| 时间 | 英文 | 中文 |
|---|---|---|
| [00:12] | All right! | |
| [00:13] | [Ron Howard] Michael Bluth had been away from his family for two months, | |
| [00:16] | and his life had never seemed better. | |
| [00:18] | -[grunts] -[man] Oh, head in the sand! | |
| [00:20] | [Ron] While at a tech company famous for providing access to any information, | |
| [00:24] | except for its own name, | |
| [00:26] | -he had found friends… -Jim. | |
| [00:29] | -Oh, nice return, Jim. -…been retrained for the workplace… | |
| [00:32] | It’s just one space after a period? | |
| [00:34] | That’s okay. Let’s try it again. | |
| [00:36] | …and was learning new skills every day. | |
| [00:39] | Hi, sorry I’m late. | |
| [00:40] | -[man] How you doing? -Konnichiwa. | |
| [00:41] | -So, is your family joining you? -No. | |
| [00:43] | They will not be joining, um, but, um, maybe just, uh, | |
| [00:46] | one of their kids can take a swing at me, huh? | |
| [00:49] | [Ron] While he believed he had put his family behind him… | |
| [00:53] | This class is geared more to self-defense for the family, not… | |
| [00:57] | Not from the family. | |
| [00:59] | -…there were some unresolved issues. -I get that. | |
| [01:03] | Do you have family-on-family stuff? | |
| [01:06] | A few years ago, I would have given you the same look. | |
| [01:08] | [Ron] In those few years, Michael’s life had changed quite a bit. | |
| [01:12] | After borrowing money from a flirtatious family friend… | |
| [01:15] | -Just till I get on my feet. -…whose vertigo made it hard | |
| [01:17] | for her to stay on her own feet, | |
| [01:19] | Michael finally started his own housing business. | |
| [01:23] | -The collapse of the housing market… -[Ron] At the worst possible time. | |
| [01:26] | -That’s not a great sign. -[squawks] | |
| [01:28] | [Ron] But Michael soon had another business opportunity. | |
| [01:31] | -[Michael] I’m a producer? -Well, it’s a movie about the family. | |
| [01:34] | Although, the heartbeat of this thing is the father-son dynamic. | |
| [01:36] | -[Ron] Which put Michael off the project. -I’m not able to do this. | |
| [01:39] | [Ron] Until a chance run-in with actress Rebel Alley… | |
| [01:42] | -I’m sorry. -Where’s a producer when you need one? | |
| [01:44] | -…put him back on it. -I’m a movie producer! | |
| [01:47] | [Ron] And having found his new leading lady… | |
| [01:49] | I could put your name in for something. | |
| [01:51] | …who turned out to be Ron Howard’s daughter, | |
| [01:53] | Michael was soon acting like a movie producer, too. | |
| [01:57] | [Ron] Michael’s son was starting a business | |
| [01:59] | after claiming to have invented a new privacy software. | |
| [02:02] | …software that’s also anti-piracy? You have a way of doing this? | |
| [02:05] | This could be huge. | |
| [02:06] | [Ron] Not exactly. It did do this. | |
| [02:09] | …of what programmers call “hacker traps.” | |
| [02:11] | -It’s called Fakeblock. -[Ron] And word spread. | |
| [02:13] | How does your software work? | |
| [02:15] | [Ron] Garnering attention from the same actress to whom | |
| [02:18] | -he gave a fake name. -George Mi– Harris. | |
| [02:20] | [Ron] And soon, George Michael was acting like a… | |
| [02:22] | well, a movie producer, too. | |
| [02:26] | She was raised by a different mother than Ron’s other kids. | |
| [02:29] | It’s just a whole different thing over there. | |
| [02:31] | Anyway, with Maeby in charge of the business, | |
| [02:34] | George Michael soon found himself in debt. | |
| [02:36] | Maeby, we can’t afford this. | |
| [02:38] | And my software isn’t even rea– dy. | |
| [02:39] | -[Ron] He found one place to save money. -Maeby, you’re fired! | |
| [02:43] | [Ron] And though Michael was losing Rebel | |
| [02:45] | -to her mystery man, he got good news. -You’re dating Rebel Alley? | |
| [02:49] | Do you know the other guy that she’s dating? | |
| [02:51] | No. I know it’s over. | |
| [02:52] | She is dumping him. | |
| [02:54] | [Ron] Which he promptly acted upon. | |
| [02:56] | [Michael singing] | |
| [02:57] | [Ron] But it wouldn’t be long before Michael discovered who George… | |
