| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | Previously on “Felicity”… | |
| [00:02] | I can honestly say… | |
| [00:04] | without any sense of uncertainty… | |
| [00:07] | that I never want to see you again. | |
| [00:09] | I can’t be with you like this. | |
| [00:11] | You want something with me. | |
| [00:14] | You just aren’t strong enough to have it. | |
| [00:16] | It’s one thing to say you’re gonna let go. | |
| [00:19] | It’s another to actually do it… | |
| [00:21] | So when I walked into the haircutting place… | |
| [00:24] | I was taking a leap. | |
| [00:26] | But I wasn’t doing it for a guy. | |
| [00:29] | I was doing it for me. | |
| [00:33] | Wow. | |
| [00:35] | Wow… good or wow… bad? | |
| [00:39] | Definitely wow… bad. | |
| [00:43] | I don’t think it’s so bad. I just think it’s | |
| [00:45] | a different look… | |
| [00:47] | kind of like a new me. | |
| [00:49] | Guys are gonna hate it. | |
| [00:51] | Oh. God. | |
| [00:54] | What? You don’t like it? | |
| [00:56] | You look hot. | |
| [00:58] | You know he doesn’t count. | |
| [01:44] | Dear Sally… | |
| [01:46] | I did something drastic. | |
| [01:52] | I dropped premed. Let me back up. | |
| [01:55] | I need to explain this so you don’t think I’m crazy. | |
| [01:59] | It all started with my hair. | |
| [02:03] | Your hair looks incredible. | |
| [02:05] | Thank you. | |
| [02:07] | People had these huge reactions to my haircut. | |
| [02:09] | I mean. My stupid haircut. People I didn’t even know. | |
| [02:13] | Oh. My God. You cut off your hair! | |
| [02:15] | Yeah! | |
| [02:17] | Gutsy move. It’s like a whole new you. | |
| [02:20] | People… I mean strangers… | |
| [02:22] | seem to think I had changed in some major way… | |
| [02:24] | which I sort of had… ending it with Ben and everything. | |
| [02:28] | But it sort of got me thinking… | |
| [02:31] | “What’s the next step?” | |
| [02:34] | Come in. | |
| [02:36] | I’m having the hugest crisis. | |
| [02:39] | Your hair looks amazing. | |
| [02:43] | Thanks, Ruby. | |
| [02:45] | Did you just break up with someone? | |
| [02:47] | Um, well, yeah, but… | |
| [02:49] | I love it. A totally new you. | |
| [02:51] | Thank you. | |
| [02:53] | I think I’m gonna drop out. | |
| [02:56] | I mean, the one class I really wanted was cancelled. | |
| [03:00] | All right, well, what was the one class? | |
| [03:02] | – Norwegian Landscapes. – What is that? Geography? | |
| [03:06] | No, it’s an art history class. | |
| [03:09] | See, my grandmother had this wallpaper… when I was little… | |
| [03:12] | and it had the most beautiful Norwegian scenery on it… | |
| [03:15] | with windmilIs and I just fell in love with it. | |
| [03:18] | I always thought windmilIs were Dutch. | |
| [03:20] | – What? – Oh, I could be totally wrong. | |
| [03:23] | I just… I mean, they could be Norwegian. | |
| [03:25] | Here. Let’s look at the catalog together. | |
| [03:27] | Sometimes when you know exactly what you want… | |
| [03:29] | like you do, you can pass up some good stuff. | |
| [03:32] | So why don’t we look for a different art class, like Drawing? | |
| [03:35] | There’s some amazing drawing classes in here. | |
| [03:38] | Let’s see. Like, how about Drawing 10? | |
| [03:41] | Oh, and Sherman teaches that. I’ve heard she’s a great professor. | |
| [03:45] | I’d love to take that class. | |
| [03:47] | God. Schwab is teaching the oil painting study? | |
| [03:49] | Oh. You have to take that. I mean, he’s supposedly a genius. | |
| [03:53] | But I’m not really that interested in painting. | |
| [03:57] | Oh, OK. Um… | |
| [03:59] | What do you want to study? | |
| [04:02] | I don’t know. I can’t decide. | |
| [04:06] | All right. Um… | |
| [04:08] | There is a class in here called Costumes of Czarist Russia. | |
| [04:11] | Really? | |
| [04:15] | That sounds good. OK. | |
| [04:18] | I think I’m gonna see if that’s open. Thank you so much. | |
| [04:21] | Thank you. | |
| [04:22] | Can I keep that? | |
| [04:24] | Sure. | |
| [04:26] | You really saved me. | |
| [04:34] | And that’s when I started to totally rearrange my schedule… | |
| [04:38] | just hypothetically at first. | |
| [04:44] | There were all these amazing art classes… | |
| [04:46] | all these things I’d always wanted to take but I’d sort of forgotten about. | |
| [04:51] | And I would have been happy to just take one of them but when | |
| [04:54] | I checked, my premed schedule didn’t leave room for anything. | |
| [05:01] | And that’s when I realized that I’d backed myself into a corner… | |
