| 时间 | 英文 | 中文 |
|---|---|---|
| [00:14] | [Ron Howard] While attempting to bail out his brother, Buster, | |
| [00:17] | Michael had accidentally bailed out the family attorney. | |
| [00:20] | -What’s it gonna cost to get Buster out? –I don’t know. What’s he in for? | |
| [00:24] | -Murder? Manslaughter? -No. No. | |
| [00:25] | There’s no murder. | |
| [00:26] | He tampered with evidence when Lucille 2 went missing. | |
| [00:29] | -I would say over $50,000. -[Michael] Mm-hmm. | |
| [00:32] | Yeah, well, I told you, I’m tapped out. | |
| [00:34] | Couldn’t you embe– borrow from your company? | |
| [00:36] | What are you talking about? Lucille Austero is a majority shareholder. | |
| [00:41] | We’re gonna be under scrutiny. | |
| [00:42] | Doesn’t George Michael have a company that he can em– borrow from? | |
| [00:46] | You need $15,000? | |
| [00:47] | No. No, not at all. No, please, son, not from you. | |
| [00:51] | I’d never ask you for money. Come on. | |
| [00:53] | And it’s 50,000 | |
| [00:55] | that I’m not asking you for, not 15, okay? | |
| [00:57] | Which I could probably lend you. | |
| [00:59] | -Oh, I don’t need it. -Huh? No? Good. Yeah? | |
| [01:02] | Good, good. | |
| [01:03] | So your Fakeblock’s doing well? | |
| [01:05] | [Ron] George Michael had been looking for an opportunity | |
| [01:08] | to come clean about Fakeblock… | |
| [01:10] | -Been meaning to ask. -…but this wasn’t it. | |
| [01:12] | Yeah, well, Fakeblock’s money is all tied up in legalities, | |
| [01:15] | -patenting, marketing. -Sounds amazing. | |
| [01:18] | Good for you, good for you. Good for him. | |
| [01:20] | We’re trying to figure out the Buster thing. | |
| [01:21] | Well, if we can’t use the company money to get Buster out, | |
| [01:25] | you better figure out a way to do it, Barry… | |
| [01:29] | or I’ll use my own lawyer. | |
| [01:31] | What are you talking about, another lawyer? | |
| [01:33] | You don’t have the courtesy to wait until I’m disbarred? | |
| [01:35] | Is this a divorce guy? Oh, this hurts. | |
| [01:38] | Give me a second, I’ll be all right. | |
| [01:40] | I was gonna use your divorce to pay off my peekaboo lawyer. | |
| [01:43] | His name is Dustin Radler, and I haven’t hired him, | |
| [01:46] | because technically, he’s given up the rat race. | |
| [01:49] | Oh, God, the giving up the rat race guy? | |
| [01:51] | This is the sand hobo? | |
| [01:52] | Uh, it’s just a question. | |
| [01:54] | Are you guys doing something? | |
| [01:55] | -[inhales] -[Gob] Don’t say it! | |
| [01:57] | Please, I can’t… I can’t hear it. | |
| [02:00] | He tickles my fancy. | |
| [02:02] | Your what? Is the… | |
| [02:04] | What part of Mom is the fancy? | |
| [02:07] | You do not want to know what I’m picturing, | |
| [02:09] | and it’s not what you think. | |
| [02:11] | Oh, stop. | |
| [02:12] | We walk on the beach. | |
| [02:14] | We like the feel of the sand on our feet. | |
| [02:16] | Oh, God, the thought of your feet. | |
| [02:19] | [George Sr.] It’s fine. | |
| [02:20] | I’m glad you have someone to talk to. | |
| [02:22] | Well, maybe I’ll go check on Buster. | |
| [02:24] | Wow. Mom really has him fancy-whipped, huh? | |
| [02:27] | You don’t want to bring another lawyer into this. | |
| [02:29] | You don’t want to go in fully armed, because the DA, | |
| [02:32] | she’s up for reelection, and she’s a killer. | |
| [02:34] | God, I even hate to say her name. | |
| [02:36] | [upbeat music playing] | |
| [02:38] | Yeah, Lottie Dottie DA, my asshole. | |
| [02:40] | Okay. When it comes to Buster: a total press blackout. | |
| [02:45] | Couldn’t agree more. We have to be diligent. | |
| [02:47] | -No media. -[Tobias] Uh… | |
| [02:49] | are we talking about reality or, uh, | |
| [02:51] | scripted, as well, because [laughs] I’ve got… | |
| [02:54] | Why would there be a scripted about the family? | |
| [02:57] | Weren’t you working on one with Ron Howard? | |
| [03:00] | [clicks tongue] | |
| [03:02] | You’re saying that’s not grandfathered in. | |
| [03:05] | ‘Cause it was before the murder. | |
| [03:06] | Michael, tell me that movie | |
| [03:08] | you were producing about us is not still happening. | |
| [03:12] | I do not think that it is. I mean, I… | |
| [03:14] | I gave the releases to Kitty, but the industry does not move fast. | |
| [03:17] | Well, then, talk to Kitty and get them back. | |
| [03:21] | -Can’t. Kitty hates me. -[Gob laughs] | |
| [03:23] | Did you catch this? | |
| [03:25] | Man, that’s priceless. | |
| [03:27] | First, you eat it with Buster, | |
| [03:29] | then you step in it with the movie, | |
| [03:31] | and now you’re eating what you stepped in, | |
| [03:33] | because Kitty hates you. | |
| [03:36] | Guess Michael’s the geo-bead today. | |
| [03:40] | Did you say “geo-bead”? | |
| [03:41] | Yeah, it’s one of Dad’s expressions– When somebody screws up, Dad said it. | |
| [03:45] | One of his “you’ll figure it out someday” expressions. | |
| [03:47] | -Okay. -Know what? You’re lucky, | |
| [03:49] | ’cause Kitty’s sweet on me, so I’ll go with you. | |
| [03:51] | -No, thank you. Nope. -I could go. Or just… | |
| [03:54] | Would that be helpful if I did? Or am I just being a G-O-B? | |
