时间 | 英文 | 中文 |
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[00:56] | Take it easy, and you get to see your wife tonight. | |
[00:58] | Ladies and gentlemen, this is a robbery. | |
[00:59] | Do exactly as we say, and no one will get hurt. | |
[01:02] | Everybody down on the ground now! | |
[01:05] | Face down, hands by your side! Come on! | |
[01:08] | I said get down! | |
[01:09] | Everybody stay down. | |
[01:11] | Do it! | |
[01:35] | Beth! | |
[01:47] | Let’s go, let’s go, let’s go! | |
[01:49] | Everybody stay down! | |
[01:51] | Nobody move! Go, go, go, go! | |
[02:03] | Vic’s name was Michael Willis. | |
[02:04] | He was the assistant manager. | |
[02:05] | His wife just | |
[02:06] | gave birth two weeks ago. | |
[02:07] | Today was his second day back on the job. | |
[02:13] | Hey, Flack, was this gate open | |
[02:14] | or closed when you arrived? | |
[02:16] | First on scene had it opened once he determined | |
[02:18] | the suspects were gone. Why? Well… | |
[02:22] | You know, I’m thinking, | |
[02:24] | from the position of the murder weapon, | |
[02:27] | and the GSR pattern on the floor… | |
[02:30] | …I’d say it was an accident. | |
[02:35] | Vic was killed during the commission of a robbery. | |
[02:37] | That makes this felony murder. | |
[02:39] | Who do we like for it? | |
[02:40] | You tell me. | |
[02:42] | That’s the last shot | |
[02:43] | before they did a number on the surveillance cams. | |
[02:45] | Security guard said | |
[02:47] | all three were wearing the same disguise, | |
[02:48] | but he heard one call another Beth. | |
[02:50] | They’re all dressed like Holly Golightly. | |
[02:53] | Breakfast at Tiffany’s. | |
[02:55] | Except I don’t get it. | |
[02:55] | I don’t remember Holly Golightly ever robbing a jewelry store. | |
[02:58] | You’re right. It was a love story. | |
[03:00] | No love here. | |
[03:49] | I wasn’t even in the store two minutes before | |
[03:52] | they came in and forced us on the ground. | |
[03:54] | Well, my dog started to bark, and then, there was a crash. | |
[03:59] | And the display cabinet just exploded. | |
[04:02] | And I thought home was dangerous. | |
[04:04] | Central Africa. | |
[04:06] | I come to New York four or five times a year on business. | |
[04:09] | I was shopping to get my wife a gift, | |
[04:11] | and now I’ve got an exciting story to go along with it. | |
[04:14] | I have no idea how they got out of the store. | |
[04:17] | Soon as the alarm went off, | |
[04:18] | and the gate came down, they just disappeared. | |
[04:23] | We’re running the name “Beth” | |
[04:25] | along with a description and M.O. | |
[04:26] | Waiting to see what comes back on that. | |
[04:28] | All right, why don’t you kick it over to the FBI, as well? | |
[04:30] | Yes. Also put the word out on the street | |
[04:32] | and the Diamond Trade Theft Alert. | |
[04:33] | If our thieves try to fence the merch, | |
[04:35] | we’ll know soon enough. | |
[04:37] | Don’t even think about it, Montana. | |
[04:39] | This necklace is worth more than I make in a year. | |
[04:43] | It’s crazy. I don’t really see the big deal. | |
[04:45] | A diamond is just an allotrope of the element carbon. | |
[04:48] | Well, spoken like a true romantic. | |
[04:50] | Hey, Lindsay. | |
[04:50] | What you got? | |
[04:52] | Check out this glass. | |
[04:56] | Every piece is the same. | |
[04:57] | The edges should have | |
[04:59] | directional stress marks indicating where | |
[05:00] | the force was applied, | |
[05:01] | but they don’t. | |
[05:03] | Well, something had to break this glass. | |
[05:04] | Hey, Detectives, | |
[05:06] | you’re going to want to check this out. | |
[05:07] | Where does it lead? | |
[05:09] | No idea. | |
[05:10] | Manager assumed it was an old ventilation shaft. | |
[05:13] | Looks like our Hollys used it to escape. | |
[05:15] | We need to take a look inside. | |
[05:19] | Size two will get you in. | |
[05:25] | Guys? | |
[05:31] | They were definitely in here. | |
[05:39] | I’m at the end. | |
[05:40] | It goes down into some kind of channel. | |
[05:42] | I’m going to check it out. | |
[05:44] | The entire city’s built over a series of tunnels | |
