| 时间 | 英文 | 中文 |
|---|---|---|
| [00:11] | [Ron] Now, the story of a wealthy family who lost everything | |
| [00:14] | and the one son who had no choice but to keep them all together. | |
| [00:17] | [theme music playing] | |
| [00:24] | [Ron] It’s Arrested Development. | |
| [00:28] | – [player beeping] – [projector whirring] | |
| [00:31] | [waves crashing in distance] | |
| [00:35] | [George Sr.] Very disappointed with these swimsuits. | |
| [00:37] | – That’s right. – [George Sr.] What’s with the shirts? | |
| [00:39] | You better bring it to the talent portion, Michael! | |
| [00:42] | A little more Magnum, PI, | |
| [00:43] | – a little less Higgins. – [both laugh] | |
| [00:46] | Looking for a little Magnum, PI? | |
| [00:48] | Oh, for God sakes. Is that Stan Sitwell’s eyebrow? | |
| [00:51] | I… I… I just told him he didn’t leave it here! | |
| [00:54] | – [knocking on door] – [Lucille] Get that off your face, | |
| [00:56] | – you horse’s ass. – [George Sr.] Who the hell shows up | |
| [00:59] | – in the middle of a pageant? – [door opens] | |
| [01:02] | – [woman] Guess who! – [George Sr.] Mimi. | |
| [01:08] | Mom. | |
| [01:11] | I should have called. | |
| [01:13] | Hi! [chuckles] | |
| [01:15] | [gasps] Look at you! | |
| [01:18] | Look at all of you, | |
| [01:19] | rushing your Mimi… [sighs] | |
| [01:22] | This is your grandmother. | |
| [01:24] | – [George Sr.] Kids, rush your Mimi. – What are you doing here, Mom? | |
| [01:27] | Well, I wasn’t gonna miss the last summer | |
| [01:29] | at the beach house with my gorgeous family. | |
| [01:33] | Last summer? | |
| [01:35] | You’re sick? | |
| [01:37] | No. No, | |
| [01:38] | – I… I meant… I did… I missed this… – Yeah. | |
| [01:40] | …last summer, and, uh… I want to be with you, and… | |
| [01:44] | someone’s got a big birthday coming up. | |
| [01:46] | Where’s my Lindsay? | |
| [01:48] | [Lindsay] Right here. | |
| [01:50] | – Hi, Mimi. – [Mimi gasps] | |
| [01:51] | And it’s really not that big of a birthday. | |
| [01:53] | I mean, I’m just turning 14. | |
| [01:55] | And Michael is, too, because they’re twins. | |
| [01:59] | [whispers] Of course you are. | |
| [02:00] | I’m Gob. | |
| [02:02] | Uh… Why did you name him that? | |
| [02:04] | Mother, we haven’t seen you in five years. | |
| [02:06] | You don’t need to come in here and criticize my children | |
| [02:09] | – in the middle of a pageant. We’re… – Oh! | |
| [02:11] | Oh, you kept that tradition? Did your mother tell you | |
| [02:13] | – that I’m the one who started that? – [Lucille] Well, that’s true, | |
| [02:17] | but you never let me wear the sash when I was little. | |
| [02:20] | Oh, please, you were never little. [laughs] | |
| [02:21] | [quietly] Your mother was never little. [laughs] | |
| [02:24] | [children chuckling] | |
| [02:27] | [gasps] Oh, but this is perfect, | |
| [02:28] | ’cause I have a prize for one of the kids. | |
| [02:30] | We already have a trophy for the winner. | |
| [02:33] | It has a little magician on it. | |
| [02:34] | [Lucille] Yes, for whoever wins. | |
| [02:36] | They didn’t have one with a boy doing push-ups. | |
| [02:40] | [Mimi] All right. The trophy can be your prize. | |
| [02:41] | My prize is for whoever I deem to be the winner. | |
| [02:45] | It’s an all-expense paid cruise… | |
| [02:48] | – with her grandmother. – [dramatic instrumental music plays] | |
| [02:54] | All right, kids, why don’t you get ready for the, uh, talent portion? | |
| [02:57] | – Let the grown-ups talk. – [Mimi] Mm-hmm. | |
| [03:00] | You know, I’ve been in the house five minutes. | |
| [03:03] | You haven’t even offered me so much as a pitcher of martinis. | |
| [03:06] | I’ll make two. | |
| [03:08] | – [door closes] – [Lucille] So, you’re not taking a cruise | |
| [03:11] | – with Uncle Jack this year? – Uh, no. No. | |
| [03:15] | Jack dumped me. [sniffles] | |
| [03:17] | He says he wants to start | |
| [03:18] | – a clean slate on his 80th birthday. – [cocktail shaker rattles] | |
| [03:21] | Ah, well, anyway, I just thought the cruise | |
| [03:24] | would be the perfect gift for whoever wins. | |
| [03:27] | I know what you’re up to. | |
| [03:29] | You’re not taking Lindsay. | |
| [03:32] | Well, soon, Lindsay will be old enough to make that decision for herself. | |
| [03:36] | And I know you won’t let me take Buster. | |
| [03:38] | My God, when he was three years old, you still had him on a leash! [laughs] | |
| [03:41] | I said, “She’s gonna make a murderer out of that one.” | |