| [03:58] | -[chuckles] -Uh… [scoffs] | |
| [03:59] | G-O-B spells “Gob,” you geo-bead, | |
| [04:01] | so why don’t you s… ah. Well, today’s the day. | |
| [04:05] | Why are you even still here? Go find your wife. | |
| [04:10] | I don’t know where she is. | |
| [04:11] | Well, track down the ex-boyfriend. | |
| [04:13] | And take Tonto with you. | |
| [04:15] | Yes, of course, Marky Bark. | |
| [04:18] | From the cuckolding. | |
| [04:19] | I think I might have an idea of where I can, I think. | |
| [04:23] | -Come on! -Coming! | |
| [04:24] | [Ron] And as Tobias rushed off with his newfound son, | |
| [04:27] | George Michael and his cousin | |
| [04:29] | -caught up. –I can’t believe this is the third | |
| [04:31] | “welcome home from prison” party we’ve thrown. | |
| [04:33] | [chuckling] Yeah. | |
| [04:35] | Know what we should do? | |
| [04:36] | Why don’t we make out again and teach them a lesson? | |
| [04:39] | I can’t, ’cause my dad’s here, and he thinks I’m still dating Rebel. | |
| [04:43] | And how would our making out teach them a lesson? | |
| [04:46] | T-Teach Rebel a lesson. I meant, teach Rebel. | |
| [04:49] | I’m supposed to have a date with her later. | |
| [04:51] | Wait, so you are still dating her? | |
| [04:54] | What happened to our plan, | |
| [04:55] | where you show up demanding sex after ghosting her | |
| [04:57] | for two months, and she breaks up with you? | |
| [04:58] | Didn’t I tell you? She was out of town for two months, | |
| [05:01] | and it looked like I was waiting for her when she got home, | |
| [05:04] | and she thinks we’re closer than ever now. | |
| [05:06] | I’ve agreed to go to this barbecue at her dad’s house. | |
| [05:08] | I can’t meet her family. I… | |
| [05:10] | Hey, George Michael, uh… Ah, hey. | |
| [05:13] | Did that Murphybrown thing upset you? | |
| [05:16] | Oh, did that actress die? Oh, [bleeps] you, 2015. | |
| [05:19] | Oh, no, this is different. The, uh… Tobias’s friend, | |
| [05:22] | his name is Murphybrown, | |
| [05:24] | and it’s more than just his acting friend. | |
| [05:26] | It’s his boyfriend. | |
| [05:27] | No, it’s his son. | |
| [05:29] | His boyfriend’s son. | |
| [05:31] | Oh, I’m sorry, Maeby. | |
| [05:33] | Are you… jealous? | |
| [05:35] | No, of course not. | |
| [05:36] | I mean, the guy grew up not even knowing his father. | |
| [05:38] | -If anything, I’m… jealous. -[Michael] Hmm. | |
| [05:41] | Yeah, that… that is a great word for it. | |
| [05:46] | Did I overhear that Rebel does not want you to meet her family? | |
| [05:50] | No, it’s that they’re having | |
| [05:52] | some barbecue thing today over at her dad’s house… | |
| [05:55] | And you were not invited. Ay, ay, ay. | |
| [05:57] | [stammering] No, I think I could show up. -She didn’t seem into it… -Well, | |
| [06:01] | I’m the wrong one to ask. When I was briefly interested | |
| [06:05] | in Rebel, you know, | |
| [06:07] | and even that overstates it, I failed the Ron test big-time. | |
| [06:11] | Okay? And in fairness to Ron, I also thought that he was… | |
| [06:14] | Her… | |
| [06:17] | Her lover? | |
| [06:20] | …boss. [laughs softly] | |
| [06:21] | But listen, you take your time. | |
| [06:23] | Don’t rush trying to fit in with that crowd. | |
| [06:25] | They’re probably looking for a yes-man or a suck-up. | |
| [06:28] | That’s not your style. | |
| [06:29] | No. No, well, I had a great role model. | |
| [06:32] | Aw, bless you. | |
| [06:33] | Yeah, I also had a… | |
| [06:35] | Well, bless you. | |
| [06:37] | If you end up meeting that family, | |
| [06:39] | one good rule to follow is… -do not bring Tobias. -Be myself. | |
| [06:42] | Be yourself, George Michael. | |
| [06:44] | George Maharis. | |
| [06:45] | Yes, be George Maharis, George Michael. | |
| [06:50] | [Ron] Now, the story of a wealthy family | |
| [06:51] | who lost everything, and the one son who had no choice | |
| [06:55] | but to keep them all together. | |
| [07:02] | It’s Arrested Development. | |
| [07:08] | [Ron] Michael Bluth was taking his brother to ensure | |
| [07:11] | that Kitty wasn’t going to make a movie about Buster. | |
| [07:14] | -…eating what you stepped in. –You made that point. | |
| [07:16] | I had to give her Buster. | |
| [07:18] | The movie couldn’t be me and George Michael. We were both dating Rebel, | |
| [07:21] | and she didn’t know that he was my son. | |
| [07:23] | -It was a disaster. -Right. | |
| [07:25] | You didn’t know who I was dating, so you accused me of being the other man. | |
| [07:28] | -Who were you dating? -[laughing] Julie Bowen! | |
| [07:31] | [Ron] Actually, it was Tony Wonder, | |
| [07:33] | a man Gob had been longing to hear from ever since | |
| [07:36] | the gay magician poofed into his life, | |
| [07:39] | -and then, just as quickly… -Oh, [bleeps]. | |
| [07:41] | …disa-poofed. | |
| [07:42] | [Michael] The Rebel thing almost ruined my relationship with my son. | |
| [07:45] | And I think that it’s a good thing | |
| [07:47] | she’s lost interest in George Michael. | |
| [07:49] | -I have to tell you… -That never made sense. | |
| [07:52] | It never made sense. | |
| [07:53] | It never made sense, because, you know, | |
