| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | Previously on Felicity… | |
| [00:05] | – Dad? – What? Oh, Mr. Webb. | |
| [00:08] | – I’m firing you. – You’re firing me? | |
| [00:11] | – Hey, Owen. – Yeah? | |
| [00:13] | Do you want to go out sometime? | |
| [00:15] | – You mean and have fun? – Yeah. | |
| [00:18] | Just one night, okay? | |
| [00:22] | Just tonight. | |
| [00:29] | [music plays] | |
| [00:32] | Come on, you got to ask her out. | |
| [00:34] | – I’m not asking her. – Why? She’s cute. | |
| [00:36] | – Who’s cute? – This girl, Joanna, upstairs. | |
| [00:39] | – She’s been hitting on Noel. – She hasn’t. | |
| [00:41] | Her mailbox was stuck and she asked me to open it. | |
| [00:44] | ”Could you help me open my mailbox?” | |
| [00:46] | You discuss my social life, I’m going to do some work. | |
| [00:48] | – You can’t work all the time. – Good to hear from my business partner. | |
| [00:53] | – You’ve been at the computer all day. – We pitch a huge account tomorrow. | |
| [00:57] | – Which we’re gonna nail. – Exactly. | |
| [00:59] | Why don’t you ask Joanna out afterwards to celebrate? | |
| [01:02] | I’m not taking Joanna out. I’m not taking anybody out. | |
| [01:05] | – Why? – Because. | |
| [01:06] | I’m getting my ducks in a row. | |
| [01:11] | It’s a saying. I’m getting my life in order, | |
| [01:15] | – so I don’t jump into… – [knock at door] | |
| [01:17] | Maybe that’s her. Maybe she needs help opening her door. | |
| [01:23] | – Hi. | – Hi. |
| [01:24] | – Is Ben here? – Yeah. | |
| [01:27] | – Benjamin. – Hi. Sorry to interrupt. | |
| [01:31] | That’s all right. What’s going on? | |
| [01:33] | Um… | |
| [01:36] | Uh… I… I… | |
| [01:37] | I just came to talk about something, but obviously this is a bad time. | |
| [01:41] | It’s not a bad time. Let’s go outside. | |
| [01:43] | – Okay. – Yeah. | |
| [01:48] | My dad okay? | |
| [01:49] | Oh, yeah, your dad’s fine. It’s me, actually. | |
| [01:53] | What… What is it? | |
| [01:54] | Um… | |
| [01:59] | I’m pregnant. | |
| [02:01] | What? | |
| [02:03] | And I think it’s yours. | |
| [02:06] | – You think it’s mine? – No, um… it’s yours. | |
| [02:12] | Look, I know this comes as a big shock. | |
| [02:17] | [sighs] | |
| [02:19] | Yeah. | |
| [02:22] | Are you, um… Are you keeping it? | |
| [02:25] | Yeah. But I’m not asking you to do anything, I just… | |
| [02:29] | I just thought you should know. | |
| [02:35] | You know what, just call me, if you want. | |
| [02:39] | And… Okay? | |
| [02:41] | Okay. | |
| [02:43] | All right. | |
| [02:52] | [exhales] | |
| [02:54] | – She sounds really nice. – Ask her out. | |
| [02:57] | – No, I am not asking her out. – Why? I think she likes you. | |
| [03:14] | (sing) Can you become | |
| [03:16] | (sing) Can you become | |
| [03:20] | (sing) A new version of you | |
| [03:23] | (sing) New wallpaper | |
| [03:25] | (sing) New shoe leather | |
| [03:28] | (sing) A new way home | |
| [03:31] | (sing) I don’t remember | |
| [03:34] | (sing) New version of you | |
| [03:37] | (sing) I need a new version of me | |
| [03:43] | (sing) New version of you | |
| [03:47] | (sing) I need a new version of me (sing) | |
| [03:59] | Dear, Sally. So it was the beginning of second semester, senior year. | |
| [04:04] | And I guess you could say it was getting to me. | |
| [04:07] | Just the way everybody is. | |
| [04:10] | How they all seem to know exactly where they’re going. | |
| [04:14] | [Felicity] I felt the future barreling towards me, | |
| [04:17] | and I had no idea what to do with it. | |
| [04:20] | So when Owen asked if I wanted to go to some galleries to show my work | |
| [04:24] | I had to say yes. | |
| [04:25] | We started in Chelsea. | |
| [04:27] | Apparently, that’s where all young artists in Europe go to face rejection. | |
| [04:32] | (sing) Giving up the day Just so I can say I love you | |
| [04:35] | – That woman behind the counter. – Reading InStyle magazine. | |
| [04:39] | She can read that but can’t take five minutes to look at our portfolios. | |
| [04:43] | Most people would rather read InStyle than look at our portfolios. | |
| [04:47] | Yeah, most people don’t work in an art gallery. | |
| [04:50] | You know, it took Cézanne years before people would even look at his stuff. | |
| [04:57] | That doesn’t make me feel any better. | |