| [03:44] | Oh, but we’re getting ahead of ourselves! Let’s see who wins the competition. | |
| [03:48] | And I can be a judge. | |
| [03:49] | Never too early to get Buster used to being in front of a judge. | |
| [03:53] | [ominous piano music playing] | |
| [03:59] | [projector whirring] | |
| [04:03] | [Ron] George Sr. and Lucille entered a courtroom | |
| [04:06] | that abounded with memories of Bluth family get-togethers. | |
| [04:09] | [Barry] Hi! Oh, hi. | |
| [04:11] | – I’ve saved you some seats right here. – Okay. Thank you. | |
| [04:13] | Right in front, right… | |
| [04:14] | [Ron] But there was nothing that could prepare them for the shock | |
| [04:17] | – [gasps] – …of seeing the bailiff | |
| [04:19] | – lead their son into the courtroom. – [Lucille] I cannot believe this. | |
| [04:22] | This is the guy who used to bring me out during my trials. | |
| [04:26] | – Oh, God, it’s great to see you, Chuck. – Oh! I remember Chuck. | |
| [04:29] | – You used to catch him when he’d run. – Actually, | |
| [04:31] | – I’m Chuck’s son. – No. You’re little CJ? | |
| [04:35] | – [CJ] Mm-hmm. – Your parents must be so proud. | |
| [04:37] | [chuckles] Well, I’m sure every parent is proud of their… | |
| [04:43] | Well, why don’t I just chain your boy to the bench here? | |
| [04:45] | – That would be fine. Thank you. – [clicks] | |
| [04:48] | – [handcuffs jangling] – [in singsong voice] Mother… | |
| [04:51] | Is there anybody else you’d like to say hello to, Mother? | |
| [04:54] | At least I came to your trial. | |
| [04:56] | For mine, you were too busy juicing it up with that woman you probably pushed… | |
| [05:00] | – [in singsong voice] Careful. – Yep. | |
| [05:01] | – You look different. – [chains rattle] | |
| [05:04] | I’m growing dreads, Mother. | |
| [05:06] | Dreads right out of my head. | |
| [05:08] | Just because you have an African-American left hand, | |
| [05:10] | all of a sudden you’re Ray Charles? | |
| [05:12] | And I thought you Alibabaed one that was less… threatening. | |
| [05:15] | – [Buster mutters] – Hi. | |
| [05:16] | – Hello. – Michael, what are you doing here? | |
| [05:19] | You kidding me? I want to see our legal team in action. | |
| [05:22] | I mean, we’re certainly spending a fortune on them. | |
| [05:24] | [Ron] It was a legal team that Barry had suggested. | |
| [05:26] | …the Guilty Guys. | |
| [05:28] | Very expensive but very, very good, | |
| [05:30] | especially if you’re guilty. | |
| [05:32] | [Ron] The so-called Guilty Guys were a law firm | |
| [05:34] | whose record was so unblemished… | |
| [05:37] | they’d even been the subject of a reality show. | |
| [05:39] | The project, | |
| [05:40] | which was to show a single case over the span of a season… | |
| [05:43] | – [judge] How do you plead? – …was abandoned | |
| [05:45] | early on by Netflix as not being binge-worthy. | |
| [05:48] | [Michael] Where is this team we’re spending all our money on? | |
| [05:51] | And… And please tell me that it is not Barry. | |
| [05:53] | Oh, no, no, no, no, no. I’m just here as a fan. | |
| [05:55] | And for the referral fee. | |
| [05:57] | I’m gonna go in the hall and see if they’re here. | |
| [05:59] | – Okay. – [Barry] I’m gonna try and get a selfie | |
| [06:01] | – with the G-Man. – Shouldn’t you be working on the wall? | |
| [06:04] | Uh, you know what? I wanna… I want to take a step back. | |
| [06:07] | I want to let my son flap his wings a bit. | |
| [06:09] | Oh, God. Did he take another swing at you? | |
| [06:12] | [clicks tongue] No, that… that’s not what he did. | |
| [06:15] | George Michael fired you? | |
| [06:17] | [Ron] That is what he did. | |
| [06:19] | But it was only after Michael, having discovered his parents | |
| [06:22] | were in cahoots with Chinese investors to build | |
| [06:25] | a border wall, secretly spent the investors’ money | |
| [06:29] | to merge with his son’s company… | |
| [06:31] | – I bought Fakeblock. – What? | |
| [06:33] | [Ron] …provoking a dire warning from his parents. | |
| [06:35] | They’re going to be mildly displeased. | |
| [06:38] | [Ron] And though he refused to doom his son’s company | |
| [06:40] | – by selling it… – No, no. No, no, no, no. | |
| [06:42] | George Michael’s got nothing to do with this. | |
| [06:44] | [Ron] …a package from China threatened a more literal sort of defeat, | |
| [06:49] | which is how Michael came to announce both that he was building | |
| [06:52] | – a border wall… – …just for this project. | |