| [07:55] | he doesn’t fit in with those people, and I think that George Michael and I | |
| [07:59] | are gonna be closer than ever. | |
| [08:00] | He’s gonna need a father– still needs a father. | |
| [08:02] | The only mother figure he’s ever had | |
| [08:05] | -in his life was… -Oh, it was Mom. | |
| [08:09] | Yeah. Yeah, I guess so. | |
| [08:12] | Huh, poor kid. | |
| [08:15] | -I can’t imagine. -Nor can I. | |
| [08:23] | -Wait, we had Mom. -You know, in a way, she was our mom. | |
| [08:28] | [Ron] George Michael was seeking motherly advice | |
| [08:31] | from a cousin | |
| [08:33] | -who’d been living as a grandma. -[Stan] Aha. | |
| [08:35] | I heard we’re getting a visit from the grandson. Want a lick? | |
| [08:38] | -Oh, my God, no. -Good, more for me. | |
| [08:40] | -Gonna have more? I can come back. -No, no. Come on in. | |
| [08:43] | I heard you’re having relationship trouble. | |
| [08:46] | I’ll go get your… What do you call her? Gangie? | |
| [08:48] | Maeby… | |
| [08:49] | I should call her that. | |
| [08:51] | Uh, yeah, relationship problems. | |
| [08:54] | -Gangie gets it. -Yeah, she sure helped me. | |
| [08:56] | Imagine finding love at my age. | |
| [08:58] | It is hard to imagine, but, uh, | |
| [09:00] | maybe you’ll find something else, like a hobby | |
| [09:02] | -or a napkin. -Mm. | |
| [09:05] | Annette, your grandson’s here. | |
| [09:07] | [Maeby] I have no makeup on, | |
| [09:08] | -I’m a mess. Cover your eyes. -Too late. | |
| [09:11] | I won’t look. If your grandson wasn’t here, I’d probably take a peeky-weeky. | |
| [09:15] | [Maeby] Well, hey, what a surprise… honey. | |
| [09:19] | [George Michael] You’re living with this guy? | |
| [09:21] | Hey, my fake identity is none of your fake identity’s business, okay? | |
| [09:24] | [George Michael] Speaking of that, things have gotten worse. | |
| [09:26] | Not only does my dad think Fakeblock is real, and I’ve got money | |
| [09:29] | I won’t share with him when he needs to bail out Buster, | |
| [09:33] | but he also thinks I should take things slower with Rebel. | |
| [09:36] | I don’t know, but here’s my idea about her. | |
| [09:38] | What do women really want? | |
| [09:39] | Their fathers’ attention. | |
| [09:41] | And Ron Howard is a buttoned-down guy, right? | |
| [09:43] | What if he doesn’t like you? | |
| [09:46] | What if you show up to the barbecue with pink hair? | |
| [09:48] | -Pink hair? -Yeah. | |
| [09:49] | I saw it on someone recently, and it made me want to puke. Trust me. | |
| [09:53] | You are gonna be like, “Burn!” [laughs] | |
| [09:56] | That’s starting to tingle. | |
| [09:58] | Let me know when it starts to burn. | |
| [09:59] | -It’s gonna burn? -Did I not make that clear? | |
| [10:02] | Nobody said getting out of a relationship would be painless. | |
| [10:06] | You should talk about getting out of a relationship. | |
| [10:08] | I think your friend Stan might be interested in you | |
| [10:11] | in a way that you don’t want him to be interested. | |
| [10:13] | That would explain why he’s offering to do my laundry. | |
| [10:17] | Well, whatever gets him to do my laundry, huh? [chuckles] | |
| [10:20] | Yeah, no, I’ll suss it out. | |
| [10:23] | This lie I’m living might be sending him mixed signals. | |
| [10:26] | [Ron] At that moment, some mixed signals | |
| [10:29] | were also being sent on Pacific Coast Highway… | |
| [10:31] | Technically, they had to call me Rock Monster. | |
| [10:34] | [Ron] …as Tobias and his newly found son | |
| [10:36] | were headed to Mexico to find his newly lost wife. | |
| [10:39] | And John Beard actually said | |
| [10:41] | I was one of the more popular predators, | |
| [10:43] | so whatever gets your name and weight out there. | |
| [10:46] | But I want to hear about your dreams. | |
| [10:48] | I don’t know. I’m really good at computers. | |
| [10:51] | It’s fun, too. | |
| [10:51] | Kind of like the only time I feel alive. | |
| [10:53] | No, no, your dreams, | |
| [10:55] | not what you think will make you rich. Your passion. | |
| [10:58] | Oh, also maybe being, like, a doctor for animals, | |
| [11:01] | or their dogs, ’cause sometimes, if I look at an animal, | |
| [11:04] | there’s, like, a special connection. | |
| [11:06] | Dreams! Dreams. | |
| [11:08] | I didn’t ask, “What part of a dog do you want to touch?” | |
| [11:11] | Okay, let’s try this in reverse. Uh, you’re famous. | |
| [11:15] | Uh, what is the thing you do that makes everyone clap? | |
| [11:19] | Ooh! Once I got claps for doing a juggling ball thing, | |
| [11:22] | ’cause I’d unicycle in Haiti when I was volunteering… | |
| [11:25] | Yes! Clowning, yes! Now, you’re dreaming. | |
| [11:28] | That’s your dream. | |
| [11:30] | Well, perhaps we should juggle your priorities. [chuckles] | |
| [11:33] | Oh. | |
| [11:35] | [Ron] And Michael was preparing his brother | |
| [11:38] | to persuade Kitty to give back their movie rights. | |
| [11:41] | Good. Here comes Kitty. Here she comes. | |
| [11:43] | -I believe in you. You can do her. -What? | |
| [11:44] | This. You can do this… [chuckles] to her. | |
| [11:47] | Michael! Whatever it is, the answer is no, unless you want the answer to be no, | |