[05:46] | that haven’t been used in at least 100 years. | |
[05:49] | Yeah, Prohibition, bomb shelters. | |
[05:52] | Alfred Beach’s secret subway. | |
[05:53] | There’s a whole world right below us. Yeah, you just got | |
[05:55] | to know where to look. | |
[05:56] | I’m thinking this wasn’t | |
[05:58] | their back-up escape after the alarm was triggered. | |
[06:00] | This was their escape. | |
[06:02] | They never intended on going out the front door. | |
[06:04] | And if the managers didn’t even know this tunnel existed, | |
[06:06] | how did our thieves? | |
[06:21] | We believe it’s Pauline Rayburn. | |
[06:23] | The clothing fits the description | |
[06:25] | of the last thing she was wearing before | |
[06:26] | she went missing over three weeks ago. | |
[06:32] | You okay? | |
[06:33] | It’s my first mummy. | |
[06:35] | Dehydrated flesh takes some getting used to. | |
[06:40] | There’s no evidence that tells us how she got here, | |
[06:43] | or how long her body’s been in the building. | |
[06:47] | Her husband wears a matching | |
[06:49] | Claddagh wedding band. | |
[06:50] | Let’s not share this information | |
[06:51] | with the press just yet. | |
[06:52] | I don’t want this crime scene turning into | |
[06:54] | a backdrop for the evening news. | |
[06:56] | Till we officially ID the vic, everything is unofficial. | |
[06:59] | Should I notify Councilman Rayburn? | |
[07:01] | He’s still our primary suspect | |
[07:03] | in connection to his wife’s disappearance. | |
[07:04] | Just follow proper procedure. | |
[07:08] | Who found her? | |
[07:09] | A wrecking ball operator | |
[07:10] | saw what he thought was a body | |
[07:11] | flying across the room. | |
[07:13] | No one checked the building before they started demolition? | |
[07:16] | The construction foreman was told | |
[07:18] | that the structure was cleared and ready to be torn down. | |
[07:19] | Rest of the building’s been empty | |
[07:21] | and has been for the last few weeks. | |
[07:23] | Do you know what was on that wall? | |
[07:25] | What do you mean? | |
[07:27] | Any item, color… | |
[07:30] | distinctive markings | |
[07:31] | that would make it easy to find. | |
[07:35] | Because somewhere down there in all that mess | |
[07:38] | is part of our crime scene. | |
[07:51] | It’s heads. She’s yours. | |
[07:53] | Can I at least watch? | |
[07:55] | This is one of the most | |
[07:57] | well-preserved mummies I’ve seen | |
[07:59] | in my many years as a pathologist. | |
[08:01] | The environmental conditions | |
[08:02] | of-of temperature and humidity | |
[08:04] | and ventilation must have been, you know, | |
[08:06] | just optimum. | |
[08:08] | One can only compare it to the best sex you’ve ever had, | |
[08:11] | reaching climax at precisely that-that-that… | |
[08:13] | All right, Sid, you can help. | |
[08:15] | But I get to print her. | |
[08:18] | Fair enough. | |
[08:19] | Camera? Camera, sure. Yeah. | |
[08:35] | You ready? | |
[09:14] | Teeth gave us a hit in IDIS, | |
[09:16] | and we confirmed with a thumbprint match | |
[09:18] | to a notary’s documentation. | |
[09:19] | Our vic is definitely Pauline Rayburn. | |
[09:23] | Time of death? | |
[09:25] | I’d guesstimate three to four weeks. | |
[09:26] | Roughly the same time she was reported missing by her husband. | |
[09:29] | Cause of death? I’m still a few hours away from that answer. | |
[09:31] | But histology and tox should get us close. | |
[09:33] | There’s damaged bone tissue along the jaw line. | |
[09:37] | It’s crumbled, indicating postmortem injury. | |
[09:39] | It’s most likely from the impact of the wrecking ball. | |
[09:42] | Shafts of hair that are broken | |
[09:44] | and there is tears in the flesh here and here. | |
[09:48] | And of course, significant discoloration. | |
[09:51] | They could be artifacts from the dehydration | |
[09:53] | and shrinkage of the skin. | |
[09:55] | Or defensive wounds. | |
[09:57] | Determining which is the hard part. | |
[09:59] | I should tell you | |
[10:01] | that I’ve had three phone calls from the media | |
[10:03] | and two from the D.A.’s office in the last hour. | |
[10:06] | What’d you tell them? | |
[10:07] | To call you. | |
