | |
| [11:29] | I will now cup my hand under your left breast. | |
| [11:31] | Mm-hmm. | |
| [11:32] | I will now put my hand inside your waistband. | |
| [11:35] | – Okay. – And I will run my hand inside | |
| [11:37] | and around your entire waistband and search your pants. | |
| [11:40] | Excuse me. Here. | |
| [11:43] | Okay. | |
| [11:44] | Okay. Return to the scanner. | |
| [11:48] | Do you have anything in your pockets? | |
| [11:50] | No. | |
| [11:51] | Okay, look, I’m wearing | |
| [11:54] | these special underwear. | |
| [11:57] | They’re, like, super thick and absorbent, | |
| [12:00] | and kind-of-ish like a diaper. | |
| [12:03] | But they’re underwear. | |
| [12:04] | Because… | |
| [12:07] | I’m having a very heavy… | |
| [12:10] | very heavy late-in-life period. | |
| [12:14] | So… | |
| [12:18] | You’re so young. | |
| [12:19] | Anyway… that’s my story. | |
| [12:22] | So… can I just go through? | |
| [12:25] | – Please. – Pull up your pants. | |
| [12:28] | Take your stuff. | |
| [12:29] | Thank you. | |
| [12:31] | Pull your pants up. | |
| [12:33] | Okay, I am. | |
| [12:40] | Hi. What can I get you? | |
| [12:42] | Hello. Um, I would like | |
| [12:43] | a vodka cranberry, please… | |
| [12:46] | A double… and some French fries with gravy. | |
| [12:49] | Great. Can I see some ID? | |
| [12:51] | – Serious? – Mm-hmm. | |
| [12:54] | Okay. | |
| [12:58] | I got a kid in college. | |
| [13:00] | Very cool. | |
| [13:03] | ’69! | |
| [13:05] | I’m gonna get that for you. | |
| [13:10] | I got carded. | |
| [13:11] | We all did. | |
| [13:14] | It’s state policy. | |
| [13:20] | All righty, here you go. | |
| [13:22] | Thank you. | |
| [13:23] | What can I get for you? | |
| [13:25] | Um, get me a tequila. | |
| [13:27] | Great. Uh, can I see your ID? | |
| [13:30] | Sure. | |
| [13:47] | Oh, my God. | |
| [13:49] | I’m not reading your computer. I swear. | |
| [13:52] | My face is pointed at it, | |
| [13:54] | but I didn’t mean to read any of the texts | |
| [13:58] | between you and your wife. | |
| [14:00] | I hope she orders the prawns. | |
| [14:04] | It’s okay. Feel free. | |
| [14:07] | Just me and my wife figuring out when to meet up in L.A. | |
| [14:11] | She had to miss this flight to return the car. | |
| [14:14] | – Aw. That’s too bad. – Mm. | |
| [14:18] | So, you from Chicago, or are you going home? | |
| [14:21] | No, I’m going home. | |
| [14:22] | I just dropped my oldest off at college. | |
| [14:25] | – Oh, wow. – Mm-hmm. | |
| [14:27] | That’s got to be hard. | |
| [14:28] | No way. One down, two to go. | |
| [14:32] | Oh. Well, in that case, congratulations. | |
| [14:35] | And bottoms up. | |
| [14:38] | – Bottoms up. – Cheers. | |
| [14:40] | – Nice ring. – Oh. Thank you. | |
| [14:43] | – Glory days. – I see you. | |
| [15:07] | Don’t worry. | |
| [15:09] | I don’t think you’re a terrorist. | |
| [15:13] | You’d be the only one on this plane. | |
| [15:19] | I know who you are. | |
| [15:21] | Ugh. I love you. | |
| [15:23] | I remember when you were a doughnut | |
| [15:24] | – on The Scabies Chronicles. – What? | |
| [15:26] | Yeah. And you were Rooster in Ching of the Mill. | |
| [15:28] | – Mm-hmm. – I grew up in Texas. | |
| [15:30] | We worshiped that show. | |
| [15:31] | Oh, my God, yes. You’re from Texas? | |
| [15:34] | – I am. We’re Bollybillies. – Cute. | |
| [15:37] | Yeah. But we live in L.A. now. | |
| [15:39] | I live with my boyfriend over there. | |
| [15:40] | Are you reading a new script or something? | |
| [15:42] | Um, yeah, um, it’s called Monsters in the Moonlight. | |
| [15:46] | – It’s, like, a movie I’m doing. – Oh, okay. | |
| [15:49] | Yeah, it’s gonna be something. | |
| [15:51] | – I don’t even know. – Do you smell that? | |
| [15:54] | I-I didn’t know there was a meal on this flight. | |
| [15:56] | Oh, they’re probably heating up cookies or something. | |
| [16:03] | Get me a fire extinguisher now. | |
| [16:05] | – Jesus Christ. – Shit. | |
| [16:07] | Oh, my. | |
| [16:18] | The fuck…? | |
| [16:23] | Hi. I’m Debra. | |
| [16:25] | I have two sons, and… | |
| [16:26] | Oh, no, no, no, no, no. We’re not doing that. | |