| [11:51] | -and then, it is yes. -Well, Gob, I want you to, | |
| [11:55] | -uh, to see who’s here. -Gob. | |
| [11:58] | Well, aren’t you a sight for sore eyes. [chuckles] | |
| [12:01] | I was gonna say, they look puffy and red. | |
| [12:03] | [laughs shrilly] | |
| [12:07] | -You guys need to get a room, huh? -[Kitty] Right? | |
| [12:09] | Why don’t you guys get a room, | |
| [12:11] | and I can say hi to Ron? What do you think? | |
| [12:13] | He’s not in the office today. He has some family event. | |
| [12:17] | -Oh, is that today? -But since he’s not here, | |
| [12:19] | how would you like to get inside of a LEM? | |
| [12:21] | If I could j– Um, Michael. | |
| [12:23] | -I just… -[Michael] Yeah? | |
| [12:24] | -I can’t do this. -No. You’re gonna be fine. | |
| [12:26] | You’re gonna be fine. You were built for this, okay? | |
| [12:29] | [Gob] I can see she’s got gum in her mouth. | |
| [12:30] | -[Michael] She can hear you. -[overlapping chatter] | |
| [12:33] | [Kitty] You’re overthinking it. Nothing to worry about. | |
| [12:36] | -It was in the past. You’ve been there. -Let me get out of your hair. | |
| [12:39] | -And you can get in my hair. -God, no. | |
| [12:41] | You can’t make me touch her hair. | |
| [12:42] | -I’m not gonna touch her hair. -Come on, Gob. | |
| [12:45] | [Ron] And nearby, George Maharis was ready to alienate | |
| [12:49] | his soon to be ex-girlfriend’s family | |
| [12:53] | with a head full of Tobias Pink hair. | |
| [12:57] | [Rebel] Hey! There you are. | |
| [13:00] | Dad, this is George Maharis. | |
| [13:02] | -Oh, neat to meet you. -Neat to meet you. | |
| [13:05] | [Ron] Rebel says neat things about you. | |
| [13:08] | What’s up? | |
| [13:09] | [Ron] Unfortunately, Maeby left the dye in too long, | |
| [13:12] | -and it turned out to be… -[Ron] Look. | |
| [13:14] | Howard Red. | |
| [13:17] | No, it isn’t. It… It’s… | |
| [13:20] | [chuckles] | |
| [13:21] | -Imagine if it was pink, though. -[Ron] Yeah, but it’s not. | |
| [13:24] | It’s Howard Red. Cheryl, look at what this kid did. | |
| [13:27] | [Cheryl] It’s like our hair. | |
| [13:29] | Someone’s come a-courtin’. | |
| [13:31] | You’re fitting in already. | |
| [13:33] | [all laughing] | |
| [13:37] | -What’s so funny? -Oh, it’s just my family. | |
| [13:39] | We Howards don’t just laugh when things are funny. | |
| [13:42] | We laugh when we’re happy. | |
| [13:44] | And when things are uncomfortable, too. | |
| [13:46] | You mean, when bad reviews start rolling in? | |
| [13:48] | [all laughing] | |
| [13:54] | [Ron] So, Rebel tells me | |
| [13:55] | that you’re an entrepreneur, some sort of security software? | |
| [13:59] | Oh, Dad, it’s called Fakeblock, and it’s amazing. | |
| [14:03] | The company’s gonna go under by next week. We’re broke. | |
| [14:06] | Guess I’m not exactly daddy’s dream boyfriend, am I? | |
| [14:09] | Listen, don’t worry about that company stuff. | |
| [14:12] | -When I started Imagine… -[Ron] With Brian Grazer. | |
| [14:15] | …the company was up to its neck in debt, but look at me… | |
| [14:18] | -[Ron] And Brian. -…now. | |
| [14:19] | And in those early days, I can’t tell you | |
| [14:22] | how many times I felt like a fraud. | |
| [14:25] | But I’ll tell you a secret, everyone feels that way. | |
| [14:30] | [Ron] George Michael was touched by the advice… | |
| [14:33] | But enough business talk. Tell me, do you like hot dogs? | |
| [14:35] | [Ron] …but he made one last attempt | |
| [14:38] | to offend his host… | |
| [14:39] | -No, I don’t like hot dogs. -[all laughing] | |
| [14:42] | [laughs nervously] | |
| [14:46] | -[Ron] …but couldn’t. -I love them. | |
| [14:48] | [all laughing loudly] | |
| [14:52] | -[laughing] No. -Oh, my God. | |
| [14:55] | [Ron] You’re good. You’re good. | |
| [14:57] | [all continue laughing] | |
| [15:02] | [Ron chuckling] What a neat group. | |
| [15:05] | Meanwhile, Gob was trying to get in the mood with Kitty. | |
| [15:09] | [Gob] Hard to believe they used to put monkeys in these. | |
| [15:11] | [Kitty giggles] | |
| [15:13] | My guess? | |
| [15:14] | They wouldn’t be able to figure out a lot of this stuff. | |
| [15:17] | Yeah. Monkeys are kind of dumb. | |
| [15:19] | I’d like to see one get out of here quickly in an emergency. | |
| [15:22] | [both chuckle] | |
| [15:23] | They’d be all… | |
| [15:24] | [imitating a monkey] I have to get out of here. | |
| [15:26] | [imitating a monkey] Get me out of here. [laughs] | |
| [15:28] | [in normal voice] Ah, too good, too good, too good. | |
| [15:33] | [in normal voice] So… | |
| [15:35] | surely you didn’t want to be alone with me | |
| [15:37] | to talk about monkeys in space. | |
| [15:39] | No. I did not want to be alone with you at all. | |
| [15:43] | [chuckles] | |
| [15:46] | [slurps] | |
| [15:48] | Remind me not to forget my gum. | |
| [15:50] | -[ringtone playing] -One sec. Probably my brother. | |
| [15:54] | -“Did you trick her into it yet?” -“Trick her into what?” | |
| [15:57] | “Giving us our rights back, you geo…” | |
| [15:59] | It’s Tony. I gotta take this. Can I get some privacy? | |
| [16:02] | -We’re sealed in here. -I gotta get out. | |