| [04:59] | Come on, I just compared you to one of the greatest painters of all time. | |
| [05:03] | That’s true. Okay, it makes me feel a little bit better. | |
| [05:07] | Good. Now let’s get some food. All this rejection is making me hungry. | |
| [05:14] | Mr O’Donnell. Mr Covington. | |
| [05:16] | A word with you two after class. | |
| [05:21] | [sighs] | |
| [05:22] | I didn’t know you and Lauren hooked up. | |
| [05:24] | I don’t want to talk about it now. | |
| [05:26] | All right. But how do you know it’s yours? | |
| [05:39] | Sir, you wanted to talk to us. | |
| [05:41] | – Yes. – Is this about last week’s lab… | |
| [05:43] | – lt isn’t. – We can redo… | |
| [05:45] | Trevor. | |
| [05:46] | I’m doing a study for publication. I’d like you both to be research assistants. | |
| [05:52] | – Are you serious? – Yes. | |
| [05:55] | When you say ”study for publication”, does that mean our names would be on it? | |
| [06:00] | – lt does. – Oh, sweet. | |
| [06:02] | Know how good that’ll look on a med school application? | |
| [06:05] | Hang on. This is my research, not some classroom assignment. | |
| [06:08] | It’s serious. You can’t make any mistakes. Do you understand? | |
| [06:11] | – We understand. You understand? – Yeah. | |
| [06:14] | Okay. | |
| [06:15] | I’ll see you tonight, eight o’clock, Redlich Hall. Room 502. | |
| [06:20] | – Thank you very much, sir. – Thank you. | |
| [06:22] | Do you believe this? | |
| [06:23] | Just when you thought your life was over, Bill Hodges to the rescue. | |
| [06:28] | lnstead of ”revitalize” we say ”re-energize”? | |
| [06:31] | – I think revitalize is more active. – Yeah? Good. Okay. | |
| [06:35] | I’m so nervous. Am I sweating? Can you tell that I’m sweating? | |
| [06:38] | No. Are you okay? | |
| [06:40] | Oh, my God. Noel? | |
| [06:43] | Zoe. Hi. | |
| [06:48] | What are you doing here? | |
| [06:50] | I’m… I’m pitching the CGG account. | |
| [06:53] | – So am I. – Really? | |
| [06:56] | Yeah. | |
| [06:57] | I was just thinking about you the other day. | |
| [07:00] | – How are you? – I’m good. Yeah. | |
| [07:03] | – I started my own graphics firm. – Wow. | |
| [07:05] | – Congratulations. – Thank you. | |
| [07:07] | You were so good. You should have your own firm. | |
| [07:10] | Well, I do now, so… | |
| [07:13] | I should probably go. It was great seeing you. | |
| [07:16] | – Okay. – Good luck with the pitch and things. | |
| [07:22] | – Who was that? – Er… | |
| [07:26] | – Zoe Webb. – That’s the girl? | |
| [07:29] | We’ll never get it. They called Webb. Forget it. | |
| [07:31] | No wonder you weren’t interested in Joanna. | |
| [07:34] | – She’s incredible. – I’ve been down that road. | |
| [07:36] | It didn’t work out. Ooh. See the look her dad just gave me? | |
| [07:41] | I was too distracted by the look she gave you. | |
| [07:45] | Remember the phrase ”ducks in a row?” | |
| [07:48] | Fine. | |
| [07:49] | – She is incredible. – I know. | |
| [07:54] | 1 00 bucks you let me out of this class. | |
| [07:56] | – Excuse me? – Okay, 200. | |
| [07:58] | That’s more than professors make in a week. | |
| [08:00] | – It’s time to take your seat. – No, it’s time to listen to me. | |
| [08:04] | Acting is not my thing, okay? | |
| [08:06] | You get off on pretending to be someone you’re not. I don’t. | |
| [08:10] | They only assigned me this class because I needed to graduate. | |
| [08:14] | Is that… Oh, it is. Oh, Meggy. | |
| [08:17] | – You’re in this class now? – She is. | |
| [08:19] | Oh, that is perfect. | |
| [08:21] | You can be my museum partner. You were born to play this part. | |
| [08:25] | – What part? – Margot Channing in All About Eve. | |
| [08:29] | That sounds like a porno. | |
| [08:31] | Okay, you can bite your tongue. All About Eve is classical. | |
| [08:34] | It’s the role of a lifetime. You will be thanking me, okay. | |
| [08:51] | – Hey. | – Hey. |
| [08:52] | – How’d it go? – Great. | |
| [08:55] | The waitress at Pizza John’s thinks I have a lot of talent. | |
| [08:58] | Oh… Hey, come here. | |
| [09:00] | Come here, come here, come here. | |
| [09:04] | [sighs] | |
| [09:07] | At least I’m in good company. | |
| [09:09] | It took Cézanne years before anyone would look at his paintings. | |
| [09:14] | [sighs] | |
| [09:16] | – What? – Nothing. | |
| [09:18] | You seem like something’s wrong. | |