| [05:05] | and I had to get out. | |
| [05:09] | What are you doing? | |
| [05:12] | Nothing. | |
| [05:13] | I can see that. | |
| [05:19] | Is Ben on your mind? | |
| [05:22] | Actually, no. | |
| [05:24] | I’ve gotten pretty good at avoiding him. | |
| [05:27] | Rearranged my schedule at Dean & Deluca… | |
| [05:29] | and changed some routes to class. | |
| [05:32] | That out of sight, out of mind thing kind of works. | |
| [05:35] | Good. So we can get back to work. | |
| [05:38] | Have you checked out the course catalog recently? | |
| [05:41] | There’s some really incredible art classes in there. | |
| [05:44] | No, no, no. | |
| [05:46] | You are not thinking about dropping premed, are you? | |
| [05:48] | I’m not dropping anything. | |
| [05:51] | Yes. | |
| [05:53] | Yeah, you are. I can see it. I’m your lab partner. | |
| [05:56] | Elena, I’m not dropping premed. | |
| [05:59] | I’m not. | |
| [06:05] | Hi. I’m here to drop premed. | |
| [06:09] | You ‘re all set. Have a good semester. | |
| [06:13] | Thanks. | |
| [06:17] | Tilt your end up. I can’t hold it. | |
| [06:19] | OK. OK. OK. OK. OK. I’ll turn around. | |
| [06:21] | – I got it. – Hey! | |
| [06:23] | – Hey! – Hey! – What is this? | |
| [06:26] | Cash-and-carry… my favorite way to shop. | |
| [06:28] | It’s, uh, my new bed. The old one had a broken leg. | |
| [06:31] | Oh, yeah, I remember. This one looks bigger, too. | |
| [06:33] | Yeah. It’s… it’s a queen -size. | |
| [06:35] | The other one was too small for 2 people. | |
| [06:38] | This one. You know. You got more room… | |
| [06:39] | OK. That’s enough of that conversation. | |
| [06:42] | So what’s up? | |
| [06:44] | – I just found an apartment. – You did? – Really? | |
| [06:47] | I did, down in the East Village near Tompkins Square. | |
| [06:49] | – That’s great. That’s really great. Congratulations. – That’s too bad. | |
| [06:52] | I’m gonna go meet Susan, my new roommate… in a couple of days, | |
| [06:54] | go give her first and last month’s rent. She seems really great. | |
| [06:56] | So I told her that I would move in at the end of the month. | |
| [06:59] | And I don’t know. I guess you guys can start looking for your permanent roommate. | |
| [07:03] | – Yeah. – Yeah, I guess so. | |
| [07:05] | Do you want to lift this thing? | |
| [07:06] | – I’ll get the front door. – OK. | |
| [07:09] | Tamam. | |
| [07:11] | Sean. | |
| [07:12] | Sean. | |
| [07:13] | – Yeah. – Let’s go. | |
| [07:16] | All right. Whoa. | |
| [07:18] | – So guess who’s in that class. – I don’t know. Who? | |
| [07:21] | Bridgid… the girl from the party. | |
| [07:25] | The one who gave me her phone number and then it | |
| [07:27] | turned out to be the number for Ray’s Original Pizza. | |
| [07:29] | Oh, yeah. Ouch. | |
| [07:31] | Right. But I’m thinking about asking her out again. Is that crazy? | |
| [07:34] | No. Not at all. | |
| [07:36] | – And you shouldn’t feel like a total idiot, either. – I don’t. | |
| [07:40] | Seriously, sometimes it’s best just to bounce | |
| [07:42] | right back… from that kind of brutal rejection. | |
| [07:45] | – Well, I… no, I wouldn’t say brutal exactly. – Yeah. Yeah, that’s it. | |
| [07:48] | – See, chicks love a guy with confidence. – Richard. – I’m telling you… | |
| [07:51] | Go for it. There’s no way she’ll turn you down. | |
| [07:54] | Not twice. No, youre golden, Noel. | |
| [07:56] | OK. Can you stop talking now? | |
| [07:58] | All right. The more you try to convince me the more I’m convinced it’s a terrible idea. | |
| [08:01] | It’s an excellent idea. | |
| [08:03] | Felicity crushed you… and Pizza Girl already blew you off once. | |
| [08:06] | You’re down and out, man. | |
| [08:08] | No. The best thing to do is to get right back on the horse. | |
| [08:10] | Richard, not another word, all right? I’m doing this. | |
| [08:13] | – As well you should. – Please? | |
| [08:14] | And I’m saying that’s good. | |
| [08:17] | Are you sure this isn’t all just a knee-jerk reaction to your breakup with Ben? | |
| [08:21] | Me dropping premed has nothing to do with Ben. | |
| [08:24] | I can’t believe you did it. | |
| [08:26] | – I know. I hope I didn’t screw you up too much. – Well, you did. | |
| [08:30] | This could affect my G.P.A. | |
| [08:32] | I mean… we have a system. | |
| [08:34] | We work well together. | |
| [08:37] | Never mind. You’ll be back. | |
| [08:39] | Elena. | |
| [08:40] | Hey, so, I just bought a shower curtain, put it up myself. | |
| [08:42] | The bathroom is now fully functional. | |