| [16:04] | -You can’t turn that… -Get me out of here. | |
| [16:06] | -No, no! -It’ll go to voicemail! | |
| [16:08] | I gotta blow the hatch! | |
| [16:09] | -[Kitty] That’s the chute! -God, I just… | |
| [16:13] | ‘mazing Jesus. | |
| [16:15] | [Tony] Hey, it’s Tony. | |
| [16:17] | Oh. [chuckles] | |
| [16:19] | -If I’d known, I wouldn’t have picked up. -[Tony chuckles] | |
| [16:22] | -I think that we’re stuck in here. -[sighs] | |
| [16:25] | -[Tony] Where are you? -[Gob] Oh, um… | |
| [16:28] | I’m in a LEM. Where are you? | |
| [16:30] | [Tony] I’m in a Tumi… suitcase. | |
| [16:33] | I think I’m in baggage claim at Long Beach Airport. | |
| [16:35] | My assistant’s picking me up, | |
| [16:37] | unless she takes another gray Tumi by mistake, | |
| [16:39] | then I go to unclaimed. | |
| [16:40] | -That’s how we lost the Amazing Frederick. -I would’ve claimed you. [chuckles] | |
| [16:45] | [Tony chuckles] I’ll bet. | |
| [16:47] | [chuckles, sighs] | |
| [16:49] | [Tony chuckles] | |
| [16:54] | Since I’m getting back in town, I thought I owed you a call. | |
| [16:57] | So, let’s get together. | |
| [16:58] | -I can’t right now. I’ve got this thing… -[clangs] | |
| [17:01] | …I’m stuck in the LEM with. | |
| [17:03] | That’s the other thing. | |
| [17:05] | I don’t think we can actually hang out, anyway. | |
| [17:08] | I mean, I’m the flamboyant gay magician. | |
| [17:10] | You’re the super straight Christian magician. | |
| [17:13] | We’ll taint each other’s brand. | |
| [17:15] | Yeah. [sighs] | |
| [17:17] | I guess we’re… different in the same way. | |
| [17:22] | [Tony] Same, in a different way. | |
| [17:24] | -Different… -[Tony] Same… | |
| [17:26] | -…in a same, different way. -[Tony] …in a different way, same. | |
| [17:29] | -Different, wifferent… -[Tony] Same way. | |
| [17:31] | -…in a same gay way? -[Tony] Different same. | |
| [17:33] | -It… -[Tony] Wame. | |
| [17:34] | Wow. Guess that’s over. | |
| [17:36] | [Tony] Yup. Talk about a sign. | |
| [17:38] | [Ron] And that’s when they realized | |
| [17:40] | there was a time when they could speak in unison, | |
| [17:42] | but I guess it was over now. | |
| [17:44] | [Tony] I gotta run. I better shut up and listen for “wonder.” | |
| [17:47] | [Gob] Wait, so is this goodbye– | |
| [17:49] | [phone line clicks] | |
| [17:56] | How much did you hear? | |
| [17:59] | [Ron] And George Sr. visited his prison alma mater | |
| [18:01] | for the first time since his son had been incarcerated. | |
| [18:04] | This is where I ate a battery during my first week at recess. No, no, “yard.” Don’t call it recess. | |
| [18:09] | Well, it’s a little too late for that, Dad. | |
| [18:11] | I’ve been trying to figure out prison on my own. | |
| [18:14] | -I know. Sorry… -[Duck] George Bluth! Oh, my God. | |
| [18:17] | -I’ve never seen you in street clothes. -[George Sr.] Duck? | |
| [18:19] | I almost didn’t recognize you without the flashlight in your mouth. | |
| [18:23] | [both laugh] | |
| [18:24] | [Buster laughing] | |
| [18:27] | Sorry to be rude. This is my son, Buster. | |
| [18:29] | Charmed, I’m… | |
| [18:30] | [Duck and George Sr.] No touching. | |
| [18:33] | [Ron] And perhaps that was why George Sr. | |
| [18:36] | decided he owed it to his son | |
| [18:38] | to share some of his own caged wisdom. | |
| [18:40] | [George Sr.] Buster, you have to toughen up now. | |
| [18:43] | You’re in lock-up, all right? They’ll circle like jackals. | |
| [18:45] | You gotta be strong, especially with the skinheads. | |
| [18:48] | Skinhead gets in your face, you charge back at him. | |
| [18:50] | You pop him fast. | |
| [18:51] | That’s the only way you can get respect. | |
| [18:53] | [Buster] That one there’s been giving me looks. | |
| [18:56] | [George Sr.] No. That’s not a skinhead. | |
| [18:57] | That’s a guard. You charge at a guard, they’ll kill you. | |
| [19:00] | Oh, yeah. That I should know. | |
| [19:02] | But with a skinhead, that’s how you get respect. | |
| [19:05] | I got more respect then, with these animals, | |
| [19:08] | than I get with your… with your mother now. | |
| [19:11] | -I can’t… -[acoustic guitar playing] | |
| [19:15] | I can’t satisfy her. | |
| [19:17] | -Really? It’s so easy. -No, I mean, | |
| [19:19] | we are no longer together. Your mother kicked me out. | |
| [19:22] | -Oh, there’s an opening. -No, no, no. | |
| [19:24] | No, she doesn’t want anything to do with either of us. | |
| [19:26] | She has found someone new. She’s found a younger man. | |
| [19:29] | -Yeah. -Oh. | |
| [19:30] | Sort of a son with benefits. | |
| [19:32] | They said that I’d lose my old lady, | |
| [19:35] | and I said, “Not mother!” | |
| [19:37] | -Okay. -“She’ll wait for me!” | |
| [19:38] | -Shh. -[sobbing] | |
| [19:40] | The thought of her singing to him goodnight. | |
| [19:42] | [both sobbing] | |
| [19:47] | I can’t take it. I can’t take it. | |
| [19:50] | I know. I know. | |
| [19:53] | No touching. | |
| [19:54] | [Ron] And that’s when George Sr. | |
| [19:56] | decided to have someone else put him out of his misery. | |
| [19:58] | I know what I have to do. | |
| [19:59] | -What are you gonna do? -I know. | |