| [09:20] | No, I’m fine. I just got a lot going on. | |
| [09:24] | I don’t think I can have dinner with you and your mom tonight. | |
| [09:28] | Okay. | |
| [09:30] | Hodges asked me and Trevor to be his research assistants. | |
| [09:34] | – Oh, my God. – Yeah. | |
| [09:38] | Congratulations. | |
| [09:39] | Thank you. Yeah, it’s a project on carbon nanotubes. | |
| [09:42] | – I won’t even ask. – I don’t know what it means. | |
| [09:45] | All I know is I have to check on the experiment every 1 2 hours. | |
| [09:50] | But I am sorry. I… I know you don’t like being alone with your parents. | |
| [09:54] | No, it’s okay. Besides, it’s just my mom this time. | |
| [09:57] | – Kind of looking forward to it. – Good. | |
| [10:00] | [sighs] Wow. Research assistant, that’s… | |
| [10:03] | – I mean, it’s so great. – Yeah. | |
| [10:06] | Things are really coming together for you. | |
| [10:11] | Yeah. | |
| [10:15] | Yeah. | |
| [10:17] | Hey. I’m meeting Meghan at the bistro. You wanna come? | |
| [10:21] | No, thanks. I’m gonna stick around here. Do some work. | |
| [10:24] | – Sure? – Yeah. Thanks, though. | |
| [10:26] | lf you don’t get out of the apartment you’ll never meet anybody. | |
| [10:30] | – I know. – All right. | |
| [10:31] | See ya. | |
| [10:33] | – [door opens] – [microwave beeps] | |
| [11:11] | [sighs] | |
| [11:19] | Hi. Manhattan, please. | |
| [11:23] | It’s a residence. | |
| [11:24] | Zoe Webb. | |
| [11:31] | You can’t really tell much from the slides. | |
| [11:34] | – Oh, no, these are terrific. – All right. Caesar. | |
| [11:38] | – Thanks. – You’re welcome. | |
| [11:41] | So how does this work? You just go from gallery to gallery? | |
| [11:46] | Yeah. The problem is most galleries won’t consider work by unknown artists. | |
| [11:51] | – That must be discouraging. – Terrifying. | |
| [11:54] | Especially when I think this is how I want to support myself. | |
| [11:57] | That’s what your father’s worried about. | |
| [12:03] | But I’m sure it’s gonna work out. This is just how this works. | |
| [12:07] | Look at Cézanne. lt took years before people accepted his work. | |
| [12:11] | I love Cézanne. | |
| [12:17] | How about you? How are things at home? | |
| [12:19] | Actually, they’re very good. I’m studying for my real-estate license. | |
| [12:24] | – Really? – Yeah, I take the exam next week. | |
| [12:27] | I didn’t know that was something you were interested in. | |
| [12:31] | It’s not. lt just sort of happened. | |
| [12:33] | I saw Jill Cossman at the market, we started talking… | |
| [12:36] | Wow. That… That’s great. | |
| [12:42] | So what about your writing? | |
| [12:44] | – That was never really anything. – I thought that’s what you wanted. | |
| [12:48] | You were taking all those classes and writing those short stories. | |
| [12:51] | – You were so excited. – lt just wasn’t very realistic. | |
| [13:00] | Actually, that is something for you to think about. | |
| [13:05] | What do you mean? | |
| [13:07] | It’s a great career. You make your own hours. | |
| [13:10] | – It’s a good salary. – You want me to be a realtor? | |
| [13:14] | We could do it together. | |
| [13:16] | ln fact, I have Tom Harris’ number with me. | |
| [13:20] | He’s corporate manager for the San Francisco office. | |
| [13:23] | I’m sure he knows some people you could talk to here in New York. | |
| [13:27] | Mom, I’m not going to be a real-estate agent. | |
| [13:31] | I’m doing art. This is what I’m doing. | |
| [13:33] | Oh, okay. | |
| [13:36] | It was just a thought. | |
| [13:41] | [knocking at door] | |
| [13:47] | – Hey. – Hi. | |
| [13:48] | I got your message. Come on in. | |
| [13:51] | Er, no, I’m all right. | |
| [13:56] | Look, I know you’re convinced that it’s mine… | |
| [14:00] | but I’m not. | |
| [14:03] | – Are you sure you won’t come in? – Yeah. | |
| [14:06] | Look, Ben, um… | |
| [14:09] | – I know this is hard. – There’s a test. | |
| [14:11] | I think we should take it. | |
| [14:16] | Okay, if that’s what you want to do. | |
| [14:18] | – Yeah, it is. – Okay. | |
| [14:21] | – So I’ll set it up. – Okay. | |
| [14:24] | Okay. | |
| [14:34] | [TV] Harrington has never by word, look, thought or suggestion | |
| [14:37] | indicated anything to me but her adoration for you | |
| [14:40] | and her happiness at our being in love. | |