[10:27] | Danny, you’ve been staring at that same piece | |
[10:28] | of glass for five minutes. | |
[10:29] | Can I bag it for you, or are you waiting for it | |
[10:32] | to turn back into sand? | |
[10:33] | No, one of the customers said that a dog barked | |
[10:35] | right before the cases shattered. | |
[10:39] | Yeah, that’s right. | |
[10:41] | Why, what are you thinking? | |
[10:42] | Would you, uh, finish up? | |
[10:44] | I’ll, uh, I’ll meet you back at the lab. | |
[10:54] | What?! | |
[10:55] | Well, you know what they say | |
[10:57] | about dogs and their owners. | |
[10:59] | The resemblance is uncanny. | |
[11:01] | Yeah, that’s funny, that’s funny. | |
[11:03] | You know, Messer, I always imagined you | |
[11:04] | with something a little meatier. | |
[11:06] | He’s a loaner. | |
[11:07] | Sure he is. | |
[11:08] | Hey, I’ll be in Reconstruction, you clown. | |
[11:14] | Hey. | |
[11:18] | Hey, you know… Yeah, I know. | |
[11:20] | I look like the dog, right? | |
[11:22] | Okay, check this out, all right? | |
[11:24] | Normally when you break glass, | |
[11:27] | there are stress marks indicating directionality… | |
[11:32] | Like that. | |
[11:35] | The glass at the scene of the crime didn’t have stress marks | |
[11:38] | indicating directionality. That doesn’t make sense, right? | |
[11:39] | Mm-mm. And I remembered that one of the customers | |
[11:42] | reported that he heard a dog bark | |
[11:44] | right before the display case shattered. | |
[11:45] | That got me thinking, | |
[11:47] | maybe they used a frequency device. | |
[11:49] | So I got the same kind of glass | |
[11:50] | they use at Fieldcrest Jewelers | |
[11:51] | and I think I got our answer. | |
[11:57] | All right. | |
[12:23] | Boom! | |
[12:28] | Just like the glass at the crime scene. | |
[12:30] | Huh. | |
[12:31] | Oh! Who’s the good boy?! | |
[12:33] | By using a frequency device, | |
[12:35] | the Hollys didn’t even have to touch the glass to break it | |
[12:37] | nor risk leaving an evidence trail. | |
[12:38] | How does someone rig something like that? | |
[12:42] | A sine wave generator. | |
[12:43] | It’s a program that manipulates sound. | |
[12:45] | Download the output to an MP3, and you’re ready to boogie. | |
[12:48] | Huh. All right, check all websites, bricks and mortar, | |
[12:50] | anyone who deals in this kind of software. | |
[12:53] | One of our Hollys was named Beth. | |
[12:54] | See if that name rings a bell. | |
[12:56] | Oh, yeah, and give this dog something to eat. | |
[12:58] | He earned it. | |
[13:00] | Now you like the dog. | |
[13:03] | Detective Taylor! Detective? | |
[13:04] | Detective, you found the body; | |
[13:06] | are you arresting Councilman Rayburn? | |
[13:07] | Detective, why is the Medical | |
[13:08] | Examiner’s office not releasing | |
[13:10] | the autopsy report? | |
[13:11] | Has Pauline Rayburn’s family ID’d the body? | |
[13:13] | When can we see the mummy? | |
[13:14] | I can only confirm that the body is Pauline Rayburn. | |
[13:17] | The investigation is ongoing and that’s all. | |
[13:24] | Detective Taylor, | |
[13:26] | Assistant District Attorney Jeremy Bloomfield. | |
[13:27] | Well, unfortunately, | |
[13:29] | I don’t have any information for you yet, Jeremy. | |
[13:31] | Can I assume that Councilman Rayburn | |
[13:33] | is our primary suspect in the murder? | |
[13:35] | Well, I don’t know how you work, | |
[13:37] | but I don’t assume anything. | |
[13:38] | At this moment, there is no evidence | |
[13:39] | to suggest he killed his wife. | |
[13:41] | No evidence to suggest that he didn’t. | |
[13:43] | I mean, you’re not denying it was murder. | |
[13:45] | Sounds like you’re in a bit of a hurry to make an arrest. | |
[13:48] | The District Attorney has a press conference in less than an hour. | |
[13:51] | I have to give him something more than | |
[13:53] | “The investigation is ongoing.” | |
[13:55] | I’m not in the business of providing sound bites. | |
[13:58] | More importantly, | |
[13:59] | I don’t rush the science. | |
[14:01] | Tell that to the DA. | |
[14:54] | The COD’s natural causes. | |
[14:56] | What? | |
[14:57] | Arteriosclerosis. | |
[14:58] | Pauline Rayburn died of a heart attack. | |