| [06:54] | [Ron] …and that it was the reason he purchased Fakeblock | |
| [06:57] | – in the first place. – [Michael speaking indistinctly] | |
| [06:59] | [Ron] George Michael felt bulldozed by the announcement. | |
| [07:02] | [George Michael] What the [bleep]!? | |
| [07:04] | – [Ron] Even though it was Gob… – We’re building a wall! | |
| [07:07] | Come back in two weeks! | |
| [07:08] | [Ron] …who moved up the date of the unveiling, | |
| [07:10] | which is what led to this. | |
| [07:12] | – We’re gonna need it in a month. – You’re fired. | |
| [07:13] | Which, because of the merger, he had the right to do, but don’t worry. | |
| [07:18] | The wall’s gonna be fine. Gob’s on it. | |
| [07:20] | I don’t want George Michael feeling guilty, | |
| [07:22] | so I told Gob, when it comes to the foot, | |
| [07:24] | – that mum’s the word. – [Ron] Although “clear” might’ve been | |
| [07:27] | – an overstatement. – It was a great move | |
| [07:28] | to get ridof your dad. Can’t let fear run a business. | |
| [07:31] | How do you mean, fear? | |
| [07:33] | Well, you get sent one severed foot from the Chinese, | |
| [07:35] | and, all of a sudden, you turn into a crybaby. | |
| [07:38] | The Chinese sent my dad a severed human foot? | |
| [07:40] | Yeah. Although they call it a “mum.” | |
| [07:42] | Mum’s the word for “severed human foot” in Chinese. | |
| [07:46] | I don’t even know how I know that. But it’s to ensure | |
| [07:48] | that he finishes building the wall or whatever. | |
| [07:50] | It’s like, you know what? Like, call me after you’ve been lured down | |
| [07:54] | to a rock quarry, and someone threatens | |
| [07:55] | to ruin your magic career | |
| [07:57] | if you go to gay conversion therapy, and it works. [chuckles] | |
| [08:00] | I mean, seriously, call me after that, | |
| [08:03] | because I’d be curious to see how… how you’d handle it. | |
| [08:07] | [Lucille] Well, having a child try to embarrass you | |
| [08:09] | is part of parenting, sweetheart. | |
| [08:12] | Mine’s chained to a bench. So, in that sense, he’s an overachiever. | |
| [08:15] | – [door opens] – [CJ] All rise. | |
| [08:17] | The Superior Court of Orange County is now in session. | |
| [08:20] | The Honorable Judge Spencer Stanley presiding. | |
| [08:23] | Please be seated. | |
| [08:25] | – CJ, let me get to the chair. – [CJ] Sorry. | |
| [08:28] | [Stanley] Does Defense have a counsel ready? | |
| [08:30] | Uh… not quite yet, Your Honor. | |
| [08:33] | Someone care to explain to me why there’s no one to represent the client? | |
| [08:36] | – [upbeat theme music playing] – They’re here! The Guilty Guys are here. | |
| [08:40] | Oh, it’s the Guilty Guys? | |
| [08:41] | They’re here. They’re actually here. | |
| [08:43] | – They’re coming down the hall. – [CJ] All rise | |
| [08:45] | – for the Guilty Guys. – CJ, you don’t have to… [sighs] | |
| [08:48] | Okay, great. Now I can’t see. | |
| [08:51] | [Ron] And so, perhaps as an intimidation tactic, | |
| [08:54] | the Guilty Guys finally arrived, | |
| [08:57] | the fruits of their very expensive preparation | |
| [08:59] | on full display. | |
| [09:01] | It was hard for anyone not to get caught up in the pageantry. | |
| [09:04] | Uh, Barry? | |
| [09:06] | [cart squeaks] | |
| [09:08] | [Stanley] On the count of murder in the first degree, | |
| [09:10] | how does the defendant plead? | |
| [09:15] | – [Anita clears throat] – Your Honor, in the case | |
| [09:17] | of The State of California v. Buster Bluth, | |
| [09:19] | we’d like to enter a plea of… guilty. | |
| [09:22] | Hmm. Okay. Let’s set a date for a sentencing presentation. | |
| [09:25] | And on a personal note, I just want to say that it is not often | |
| [09:29] | in the course of a jurisprudence career that a judge has the… | |
| [09:32] | – I want to say privilege… – Sorry. Did… | |
| [09:34] | Did… Did you say… Did they say guilty? | |
| [09:37] | [Barry] Look at that. There is always a guy | |
| [09:39] | who wants to know what’s going on. | |
| [09:41] | It’s why I could never go | |
| [09:42] | – to the movies with my father. – Hello? Not! | |
| [09:45] | We’d like to plead not guilty, Your Honor. | |
| [09:48] | Not guilty? You hired us to plead not guilty? | |
| [09:50] | [scoffs] Well, that’s a first. | |
| [09:52] | – [Michael] Barry, what’s going on? – [Barry] Yeah? | |
| [09:54] | [Michael] What’s happening? | |
| [09:56] | You didn’t want to plead guilty? | |
| [09:58] | Of course not! Buster’s not guilty. | |
| [10:01] | Well, then, these are not the guys. | |