| [08:44] | Oh, my God! I didn’t even recognize you. | |
| [08:47] | – Doesn’t her hair look great? – If you say so. | |
| [08:52] | Thanks. | |
| [08:54] | It’ll grow out, right? | |
| [08:56] | Noel. | |
| [08:58] | I’m just asking. | |
| [09:00] | OK, so you have a bad hair year, you know. | |
| [09:02] | – Go buy a hat. – Is this making you feel better? | |
| [09:06] | I feel great. Thanks. Will you stop? | |
| [09:08] | All right. I’m gonna leave. | |
| [09:10] | You know, I was really hoping there was a chance, we could work past this. | |
| [09:12] | Well, we can’t. | |
| [09:14] | Obviously. | |
| [09:15] | Obviously. | |
| [09:16] | – See you later. – I’ll call you. | |
| [09:23] | That was a very jerky thing to do. | |
| [09:26] | I’m not the one who cut her hair. | |
| [09:28] | Sally, of course I sympathize with Noel… | |
| [09:31] | and I feel terrible about everything that happened. | |
| [09:34] | But it was obvious that Noel and I… | |
| [09:35] | could not be in the same room together. And that was that. | |
| [09:45] | – Hey. | – Hey. |
| [09:47] | Uh, Bridgid, no “T”, right? | |
| [09:49] | Do I know you? | |
| [09:51] | Yeah, Noel. Um… we met last weekend. | |
| [09:54] | You gave me your number, which, uh, turned out to be… | |
| [09:58] | the number for Ray’s Original. | |
| [10:03] | But good timing on that, by the way. I was really in the mood for a pizza right then. | |
| [10:06] | I’m sorry about that. | |
| [10:12] | Uh, I’m going to ask for your number again… | |
| [10:16] | and this time, just so you know… | |
| [10:18] | I’m kind of in the mood for Chinese food. | |
| [10:25] | So there I was. I mean. Ready for this new class. | |
| [10:28] | This big change, ready for the future. | |
| [10:34] | But then something happened I hadn’t planned on. | |
| [10:39] | Turns out my past had decided to take an art class, too. | |
| [10:54] | Um, I forgot to assign you partners… | |
| [10:58] | for your homework project. | |
| [11:00] | Let’s see. What if you just pair up… | |
| [11:02] | with the person to your left? | |
| [11:09] | Hi. I’m Felicity. | |
| [11:11] | Hi. Bridgid. | |
| [11:12] | – It’s nice to meet you. – Yeah, you, too. | |
| [11:14] | So basically, art is my life. | |
| [11:17] | Really? | |
| [11:19] | And one more thing. | |
| [11:20] | Critiques start Friday. | |
| [11:22] | They can be quite difficult for newcomers… | |
| [11:24] | so be prepared to shore up… | |
| [11:27] | those fragile self-esteems. | |
| [11:32] | – That’s a little nerve-racking. – Yeah. Tell me about it. | |
| [11:38] | Of all the classes in this school you had to come into one of mine. | |
| [11:40] | I’m sorry. I did not know you were in this class. Otherwise, I wouldn’t have taken it. | |
| [11:43] | Hey, I’ll call you later. | |
| [11:44] | OK. | |
| [11:45] | – Oh, and I’ll call you. – OK. | |
| [11:48] | Look, if you don’t bother me, I won’t bother you. | |
| [11:51] | Fine. | |
| [11:55] | It’s impossible to know which computer to get. | |
| [11:59] | What do you think? | |
| [12:01] | Are you even listening to me? | |
| [12:05] | Thank God you ‘re here. | |
| [12:07] | I’m sorry. I’m probably just driving you crazy. | |
| [12:10] | It’s completely fine. What’s up? | |
| [12:12] | I’m buying a computer, and I have no idea what to get. | |
| [12:15] | OK, there’s PCs. There’s iMacs. | |
| [12:16] | There’s… There’s ThinkBooks. There’s iPADs. | |
| [12:21] | I really don’t know where to start. | |
| [12:23] | Don’t worry. There are a million computer stores on Broadway. | |
| [12:25] | Yeah, and they’ve confused me. | |
| [12:28] | What about Noel? Isn’t he Mr. Genius Computer Guy? | |
| [12:32] | – Uh, yeah… – Noel? Is that a friend of yours? | |
| [12:36] | Can I please call him? | |
| [12:38] | Actually, the thing is, I don’t really know… where I put his new number, so… | |
| [12:42] | Look in the student directory. Noel Crane. | |
| [12:45] | Is he really Mr. Computer Genius Guy? | |
| [12:48] | Definitely. | |
| [12:50] | Oh, perfect. | |
| [12:51] | Thank you so much. | |
| [13:00] | Thanks a lot. | |
| [13:02] | No problemo. | |
| [13:08] | Hmm. And, um… | |
| [13:10] | What about musical instruments? | |
| [13:12] | I don’t even own a radio. | |
| [13:14] | That’s good… really good. | |
| [13:18] | How about smoking? | |
| [13:19] | You don’t, uh, you don’t smoke, do you? | |
| [13:22] | Never. | |
| [13:24] | Never? Come on. | |
| [13:26] | You mean, not one time, not even a puff? | |
| [13:29] | – Would you take it easy? – What? | |