| [03:01] | -“Maharis” really was. -[bleeps] | |
| [03:03] | [Ron] Something he kept to himself when his son admitted… | |
| [03:06] | -I think it might be over. -Great. | |
| [03:08] | Pain… fades slowly. | |
| [03:11] | -[Ron] But Michael knew… -Quickly. | |
| [03:14] | …he’d have to end it. | |
| [03:15] | Tell me about your girlfriend. You’re producing this movie… | |
| [03:18] | I think they’re both over. Wasn’t meant to be. | |
| [03:21] | You owe my sister $700,000. | |
| [03:24] | [Ron] This, combined with a threat from Lucille 2’s brother… | |
| [03:26] | -You can’t hide in a gorilla suit from me. -[Ron] That one’s hard to explain. | |
| [03:31] | …sent Michael to a night of drinking and a desperate proposal | |
| [03:34] | to get his $700,000 debt forgiven… | |
| [03:37] | I’m gonna have sex with you, for money. | |
| [03:39] | …that perhaps overestimated his value, at least according | |
| [03:42] | to the latest Balboa Bachelor Auction totals. | |
| [03:49] | And returning from a night with Lucille 2, | |
| [03:51] | which ended poorly, Michael ran into a brother… | |
| [03:54] | I went to see Lucille 2, and I lost control. | |
| [03:56] | I did something that I wish I could forget. | |
| [03:59] | …who had also done something he wanted Michael to forget. | |
| [04:02] | -Was that wax? -[Gob] Put the mask on! | |
| [04:04] | [Ron] Which is how he ended up drugged on the floor of the model home… | |
| [04:08] | -It’s easy to forget. -…where he peacefully slept, | |
| [04:12] | deterring at least one badly needed buyer. | |
| [04:14] | …some of the neighbors are not to be desired. Oh! | |
| [04:17] | One got in. You know, I have other properties… | |
| [04:19] | [Ron] And missing a visit from Predator Entrapment host | |
| [04:21] | John Beard, who had arrived to retrieve | |
| [04:24] | some hidden cameras, now that it looked | |
| [04:26] | like his predator hole had been fished out. | |
| [04:31] | It would be another full night | |
| [04:33] | before Michael would come up with a way to work off his $700,000 debt… | |
| [04:38] | …repay you that loan. | |
| [04:39] | …that he’d forgotten he’d already come up with. | |
| [04:43] | It was the next call to the woman he believed his son had broken up with… | |
| [04:47] | The thing with the other guy, we don’t have to talk about that. | |
| [04:51] | [Ron] …that Michael would most regret. | |
| [04:53] | -Goodbye. -[Ron] But there would have to be | |
| [04:55] | one more conversation. | |
| [04:57] | [George Michael] Who was that? | |
| [04:59] | No one. | |
| [05:04] | [Ron] Michael Bluth left for his date with Rebel, | |
| [05:06] | surprised to find people working on what he thought was a holiday. | |
| [05:09] | Boy, you guys don’t miss a day. | |
| [05:11] | -[Ron] Michael had missed two. -Yeah. | |
| [05:13] | -What, are you tenting the place? -[laughs] Hey, Michael. Yeah. | |
| [05:16] | We’re getting everything prepped. | |
| [05:18] | Not sure if Maeby’s in there, or Tobias, or something? | |
| [05:21] | Mind if we use the stairs? | |
| [05:23] | Gob said he heard something in the attic. | |
| [05:26] | Oh, yeah, uh, well… | |
| [05:28] | Hopefully, it’s not my father. [chuckles] | |
| [05:30] | George Sr.! [laughs] | |
| [05:33] | Okay. This bug guy really knows our family. | |
| [05:36] | [Ron] Michael went to find the source of the noise, | |
| [05:38] | and soon came across a reminder of a simpler time, | |
| [05:41] | and his dream of taking his son on a scuba diving trip. | |
| [05:47] | He’d started the boy young, getting him trained in | |
| [05:50] | -underwater communication. -Underwater communication. | |
| [05:52] | “Are you okay?” | |
| [05:53] | -“Yes, I’m okay.” -Okay. | |
| [05:55] | I’ve wanted to ask you that underwater. | |
| [05:56] | [Ron] But soon, the sign language turned… | |
| [05:58] | -[instructor] “Out of oxygen.” -…to more pressing threats. | |
| [06:01] | Now, that’s one you’re gonna need to know. | |
| [06:03] | -[Michael] Mm-hmm. -[instructor] Who remembers | |
| [06:05] | -“shark”? Huh? -[Michael] Shark, that’s easy. | |
| [06:07] | -Yeah. Huh? -[instructor] “Manta ray.” | |
| [06:10] | But don’t do that around the shark. They eat them. | |