| [10:03] | No, I thought I told you that | |
| [10:05] | if I was guilty, then I would hire these guys, | |
| [10:07] | ’cause they get the best sentences. | |
| [10:10] | You’re saying these guys cannot represent us | |
| [10:13] | in… in a not guilty plea? | |
| [10:14] | Why would you want to pay them for two months? | |
| [10:16] | I don’t think they’ve ever been on a case that long. | |
| [10:18] | [Ron] Which was the same problem the producers | |
| [10:20] | of the Netflix series had, and actually why it was canceled | |
| [10:23] | – before the end of the main title. – Your Honor, | |
| [10:25] | we’d like to enter a plea of… | |
| [10:27] | guilty. | |
| [10:30] | – Oh, honest to God, Barry… – [Barry] Okay. | |
| [10:33] | Okay, let me take care of this. | |
| [10:34] | Can I just ask, would you mind staying on the case | |
| [10:38] | if it’s not guilty? | |
| [10:40] | – Sidebar, please. Sidebar. – [Ron] And, true to their reputation, | |
| [10:43] | this pivotal moment | |
| [10:44] | would also prove anti-climactic. | |
| [10:46] | – Hey, yeah, we’re out. We just can’t… – Really? | |
| [10:48] | – We can’t defend their son. Bye. – [sighs] | |
| [10:51] | – [all cheering and whooping] – [Jack] Yeah! Yes! | |
| [10:53] | – Yes! – [Shara] We did it! | |
| [10:55] | They’re out. We won’t be hearing from them again. | |
| [10:58] | Except for what they’re gonna charge us for the phone call. | |
| [11:00] | – They’ve never technically won a case… – Mm-hmm. | |
| [11:02] | …but they’ve never lost a fee. | |
| [11:05] | Of course, the bad news is Lottie is pushing | |
| [11:07] | to get this on the docket within the month. | |
| [11:09] | – But we don’t have an attorney. – [Barry] Well, that’s what I said. | |
| [11:11] | This DA, she is a killer. | |
| [11:13] | She has never lost a case. Well, just once. | |
| [11:16] | But then, her ex was the opposing counsel. | |
| [11:18] | Well, that’s our answer. We gotta get him as our attorney. | |
| [11:21] | Oh, no. He’s retired. | |
| [11:23] | Which is too bad, because she was so flustered | |
| [11:25] | by his argument, she called for a mistrial. | |
| [11:28] | I have never seen Lottie Dottie cower like that before. | |
| [11:31] | Of course, she was called Lottie Radler back then. | |
| [11:34] | – Lottie Radler? – Yeah. | |
| [11:36] | What’s her ex-husband’s name? | |
| [11:39] | – Dustin. – Uh-uh. She means Lottie’s ex. | |
| [11:42] | Dustin Radler, the guy you’re dating. | |
| [11:45] | No, it can’t be. | |
| [11:46] | I mean, he said he was retired, but, | |
| [11:49] | uh… I have to get him on this case. | |
| [11:52] | Well, I don’t think he’s gonna do it for free. | |
| [11:55] | I’ll let him move in. That’s what he wants. | |
| [11:57] | No, no, no, no. You’re so close to ending it with him. | |
| [12:00] | I mean, I… You don’t want to be leading him on. | |
| [12:03] | We have to get our son off, | |
| [12:05] | and in three weeks, a mistrial is the only thing in our favor. | |
| [12:08] | So that’s my choice? | |
| [12:10] | Between my wife and my son? | |
| [12:13] | [Barry] Isn’t that the worst? | |
| [12:14] | Especially when you’re checking into a hotel. | |
| [12:16] | Here’s my advice. Always say that he’s your wife, | |
| [12:19] | ’cause they never have the balls to check. | |
| [12:23] | I’m out of context again, aren’t I? | |
| [12:27] | [quietly] I’m so sorry. | |
| [12:31] | [Ron] After firing his father, George Michael | |
| [12:34] | was visited by Maeby, | |
| [12:36] | who had father problems of her own. | |
| [12:38] | [Maeby] …about being a backup person in the Blue Man Group, | |
| [12:41] | when he realizes that Marge is over, so of course he yells, | |
| [12:44] | “Voices up.” And then I gotta hear Mrs. Featherbottom | |
| [12:47] | cover by saying she meant “makeup,” not “backup” person, | |
| [12:50] | and then go on to brag that, for four years, | |
| [12:52] | she blew three men five times a day, | |
| [12:54] | and now we’ve been called before the board | |
| [12:56] | – for the third time. – Well, why don’t you ask them to move out? | |
| [12:59] | It’s not that easy. Remember when your dad lived with you? | |
| [13:02] | Oh, yeah. Yeah, we had to do some crazy vote-out thing | |
| [13:06] | where he… he forgot how voting worked. He voted for himself. | |
| [13:09] | [Ron] In fact, it was a deeply complicated plan | |
| [13:12] | that required Michael believing he was voting out | |
| [13:14] | a third roommate, only to discover | |