| [13:31] | Don’t you think you ‘re being a little harsh? | |
| [13:33] | Um, I’ve got allergies. | |
| [13:35] | I’m allergic to peanuts. | |
| [13:37] | Oh, that’s great, Andrew. | |
| [13:39] | Um, you know, I… I don’t think this is gonna work. | |
| [13:46] | Thanks for coming by, Andrew. I’m really sorry. | |
| [13:49] | OK. | |
| [13:51] | I’ll show myself out, then. | |
| [14:00] | What’s your problem? That guy’s, like, the best… of the 5 guys we’ve seen so far. | |
| [14:04] | The hair, man. That hair threw me. | |
| [14:06] | – The hair? – Yes. He had the… | |
| [14:08] | the… that, like… the flippy things on each side. | |
| [14:10] | You can’t nix a guy ’cause of his hair, Sean. | |
| [14:13] | Oh, yes, I can. It’s the first thing… you learn in business… Appearance counts. | |
| [14:16] | – What?! – If he doesn’t respect us he’s not gonna respect the loft. | |
| [14:19] | Am I right? | |
| [14:21] | Did he say one thing about this place? | |
| [14:23] | No. | |
| [14:24] | Well, this is a nice place to live. | |
| [14:26] | I just… I can’t see taking him over Julie. | |
| [14:29] | Julie is not an option. She already found a place. | |
| [14:34] | OK. We’Il… We’ll keep looking. | |
| [14:37] | OK. | |
| [14:39] | This isn’t easy. Drawing someone’s | |
| [14:41] | portrait… without drawing their face. | |
| [14:44] | Drawing my hands was a good idea. | |
| [14:46] | It’s harder than I thought it would be. | |
| [14:48] | I’m a little freaked out about presenting my drawing on Friday. | |
| [14:51] | You know, I don’t think she’s gonna even grade us on these. | |
| [14:54] | It’s not that. It’s just… | |
| [14:57] | I mean, I’ve been drawing forever but I’ve never really | |
| [15:00] | put any of my work up for display before, so… | |
| [15:03] | I’m sure you’ll do fine. | |
| [15:05] | I hope so. I’ve sort of committed to this. | |
| [15:10] | So you know that guy Noel? | |
| [15:13] | Yeah. | |
| [15:15] | He, uh… he’s pretty persistent, huh? | |
| [15:18] | What? He asked you out? | |
| [15:21] | Yeah. | |
| [15:23] | I mean. he seems like a really nice guy. | |
| [15:25] | I wouldn’t mind going out to dinner with him. I just… | |
| [15:27] | I don’t want him pursing something that’s not going anywhere. | |
| [15:30] | Oh, you ‘re not interested. | |
| [15:33] | Actually, I’m seeing someone. | |
| [15:37] | Oh. Does he go to school here? | |
| [15:39] | She. And actually, no. | |
| [15:43] | She transferred to Bennington last semester. | |
| [15:49] | Can you do me a favor? Like, just don’t say anything. | |
| [15:52] | You know, let me tell Noel myself. | |
| [15:54] | Oh, of course. | |
| [15:57] | Thanks. | |
| [15:59] | That must be tough. | |
| [16:00] | I mean, having a long-distance relationship. | |
| [16:03] | Yeah. But, uh… | |
| [16:06] | relationships are tough in general, so… | |
| [16:11] | Tell me about it. | |
| [16:13] | She was talking to Pizza Girl? | |
| [16:15] | She’s not allowed to talk to Pizza Girl. | |
| [16:18] | Felicity’s not manipulative like that, OK? They were assigned to each other. | |
| [16:20] | – It’s not like she went out of her way or anything. – It doesn’t matter. | |
| [16:24] | So what, she should have refused the assignment? | |
| [16:26] | Yes. There are other people in the class, right? | |
| [16:29] | See, the cards are always stacked against you, man. | |
| [16:32] | Breaks my heart. Yeah, you’re up the creek. | |
| [16:36] | – I am? – Yeah. | |
| [16:37] | It’s the classic ex-girlfriend sabotage maneuver. | |
| [16:41] | She buddies up to Pizza Girl then she starts spinning her web. | |
| [16:45] | Pretty soon. She’ll be talking lies. | |
| [16:47] | No. I really don’t think Felicity would do that. | |
| [16:48] | I’m telling you, man, Felicity got to Pizza Girl. | |
| [16:51] | I can only hope that the damage isn’t permanent. | |
| [17:00] | I’m sorry. Are you Noel? | |
| [17:02] | Yeah. | |
| [17:03] | Hi. I’m Ruby. I’m a freshman at Kelvin Hall. | |
| [17:05] | I looked you up in the student directory. I’m sorry. I probably should have called… | |
| [17:09] | … but I was getting a cup of coffee across the street, um… | |
| [17:12] | Anyways. My R.A. are Felicity and Meghan. | |
| [17:15] | Um. They suggested I talk to you about getting a computer. | |
| [17:19] | – Felicity sent you. – Ah, she’s a piece of work. | |
| [17:23] | What? Is something wrong? | |
| [17:25] | No. Uh, no. It’s nothing. | |
| [17:26] | Look, I’m in a rush to get to a class, so… | |
| [17:28] | Why don’t I write my number down? And I’ll just | |