[15:00] | There is no evidence of murder. | |
[15:02] | Peyton, she was only 28 years old. | |
[15:05] | It’s young to have a heart attack, | |
[15:07] | but it’s not unheard of | |
[15:09] | and the victim has a history of heart disease in the family. | |
[15:11] | That body hidden in that building wasn’t an accident. | |
[15:13] | Somebody intentionally put it there to be destroyed, | |
[15:15] | never to be found. | |
[15:17] | But I can’t change the results of my findings based on that. | |
[15:19] | So rule that the cause is undetermined pending police investigation. | |
[15:22] | Mac, I’m past that. | |
[15:23] | I’ve determined cause and manner of death. | |
[15:25] | Well, don’t make it official yet. | |
[15:27] | There’s got to be another explanation. | |
[15:28] | I can’t rule out murder. Well, there’s | |
[15:30] | endless tests that I could perform on Pauline Rayburn, | |
[15:32] | but I can’t blindly | |
[15:34] | go in there searching for something | |
[15:35] | that could easily destroy evidence | |
[15:37] | that a guided search would lead to. | |
[15:40] | I need direction. | |
[15:41] | I need to know | |
[15:43] | what it is I’m looking for. | |
[15:44] | Okay. | |
[15:51] | I’ll find it. | |
[16:02] | We need to prove murder, Adam. | |
[16:05] | Oh! | |
[16:07] | I know we got to process this scene, sir, but unless | |
[16:10] | we have a lot of duct tape, | |
[16:11] | um, I’m not sure this place is going to hold up long enough | |
[16:14] | for us to do it. | |
[16:15] | That’s why we’re going | |
[16:16] | to take the crime scene back to the lab. | |
[17:42] | Hey, Hawkes, what do we know? | |
[17:43] | Hey. I found some type of blue trace | |
[17:45] | inside one of the pairs of gloves Lindsay found in the vent. | |
[17:49] | I also got blood | |
[17:50] | on the outside of another. | |
[17:51] | I think our suspect | |
[17:53] | cut herself during the shopping spree. | |
[17:54] | Rushed it through DNA along with some hairs | |
[17:57] | I found inside the wigs. | |
[17:58] | No hits. | |
[17:59] | What about the hardware? | |
[18:00] | An Amantino double-barreled 12-guage; | |
[18:04] | hunting weapon, easily purchased | |
[18:06] | at any sporting goods store, | |
[18:07] | obviously sawed off, | |
[18:09] | and the serial numbers have been removed. | |
[18:11] | I’m telling you | |
[18:12] | these girls were good. | |
[18:13] | Ah, we’re better. | |
[18:14] | We’ll find something. | |
[18:15] | Oh. Excuse me. | |
[18:18] | Bonasera. | |
[18:19] | Yeah. | |
[18:22] | All right, I’m on my way. | |
[18:24] | Flack has a suspect in custody. She was trying to appraise | |
[18:27] | a necklace; fits the description of one of our stolen items. | |
[18:31] | Where’s the rest? | |
[18:33] | I have no idea. Ms. Demming, we have you | |
[18:35] | at the scene, we got you with stolen merch in your possession, | |
[18:37] | and you’re the exact height and weight of the crew | |
[18:39] | we’re looking for. | |
[18:41] | Wait a minute. You think I was in on it? | |
[18:42] | I was a victim, | |
[18:44] | face down during the robbery. | |
[18:45] | I gave you guys a statement. | |
[18:46] | Maybe that statement was to throw us off. | |
[18:48] | Yeah, you see, | |
[18:49] | that’s what plants do; | |
[18:50] | they’re bearers of misinformation. | |
[18:51] | I’m not a thief. | |
[18:53] | Then explain the necklace. | |
[18:55] | It fell out of the display cabinet | |
[18:58] | right next to where I was lying. | |
[19:06] | Crime of opportunity, huh? | |
[19:10] | I made a mistake. | |
[19:13] | I went in to get a brooch appraised, | |
[19:15] | and that’s when those girls came in. | |
[19:16] | After the police questioned me, I went to another | |
[19:19] | jeweler to have the necklace appraised | |
[19:20] | for the Upperware party | |
[19:21] | on Madison tonight. | |
[19:23] | Wait, wait, wait. The Upperware party? | |
[19:24] | Upperware; | |
[19:26] | it’s like a Tupperware party, except we sell jewelry. | |
[19:28] | Sounds like a fancy name for fencing stolen goods. | |
[19:30] | You don’t believe me? | |
[19:31] | No. | |
[19:32] | I believe the evidence, | |
[19:33] | and everything we’ve got points to you. | |