| [13:18] | that the three turned on him… | |
| [13:20] | Michael. Michael. Michael. | |
| [13:23] | [Ron] …leading to a sense of betrayal | |
| [13:25] | that neither father nor son would soon recover from. | |
| [13:28] | [Maeby] Oh. I just remember it working, so, | |
| [13:31] | maybe a vote will do it. | |
| [13:32] | But you better watch out, | |
| [13:34] | because the gang’s gonna try and live with you | |
| [13:36] | – at Sudden Valley. – Well, with all the construction going on | |
| [13:38] | right now, they wouldn’t get through. | |
| [13:40] | Construction for what? | |
| [13:43] | The wall. | |
| [13:44] | You’re building the wall? I thought that’s why you fired your dad. | |
| [13:47] | Yeah, well, that was before I realized… | |
| [13:49] | there was something else… | |
| [13:52] | afoot. | |
| [13:54] | George Michael, you can’t do that. | |
| [13:56] | Building that wall is gonna affect real people. | |
| [13:58] | [George Michael] I don’t have the luxury of worrying about that. | |
| [14:00] | Someone’s gotta protect this family. | |
| [14:02] | Well, what about their families? | |
| [14:04] | I got to know some of those people when I was working in that border town, | |
| [14:06] | acting like I was getting to know those people. | |
| [14:08] | You sound just like a slightly self-aware Aunt Lindsay. | |
| [14:11] | Well, you sound just like a minimally-woke Uncle Michael. | |
| [14:14] | I’m not gonna go into this, because I don’t want you getting involved, | |
| [14:16] | but we’re building the wall. | |
| [14:18] | Fine. Abandon your morals. | |
| [14:21] | Build your dumb wall. Appease your dumb guilt | |
| [14:24] | at firing your father because of his dumb investment. | |
| [14:26] | It’s not dumb. He’s the only person who ever believed in this company. | |
| [14:29] | Which isn’t real, so that makes it dumb. | |
| [14:32] | You know what? I don’t even care anymore, though. | |
| [14:34] | It’ll be you who’s guilty of fraud. | |
| [14:36] | But, hey, maybe you can get those dumb attorneys | |
| [14:38] | from that short Netflix show that’s not on the air anymore. | |
| [14:41] | [man] They canceled that? | |
| [14:43] | [Ron] Lucille was attempting to get a lawyer herself… | |
| [14:46] | Dusty, after revealing to him | |
| [14:48] | that she now knew about his relationship | |
| [14:50] | with Lottie Dottie. | |
| [14:52] | – Da. | – Da. |
| [14:54] | Da! Oh, I knew you’d find out eventually. | |
| [14:57] | I mean, I haven’t exactly been in a courtroom for… | |
| [15:00] | For several years, I know. | |
| [15:02] | I wouldn’t ask if I had other options. | |
| [15:04] | – Look, I don’t want to take advantage… – [sighs] | |
| [15:07] | …but your ex wants to make sure my son can never truly be free | |
| [15:10] | in his life, and maybe you think I’m an overbearing mother, | |
| [15:13] | but I will not let this DA take my job. | |
| [15:17] | I think you’re a very caring mother. | |
| [15:19] | In fact, I’ll go one step further. | |
| [15:21] | I think this is how a mother’s supposed to act. | |
| [15:24] | Oh, so she’s not as sweet as she seems, is she? | |
| [15:26] | Trust me, it’s all an act. | |
| [15:28] | She’s not even interested in children. | |
| [15:30] | Well, maybe, like, babies, | |
| [15:32] | but that’s weird, because who likes babies? | |
| [15:35] | Mm, especially in the early years, I know. | |
| [15:37] | Well, this is a way to expose her. | |
| [15:39] | I mean, she’ll be so rattled, she’ll call for a mistrial | |
| [15:41] | before you’re even finished with your opening statement. | |
| [15:44] | Oh, boy, now I’m really tempted. | |
| [15:47] | Yeah. I ca… I can’t wait to see her face | |
| [15:50] | when she learns that you’re the one I’m with now. | |
| [15:52] | Believe me, I even wanted to lie | |
| [15:54] | and tell her things had gotten sexual with us, but… | |
| [15:56] | I didn’t want to make things weird. | |
| [15:58] | You don’t have to tell her about us. I mean, I’m old enough to be your mother. | |
| [16:01] | Right. That’s why I chose the word “weird.” | |
| [16:05] | But maybe that’s why I’ve been eager to move in with you. | |
| [16:09] | And I think maybe it’s time for that to happen. | |
| [16:11] | [Dusty] Then I’m in. I will be your lawyer. | |
| [16:15] | Let her see what I can do | |
| [16:17] | when I’m with a woman who totally accepts me. | |
| [16:20] | I wouldn’t change a thing, and of course, you’ll need to cut your hair. | |
| [16:23] | Oh, that’ll make her totally crazy. | |