| [17:29] | leave it with you. You could call me later… | |
| [17:31] | – That’s fine. – Or I’ll call you later, OK. | |
| [17:34] | – That’d be great. – OK. | |
| [17:36] | What are you doing?! | |
| [17:38] | – Look, just wait… – I obviously came at a bad time. | |
| [17:41] | No, you didn’t. It’s… | |
| [17:48] | So you ‘re jealous. | |
| [17:49] | No, I’m not jealous. | |
| [17:51] | But you said you felt a pang. | |
| [17:53] | Yeah, a pang is different than jealous. | |
| [17:56] | But it bothers you… that Noel invited Bridgid to the River Cafe. | |
| [17:59] | Yeah. Only because that’s where he and I… went on our first date. | |
| [18:02] | That is jealousy. | |
| [18:05] | I don’t think that’s what that is. | |
| [18:07] | Let me explain something to you. | |
| [18:10] | You and Noel are ancient history. | |
| [18:12] | It’s time to get over it and put it all behind | |
| [18:14] | you before we all get old, gray, and die. | |
| [18:18] | Are you in a bad mood or something? | |
| [18:19] | No. I just gotta get home now that I have no | |
| [18:21] | lab partner and twice as much chem. work to do. | |
| [18:33] | You… you ‘re not moving out tonight, are you? | |
| [18:35] | Uh-uh. Like, a week and a half. I’m just trying to get a head start. | |
| [18:41] | – Uh, you want some help? – Yes, I do. – All right. | |
| [18:44] | I guess you could stand on that box. | |
| [18:46] | Yeah. | |
| [18:49] | – Don’t rip it. – OK. | |
| [18:54] | What the hell did you put this thing up with? | |
| [18:56] | – Gum. – Gum? | |
| [18:58] | I didn’t have any tape, and it works really well. | |
| [19:01] | Yeah, I noticed. | |
| [19:06] | So did you play any music over the summer? | |
| [19:07] | – Yeah. – Yeah? | |
| [19:10] | I wrote a lot of songs, too. | |
| [19:12] | You did? That’s great. | |
| [19:13] | They had titles like “When Ben Dies. “ | |
| [19:18] | Yeah. | |
| [19:20] | Guess I deserve to listen to them, huh? | |
| [19:22] | Lots of times. | |
| [19:24] | Yeah. | |
| [19:36] | Thank you. | |
| [19:37] | There you go. | There you go. |
| [19:40] | So is everything all right with you? | |
| [19:44] | Yeah. It’s good, I guess. You know, pretty good. | |
| [19:47] | Yeah. Breakups are hard. | |
| [19:51] | Yeah. | |
| [19:54] | But you, um… you get over them eventually. | |
| [20:00] | Yeah, I guess. | |
| [20:10] | It’s now officially a week since my breakup with Ben… | |
| [20:13] | and every once in a while, I get this feeling… | |
| [20:15] | that maybe getting over with someone you’re in love with isn’t impossible… | |
| [20:21] | unless… | |
| [20:23] | maybe you don’t actually get over it. | |
| [20:26] | Maybe you just learn to live with it. | |
| [20:33] | Hi. | |
| [20:36] | Hi. | |
| [20:38] | Look, I called you the other day. Did you… | |
| [20:39] | Yeah. Um, I talked to Felicity. Did she tell you? | |
| [20:42] | Uh, no. No. | |
| [20:48] | Can we talk later? | |
| [20:50] | Yeah. Yeah. That’d be great. | |
| [20:52] | OK. | |
| [20:55] | Oh. Thanks. | |
| [20:58] | Hey, uh… | |
| [21:01] | …what did you say to Bridgid about me? | |
| [21:02] | What? Nothing. | |
| [21:05] | – So my name was never even mentioned. – Yes, your name was mentioned… | |
| [21:08] | – but she brought it up, so… – OK. Well, what did she say? | |
| [21:13] | Nothing. Look, you know, you should talk to her. | |
| [21:17] | Fine. I will. | |
| [21:19] | And you sent… one of your advisees to me for help, didn’t you? | |
| [21:22] | What? Oh, Ruby. | |
| [21:23] | No. She was asking about computers… | |
| [21:25] | OK, you know what? No. Listen. We are not friends. | |
| [21:29] | OK, you have no right to talk with Bridgid about me… | |
| [21:32] | – or to send your advisees to me for help. – I did not plan that. | |
| [21:35] | God. You ‘re acting like I’m out to get you or something, Noel. | |
| [21:38] | Well, that’s what it seems like. I mean… | |
| [21:40] | we made a deal, OK… that we would stay away from each other completely… | |
| [21:43] | and now, suddenly, you ‘re everywhere. | |
| [21:45] | OK, you know what? If us being in a class together… | |
| [21:48] | is so horrible for you, maybe I’ll drop it. | |
| [21:50] | Yeah, that would solve it for me. | |
| [22:02] | Hi. I need to switch into another section of Drawing 10. | |
| [22:09] | They’re all full. | |
| [22:12] | Well, can I take another drawing class? | |
| [22:14] | Um, what about Art 220, Drawing Movement? | |
| [22:18] | – Sure, you can take that. – Great. | |
| [22:20] | Just as soon as you take Drawing 10. | |