| [20:01] | What are you gonna do? | |
| [20:02] | [George Sr.] I know what I have to do. | |
| [20:04] | -[Buster] Oh… are you… -I’m sorry. | |
| [20:06] | [screaming] | |
| [20:11] | Jesus Christ, George. | |
| [20:14] | I was so mad when I thought you didn’t recognize me. | |
| [20:18] | ♪ What could be better? ♪ | |
| [20:20] | God, this place has changed. | |
| [20:22] | [Ron] George Michael was also | |
| [20:23] | finding a reunion more pleasant than he expected. | |
| [20:26] | Your dad is so nice. | |
| [20:27] | -It’s been his job since he was two. -Huh. | |
| [20:30] | [Rebel] Sometimes, you want to look in your parents’ perfect, | |
| [20:33] | -sweet, kind faces, and tell them off. -Punch them. | |
| [20:36] | Why would you say that? | |
| [20:37] | No, no, I… That… | |
| [20:38] | I don’t feel that way, but certain kids do. | |
| [20:41] | There’s a website about it. | |
| [20:42] | Although, everyone knows it’s biased in favor of the dads. | |
| [20:45] | -Your company should shut that site down. -Well… | |
| [20:48] | [Ron] And George Michael, finding himself smitten | |
| [20:51] | with Rebel and her family, decided to come clean… | |
| [20:54] | To be honest, I don’t know if there’s gonna be a company. | |
| [20:59] | [Ron] …until she said this. | |
| [21:01] | Is it a money thing? | |
| [21:03] | If you need money, I can loan it to you. | |
| [21:05] | Everybody needs a bailout now and then. | |
| [21:07] | It’ll give me a stake in the company. | |
| [21:10] | [Ron] And the prospect of helping his family… | |
| [21:13] | Well, speaking of family, I actually could use a little… | |
| [21:16] | [Ron] …proved too great a temptation. | |
| [21:18] | …bailout money, as you put it. | |
| [21:19] | -Are you sure? -Yes! | |
| [21:22] | Oh, my God, You are great. Why don’t we talk about it tomorrow? | |
| [21:24] | Ah, I can’t do it tomorrow. I’ve got reshoots. | |
| [21:27] | All the Mexico stuff. | |
| [21:28] | And so you know, my ex-boyfriend will be there. | |
| [21:30] | But if I know you’re gonna be here when I get back… | |
| [21:33] | Then when you’re back. | |
| [21:34] | Yes! [chuckles] Wait. What color’s your hair gonna be? | |
| [21:38] | It’s like kissing your cousin. Ugh. | |
| [21:40] | Ew. Okay. Gross, okay. Got it. | |
| [21:43] | [chuckles nervously] | |
| [21:44] | [Ron] Meanwhile, Maeby was concerned that Stan’s strange behavior was romantic, | |
| [21:48] | so she tried to discourage it. | |
| [21:50] | Maybe I’m trying to prove something to my clueless dad. | |
| [21:54] | Anyway, I guess that’s why I can’t make a relationship work. | |
| [21:59] | Does that upset you? | |
| [22:00] | Annette, it does, if you must know the truth, | |
| [22:03] | ’cause your dad was a fool. | |
| [22:04] | I see the real you: a special, wonderful, unique, | |
| [22:07] | 67-year-old woman who amazes me every day. | |
| [22:10] | [Ron] And that’s when Maeby realized what it was about | |
| [22:13] | Stan’s behavior that was so confusing. | |
| [22:16] | It would be my pleasure to be the man in your life | |
| [22:17] | that your father never was. | |
| [22:19] | [Ron] It was paternal, and, touched, | |
| [22:22] | all she could think of to say was… | |
| [22:24] | -Bury me. –[both laughing] | |
| [22:27] | [Ron] And Maeby’s actual father, | |
| [22:29] | and his newfound son, Murphybrown, | |
| [22:31] | arrived at the last place he’d seen Lindsay: | |
| [22:34] | Father B’s now-abandoned property. | |
| [22:36] | Keep an eye out for Lindsay. That is why we’re here. | |
| [22:40] | Wait, is that her? Is that Lindsay? | |
| [22:42] | Oh, yes. Lindsay! It’s us! It’s us! Hi! | |
| [22:47] | Oh, no. That’s a sickly cactus with a plastic bag on it. | |
| [22:50] | Right. For a second, I was like, “Is that Lindsay?” | |
| [22:52] | [Tobias] I suppose it’s true. | |
| [22:54] | The desert makes one see | |
| [22:55] | -what one wants to see. [chuckles] -Hmm. Yeah. | |
| [22:59] | Is that two barrel-chested, | |
| [23:01] | strapping men on horseback approaching us? | |
| [23:06] | [man] You are not welcome on this land. | |
| [23:08] | There must be some mistake. | |
| [23:10] | No, there is no mistake. | |
| [23:12] | I regret to inform you that you are trespassing. | |
| [23:15] | Mm… no, this land belongs to George Bluth. | |
| [23:19] | [man] Oh. I see. | |
| [23:20] | -And are you George Bluth? -[chuckles] N… | |
| [23:23] | [Ron] It was a part that Tobias had played before. | |
| [23:26] | You are about to witness why a career in entertainment | |
| [23:29] | can come in handy. | |
| [23:33] | [imitating George Sr.] Yeah, that’s right. | |
| [23:35] | I’m the last guy you want to kick off of your la– his land– my land. | |
| [23:39] | -Our land. -No. | |
| [23:40] | [man] Oh, I did not realize you were Mr. George Bluth himself. | |
| [23:44] | Well, Mr. George Bluth, we have some papers for you to sign. | |
| [23:48] | Oh, is that right? | |
| [23:50] | Well, how about I just… | |
| [23:51] | use my son Michael as a signing surface? | |
| [23:54] | -Get up. -[Murphybrown] Okay. | |
| [23:55] | [Ron] Tobias wasn’t the only one trespassing | |
| [23:58] | on someone else’s property, as Michael had decided | |