| [14:42] | To intimate anything else spelIs a paranoiac insecurity | |
| [14:45] | you should be ashamed of. | |
| [14:47] | Cut. What happens in the next reel? | |
| [14:49] | Do I get dragged screaming to the snake pits? | |
| [14:51] | Okay, that’s it. | |
| [14:53] | What are you doing? She’s just about to talk about the bumpy night. | |
| [14:57] | – You think I’m like that? – Yeah, isn’t it great? | |
| [15:00] | No, she is the worst. | |
| [15:01] | It’s like the writer had you in his head when he was making the role. | |
| [15:06] | What, you don’t see any similarities? | |
| [15:09] | The way she’s mean and always yelIs at everyone, just like you. | |
| [15:13] | Okay, you know who’s not like you? | |
| [15:15] | That boyfriend. That guy can actually act. | |
| [15:18] | See? That’s what I’m talking about. So mean. | |
| [15:20] | I’m serious. You really think you’re going to be an actor? Please. | |
| [15:24] | – Okay, hold the phone, Margo. – I am not Margo. | |
| [15:27] | You are more Margo than Bette Davis and this was her signature role. | |
| [15:31] | Well, I’d rather be Margo than some unemployed actor | |
| [15:34] | working at Dean & DeLuca for the rest of his life. | |
| [15:40] | – [door opens] – Bumpy night! | |
| [15:43] | [door slams] | |
| [15:46] | You know, I never really apologized, you know, for that night. | |
| [15:52] | It’s okay. | |
| [15:54] | I was in a pretty bad place then anyway, so… | |
| [15:57] | Me, too. | |
| [15:59] | But it seems we’ve both recovered pretty well. | |
| [16:02] | It does seem like it, yes. | |
| [16:04] | But your dad looked like he wanted to rip my head off. | |
| [16:07] | – I’m sorry about that. – It’s all right. | |
| [16:09] | I’m usually the one the dads love, and it’s never a good thing. | |
| [16:12] | It’s just… he really wants that job and you’re the competition. | |
| [16:17] | Ah, I’m the competition. | |
| [16:22] | What? | |
| [16:24] | I’m glad you called. | |
| [16:26] | Me, too. | |
| [16:27] | [chuckles] | |
| [16:56] | Did you get the results yet? | |
| [16:59] | What? | |
| [17:01] | The paternity test. | |
| [17:03] | [sighs] No, not yet. | |
| [17:09] | – Whoa, hang on, man. – What? | |
| [17:11] | – We already put the nitric acid in. – We did? | |
| [17:14] | I’m sorry. Sorry, man. | |
| [17:17] | Hey, don’t worry. | |
| [17:19] | It’s not going to be your kid. | |
| [17:26] | God, this is too depressing. | |
| [17:28] | They’re the ones who should be depressed. | |
| [17:30] | Did you see that stuff they were trying to sell? | |
| [17:33] | – Suck ahoy. – [laughs] | |
| [17:36] | I’m serious. What if we don’t sell anything? | |
| [17:38] | – So? – So how are we going to make a living? | |
| [17:41] | Life has its way of figuring these things out on its own. | |
| [17:44] | God, I wish I was like you. | |
| [17:46] | You mean, like incredibly attractive? | |
| [17:50] | Doesn’t it bother you that everyone else has a career path? | |
| [17:54] | – We have a career path. – You know what I mean. | |
| [17:57] | Everyone else is going to be a doctor or a lawyer, or a real-estate agent. | |
| [18:01] | So what? Every doctor and lawyer I know hates their job. | |
| [18:05] | And real-estate agents, come on, that’s… that’s depressing. | |
| [18:11] | That’s what my mom thinks I should be. | |
| [18:13] | Your mom obviously hasn’t seen your work. | |
| [18:17] | Actually, she has. | |
| [18:18] | She doesn’t know what she’s talking about. | |
| [18:21] | Sometimes I wonder if I should be doing something more like that. | |
| [18:24] | Something with a clear path that’s well marked. | |
| [18:28] | Well, I guess it depends on what you want. | |
| [18:33] | Yeah. I mean, I guess that’s just it. | |
| [18:38] | I don’t really know what I want. | |
| [18:47] | Okay. Come here. I want to show you something. | |
| [18:50] | – What? – I said show, not tell. | |
| [18:56] | We’re getting along… | |
| [18:58] | Okay, who does that remind you of? | |
| [19:01] | Who, Bette Davis? | |
| [19:02] | No, I know who it is, but who does it remind you of? | |
| [19:05] | Um… I don’t know. | |
| [19:08] | Out of all the people you know, she doesn’t remind you of anyone? | |
| [19:12] | All right, let me give you a hint. | |
| [19:14] | – Freshman year roommate. – Meghan?! | |
| [19:17] | That’s what I say too. | |
| [19:19] | – [Elena] Anyone home? – ln here. | |