| [06:12] | -[chuckles] -[instructor] You got “boat,” “jellyfish,” | |
| [06:15] | “propeller,” and “electric eel.” Ouch! | |
| [06:18] | Okay. Let’s hit the pool. | |
| [06:20] | [Ron] Ironically, it was this final threat that did young George Michael in. | |
| [06:24] | -We put on our tanks and we– -Oh. | |
| [06:25] | George Michael? George Michael? | |
| [06:26] | Hey, pal. | |
| [06:29] | -Here we go. -[filtered breathing] | |
| [06:32] | [Ron] Michael soon found reminders | |
| [06:34] | of other scuba attempts they’ve made. | |
| [06:37] | -[Michael] Huh? That was great. -Oh, yeah. | |
| [06:39] | [Michael] You really conquered the pool. | |
| [06:41] | I think you’re ready for the ocean. | |
| [06:43] | Huh. I thought we were going to the Reef. | |
| [06:46] | We are. It’s in the ocean. | |
| [06:48] | I thought it was a restaurant by the pool. | |
| [06:49] | Why did you think I said, “Watch out for the crabs”? | |
| [06:52] | Why did you think I said, “I always get a hamburger”? -I thought you were kidding. -[both chuckle] | |
| [06:58] | Buddy? Hey. George Michael? Oh, he’s done it again. | |
| [07:01] | There it is. | |
| [07:02] | -Deep breath, buddy. -[filtered breathing] | |
| [07:05] | [Ron] And Michael found himself caught off guard | |
| [07:08] | by the fact that his son had grown | |
| [07:10] | right out of his childhood. | |
| [07:12] | And by the brother who had squeezed himself | |
| [07:15] | -right into it. -[screams] | |
| [07:16] | -Oh, God! -[screaming] | |
| [07:19] | -Buster? Buster? Hey. -[wheezing] | |
| [07:22] | [Ron] Fortunately, this wasn’t Michael’s first scuba scare… scare. | |
| [07:25] | -[screams] -Ah! Okay. Hey. | |
| [07:27] | Michael. Hi. | |
| [07:30] | Am I that much of a monster, Michael? Even to you? | |
| [07:33] | No, not at all, I just wasn’t expecting, uh, | |
| [07:35] | you know, a man to be sitting in a Scuba Jr., | |
| [07:39] | leaping out at me up in the attic, that’s all. | |
| [07:41] | -[both chuckling] -That’s all. | |
| [07:44] | [whoops] | |
| [07:44] | I guess that is a little strange. | |
| [07:47] | -You should’ve seen your face. -Yeah, yeah, well… | |
| [07:50] | You looked like a little girl. | |
| [07:51] | -Oh, God! -[shouts] | |
| [07:54] | -[clears throat] -Look at that. | |
| [07:56] | Got a new hand? | |
| [07:57] | No, I just took the skin off. | |
| [07:58] | -It’s in the dryer. -All right. | |
| [08:00] | -Buddy, you cannot be up here, okay? -The tent thing, I know. | |
| [08:04] | I mean, thank God I found some scuba equipment | |
| [08:06] | -because they are fumigating. -[hand whirring] | |
| [08:08] | Yeah. The skin really muffles the sound on that. | |
| [08:10] | There’s another suit over there; it’s a smaller size, though. | |
| [08:13] | Uh… [stammers] That’s my son’s. | |
| [08:16] | -We never got a chance to use it. -Oh. | |
| [08:18] | Probably too young to be around the fumes. | |
| [08:22] | No, pal, we were gonna use this scuba gear for scuba diving. | |
| [08:25] | -Mm. -Underwater. | |
| [08:26] | -Not to hang out in a poison cloud. -Mm… | |
| [08:29] | It’s father-son bonding we never got to do. | |
| [08:31] | -Aw. -Put it on the long list of regrets. | |
| [08:33] | Well, I’ve had plenty of those with Mom. | |
| [08:35] | -Have you? -We used to want to play dress-up. | |
| [08:37] | Her as Jackie O., me as John-John… But we… [chuckles] | |
| [08:41] | No, I guess we did get to do that a couple of times. | |
| [08:43] | ♪ Motherboy… ♪ | |
| [08:45] | -I’m sure… -That isn’t a regret. | |
| [08:47] | -Yeah, no, it should be. -Mm-hmm. | |
| [08:49] | So why are you here at the house? | |
| [08:51] | Ma said she asked you to look after me. | |
| [08:55] | No. She actually didn’t. | |
| [08:56] | And I can’t look after you. | |
| [08:58] | And you cannot be here. | |
| [09:00] | You can’t say I can’t be here and say you’re not looking after me. | |
| [09:03] | Pick a lane, Michael! | |
| [09:05] | I can’t believe she did that without consideration | |
| [09:07] | for what’s going on in my life. | |
| [09:09] | Hope I never do that to my own, uh… | |
| [09:12] | um… | |