| [24:00] | to do what he was certain Gob couldn’t: | |
| [24:03] | take matters into his own hands. | |
| [24:05] | I can’t tell you how many times I’ve felt like a fraud. | |
| [24:10] | But I’ll tell you a secret, everyone– | |
| [24:12] | Hey, Ron. Michael. | |
| [24:14] | From that untitled Bluth project. | |
| [24:16] | -Then I dated Rebel. -Oh, oh. Yeah, yeah. | |
| [24:19] | Prayer hands. | |
| [24:20] | Yeah. Listen, a lot of stuff has changed with the family. | |
| [24:24] | Yeah. I heard about that. | |
| [24:26] | Oh, has it gotten out? | |
| [24:27] | [Ron] Not to the general public, | |
| [24:29] | but at Imagine, we hear everything. | |
| [24:31] | [Gob] You know I’m as straight | |
| [24:33] | as they come, I just got a lot on my mind right now | |
| [24:35] | with work, slash, am I gay, slash, Buster’s in jail. | |
| [24:39] | -He is? What for? -[Gob] Well, just for… | |
| [24:41] | for maybe killing this woman my family owes money to. | |
| [24:44] | I think it was his robot hand. | |
| [24:46] | -Get me Ron. -[Gob] It’s hush-hush. | |
| [24:47] | Okay, so then you might understand why | |
| [24:50] | we don’t want a movie about it. | |
| [24:52] | [Ron] Absolutely. You’d have to cut too much. | |
| [24:54] | This has true crime limited series written all over it. | |
| [24:58] | That way, my Rebel could be in it, too. | |
| [25:00] | She’s no Bryce, but she’s like a robot. | |
| [25:03] | Gives the exact same performance every take. Real time-saver. | |
| [25:06] | So, yes, let’s do this. | |
| [25:08] | Here’s the thing. Right now, my family is not looking for publicity. | |
| [25:12] | The other way to look at it is if I heard about it, | |
| [25:15] | it’s out there. | |
| [25:16] | Best way to manage press is to get in front of it. | |
| [25:18] | Hey, Dad. We need you for the three-legged race. | |
| [25:21] | -Also, can you start the music? -I don’t know how to, Reed. | |
| [25:25] | Oh. I must’ve heard that. I must’ve heard that. | |
| [25:28] | Right? Sure. That, uh… so you get… | |
| [25:30] | -Do you get the scripts read to you? -[Ron] Uh… | |
| [25:34] | This is my son, Reed. | |
| [25:36] | My dad knows how to read. | |
| [25:39] | Yes. | |
| [25:41] | Nice to meet you. Uh, yeah. Whenever. | |
| [25:44] | [Michael] I see why you named him Reed. | |
| [25:46] | He seems smart. | |
| [25:48] | Hey, thanks for sneaking in. | |
| [25:52] | Yep. | |
| [25:53] | [Ron] As he rushed to get out before running into Rebel, | |
| [25:56] | Michael ran into yet another famous Howard. | |
| [25:59] | -Hi. | -Hi. |
| [26:01] | Avoiding the three-legged race, I see. | |
| [26:03] | -[chuckles] -[Reed] Bryce! | |
| [26:04] | I’m sorry, but I just can’t, Reed. | |
| [26:07] | [Michael] Oh, talking to your brother Reed. I get it. | |
| [26:10] | Michael Bluth. Pleasure. | |
| [26:11] | -Hi. Bryce. -Yeah, no. I know. | |
| [26:12] | Oh, yes. Yes, you dated my sister, didn’t you? | |
| [26:16] | Well, even that overstates it. | |
| [26:18] | We weren’t together long before we broke up. | |
| [26:20] | -You know, very clean break. -[Bryce] Oh. | |
| [26:23] | [Michael] I was gonna say hi, but I ain’t not going somewhere. | |
| [26:26] | But I-I’m going somewhere. Never mind. | |
| [26:28] | Listen, you dodged a bullet. She’s a user. | |
| [26:31] | She’s got a new guy. And she’s using him. | |
| [26:33] | [Michael] Yeah? But I heard that’s ending. | |
| [26:35] | No, are you kidding? He’s trapped. | |
| [26:37] | -Hmm. -[Bryce] In her web. | |
| [26:39] | She’s with him because of his Internet company. | |
| [26:42] | You know that, right? | |
| [26:44] | You think so? Do you think that she’s just using him? | |
| [26:47] | Yeah. And I’m pretty sure it’s not for his body. | |
| [26:51] | Oh, well… I mean, I don’t know the guy, | |
| [26:53] | but I saw a picture. | |
| [26:54] | I think he’s got a great build. You know? Um, he’s wiry. | |
| [26:58] | You wouldn’t want him to be taller. | |
| [26:59] | I like the young man’s body. Okay? I do. | |
| [27:02] | [chuckles] Yeah, well, that’s very weird of you. | |
| [27:06] | Still, such a kiss-up. | |
| [27:07] | He’s even dyed his hair Dallas Howard Red. | |
| [27:10] | -I get it. It’s a hot new dye, -New dye? | |
| [27:11] | but you’re not supposed to leave it in that long. | |
| [27:13] | Look at him. Ugh. He looks like a jack-o’-lantern. | |
| [27:16] | -[Rebel] Put your head down. -[George Michael laughs] What… | |
| [27:20] | [Bryce laughs] | |
| [27:21] | -Dork. -[Michael] Can I exit through the house? | |
| [27:23] | I don’t want the user to create a dramatic scene. | |
| [27:26] | No. Don’t worry about that. | |
| [27:27] | [laughing] I have seen her get laughs doing The Glass Menagerie. | |
| [27:31] | [chuckles] | |
| [27:33] | [Michael] Oh. I don’t get it. | |
| [27:35] | [Ron] Michael was hoping to avoid an awkward run-in | |
| [27:37] | with his son at the valet, | |
| [27:39] | when he came across a way to find out when the coast was clear. | |
| [27:42] | -Hi. -Can I help you? | |
| [27:44] | Yeah, that’s a sweet setup there. | |
| [27:46] | I wanted to take a peek. Do you mind? | |
| [27:48] | I want to check out my son. | |
| [27:49] | [man] Uh, that I understand. | |