| [16:25] | Yeah. She could never get me to do that. [scoffs] | |
| [16:29] | [Ron] But precious weeks had passed | |
| [16:30] | before Michael had even heard of the plan. | |
| [16:32] | They’re gonna do one of their slimy cheat-the-system shortcuts | |
| [16:35] | that never works instead of postponing the trial? | |
| [16:38] | [Buster speaking on phone] | |
| [16:46] | Okay, I have to take over the case. | |
| [16:48] | [Buster] | |
| [16:51] | Not if he’s unprepared. You… You need someone | |
| [16:54] | who’s… who’s got a background. I mean… | |
| [16:55] | [Buster] | |
| [16:57] | With your case. | |
| [16:58] | [Buster] | |
| [17:03] | No, I don’t think that. I am the… [clears throat] | |
| [17:07] | Hey, look… look, I… We’re in a financial jam right now. | |
| [17:10] | You know? I… I even had to use my show business connections | |
| [17:12] | to get a film crew to rent out the cottage | |
| [17:14] | for a couple of days. You know, of course, | |
| [17:16] | – the real payment there was… – [Buster] | |
| [17:18] | Uh, no, not at all. No. The… | |
| [17:20] | And that was the real payment, just to see her reaction | |
| [17:22] | to a boom operator standing on her bed, it was worth it. | |
| [17:25] | But… I… I don’t know, may… maybe we can now afford, | |
| [17:27] | like, one Guilty Guy. | |
| [17:29] | [Buster, voice shaking] | |
| [17:38] | – Allegedly. – [Buster, in singsong voice] | |
| [17:40] | [in normal voice] | |
| [17:42] | I just spoke to her today. | |
| [17:44] | – In person? – [Michael] Uh, no. | |
| [17:45] | – On the phone. She calls me all the time. – Oh! | |
| [17:47] | [Michael] I heard her in her apartment earlier. | |
| [17:49] | [Ron] Michael had been ducking Lucille 2’s calls… | |
| [17:52] | [Lucille, on phone] It’s Lucille Austero. | |
| [17:54] | I’ve been looking… | |
| [17:55] | – No! – [Ron] …after she disappeared | |
| [17:57] | on what he believed was May 6th. | |
| [17:59] | [Michael] Oh, my God, no, this… this is open and shut. | |
| [18:02] | No, I am taking over the case. | |
| [18:04] | – [Buster speaking on phone] – No, I have to. I have proof. | |
| [18:06] | She left voice mails. Hold on. | |
| [18:08] | [Ron] And that’s when Michael realized why all the phone calls | |
| [18:11] | from Lucille 2 during her campaign | |
| [18:14] | always went on about the same thing. | |
| [18:15] | [Lucille 2, on voice mail] It’s Lucille Austero. | |
| [18:18] | I’ve been looking for you. | |
| [18:20] | – I know you haven’t forgotten… – [phone beeps] | |
| [18:22] | [Michael] Uh, I guess I erased them. Yeah, fine. | |
| [18:24] | Sure, we’ll try it your way. We’ll do the Dusty mistrial thing. | |
| [18:27] | Yup. Yes, that could work. | |
| [18:30] | [Ron] Knowing that Fakeblock would be revealed as a fraud | |
| [18:33] | at the coming unveiling, | |
| [18:35] | George Michael realized he needed to create a distraction. | |
| [18:38] | So he went to the most easily distracted person he knew. | |
| [18:42] | [“Drive” by The Cars playing on stereo] | |
| [18:43] | Hey, man. Got a minute? | |
| [18:45] | – Hey, um, Gob? – ♪ Who’s gonna tell you when… ♪ | |
| [18:47] | – Yes? Oh, I just… Yep. Just… – [George Michael] Um, uh… | |
| [18:50] | Um, yeah. I’ve been thinking about this wall thing. | |
| [18:52] | I… I think that maybe we just cancel the event, | |
| [18:55] | and, uh, just do it for the investors. | |
| [18:57] | Cancel the event? | |
| [18:59] | [chuckles] No. We can’t cancel the gig. | |
| [19:02] | [George Michael] It’s gonna be boring. I mean, | |
| [19:04] | there’s nothing to it. We’re gonna have press | |
| [19:06] | and TV cameras out there and have this giant audience. | |
| [19:09] | For what? Just… Just to look at a wall? | |
| [19:12] | Or, I mean… | |
| [19:14] | [scoffs] Oh, George Michael, no. | |
| [19:18] | If there are gonna be as many people there as you think, | |
| [19:20] | I gotta put on a goddamn show. | |
| [19:22] | A magic show… from me. | |
| [19:25] | – Yep. Great. – [Gob] They come to look at a wall? | |
| [19:28] | – We make it so they can’t look away. – Do you really think so? | |
| [19:31] | [Gob] Yes! | |
| [19:32] | Except for a very few specific moments where we need them to look away, | |
| [19:35] | so I can do the little tricky part. | |
| [19:37] | I also think it’s a great opportunity to lure… | |
| [19:41] | [Ron] Gob knew he couldn’t say that it could lure Tony Wonder | |
| [19:44] | out of hiding, while simultaneously allowing Gob | |
| [19:47] | to go back to his straight life | |