| [22:22] | It’s a prerequisite for all the other drawing classes. | |
| [22:26] | No exceptions ever? | |
| [22:28] | Never. | |
| [22:33] | Listen. I was in here the other day… | |
| [22:35] | and I dropped premed, which was a huge deal for me… | |
| [22:38] | and you were really great and you said, “Have a good semester…” | |
| [22:41] | which seemed like a small thing, but it wasn’t. | |
| [22:43] | It was a huge thing for me because I’d just rearranged… | |
| [22:45] | my entire schedule, committed to this art thing… | |
| [22:47] | and I just need to rearrange it one more time. Please. | |
| [22:52] | Is there any chance I could take another art class? | |
| [22:56] | Just as soon as you take Drawing 10. | |
| [23:05] | Hi, Susan. | |
| [23:06] | Oh, hi, Julie. Sorry I’m late. | |
| [23:08] | I got stuck calming down a client who was just audited. | |
| [23:11] | Oh, that’s OK. No problem. I got the cashier’s check… | |
| [23:14] | and I just found this little lamp I thought would look really cute in my room. | |
| [23:17] | Listen, I, um… | |
| [23:18] | I meant to call you earlier, but things got so busy. | |
| [23:21] | Julie. I hate to do this but it turns out I’m not gonna need a roommate after all. | |
| [23:25] | My sister called yesterday. And she just found | |
| [23:27] | out she’s getting transferred here from Atlanta… | |
| [23:29] | and needs a place to stay… so she’s moving in. | |
| [23:33] | I’m so sorry. I really didn’t expect it. | |
| [23:35] | Is this definite? | |
| [23:36] | Yeah. I’m sorry. | |
| [23:42] | It’s OK. | |
| [23:44] | Bye. | |
| [23:45] | Bye. I am really sorry. | |
| [23:51] | Hey. | |
| [23:52] | Hi. | |
| [23:54] | Can I talk to you for a sec? | |
| [23:57] | Yeah, I guess. Come in. | |
| [24:07] | I just wanted to stop by and tell you that I didn’t drop Drawing. | |
| [24:12] | I went there, and I tried to switch into another class, but they were all full. | |
| [24:16] | So, I’m sorry. | |
| [24:18] | Great. | |
| [24:20] | Look. There’s got to be a way we can work through this. | |
| [24:24] | I don’t see how. | |
| [24:25] | Noel, in class, we don’t even have to talk… to each other, OK? | |
| [24:28] | And if me partnering with Bridgid is really a problem for you, | |
| [24:31] | I’ll work with someone else. | |
| [24:34] | I… I don’t care who your partner is. | |
| [24:36] | Well, then just tell me what we can do to make this easier on us. | |
| [24:40] | It’s not about the class. | |
| [24:43] | OK… | |
| [24:46] | Every time I see you, it’s just another reminder… | |
| [24:50] | that you chose Ben over me. | |
| [24:58] | – Noel… – No. | |
| [25:00] | I’m not looking for an apology, OK, or… | |
| [25:03] | God, another one of those sympathetic looks | |
| [25:06] | that everyone keeps giving me. I’m looking… | |
| [25:09] | for the truth, an explanation. | |
| [25:16] | It’s just not that simple. I mean… | |
| [25:21] | What is it about him… | |
| [25:23] | or about me? | |
| [25:29] | – I can’t… I… – Yes, you can. | |
| [25:32] | All right. All I’m asking for is the truth. | |
| [25:34] | How can I answer that, Noel? | |
| [25:37] | I mean, what could I possibly say that would make things between us OK? | |
| [25:47] | What if I told you that I made a huge mistake… | |
| [25:52] | and that I never should have gone with Ben? | |
| [25:54] | Would that really make it any better? | |
| [26:05] | You ‘re just saying that because Ben broke your heart. | |
| [26:14] | Noel, what do you want me to say? | |
| [26:18] | I don’t know. | |
| [26:22] | Nothing. | |
| [26:45] | Man: So I know this seems weird but, being in a cooking school, | |
| [26:47] | I need to make sure you have a good setup in the kitchen. | |
| [26:49] | Right. How’s it working for you? | |
| [26:51] | This is great. | |
| [26:53] | Here you go. | |
| [26:54] | Thank you. | |
| [26:57] | Looks amazing. | |
| [26:59] | – And you. – No, no, no. | |
| [27:00] | – Thanks, but cholesterol. – Oh, I used egg whites. | |
| [27:05] | By the way, this place is sweet. | |
| [27:09] | – How’s the omelet? – Oh. It’s delicious. | |
| [27:12] | You really like it? Uh-huh. | |
| [27:13] | I mean, because if I get this place, I’ll probably | |
| [27:15] | be cooking for you all the time. I mean. If that’s OK. | |
| [27:18] | That sounds good. Julie, hey. | |
| [27:19] | – Hi. – Hi. – I’m Julie. | |
| [27:22] | Preston. Nice to meet you. | |
| [27:23] | Yeah. Preston might be moving in with us. | |
| [27:27] | Oh. That’s great. This looks incredible. | |