| [09:14] | -Mom. -Son. | |
| [09:17] | -Ah. Oh, right. -Hope I never do that to my son. | |
| [09:19] | [Ron] And perhaps it was in this moment | |
| [09:20] | that Michael realized he couldn’t date Rebel anymore. | |
| [09:25] | Okay. Sorry. I got my own problems I gotta deal with. | |
| [09:28] | [laughing] Well, I guess I’m a problem. | |
| [09:29] | -Now I’m a problem. -No, you’re not a problem. | |
| [09:32] | Little help? The tank’s heavy… | |
| [09:33] | I gotcha. Oh, you found the flippers, too, huh? | |
| [09:36] | -No, I don’t need help. -You don’t? Or you do? | |
| [09:38] | -Oh, pick a lane, Michael. -I’m trying to help. | |
| [09:40] | -Pick a lane, Buster. -No, you pick a lane! | |
| [09:42] | -Come on. Ow, ow, ow. -I picked a lane! | |
| [09:44] | -Release that. Release it! -[yelling] | |
| [09:46] | [Ron] Now the story of a wealthy family | |
| [09:49] | who lost everything, and the one son who had no choice | |
| [09:52] | but to keep them all together. | |
| [09:59] | It’s… | |
| [10:05] | Michael arrived at Rebel Alley’s apartment determined to be honest and end things. | |
| [10:09] | [chuckles] Hey. What are you doing here? | |
| [10:12] | [Ron] And almost immediately found himself | |
| [10:14] | helplessly doing the opposite. | |
| [10:15] | I’m dating Rebel Alley. | |
| [10:18] | I’m dating Rebel Alley. | |
| [10:25] | -It’s like we’re identical… -[Ron] There are moments | |
| [10:28] | that are hard to take back. | |
| [10:30] | Moments that create too great a shift in dynamics. | |
| [10:33] | An earthquake in a family that shatters both members’ notions of themselves. | |
| [10:37] | -…twin– -[Ron] Like when you punch your dad. | |
| [10:48] | I was going to get out of it. | |
| [10:50] | [Ron] And as they both began to absorb the weight of what had just happened… | |
| [10:54] | -Hey, I hope I didn’t– -It’s forgotten. | |
| [10:57] | -[Ron] …they acted as if they hadn’t. -And, um, and you– | |
| [11:00] | -I mean, I hope that I… -Oh, it’s in the past. | |
| [11:03] | [sighs] I’ll let you get back to it. | |
| [11:05] | Yes, great, thank you. | |
| [11:06] | Um, I was just leaving, actually. | |
| [11:09] | Yes. Me, too. | |
| [11:12] | I thought you… | |
| [11:14] | I am now. | |
| [11:15] | And was going to earlier. [chuckles] | |
| [11:23] | -Ciao. -Bella. | |
| [11:25] | [Ron] Michael returned to the penthouse, | |
| [11:27] | eager to downplay what had happened with his son. | |
| [11:30] | Otherwise, I’ll just assume that we’re good. | |
| [11:32] | Okay. Are we good? [chuckles] All right. | |
| [11:34] | [Ron] Michael was equally eager to avoid Lucille 2… | |
| [11:37] | [woman] Goodbye, Missus. | |
| [11:39] | …whom he believed to be in her apartment… | |
| [11:44] | Boy. It’s like the Weimar Republic in that place. | |
| [11:47] | -…when his phone finally rang. -[phone buzzing] | |
| [11:51] | Don’t hang up, don’t hang up, | don’t hang up, don’t hang up, |
| [11:53] | don’t hang up, don’t hang up. Hey, I’ve been looking for you. | |
| [11:57] | [Lucille 2] It’s Lucille Austero. | |
| [11:58] | -I’ve been looking for you. -Oh, hey. | |
| [12:00] | Uh, Lucille, yeah, look– | |
| [12:02] | I– [stammers, sighs] I called you before, um… | |
| [12:04] | I’m right across the, um, uh, street. | |
| [12:07] | Uh, or city. Street, really. | |
| [12:09] | Our city, um… the… uh… but we keep | |
| [12:11] | -missing each other, uh… -…checkbook… | |
| [12:13] | Uh, I’d much rather do the checkbook. | |
| [12:15] | But I am driving away right now, | |
| [12:17] | so if you actually come out onto your balcony, | |
| [12:20] | you might even be able to see me driving. | |
| [12:22] | In fact, I think I see you. | |
| [12:24] | Is that you? Can I see you? | |
| [12:28] | [Ron] Michael couldn’t be sure that she was out on her deck. | |
| [12:31] | [Michael reading note] | |
| [12:32] | [Ron] While he had second thoughts about writing… “Love you,” | |
| [12:36] | he couldn’t risk her coming out that door. | |
| [12:39] | [clicks tongue] Hi. | |
| [12:40] | -She still out? -Uh, no, no. | |
| [12:42] | She’s– she’s, uh, she’s still in there, but I gotta… | |