| [27:51] | My name is Rance Howard, Ron’s dad. | |
| [27:55] | I thought you worked here. Hi. | |
| [27:57] | Well, I like to stay busy, keep an eye on my son, too. | |
| [28:00] | Oh, yeah? You still have to do that? | |
| [28:02] | That’s a father’s job. Doesn’t start at 9:00 and end at 5:00. | |
| [28:05] | It’s 24 hours a day, seven days a week. | |
| [28:08] | Even as they get older, huh? | |
| [28:09] | It gets even harder, ’cause they think they know it all. | |
| [28:12] | You still have to be there for them when they make mistakes. | |
| [28:15] | Or sometimes they need to cry a little bit | |
| [28:18] | because sometimes a person needs to cry a little bit. | |
| [28:22] | Unless that person is a dad. | |
| [28:25] | For a father must bear his load lightly, | |
| [28:27] | and yet, beneath the mask, a watchful eye never wanders. | |
| [28:33] | For it is through this glance | |
| [28:36] | that a wisdom beyond words must be passed. | |
| [28:40] | That’s an interesting take. | |
| [28:41] | Because I think a girl might be using my son, | |
| [28:44] | but I don’t exactly have a way to keep an eye on her… | |
| [28:48] | [Ron] Oh, I see you met my dad. | |
| [28:50] | He doesn’t say much, but we’re sure glad he’s around. | |
| [28:53] | Although, hopefully he didn’t share his thoughts | |
| [28:55] | about climate change, did he? | |
| [28:57] | -Hoax! -[Michael] He was great company. | |
| [28:59] | [Ron] That’s when Michael found a way to keep an eye on the woman | |
| [29:03] | who might be using his son. | |
| [29:04] | Know what else is a good company? | |
| [29:06] | Imagine Entertainment. | |
| [29:08] | And I think that I want to go forward with that docuseries after all. | |
| [29:12] | That’s great news. Hey, Jocelyn! | |
| [29:14] | Would you mind bringing down the standard TV contracts, please? | |
| [29:18] | [Jocelyn] Streaming contracts, cable or broadcast? | |
| [29:20] | -A streamer! -[Jocelyn] No residuals. | |
| [29:21] | Jocey will have those down in just a minute, | |
| [29:24] | and if we’re quick, we can get an interview with your brother | |
| [29:26] | while he’s still in jail. | |
| [29:28] | You know, you can’t beat those visuals. | |
| [29:30] | Put a little atmosphere in there, you filter it… | |
| [29:32] | Nice low-angle shot for the close-up… | |
| [29:38] | Oh, a wide shot. Tell it in one image. | |
| [29:42] | [Ron] Yes, a wide shot. | |
| [29:45] | Wide shot. | |
| [29:47] | [Ron] Michael returned home… | |
| [29:49] | How did it go with Gob and Kitty? | |
| [29:51] | [Ron] …where his mother had been lying in wait. | |
| [29:53] | Tell me he got her to kill the movie. | |
| [29:55] | [stammers] Well, I think he probably forgot to ask. | |
| [29:58] | That’s okay ’cause I spoke to Ron. | |
| [30:01] | He was very happy to see me. It felt good. | |
| [30:03] | [scoffs] That’s just Hollywood BS. | |
| [30:06] | Well, I think it’s gonna help us. | |
| [30:07] | You think what is going to help us? | |
| [30:09] | Oh, God. I’m burying the lead. | |
| [30:11] | The Bluth project is dead because… | |
| [30:14] | it’s gonna be a streaming series. | |
| [30:16] | We said no leaks, and now we’re streaming over everyone? | |
| [30:20] | I’m not telling it well. The point is, | |
| [30:22] | Ron’s gonna do an introductory interview, | |
| [30:23] | okay, with Buster, as research | |
| [30:26] | about the family’s history, and what… | |
| [30:28] | Michael, they cannot go into our family’s past. | |
| [30:31] | They certainly can’t do a TV show about it. | |
| [30:33] | It’s never gonna get that far. | |
| [30:35] | It’s gonna send a signal to the DA | |
| [30:37] | that if they hold Buster, they’re looking for trouble. | |
| [30:39] | Think about it. | |
| [30:40] | If the nicest man in the world | |
| [30:42] | goes in there with his camera and crew, | |
| [30:43] | and he tells Buster he believes in his innocence… | |
| [30:45] | They’ll drop the charges quicker than you can blink your… | |
| [30:49] | Initiate, at least, the blinking of the eyes. | |
| [30:52] | The opening of the eyes is, uh, | |
| [30:53] | a bit of a guestimate lately. | |
| [30:55] | And what if Buster chokes? | |
| [30:58] | I guess that’s what Ron’s for. | |
| [30:59] | [Ron] That would prove to be a very… | |
| [31:02] | No, you’ll see on the next “On the Next.” | |
| [31:05] | On the next Arrested Development… | |
| [31:07] | On the next shot, I know we said close-ups. No, wide. | |
| [31:12] | [Ron] …Ron Howard arranges | |
| [31:13] | a jailhouse interview with Buster… | |
| [31:17] | Here we go. | |
| [31:19] | Showtime. | |
| [31:20] | …and Buster remembers George Sr.’s advice. | |
| [31:23] | A skinhead. | |
| [31:25] | I’m gonna kill you, you bleeping skinhead! | |
| [31:27] | -[guard] Oh, hey! -[Ron choking] | |
| [31:29] | -Skinhead! -[Ron groans] | |
| [31:31] | See what I did to skinhead? | |
| [31:33] | Mm. Make a note. | |
| [31:36] | [Ron] Forget the wide shots. | |
| [31:37] | 50/50 and matching overs. | |
| [31:40] | [Ron] And Maeby enjoys her new paternal relationship. | |
| [31:43] | Look how happy they look together. | |
| [31:46] | Just like us. | |
| [31:50] | [Ron] Until this happens. |