| [19:20] | – If you squint, she looks like her. – It’s from Columbia Med School. | |
| [19:24] | – You got in? – I’m too nervous to look. | |
| [19:26] | Let me. | |
| [19:27] | – If I don’t get in… – You will. | |
| [19:29] | – But I’ll get in somewhere? – Yes. | |
| [19:32] | Okay. And the award for best picture goes to… | |
| [19:36] | – This is serious. – Sorry. I always wanted to do that. | |
| [19:39] | Here we go. | |
| [19:41] | ”Dear Miss Tyler, you have been accepted…” | |
| [19:43] | Oh, my God! Congratulations! | |
| [19:46] | I’m gonna be a doctor. I gotta call my dad. | |
| [19:49] | Before you do that, who in All About Eve does Meghan remind you of? | |
| [19:53] | – What? – Who in All About Eve is like Meghan? | |
| [19:56] | [door closes] | |
| [20:17] | [sighs] | |
| [20:24] | Hey. | |
| [20:25] | You won’t believe what just happened. | |
| [20:27] | You found that we actually have money in the account. | |
| [20:31] | No, we got the job. | |
| [20:33] | – What job? – CGG Corp. They picked us. | |
| [20:37] | – You’re kidding. – Would I kid about CGG? | |
| [20:39] | No, you wouldn’t. Oh, my God, we got the job? | |
| [20:42] | – They picked us? – Oh, yeah. | |
| [20:44] | – That’s great! – lt gets better. | |
| [20:46] | – How does it get better? – Webb Graphics also wants us. | |
| [20:49] | Oh, Sean. | |
| [20:51] | Your old boss wants the account so bad the he’s willing to hire Blumberg-Crane, | |
| [20:55] | or Crane-Blumberg, as independent contractors. | |
| [20:58] | I know we said we’d stay independent, | |
| [21:00] | but this is a great opportunity to prove ourselves as a great team, | |
| [21:04] | which we will, and steal all their accounts. | |
| [21:08] | – I don’t know. – Fine, we won’t steal their clients. | |
| [21:11] | We’ll form relationships. This can give us legitimacy. We can use these guys. | |
| [21:16] | I don’t know if I can work for Webb Graphics. | |
| [21:18] | You know what? I ran the numbers and we’d be morons not to. | |
| [21:22] | You said it yourself. 90°/. of new businesses fail their first year. | |
| [21:25] | I went out with Zoe Webb last night. | |
| [21:28] | – So? – So I got that thing with her father. | |
| [21:30] | But this is a great opportunity. What about getting your ducks in a row? | |
| [21:34] | – You told me to go out there. – Don’t ever listen to me. | |
| [21:37] | Come on. Except for now. Listen to me now. | |
| [21:41] | I have spend the past three-and-a-half years of my life | |
| [21:44] | waiting for someone who wanted to be with someone else. | |
| [21:48] | And now I think… I think… that I’ve found someone. | |
| [21:53] | You know, someone that I can care about. | |
| [21:59] | You’re right. You’re right. Okay, you’re right. That’s more important. | |
| [22:03] | You know. I just… I just need some time to think about it. | |
| [22:08] | Whatever you decide. Okay? | |
| [22:11] | Thank you. | |
| [22:17] | Hi. This message is for Tom Harris. | |
| [22:20] | My name is Felicity Porter. | |
| [22:22] | My mom Barbara suggested that I call regarding opportunities in real estate. | |
| [22:28] | You can call me back at area code 21 2-555-0341 . | |
| [22:33] | Thanks a lot. Bye. | |
| [22:54] | [chatter] | |
| [23:01] | Hey. Just here to pick up some results. Ben Covington. | |
| [23:05] | Oh, yeah, the paternity test. | |
| [23:07] | Let me see if those are back yet. | |
| [23:11] | Okay, here it is. | |
| [23:13] | Looks like you’re going to be a dad. | |
| [23:51] | Excuse me. | |
| [23:54] | Hi. My name is Felicity Porter. | |
| [23:57] | I’m an art major at UNY. I’ve been going round galleries showing them my work. | |
| [24:02] | – I was hoping… – We’re not looking at new artists now. | |
| [24:05] | It’s funny that you say that. I’ve been hearing a lot of that lately. | |
| [24:10] | Um… A lot, actually. | |
| [24:12] | And um… | |
| [24:15] | It would only take five minutes of your time. | |
| [24:18] | We’re just not interested. | |
| [24:20] | I’m sorry. | |
| [24:29] | Wait. | |
| [24:32] | I’m sorry, this has just been a really bad day. | |
| [24:37] | I know you’re busy and you have more important things to do than talk to me. | |
| [24:42] | I have been to at least 50 galleries, not one of which will look at my slides. | |
| [24:49] | Okay. | |
| [24:51] | – Really? – Sure. | |