| [27:30] | Yeah. Preston’s a chef. | |
| [27:32] | Oh, God. I can’t even boil an egg. | |
| [27:34] | Yeah, but you make a mean bowl of cereal. | |
| [27:37] | She does. | |
| [27:39] | What’s up? | |
| [27:41] | Ah, nothing. I just… I had a crazy day. | |
| [27:45] | Well, you ‘re gonna really love living here. | |
| [27:52] | So this is gonna be great. Yeah. | |
| [28:16] | Hi. Uh, Ruby, right? | |
| [28:18] | Right. | |
| [28:20] | I’m Noel. | |
| [28:21] | I remember. | |
| [28:25] | Look, I, uh, I owe you an apology. | |
| [28:27] | I was sort of a jerk the other day. | |
| [28:29] | Sort of? | |
| [28:31] | But not as bad as my friend, right? | |
| [28:33] | That’s nothing to be too proud of. | |
| [28:35] | Yeah, you ‘re right. | |
| [28:38] | So did you ever figure out what kind of computer you were gonna get? | |
| [28:41] | Oh, yeah, yeah, yeah. I figured it out more or less. | |
| [28:44] | Uh, you sure? | |
| [28:47] | Well. I was gonna order an eMachine. | |
| [28:48] | Oh, my God. No. No. No. No. No. | |
| [28:51] | – They just lifted the design from the iMac. – From the iMac. I know. | |
| [28:54] | The salesman said that the eMachine has a 433 megahertz chip | |
| [28:57] | – compared to the iMac’s 333. – Yes, but, uh, the iMac has… | |
| [29:01] | Has a 512k backside level-2 cache… | |
| [29:03] | and a 64-bit backside bus. | |
| [29:07] | Yes. | |
| [29:10] | Uh, so what did you do? | |
| [29:12] | I bought the iMac. | |
| [29:16] | What? | |
| [29:18] | Nothing. No, it’s, uh… | |
| [29:20] | It’s nothing. It’s… | |
| [29:21] | It’s just, uh… | |
| [29:24] | you ‘re a Mac person. | |
| [29:26] | Yeah. I guess I am. | |
| [29:33] | Come in. | |
| [29:41] | I kept thinking… maybe she’ll | |
| [29:43] | realize how crazy this all is and come back to lab. | |
| [29:50] | But you ‘re not coming back, are you? | |
| [29:52] | I told you I’ve made up my mind. | |
| [29:54] | So you’ve officially abandoned me. | |
| [29:57] | Elena, look, you are my best friend. I would never abandon you. | |
| [30:03] | Well, that’s what it feeIs like. | |
| [30:05] | Me dropping out of premed… | |
| [30:06] | is not going to change our friendship. | |
| [30:09] | I promise you. | |
| [30:10] | I know, but it’s made my life hell, having no lab partner. | |
| [30:14] | I can’t tell you how much work I’ve got. | |
| [30:16] | Well, you need a lab partner. | |
| [30:17] | I mean, it’s just too much work for one person. | |
| [30:20] | All you have to do is ask the T.A. He’ll assign you one. | |
| [30:25] | Can you just explain something? | |
| [30:28] | All the classes you took last year… | |
| [30:30] | I mean, all the planning… | |
| [30:33] | I thought you loved medicine. | |
| [30:35] | You love medicine. | |
| [30:45] | Let me see it. | |
| [30:55] | Looks pretty good. | |
| [30:56] | You think? | |
| [30:57] | Yeah. | |
| [31:00] | I just hope this critique goes OK tomorrow. | |
| [31:08] | I… I don’t wanna get all mushy or anything… | |
| [31:12] | but, um… | |
| [31:15] | I’m proud of you. | |
| [31:18] | You made a tough decision and you’re sticking to it. | |
| [31:23] | But you still made my life hell and you owe me big. | |
| [31:38] | Ah, thank you. We’re just about to begin. | |
| [31:42] | OK… | |
| [31:44] | Good. Who would like to comment? | |
| [31:52] | All right. | |
| [31:53] | I’ll start us off. | |
| [31:55] | What I am looking at | |
| [31:58] | is 2 hands… | |
| [32:01] | which is the first failing | |
| [32:03] | of the piece. | |
| [32:05] | This drawing should feel like a composition… | |
| [32:08] | but it doesn’t. Does it? | |
| [32:11] | It feeIs like 2 distinct… | |
| [32:13] | and separate forms. Yes? | |
| [32:16] | Can I comment on the hands themselves? | |
| [32:19] | They seem a little flat. | |
| [32:21] | I agree. | |
| [32:22] | And the drawing doesn’t | |
| [32:24] | exactly address the assignment. | |
| [32:27] | Do you really feel a sense of the subject from this piece? | |
| [32:31] | Whereas, in Lee’s work | |
| [32:34] | back here… | |
| [32:37] | we are just looking at a backpack… | |
| [32:40] | And yet I really feel… | |
| [32:42] | a sense of the person. Of the subject. | |
| [32:44] | Look at the frayed edges. Look at the patches. | |
| [32:47] | This is a traveler… | |
| [32:50] | and… and we’re taking part in her journey. | |
| [32:53] | Whereas… | |
| [32:55] | with this drawing right here, now… | |
| [32:58] | we are just observers. | |
| [33:02] | And there’s not a lot of movement. | |
| [33:03] | Yes. | |