| [19:49] | – without angering… – Angering… | |
| [19:51] | – [Ron] …the gay Mafia. – …the gay Mafia. | |
| [19:52] | – Yes. Absolutely. No. – [George Michael] Right. Well, | |
| [19:54] | would you maybe be in charge of that? | |
| [19:56] | [scoffs] Great. | |
| [20:00] | I’ll be here all [bleep] night! | |
| [20:02] | [Ron] Gob would leave the office three minutes later. | |
| [20:07] | [Ron] The night before the trial, George Sr. arrived at the cottage… | |
| [20:11] | I thought you wanted me to pre-tie his tie. | |
| [20:13] | [Ron] …to review their legal strategy. | |
| [20:15] | He’s not here. He ran off. He’s flipping out. | |
| [20:19] | [George Sr.] What is he flipping out about? | |
| [20:20] | I thought he wins every case. I mean, it’s Lottie who should be flipping out. | |
| [20:23] | Oh, I’m sure she will. | |
| [20:24] | It… It’s just pre-trial jitters. | |
| [20:27] | – [Ron] It was more than pre-trial jitters. – God, I can’t breathe. | |
| [20:30] | It’s choking me. [grunts] | |
| [20:33] | Hey, what’s the matter with you? | |
| [20:35] | Shouldn’t you be working on your opening statement? | |
| [20:37] | Ah, I hate it! | |
| [20:39] | I just wasted an hour and a half working on an opening joke, | |
| [20:42] | till I realized that it’s from Fast and Furious. | |
| [20:45] | It doesn’t even work unless you’re in a Camaro. | |
| [20:47] | [Lucille] Why are you worried about a joke? | |
| [20:48] | You just need an opening argument. | |
| [20:51] | Well, because my argument comes right after I state, | |
| [20:54] | “If you think that’s funny, wait until you hear | |
| [20:56] | what the opening statement the prosecution is gonna give.” | |
| [20:59] | I thought the prosecution went first and then the defense. | |
| [21:02] | Sorry, I forgot, you know everything. | |
| [21:05] | No, I’m sorry. I’m just anxious. | |
| [21:08] | You’re anxious?! [scoffs] | |
| [21:10] | You’re the mother of the defendant, everybody’s favorite. | |
| [21:13] | I’m gonna be the one everyone’s staring at, | |
| [21:15] | and I know literally who’s gonna be judging me the most. | |
| [21:18] | – The judge can’t show favoritism. – No. | |
| [21:20] | – Lottie! – [Lucille] Oh, that’s ridiculous. | |
| [21:23] | Trust me, the moment she sees you walk into that courtroom, | |
| [21:26] | the joke’s going to be on her! | |
| [21:27] | Yeah! That’s why I wanted to tell the joke first! | |
| [21:30] | God! You never listen to me! | |
| [21:33] | What are you doing? Nobody’s even swimming out there! | |
| [21:36] | Okay, Dusty, you really need to calm down. | |
| [21:39] | Ah. You calm down. Stop telling me what to do. | |
| [21:42] | Well, I’m sorry. I’m not trying to be your mother, | |
| [21:44] | but… but I’m worried about my son. | |
| [21:46] | Okay. If you don’t want to be my mother, | |
| [21:48] | then maybe stop referring to me as your son, how about that? | |
| [21:51] | I… I’m talking about Buster. | |
| [21:55] | Yes! You’re always talking about Buster. | |
| [21:57] | Buster this, Buster that. How are you gonna represent Buster? | |
| [22:00] | Have you talked to Buster today? You know what? | |
| [22:03] | [grunts] | |
| [22:05] | No! | |
| [22:07] | No, say it. | |
| [22:10] | I hate him! | |
| [22:11] | I hope he loses! | |
| [22:13] | I’m going to my fort! [sighs] | |
| [22:16] | [Ron] But even this could provide no solace | |
| [22:18] | – for Dusty. – Hey! Locals only, brosef. | |
| [22:22] | Turista non grata, dude. | |
| [22:24] | Yo, dudes! It’s me, | |
| [22:27] | – Dusty! – What’s with the tie? | |
| [22:29] | Yeah, I know. | |
| [22:30] | She made me wear it. | |
| [22:33] | [indistinct chatter] | |
| [22:37] | [man] Get lost! | |
| [22:40] | – [sad piano music playing] – That’s right, keep walking, pal. | |
| [22:43] | [George Sr.] Jitters can be bad. Remember when I had them | |
| [22:46] | the night before we went to trial | |
| [22:47] | – for that tax evasion in ’88? – [Lucille] Oh, yeah. | |
| [22:51] | – We had to hide all that boy fight money. – [George Sr.] Yeah. | |
| [22:54] | You gave me that “in case you’re going away” present. | |
| [22:56] | That got the jitters out of me. | |
| [22:59] | What do you think about doing that with Dusty? | |
| [23:03] | How can you ask me that? | |
| [23:05] | I just know how you can be. There was a time | |
| [23:08] | right after Gob was born… | |
| [23:10] | when you grew cold and contemptuous of everyone. | |
| [23:14] | You remember that? | |
| [23:15] | Well, only because it’s still going on. | |