| [24:54] | Oh, my God. Thank you so much. That’s amazing. Thank you very, very much. | |
| [25:31] | Thank you. | |
| [25:33] | Oh… | |
| [25:35] | – So you’re still not interested? – No. | |
| [25:39] | I’m sorry. | |
| [25:43] | Thank you for your time. | |
| [25:52] | Okay, why don’t we start? How about Javier and Meghan? | |
| [26:07] | As it happens, there are particular aspects of my life | |
| [26:10] | to which I would like to maintain sole rights and privileges. | |
| [26:14] | – For instance, what? – For instance, you. | |
| [26:17] | This is my cue to take you in my arms and reassure you. | |
| [26:20] | – I’m not going to, I’m too mad. – Guilty. | |
| [26:22] | Mad! There are certain characteristics for which you are famous. | |
| [26:27] | I love you for some, and in spite of others. | |
| [26:30] | You have to keep your teeth sharp, all right. | |
| [26:32] | But I will not have you sharpen them on me or on Eve. | |
| [26:35] | What about her teeth? What about her fangs? | |
| [26:37] | She hasn’t got them yet, and you know it. | |
| [26:39] | So when you start judging an idealistic kid | |
| [26:42] | by the bar-room Benzedrine standards of this megalomaniac society, | |
| [26:46] | I will not have it. | |
| [26:48] | Cut! What happens in the next reel, do l get dragged screaming to the snake pit? | |
| [26:54] | [applause] | |
| [27:05] | Lauren, it’s Ben. | |
| [27:11] | This is crazy. You’ve known for four months and haven’t said anything. | |
| [27:15] | You don’t have to participate. | |
| [27:17] | Why did you tell me? You obviously wanted something. | |
| [27:20] | I just… I thought that maybe you’d like to be a part of the child’s life. | |
| [27:27] | I want to go to med school, not raise a kid. | |
| [27:29] | – You don’t have to. – So what’s going to happen? | |
| [27:32] | You’re going to have it and there’ll be a kid out there I never see? | |
| [27:37] | That’s crazy. | |
| [27:39] | Look… | |
| [27:41] | This is happening. | |
| [27:43] | Whatever you want to do, it’s your decision, your choice, it’s fine. | |
| [27:47] | But I’ve made my decision. | |
| [27:49] | And, I mean, it’s not changing. | |
| [27:55] | Fine. | |
| [28:01] | [music plays] | |
| [28:14] | – Hey. | – Hey. Thanks for meeting me. |
| [28:16] | Of course. I had a great time last night. | |
| [28:19] | – Me, too. – Good. | |
| [28:22] | Listen, Noel, um… everything’s just kind of weird right now. | |
| [28:27] | I know, this whole thing with your dad couldn’t come at a worse time. | |
| [28:31] | It’ll be okay, I’ll figure it out. | |
| [28:34] | No, that’s not even what I was talking about. | |
| [28:38] | Okay. | |
| [28:39] | Um… | |
| [28:42] | I should have said something last night, but er… | |
| [28:44] | I was having such a good time I just didn’t, and I’m sorry. | |
| [28:50] | But, um… I’m sort of seeing someone. | |
| [28:57] | Um… | |
| [28:59] | I really want to be friends. | |
| [29:02] | You know, ’cause I really like you. | |
| [29:04] | Friends? | |
| [29:06] | You know, I’ve… I’ve sort of… I’ve sort of tried that one before. | |
| [29:12] | Uh… lt didn’t really work out too well. | |
| [29:17] | Okay. | |
| [29:24] | Okay, let’s do it, let’s call Webb and say yes. | |
| [29:28] | – Yeah? – Why not? | |
| [29:30] | Okay. Uh… what about Zoe? | |
| [29:33] | Zoe… Zoe didn’t work out. | |
| [29:36] | What happened? | |
| [29:38] | – She has a boyfriend. – Oh, man, I’m sorry. | |
| [29:41] | Uh-uh, it’s all right. We went out, like, once. | |
| [29:44] | Yeah, but what about Webb? It’s not going to be weird to work there? | |
| [29:48] | Maybe. Yeah. You know, in the beginning. | |
| [29:52] | I don’t know, it’s our future. We’ll have a salary. | |
| [29:56] | – It’s gonna be good. – It’s gonna be great. | |
| [30:06] | – Hi. – Dude, what happened to you? | |
| [30:08] | – What do you mean? – Checking the experiment. | |
| [30:12] | Oh, my God, I totally forgot. | |
| [30:14] | Hodges is totally freaking out. He called me at home. | |
| [30:17] | I’ll talk to him. | |
| [30:20] | The test was positive, it’s mine. | |
| [30:27] | – Sir, can I talk to you for a minute? – Forget about it. | |
| [30:30] | – I’m looking for a replacement. – Sir, I’m really sorry. | |
| [30:33] | Class is about to start. I suggest you take a seat. | |
| [30:41] | – What did he say? – He’s looking for someone else. | |