| [12:46] | She’s kind of obsessed with me, so I gotta… go. | |
| [12:49] | -[Ron] But she wasn’t in there. -[knocking on door] | |
| [12:51] | Because moments earlier, a still very upset George Michael | |
| [12:54] | -called a cousin in that apartment. -[George Michael] I’m sorry about that. | |
| [12:58] | I’m done being George Maharis. I need to talk to you. | |
| [13:00] | Look, this isn’t a great time, okay? | |
| [13:02] | I’m doing a scrub-down. Nobody can know I was here, | |
| [13:05] | having a little smooch with my boyfriend. | |
| [13:07] | [Ron] A boyfriend she was briefly seen at Lucille 2’s apartment with. | |
| [13:11] | While she believed that he was an undercover cop | |
| [13:14] | -posing as a teenager. -[Maeby] A señor? | |
| [13:16] | -I’m 17. Ha! -[Ron] He turned actually out… | |
| [13:19] | …to be a teenager, posing as an undercover cop, | |
| [13:22] | posing as a teenager. | |
| [13:23] | It’s hard to explain. | |
| [13:24] | No, that actually happened to, like, two of my neighbors at Sudden Valley. | |
| [13:29] | They’re not putting me in Sudden Valley. I’ll tell you that much. | |
| [13:32] | That’s why I’m here, picking up anything I left behind | |
| [13:34] | that might be incriminating. | |
| [13:36] | You know? Just panties, leggings, corsets, | |
| [13:40] | the sex knobs, and one of those double-headed bondage things | |
| [13:43] | with the curly choke leash. | |
| [13:44] | That’s probably a landline. | |
| [13:46] | Ew, gross! | |
| [13:47] | -She put her ear on that? -I need to talk to you. | |
| [13:50] | It’s about my dad. I’m pulling up to the penthouse | |
| [13:52] | to see if he’s here, so… | |
| [13:53] | Wait, you’re at the penthouse? No, no. | |
| [13:55] | Don’t come up. This place is crawling with cops. | |
| [13:57] | I’ll meet you there in a second. | |
| [13:58] | I gotta figure out how to get out of here without being noticed. | |
| [14:01] | Okay, I’ll meet you in the courtyard. | |
| [14:02] | -For my dog? -[Maeby] Whoa! | |
| [14:05] | Wow. | |
| [14:06] | You really snuck in. | |
| [14:08] | Hey, you know what might look cute on you, | |
| [14:10] | instead of that smock? | |
| [14:12] | Also, do you have any scissors? | |
| [14:14] | -[Ron] And moments later… -[phone buzzing] | |
| [14:16] | [Michael] Don’t hang up, | |
| [14:18] | -don’t hang up… -[Maeby] Okay. | |
| [14:19] | [Ron] And soon, the cousins | |
| [14:20] | met up in the courtyard downstairs. | |
| [14:24] | -[George Michael] Hey. -Hey. | |
| [14:26] | -You were at Gangie’s penthouse? -Lucille 2. | |
| [14:29] | Wh… | |
| [14:30] | You drive her car. How do you still not know who that is? | |
| [14:33] | I punched my dad. | |
| [14:34] | Wow. Uncle Michael? | |
| [14:37] | -Yeah. -Wow. | |
| [14:38] | You’re burning bridges all over the place. | |
| [14:40] | I don’t know what to do. | |
| [14:42] | Well, for starters, you could post it on Dadfights. | |
| [14:45] | Wait, that’s a thing? | |
| [14:46] | It’s just, like, a bunch of guys punching their dads, or…? | |
| [14:49] | Yeah, well, you’re supposed to say, “Guess what, Dad,” | |
| [14:51] | but some dads were catching on, | |
| [14:53] | and they were just whaling on their kids. | |
| [14:55] | You can watch those clips on That’sWhatSon. | |
| [14:58] | Well, my dad didn’t hit me back, which is even worse. | |
| [15:00] | Still, I mean, he knew I was the other man. | |
| [15:03] | For God knows how long. | |
| [15:04] | It couldn’t have been for long. He didn’t know when I told him. | |
| [15:08] | You told him I was dating Rebel? | |
| [15:10] | Well, technically, I said she was dumping her boyfriend, but… | |
| [15:14] | Yeah. I was hoping this would happen. | |
| [15:17] | -Hey, you had fired me. I was… bored. -Mad. | |
| [15:21] | I guess I need to apologize to him or something. | |
| [15:24] | Well, if he said it was nothing and now you apologize, | |
| [15:26] | you’re gonna make it something. | |
| [15:29] | I mean, what did Gangie always say? “Forget, but never forgive.” | |
| [15:33] | You think she meant to say it that way? | |
| [15:35] | -Yeah. -Do you think “A friend in need | |
| [15:37] | is no friend indeed” was also on purpose? | |