| [33:05] | We don’t feel like we can exactly reach out and shake these hands. | |
| [33:10] | I think the detailing is nice. | |
| [33:11] | I disagree. I think it’s uneven. | |
| [33:14] | This area looks like it was drawn without | |
| [33:16] | any thought to detail versus this section… | |
| [33:19] | which is full of haphazard crosshatchings. | |
| [33:22] | But we’ll get to the detail in a minute. | |
| [33:24] | What I want right now is to focus on the perspective… | |
| [33:28] | which doesn’t work at all. | |
| [33:57] | I didn’t think the detailing was so terrible. | |
| [34:05] | Thanks. | |
| [34:07] | You defended me. | |
| [34:09] | I was just being honest. | |
| [34:17] | So dropping premed was a pretty… | |
| [34:20] | …brilliant move, huh? | |
| [34:26] | I’m actually really bad at this, aren’t I? | |
| [34:30] | Thank God I haven’t told my parents yet. They’re gonna think I’m insane… | |
| [34:33] | and they’ll be right. | |
| [34:36] | I just gotta regroup and think this all over. | |
| [34:42] | You know, Burky said that, uh… | |
| [34:44] | maybe I was having a psychotic break. | |
| [34:48] | Maybe I’m having a psychotic break. | |
| [34:50] | You ‘re not having a psychotic break. | |
| [34:52] | But how can I be sure? I mean, when you ‘re | |
| [34:54] | having one you probably have absolutely no idea. | |
| [34:57] | You ‘re not having one. | |
| [34:58] | And I bet when you ‘re having one all your friends tell you that you ‘re not. | |
| [35:01] | OK, fine. You ‘re having a psychotic break. | |
| [35:06] | Are you just saying that to make me feel better? | |
| [35:09] | Listen. Sherman is known for being incredibly hard on new students. | |
| [35:14] | I heard she likes small classes so she tries to scare the | |
| [35:17] | hell out of everyone and weed out as many kids as possible. | |
| [35:25] | And your hair’s not so bad. | |
| [35:28] | – Liar. You hate it. – No. I don’t. | |
| [35:30] | I felt bad ever since I said that. | |
| [35:33] | I was just messing around with you. | |
| [35:40] | What was I thinking? | |
| [35:41] | Well, you can always grow it back, you know. It’s… | |
| [35:47] | That’s not what I meant. | |
| [35:53] | I know you said that you didn’t want an apology… | |
| [35:56] | but, God, Noel… | |
| [36:00] | I am so sorry that I hurt you. | |
| [36:06] | You were one of the closest people in the world to me, and… | |
| [36:11] | The worst part is I completely understand… | |
| [36:13] | why you never want to talk to me again. | |
| [36:35] | Turns out Bridgid’s gay, by the way. | |
| [36:38] | I know. | |
| [37:49] | You know, I’m not the biggest omelet fan. | |
| [37:55] | Yeah, me, neither. I’m sort of a cereal guy myself. | |
| [37:58] | Yeah. | |
| [38:03] | You know, I know you got that new place lined up, but… | |
| [38:07] | maybe you should stay… | |
| [38:10] | if you want. | |
| [38:15] | Yeah. | |
| [38:18] | That would be good. | |
| [38:30] | Hey, you. | |
| [38:32] | Hi. | |
| [38:33] | How you doing? | |
| [38:37] | Fine. Much better. Thanks. | |
| [38:40] | Good. | |
| [38:42] | I’ve been thinking about it, and… | |
| [38:46] | I really like doing this drawing thing… | |
| [38:48] | so I’m gonna keep working at it. | |
| [38:50] | And, uh, hopefully… | |
| [38:52] | someday my hands will actually be shakeable… | |
| [38:55] | or… you know what I mean. | |
| [38:58] | Yeah, sort of. | |
| [39:01] | You know, I was just heading up to the roof to sketch a little… | |
| [39:04] | but I could blow it off for a while if you wanted to come in. | |
| [39:07] | – Oh, actually… – Hey. | |
| [39:08] | – Hi. – Hi. | – Hi. |
| [39:10] | Hey. | |
| [39:11] | NoeI’s gonna give me a walking tour of Bleecker Street. | |
| [39:16] | Do you wanna come? | |
| [39:18] | Uh, no, thanks. I have a lot of work to do. | |
| [39:22] | Are you sure? | |
| [39:24] | Yeah. | |
| [39:26] | Then I will see you in class next week. | |
| [39:29] | Definitely. | |
| [39:31] | OK. | |
| [39:33] | – Shall we? – Yeah. | |
| [39:36] | – I like your shoes. – Thanks. | |
| [39:42] | Dear Felicity, It was great to get your tape. | |
| [39:46] | You have to send me pictures of your new haircut. | |
| [39:49] | I think it was really brave what you did… | |
| [39:51] | not just dropping premed. But making that decision… | |
| [39:54] | to do the thing you’ve always wanted to. | |
| [39:57] | I’m a firm believer in the power of change… | |
| [40:01] | But there is one thing I’ve learned… | |
| [40:04] | And that’s that the hardest part about moving forward is not looking back. |