| [30:44] | – What? – lt doesn’t matter. | |
| [30:53] | I’m almost ready. The play starts in half an hour. | |
| [30:56] | I know. | |
| [30:59] | – Where’s Ben? – He just called. He’s at the lab. | |
| [31:02] | Oh. Everything okay with you two? | |
| [31:04] | Yeah. | |
| [31:05] | I haven’t seen him since I’ve been here. | |
| [31:09] | Can we not talk about this right now? | |
| [31:14] | Oh, I spoke to Tom Harris today. | |
| [31:16] | He said you called. | |
| [31:18] | Yeah. I don’t think I’m going to do that. | |
| [31:22] | Really? Because I think you’d like it. | |
| [31:24] | I don’t know, I just don’t think it’s for me. | |
| [31:28] | Oh, okay. | |
| [31:30] | What? | |
| [31:32] | – Nothing. – Mom, just say it. | |
| [31:36] | I’m just… I’m worried about you. | |
| [31:40] | Yeah, well, I’m worried, too. I’m terrified. | |
| [31:44] | I know, that’s why I suggested real estate. | |
| [31:46] | Oh, my God, Mom. I don’t want to do real estate, okay? | |
| [31:51] | Can’t you be a little supportive? | |
| [31:53] | – I am. – You’re not. | |
| [31:54] | I told you I was scared about not supporting myself | |
| [31:58] | and you said was ”That’s what Dad thinks.” | |
| [32:00] | I don’t want to see your heart broken. | |
| [32:02] | You know what breaks my heart? You doing this stupid real-estate thing. | |
| [32:06] | You’ve given up. It’s pathetic, and I don’t want to be like that. | |
| [32:10] | I’m sorry you feel that way. | |
| [32:12] | Well, I’m sorry, too, but I do. | |
| [32:16] | Let’s not go to the play, I don’t want to go. | |
| [32:37] | Hey. | |
| [32:39] | – Hey. – What are you doing? | |
| [32:43] | Just thinking. | |
| [32:45] | – What are you thinking about? – I don’t know. | |
| [32:50] | [sighs] Just thinking about everything. | |
| [32:56] | I screwed up my lab. | |
| [32:59] | Hodges is looking for somebody else already. | |
| [33:05] | How was the play? | |
| [33:09] | – We didn’t go. – Why? | |
| [33:13] | We got in a fight. | |
| [33:16] | And I said some really mean things. | |
| [33:22] | It was awful. | |
| [33:25] | You want to talk about it? | |
| [33:28] | Not really. | |
| [33:33] | – You know what I want to do? – What? | |
| [33:36] | I just want to stay in this bed forever. | |
| [33:40] | – That would be nice. – Yeah, it would be nice. | |
| [33:54] | – [knock at door] – There are particular… | |
| [33:56] | Come in. | |
| [33:58] | …maintain sole rights and privileges. | |
| [34:01] | – For instance, what? – For instance…. | |
| [34:04] | [TV off] | |
| [34:09] | – For me? – Yeah. | |
| [34:11] | I tried to get you one like they had in the movie, but… | |
| [34:14] | It says ”Best Actor” and everything. | |
| [34:18] | Meghan, I’m sorry if I hurt your feelings saying you were like Margo. | |
| [34:21] | Oh, hell, you were right. The whole class agreed with you. | |
| [34:25] | – It’s not a very smart class. – It’s not like I want to be like Margo. | |
| [34:29] | I just am. | |
| [34:30] | ln the movie, Margo was like that for a reason. She was sad. | |
| [34:34] | Maybe you’re sad about something, too. | |
| [34:39] | Whatever. | |
| [34:40] | You’re not really like Margo. She would never bring me a trophy. | |
| [34:44] | I figured ”What the hell?” You were really good yesterday. | |
| [34:47] | I know. That fight helped. We should do it before every class. | |
| [34:51] | – I don’t think so. – Okay. | |
| [34:54] | Don’t hurt yourself with that. | |
| [34:56] | – Bye. – Okay, bye. Thank you. | |
| [35:02] | [door closes] | |
| [35:04] | I would like to thank a terrific cast, a wonderful director and my mamma | |
| [35:09] | for always believing in me. Thank you. | |
| [35:13] | This way? | |
| [35:18] | [sighs] | |
| [35:19] | I’ve been thinking a lot about what you said. | |
| [35:25] | About how it’s my choice whether to be part of this or not. | |
| [35:29] | I can’t. | |
| [35:36] | It’s already messing with my life. I can’t let that happen. I’m sorry. | |
| [35:42] | No, I understand. | |
| [35:48] | You don’t have to feel bad about this. | |
| [35:51] | Yeah, well, I do. | |
| [35:54] | That’s the thing, I’m going to feel bad about it for a long time. | |
| [35:59] | I know what I want, and raising a kid isn’t it. | |
| [36:23] | – Hey. | – Hey. |
| [36:25] | I was gonna hit 57th Street later on. | |