| [23:18] | Maybe I’ve pulled away from him. | |
| [23:21] | In fact, most nights he goes back home to sleep in his own bed. | |
| [23:24] | Which is fine. I… I want his head in his work. | |
| [23:27] | Huh. That doesn’t necessarily mean yours has to take the night off. | |
| [23:32] | Hey, I hate the idea, | |
| [23:33] | but we gotta do something to get his confidence in that courtroom, | |
| [23:37] | and I am willing to shut my eyes and let it happen. | |
| [23:41] | Now you know how I felt all those years, George. | |
| [23:47] | [Ron] But even though Lucille felt good about making George feel bad, | |
| [23:51] | she knew that he was right. | |
| [23:54] | So that evening, she arrived at the home | |
| [23:57] | she felt Dusty had been driven back to | |
| [23:59] | by her lack of physical affection. | |
| [24:01] | Someone will be with you in just a moment. | |
| [24:04] | Although it was considerably less modest than she had imagined. | |
| [24:07] | [piano music playing] | |
| [24:11] | – May I help you? – I’m sorry. | |
| [24:13] | I thought this was where Dustin Radler lived. | |
| [24:15] | Mr. Radler’s in his bedroom. | |
| [24:17] | – I’ll have to announce you. – Announce me? | |
| [24:19] | – Carla, please! – No, no. I… | |
| [24:21] | I was just going to casually drop by. | |
| [24:23] | – Carla, Miss… – Bluth. Lucille Bluth. | |
| [24:27] | Yeah, is here for a casual drop-by. | |
| [24:29] | Why is this the first I’m hearing about it? | |
| [24:31] | I’m sorry. I didn’t… Was the casual drop-by | |
| [24:33] | scheduled within the month? | |
| [24:34] | You don’t need to ask that. Just check all the way back | |
| [24:37] | – through May. – May I be of assistance? | |
| [24:39] | [woman] Mrs. Bluth is here for a CDB, | |
| [24:41] | and Carla didn’t know about it. | |
| [24:42] | Most likely because it wasn’t made into a Vine. | |
| [24:45] | [man] That’s fine, | |
| [24:46] | I’m sure it was booked through our second floor staff. | |
| [24:48] | I’m sorry, I didn’t realize you were close to the Salazars. | |
| [24:51] | No, I didn’t book… | |
| [24:53] | – Who are the Salazars? – [man] The second floor staff. | |
| [24:55] | Mrs. Salazar was our pantry captain for 15 years. | |
| [24:59] | [woman] Yes, back when she was Ms. Bautista. | |
| [25:02] | Three guesses what she did to get on two. | |
| [25:04] | [Lucille] No. You… You… I’m just here to see Dusty. | |
| [25:07] | Uh, Mr. Radler. | |
| [25:08] | But, I… I… I’m sorry, you all work for him? | |
| [25:12] | He never mentioned that he had so much… | |
| [25:14] | [Ron] Lucille thought better of saying “money.” | |
| [25:16] | – …of a staff here. – [man] On the first floor? | |
| [25:20] | What, does he now think the Salazars control everything? | |
| [25:22] | I told you! The first floor used to mean something | |
| [25:25] | in this house. | |
| [25:27] | Jean, no. | |
| [25:29] | That pantry is unguarded. | |
| [25:31] | You must start keeping up that datebook. Jean! | |
| [25:36] | [Ron] Lucille could tell there was tension among her boyfriend’s staff, | |
| [25:39] | and she felt compelled to say… | |
| [25:41] | How rich is this sand hobo? | |
| [25:43] | [Ron] Well, yeah, she did say that. | |
| [25:45] | But about the staff, she also said… | |
| [25:48] | I’m going to [bleep] him. | |
| [25:50] | [Ron] Oh, ap-– apologies. | |
| [25:51] | I don’t know why I thought she said something about the staff. | |
| [25:57] | [Ron] On the next Arrested Development… | |
| [25:59] | – [DeBrie] Annette. – [Ron] Maeby uses | |
| [26:01] | her mathematical ingenuity to rig an election. | |
| [26:04] | – Annette. – Dad said no talking. | |
| [26:06] | Then why the hell are you talking, Bev? Why the… | |
| [26:09] | I’m sorry. I didn’t know they would both vote against you. | |
| [26:13] | – “My daughter Annette.” – [Tobias] The… Uh, or… | |
| [26:16] | I wouldn’t have voted that way, is what I meant to say. | |
| [26:19] | – Should we read the last one? – [Maeby] No. | |
| [26:22] | Because it’s just gonna say my name. | |
| [26:24] | I voted myself out, too, okay? ‘Cause I can’t take it anymore. | |
| [26:28] | You’ve taken all the fun out of the worst part of life. | |
| [26:33] | [Ron] But while packing up, | |
| [26:34] | Maeby comes across something of Stan Sitwell’s | |
| [26:37] | from before she moved in. | |
| [26:41] | [Maeby] So if these people really disappeared… | |
| [26:46] | …that means there’s an ocean view available. | |
| [26:55] | [upbeat music playing] |