| [15:40] | What about “They should take the rapists and murderers | |
| [15:42] | and put them all together on an island… | |
| [15:44] | “…and the murderers can be raped, the rapists can be murdered… | |
| [15:46] | [both] until you only have either two rapists or | |
| [15:49] | -[Maeby] one murderer -one raped murderer | |
| [15:50] | -[both] but who cares about him?” -Oh, was it “one raped murderer”? | |
| [15:53] | I’ve heard her say both. | |
| [15:54] | I mean, in all likelihood, the guy would be raped. | |
| [15:56] | I should call him and say I’m sorry. | |
| [15:58] | Look, if you apologize to him, it’s gonna make him feel horrible. | |
| [16:02] | [sighs] | |
| [16:03] | So I think you should do it. | |
| [16:05] | [phone buzzing] | |
| [16:06] | [grunts] | |
| [16:20] | [Ron] And so, Michael left another message, | |
| [16:22] | careful not to make his son feel horrible | |
| [16:24] | with an apology of his own. | |
| [16:26] | I wanted to hit you back… | |
| [16:28] | Uh… sorry, um… | |
| [16:30] | [stammering] I wanted to make one thing clear, um… | |
| [16:33] | She, uh… She does not know that we are father/son. | |
| [16:37] | That I was your, uh, your father. | |
| [16:40] | Uh, that I am your father. | |
| [16:42] | Okay? I will not apologize for that. [chuckling] Okay? | |
| [16:45] | Or anything, really. | |
| [16:46] | So, no pressure to call me back, | |
| [16:49] | but if you want, um, you know, hit me back. | |
| [16:53] | Okay? Well… [chuckles] | |
| [16:55] | Again, sorry. | |
| [16:56] | Okay, bye. | |
| [16:59] | [Ron] And while listening to make sure the coast was clear, | |
| [17:02] | Michael noticed something he’d missed before. | |
| [17:07] | [knocking on door] | |
| [17:11] | Sorry to bother you. | |
| [17:12] | Apparently, Lucille Austero’s missed a couple of speaking engagements. | |
| [17:14] | We’re trying to find her. | |
| [17:16] | She-She’s not in there? I thought I heard her in there. | |
| [17:18] | No, it must have been her housekeeper. | |
| [17:20] | Nobody’s seen her since Cinco. | |
| [17:22] | Isn’t today Cinco? | |
| [17:23] | Today’s the sixth. | |
| [17:25] | [Lucille 2 grunts] | |
| [17:27] | Huh. Well, I just talked to her on the phone, | |
| [17:29] | so she’s somewhere. | |
| [17:31] | -If you’ll excuse me. -You’re Michael Bluth? -I am Michael Bluth. -Did you write this note? | |
| [17:38] | Yeah, that’s one of mine. Who are you? | |
| [17:40] | Uh, Newport Beach Police Department, Lieutenant Toddler. | |
| [17:43] | Ah. Officer. | |
| [17:45] | -Yeah, hi. I was hoping you were a cop. -Hi. -Always wanted to be a cop. -Uh-huh. | |
| [17:50] | [stammering] But they just don’t pay fair. | |
| [17:53] | I do okay. | |
| [17:54] | Hmm? Yeah, I’m sure you do. | |
| [17:56] | But, you know, you probably… | |
| [17:57] | you haven’t had to pay for a meal in years, though. Huh? | |
| [18:01] | I mean, I’m sure that you offer, yeah? | |
| [18:04] | Do you talk to Ms. Austero often? | |
| [18:06] | I do not. Not often, no. I barely know her. | |
| [18:08] | Really? ‘Cause it says right here that you love her. | |
| [18:12] | It does, doesn’t it? Yeah. | |
| [18:15] | You know… [mumbling] “Sorry we keep… love…” | |
| [18:17] | It’s the way that I say goodbye. | |
| [18:19] | -Hmm. -Um… | |
| [18:20] | because you never know, um… | |
| [18:23] | if you’re never gonna see someone again. | |
| [18:24] | You should know that. You see people actually die. | |
| [18:27] | -I’ve seen one person die. -Mm-hmm. | |
| [18:28] | A postman. Uh, was not my favorite day of the year… | |
| [18:31] | [chuckles] …to say the least. | |
| [18:32] | And he is the one that taught me | |
| [18:35] | -about loving each other. -[postman] Love each other. | |
| [18:37] | I guess this is sort of my way of keeping him alive. | |
| [18:40] | [Ron] No, it was not. | |
| [18:41] | Is your mother here? | |
| [18:42] | My mother? No. I’m-I’m all grown up, Toddler. | |
| [18:45] | Okay, ’cause my partner was here yesterday, | |
| [18:47] | talked to someone who said that she lived here. | |
| [18:49] | It was a woman with red hair. | |
| [18:51] | [Ron] In fact, it was George Sr. | |