| [36:28] | – You up for it? – Er… not today. | |
| [36:35] | What? | |
| [36:37] | You still thinking about that career stuff? | |
| [36:41] | Yeah. Yeah. | |
| [36:46] | Well, you want to hear the good news? | |
| [36:49] | Okay. | |
| [36:51] | – You’re really talented. – You don’t have to say that. | |
| [36:55] | I’m not just saying it, it’s the truth. | |
| [36:58] | lf you want this to happen, it’ll happen. | |
| [37:04] | My parents don’t think so. | |
| [37:06] | [laughs] Oh. | |
| [37:08] | Parents. | |
| [37:10] | – Want to know what my parents think? – What? | |
| [37:12] | That I should be an accountant. | |
| [37:14] | – Oh, God. – I’m really good at math. | |
| [37:17] | Can you imagine me an accountant? | |
| [37:20] | No, I can’t. | |
| [37:24] | I just wish I didn’t care what they thought. | |
| [37:27] | I keep telling myself that I don’t, and then they get here and I always do. | |
| [37:32] | They’re your parents. | |
| [37:34] | Yeah. | |
| [37:38] | Do you think that ever goes away? | |
| [37:40] | I mean, when we’re 40 are we still going to care what our mom and dad think? | |
| [37:46] | I think so. | |
| [37:49] | [sighs] | |
| [37:54] | Just promise me something. | |
| [37:58] | You always do this. You always make me promise things. | |
| [38:03] | – Okay, what? – All right. | |
| [38:06] | Promise me that no matter what you decide… | |
| [38:10] | that you will never do real estate. | |
| [38:15] | Okay, I promise. | |
| [38:16] | As long as you don’t become an accountant. | |
| [38:19] | Deal. | |
| [38:34] | Professor Hodges. | |
| [38:36] | Yes? | |
| [38:38] | Can I talk to you for a minute? | |
| [38:40] | A minute, yes. | |
| [38:44] | I know I screwed up. | |
| [38:48] | I know that. You made your expectations clear and I didn’t meet them. | |
| [38:54] | But there was a reason which I have taken care of. | |
| [39:06] | lf I tried to do anything last semester it was to prove how much I care. | |
| [39:12] | It was to prove how important this is to me. | |
| [39:21] | Okay. | |
| [39:24] | – Okay? – Okay. | |
| [39:25] | – But it better not happen again. – lt won’t happen again. | |
| [39:30] | It won’t. | |
| [39:33] | Do you want to talk about it? | |
| [39:38] | [sighs] | |
| [39:40] | Uh, no. | |
| [39:44] | No, I don’t want to talk about it, but thank you. | |
| [39:56] | Think we’ll each get an office, or have to share? | |
| [39:59] | lf we each get a cubicle we’ll be lucky. | |
| [40:01] | – Cubicle? – Yeah. | |
| [40:03] | – I’m not getting a cubicle. – Hi. | |
| [40:06] | Hey. Um… We uh… We took the job. | |
| [40:10] | – My dad told me. – We being… | |
| [40:12] | Sean. Zoe, Sean. | |
| [40:15] | – Hi. Nice to meet you. – You too. | |
| [40:20] | Okay, I’m going to do some reading. I’m gonna be over here. | |
| [40:27] | – I was going to call you last night. – Really? | |
| [40:30] | l, um… I broke up with that guy. | |
| [40:34] | – You did? – Yeah. | |
| [40:36] | He wasn’t right for me. | |
| [40:40] | Crane. Blumberg. You ready? | |
| [40:43] | – Yeah. | – Yeah. Blumberg. |
| [40:46] | Coming. | |
| [40:51] | – [Webb] How are you? – [Blumberg] I’m good. | |
| [40:58] | [elevator bell] | |
| [41:00] | – Hey. – Hey, what are you doing here? | |
| [41:03] | – I thought you were at the lab. – I got to talk to you. | |
| [41:06] | – What’s going on? – Let’s go inside. | |
| [41:09] | – Ben, is everything okay? – Yeah. | |
| [41:20] | Is it Hodges? Did he say no about the job? | |
| [41:23] | No, it’s not that. | |
| [41:32] | Um… | |
| [41:34] | Before I tell you I just want you to know we’re gonna be okay. | |
| [41:38] | No matter what, we’re gonna be okay. | |
| [41:41] | Ben, what are you talking about? | |
| [41:47] | Just tell me. | |
| [41:51] | Just tell me, ’cause it’s freaking me out now. | |
| [41:56] | Lauren’s pregnant. | |
| [42:01] | And it’s mine. | |
| [42:07] | Oh, my God. | |
| [42:09] | It was one night. | |
| [42:13] | It was one night when you and I were broken up. | |
| [42:22] | And she’s having the baby? | |
| [42:27] | Yeah. | |
| [42:35] | I just need you to know that I love you. | |
| [42:38] | And this doesn’t change anything. | |
| [42:41] | I need you to know that. | |
| [42:51] | I don’t know what to say. | |
| [42:54] | I’m so sorry. | |
| [43:00] | – I’m so sorry. – (sing) No-one wants to hurt | |
| [43:08] | (sing) Alone inside (sing) |