| [16:29] | You’re fine. It’s fine. It’s fine. It’s okay. | |
| [16:32] | Hey, Cookie. | |
| [16:35] | Hey, Gumball. | |
| [16:37] | I wanted two sons, just like Debra there. | |
| [16:40] | I don’t know. There’s something about two boys | |
| [16:42] | playing rough in the yard that makes me smile. | |
| [16:44] | It’s probably why I was so hard on your brother. | |
| [16:46] | – He wasn’t like that. But you… – oh, you were. | |
| [16:49] | Oh, you always got into the hurly burly. | |
| [16:51] | Hey, Dad. Do you mind? | |
| [16:53] | This plane is, like, on fire and shit. | |
| [16:55] | Eh, you’ll be all right. Could be worse. | |
| [16:57] | Besides, you’ve had some real shit thrown your way. | |
| [17:00] | This? It’s gonna be over in minutes. | |
| [17:02] | Mm. | |
| [17:03] | No reason to panic. Get a drink. | |
| [17:06] | Ladies and gentlemen, | |
| [17:09] | we are gonna make an emergency landing in St. Louis. | |
| [17:12] | We apologize for the inconvenience | |
| [17:14] | and ask that you please remain calm and in your seats | |
| [17:17] | with your seat belts fastened. | |
| [17:18] | The captain has everything under control. | |
| [17:23] | Doesn’t seem under control. | |
| [17:25] | That’s the truth. | |
| [17:28] | At least they’re not taking our drinks. | |
| [17:32] | Debra, drink your wine. | |
| [17:43] | Yeah, it was, uh, | |
| [17:44] | like, a heating component or something. | |
| [17:49] | Uh, it ignited? | |
| [17:50] | – Oh, my God, so scary. – They’re giving us, like, | |
| [17:53] | free vouchers for a martini, | |
| [17:57] | uh, on… uh, in the airport, | |
| [18:01] | and I just don’t want you to tell the girls, | |
| [18:04] | ’cause I don’t want them to get scared, okay? | |
| [18:07] | I won’t say a word, and of course, I’ll stay with them. | |
| [18:09] | I love you. | |
| [18:11] | – Oof. – Hey, you’re not going anywhere | |
| [18:13] | until you and me have drinks. | |
| [18:15] | I mean, they gave us vouchers for not dying? | |
| [18:17] | I know. | |
| [18:18] | Anyone need a change of underwear? | |
| [18:19] | Yes, please. | |
| [18:47] | Oh, my God. | |
| [19:00] | Hey. | |
| [19:01] | Hello? | |
| [19:03] | – Oh, hi. – Hi! | |
| [19:09] | Hi, Phil. | |
| [19:10] | Hello. | |
| [19:13] | Are you okay? | |
| [19:15] | I was, before you barged in so rudely. | |
| [19:18] | What happened to your car? | |
| [19:20] | Hmm? | |
| [19:22] | Your car, in the driveway? | |
| [19:24] | The front is all smashed up? | |
| [19:26] | Oh, is there a nick? | |
| [19:28] | It looks like you hit a moose. | |
| [19:30] | I don’t know why you’re asking me about it. | |
| [19:31] | Perhaps you should speak to Max. | |
| [19:34] | Max is in Chicago. | |
| [19:36] | Since when? | |
| [19:38] | Phil, dude. | |
| [19:43] | Uh… | |
| [19:49] | All right, then. | |
| [19:52] | You have fun with your cards. | |
| [19:55] | – Night, Phil. – Night. | |
| [19:57] | Bye. | |
| [19:58] | – Bye. – Bye-bye. | |
| [20:00] | Why do they always come for the car first? | |
| [20:03] | I’m more likely to slip in the shower. | |
| [20:05] | It’s a power play. They need you to depend on them. | |
| [20:08] | That one’s got enough dependents already. | |
| [20:11] | – Mm. Uh-huh. – Yeah. | |
| [20:12] | Six of hearts. | |
| [20:13] | – Eight of hearts. Uh-huh? – King of hearts. | |
| [20:15] | Ah! | |
| [20:16] | Ace of hearts from the dummy. | |
| [20:18] | That’s my partner, that’s my partner. | |
| [20:20] | That’s what I’m saying. That’s what I’m talking about. | |
| [20:28] | Spirit, spirit, spirit. | |
| [20:36] | Spirit, spirit, spirit. | |
| [20:45] | Spirit, spirit, spirit. | |
| [21:03] | Close your eyes. It’s just me, Grandpa. | |
| [21:06] | Go to bed. | |
| [21:40] | Hi. | |
| [21:44] | I’m home. | |
| [21:49] | Oh. Hi. | |
| [21:52] | Who are you? | |
| [21:53] | – Oh, uh, I’m Jaxson. – Jordan. | |
| [21:56] | Okay. Why are you in my house? | |
| [21:59] | Where are my kids? | |
| [22:00] | Have you seen a big, giant, handsome gay man lurking around? | |
| [22:04] | – Wait. Who’s your kid? – Frankie. | |
| [22:06] | Uh, yeah. I don’t know where she is. | |
| [22:09] | Did you get Pinkberry? | |