| [18:55] | Who, after discovering he had almost no testosterone at all | |
| [18:58] | was frightened and confused | |
| [19:01] | and eager to hide from the world. | |
| [19:04] | I don’t allow men in my apartment without my husband present. | |
| [19:08] | [Ron] But George Sr. soon realized | |
| [19:10] | his impression of a woman | |
| [19:11] | wasn’t going to win him any awards. | |
| [19:14] | So he took off in his trailer for Mexico to forget | |
| [19:17] | -his shameful mistakes. -[sighs] | |
| [19:19] | [Ron] His son Gob, meanwhile, was also in Mexico. | |
| [19:22] | [Gob] Hey, there. | |
| [19:23] | Friend of mine left me a note, um… in my handwriting, | |
| [19:28] | and he said that you might be able to set me up with the pill | |
| [19:30] | that makes the memories go away, like a… like a shame-wow. | |
| [19:34] | [Ron] A request he’d made over 500 times. | |
| [19:37] | See, I did something a little out of character. [chuckles] | |
| [19:40] | And, um, the window’s kind of closing in on, you know, | |
| [19:44] | before it lodges in the long-term, um… | |
| [19:47] | What do you call it? Um… | |
| [19:52] | What do you call it? | |
| [19:55] | Brains. | |
| [19:57] | Long-term brains. | |
| [20:00] | [Ron] But the store vendor had seen Gob more times than he was able to forget. | |
| [20:05] | -Yeah, make a call. Yes, definitely… -Policía. | |
| [20:07] | Definitely check with Belicia. | |
| [20:09] | -[speaking Spanish] -Wish her a Happy Five, by the way. | |
| [20:12] | You guys get that here or is that just out in the States? | |
| [20:15] | Getting in on it. | |
| [20:16] | -Happy Five. -Oh, thank you. | |
| [20:18] | -How’s your Five treating you? -Dad? | |
| [20:21] | [Ron] That’s when he ran into his father. | |
| [20:23] | Gob. Gob. | |
| [20:26] | What are you doing here? | |
| [20:28] | Here? I’m just getting some boner pills… | |
| [20:31] | [laughing] …and this guys says I don’t need them. | |
| [20:33] | He knows from boner– Anyway, what are you doing here? | |
| [20:35] | Me, too, I don’t need ’em. | |
| [20:37] | [Ron] And then Gob had an idea. | |
| [20:39] | What do you say you and I… | |
| [20:41] | [Ron] A horrible idea. | |
| [20:43] | …[bleeps] our way through Mexico? | |
| [20:45] | [Ron] This wouldn’t be an option | |
| [20:46] | for George Sr., which is why he replied… | |
| [20:49] | Mexico won’t be able to walk for a week. | |
| [20:52] | [laughs] | |
| [20:53] | Two full weeks! | |
| [20:56] | -[Ron] Michael knew none of this. -[Michael] That’s impossible. | |
| [20:59] | My mother’s got brown hair. | |
| [21:00] | You don’t know anyone with red hair? | |
| [21:02] | No, I don’t know anyone… Well, I know… | |
| [21:06] | I’m just ending something right now | |
| [21:07] | with a woman who has red hair, Rebel Alley. | |
| [21:09] | Oh, Ron Howard’s daughter. | |
| [21:10] | That’s the one. And Ron’s got red hair. | |
| [21:12] | So, I guess that’s two people I know with red hair. | |
| [21:17] | Of course, I’m holding a wig that is made of red hair. | |
| [21:20] | So that’s those two and the wig, I think that’s got it. | |
| [21:24] | And my sister has recently gotten the red hair. | |
| [21:28] | But she’s nuts, so… | |
| [21:29] | [Ron] Actually, Lindsay had been hiding her identity | |
| [21:32] | with that very wig while dating a right-wing candidate | |
| [21:35] | whose positions she opposed… | |
| [21:37] | I can’t do this | |
| [21:38] | unless you promise to be against the wall. | |
| [21:40] | What the hell? | |
| [21:41] | …and was determined to change. | |
| [21:43] | -Better for my back, anyway. -Thank you. | |
| [21:45] | [Ron] But soon, photos of Herbert Love with a mystery redhead | |
| [21:47] | were used to blackmail her. | |
| [21:50] | -God, that was a photo booth? -Mm-hmm. | |
| [21:51] | [Ron] So, it was only once she ditched the red hair… | |
| [21:54] | I’m a Bluth and so are you. | |
| [21:56] | -…that she joined the opposition. -[chanting] Put up this wall! | |
| [22:00] | [Ron] Unfortunately, her candidate encountered | |
| [22:02] | some new opposition. | |
| [22:03] | -[yells] -[officer] We have an unconscious | |
| [22:05] | black male choosing not to comply. | |
| [22:06] | [Ron] Having discovered he dropped out of the race… | |
| [22:08] | [officer] Aggressively come at me! | |
| [22:10] | …Lindsay’s political enthusiasm waned. | |
| [22:13] | [Michael] So, I have no idea where she is, | |
| [22:16] | but, uh, my mother is at Austerity. It’s a rehab clinic. | |
| [22:18] | Actually, we checked the rehab and your mother wasn’t there. | |
| [22:21] | [Ron] Actually, when Lucille 2 first went missing, | |
| [22:24] | Lucille 1 took the opportunity to compel her therapist | |
| [22:27] | to change her status from in- to outpatient, | |
| [22:31] | bypassing both the Austerity Clinic’s red tape | |
| [22:34] | as well as its security tape. | |
| [22:40] | And she was remanded to the care of your brother-in-law, Tobias Funghi? | |
| [22:43] | -F… -You don’t happen to know | |
| [22:45] | the license plate of the car he drives, do you? | |
| [22:48] | His license plate number? No, I don’t. | |
| [22:49] | I barely know my own license plate number, much less my brother-in… | |
| [22:53] | It’s A-N-U-S and then for some reason T-A-R-T. | |
| [22:58] | “A new start.” | |
| [23:00] | If you saw it written out, I don’t think that you would… | |
| [23:03] | Let me try this one on you. A-N-A-L-R-A-P… | |
| [23:07] | Well, it doesn’t matter. Listen, I gotta go. | |
| [23:09] | I don’t know where my mother and Tobias are, excuse me, | |
| [23:12] | but they’re clearly up to something. | |
| [23:13] | They’re not gonna be easy to get back. | |
| [23:15] | Well, Ms. Austero isn’t quite a missing person yet. | |
| [23:18] | We are particularly interested in talking to Byron, | |
| [23:21] | who she apparently had a relationship with. | |
| [23:23] | It’s Buster. Uh, and that’s why I know that they’re up to something, | |
| [23:26] | ’cause the last time that I saw Buster was, um… | |
| [23:30] | -Oh, God! -[yells] | |
| [23:31] | [Ron] And, resentful of his family, | |
| [23:34] | Michael came up with a plan to make them come back. | |
| [23:36] | Tell me how this missing person thing works. | |
| [23:38] | -You want to report him missing? -I might. | |
| [23:40] | You’d call it in, but not until he’s been gone for 72 hours. | |
| [23:44] | Hmm. I think it’s worth the wait. | |
| [23:46] | Yeah, yeah. Yeah, okay. | |
| [23:48] | That’s what we’ll do. Find Buster, you’re gonna find Lucille. | |
| [23:51] | Which one? | |
| [23:52] | I don’t think he cares. | |
| [23:55] | See you later. | |
| [23:58] | Thank you for your service. | |
| [24:02] | Love you. | |
| [24:03] | [elevator bell dings] | |
| [24:09] | [Ron] Lindsay arrives at the border she had just called for a wall to protect. | |
| [24:13] | [Lindsay] Oh, they have one. | |
| [24:17] | [laughs nervously] | |
| [24:18] | [speaking Spanish] | |
| [24:20] | He wants your passport. | |
| [24:21] | Oh, I didn’t bring a… [scoffs] I’m American. | |
| [24:23] | How do you say “I’m American” in Mexican? | |
| [24:25] | Soy americano. | |
| [24:27] | Hmm. That does sound good. Ask him for two. | |
| [24:31] | [Ron] Lindsay is proud | |
| [24:32] | that she thought to include her driver. | |
| [24:36] | And Lucille and her therapist arrive -at their beachside casita. -[Lucille] Look at them. | |
| [24:40] | Dancing on the beach like they own the place. | |
| [24:44] | Good. We’ll use that. | |
| [24:47] | I want to laser in on that anger. | |
| [24:49] | Look out at the ocean. | |
| [24:51] | Tell me, what does it make you think? | |
| [24:54] | Like, “Everyone’s having fun but me, | |
| [24:57] | running and laughing and… | |
| [25:00] | I feel like men run away from me. | |
| [25:02] | -I’m stuck here doing therapy.” -I’ve been deserted. | |
| [25:05] | Is that my fault? Is it because of my anger? When I see a squirrelly, little fruitcake like that one | |
| [25:11] | skipping into the ocean, I think, | |
| [25:14] | -“Why do I hate him so much?” -[man laughing outside] | |
| [25:17] | That little bald one there with the fringed cut-offs who… | |
| [25:20] | -[Tobias] Yay! -[Lucille] Oh, [bleeps]. | |
| [25:22] | It’s you. | |
| [25:24] | [Tobias continues laughing] |