| [22:10] | Frankie said she texted you to get Pinkberry. | |
| [22:12] | No. | |
| [22:16] | You get Pinkberry? | |
| [22:17] | I like tart with cookie crisps. | |
| [22:19] | Come here. | |
| [22:21] | Baby’s asleep. | |
| [22:22] | – Good. Where’s Frankie? – Her room. | |
| [22:26] | Honey, are you okay? Do you need me? | |
| [22:29] | No, I’m okay. | |
| [22:31] | I-I really am. | |
| [22:32] | – Okay, then. – Okay. | |
| [22:33] | May I please be excused? | |
| [22:35] | Because I’m keeping my boyfriend waiting. | |
| [22:37] | – Cute. – Mm. Okay. You good? | |
| [22:39] | Yeah, go. Thank you a million. I love you. | |
| [22:42] | I love you, too. Call me if you need me. | |
| [22:44] | Okay. | |
| [22:52] | Mm-hmm. | |
| [22:53] | No, exactly. | |
| [22:55] | That’s what I meant. | |
| [22:57] | Yes. Definitely. | |
| [23:01] | Okay, yep. | |
| [23:05] | What’s up, bro? | |
| [23:07] | Whassup? | |
| [23:12] | And how was Chicago? | |
| [23:14] | I’ve been watching Max’s stories. | |
| [23:16] | Good. Thank you for asking. | |
| [23:20] | There’s about 40 people downstairs. | |
| [23:22] | What are you doing? | |
| [23:23] | You have to go to sleep. | |
| [23:24] | I can’t. I have too much work to do. | |
| [23:27] | I have to finish reading the first act of a play by tomorrow. | |
| [23:30] | Well, how much of it have you read? | |
| [23:32] | I didn’t even start it yet. | |
| [23:33] | I haven’t read it. | |
| [23:35] | Wait, what? | |
| [23:36] | It’s a play, Mom. I can’t do it. | |
| [23:38] | I can’t concentrate. | |
| [23:40] | My God, that’s because your people are fighting | |
| [23:44] | a mass generational heroin addiction, | |
| [23:47] | death of focus, self-soothing | |
| [23:50] | because of these things. | |
| [23:54] | Can you read it to me? | |
| [23:56] | Seriously, Frankie? | |
| [24:02] | Dude, I’m exhausted. | |
| [24:04] | If I told you what my day was like, okay? | |
| [24:07] | In the first place, my plane… | |
| [24:10] | – I don’t even know how to tell you… – Forget it, Mom. | |
| [24:13] | Just forget it. | |
| [24:21] | Okay, I’ll tell you what. I’ll, um… | |
| [24:24] | I’ll j… I’ll… read one scene out loud, | |
| [24:29] | and then you read one scene out loud, | |
| [24:32] | and we go back and forth until we finish the first act, okay? | |
| [24:36] | We just get it down our necks. Mm? | |
| [24:48] | A Raisin in the Sun by Lorraine Hansberry. | |
| [24:53] | I never read this. | |
| [24:56] | “Act One. | |
| [24:58] | The Younger living room would be a comfortable | |
| [25:00] | and well-ordered room | |
| [25:02] | if it were not for a number of indestructible contradictions | |
| [25:06] | to this state of being. | |
| [25:08] | Its furnishings are typical and undistinguished, | |
| [25:11] | and their primary feature now is that they have clearly had | |
| [25:14] | to accommodate the living of too many people | |
| [25:17] | for too many years, and they are tired.” | |
| [25:21] | Sounds like ours. | |
| [25:22] | Yeah. You get it? | |
| [25:24] | Like, the-the chairs are tired? | |
| [25:34] | “Still, we can see that, at some time, | |
| [25:37] | a time probably no longer remembered by the family… | |
| [25:40] | except perhaps for Mama… | |
| [25:43] | the furnishings of this room were actually selected with care | |
| [25:46] | and love and even hope, | |
| [25:49] | and brought to this apartment | |
| [25:51] | and arranged with taste and pride.” | |
| [25:59] | “That was a long time ago. | |
| [26:01] | Now the once-loved pattern of the couch upholstery | |
| [26:04] | has to fight to show itself from under acres | |
| [26:07] | of crocheted doilies and couch covers | |
| [26:10] | which have themselves finally come to be more important | |
| [26:13] | than the upholstery. | |
| [26:15] | And here, a table or a chair has been moved | |
| [26:18] | to disguise the worn places in the carpet. | |
| [26:20] | But the carpet has fought back by showing its weariness. | |
| [26:24] | A depressing uniformity elsewhere on its surface.” | |
| [26:29] | “Weariness has, in fact, won this room. | |
| [26:32] | Everything has been polished, washed, | |
| [26:35] | sat on, used, scrubbed too often.” |