[19:40] | Hey, Lindsay, what do we know? | |
[19:41] | Well, I found what looks like | |
[19:43] | high-velocity blood spatter | |
[19:45] | on the necklace you got off our suspect Eve Demming. | |
[19:47] | The DNA doesn’t match her or anybody else in the system. | |
[19:51] | What about the salesman? | |
[19:52] | He could have gotten blood on it when he was shot. | |
[19:54] | I thought of that, | |
[19:55] | but the lab confirmed that the DNA was female. | |
[19:58] | Then who does this blood belong to? | |
[20:00] | Councilman Rayburn refuses to comment. | |
[20:02] | He is raising his left hand, | |
[20:03] | showing his Claddagh wedding band. | |
[20:06] | The heart’s point is turned toward the hand, | |
[20:07] | indicating marriage. | |
[20:08] | So far, we have not received any other news from his camp. | |
[20:10] | We were looking for a comment earlier… | |
[20:41] | Bovado has no known connection to Rayburn or his wife. | |
[20:43] | Rap sheet includes everything | |
[20:46] | from robbery to public nudity. | |
[20:48] | And now maybe murder. | |
[20:50] | 213. | |
[21:06] | Mr. Bovado? | |
[21:07] | NYPD. We need to talk to you. | |
[21:11] | He’s running. | |
[21:12] | Lucky for us we got a bench warrant. | |
[21:18] | Wait, stop! | |
[21:28] | You missed. | |
[21:31] | I swear to you, I totally forgot about that gun. | |
[21:33] | I want to make it very clear that I am not a cop killer. | |
[21:36] | It was sincerely intended for anyone else but you, Officer. | |
[21:40] | That didn’t come out right. | |
[21:43] | Tell me about Pauline Rayburn. | |
[21:44] | Don’t know her. | |
[21:46] | You know her now? | |
[21:48] | No, I don’t. Yo, man, I’m sensitive to graphic material. | |
[21:51] | I’ve got a print that connects you to this body, Sal. | |
[21:53] | The DA’s desperate to make an arrest. If you didn’t | |
[21:55] | kill her, you might want to tell me your story. | |
[21:57] | I don’t have a story. | |
[22:03] | All right, all right, don’t be so dramatic about it. | |
[22:05] | It was… | |
[22:07] | I don’t know, two maybe three weeks ago. | |
[22:08] | He paid me to help him hide the body. | |
[22:10] | He? | |
[22:11] | The husband… Matthew Rayburn. | |
[22:15] | You know him? | |
[22:16] | Know him, know him? | |
[22:18] | No. I think he got my name | |
[22:20] | from a friend of a friend who heard I needed some cash. | |
[22:22] | I had been working construction | |
[22:23] | and knew the Varick Building | |
[22:24] | was gonna be torn down. | |
[22:25] | I suggested we dumped her there. | |
[22:40] | I had no idea demolition would be postponed. | |
[22:47] | Which one of you killed her? | |
[22:49] | Hey, the wife was already dead when he brought her there. | |
[22:52] | I ain’t a murderer. | |
[22:53] | Did Rayburn tell you what happened? | |
[22:54] | I got a “don’t ask, don’t tell” policy. | |
[23:01] | Hey, take this picture with you, man. | |
[23:05] | Thank you, Detective Taylor. | |
[23:07] | I’ll issue a warrant for an arrest within the hour. | |
[23:09] | Who are you going to arrest, Counselor? | |
[23:11] | Sal Bovado just said that Matthew Rayburn killed his wife. | |
[23:13] | No, no, he said that Matthew Rayburn moved his wife’s body. | |
[23:16] | It’s circumstantial evidence, | |
[23:18] | but we’ve arrested with a lot less. | |
[23:20] | First of all, Mr. Bloomfield, | |
[23:22] | Matthew Rayburn is smart enough to know | |
[23:24] | that the testimony of Sal Bovado, a convicted felon, | |
[23:27] | won’t hold up in court. | |
[23:28] | And if you had more experience | |
[23:29] | so would you. | |
[23:30] | Secondly, Rayburn has enough money | |
[23:31] | and legal connections | |
[23:33] | to make this all go away | |
[23:34] | before any of us has a chance to read him his rights. | |
[23:36] | But you can go ahead with your circumstantial case. | |
[23:39] | Just be prepared to explain the acquittal to your boss. | |
[23:41] | Or you can let me do my job and get the evidence we need | |
[23:45] | to put the murderer away for life. | |
[23:47] | I’ll call you | |
[23:48] | when I get something. | |
[23:56] | Hey, I heard you were down here. | |
[23:58] | Want a knish? My treat. | |
[24:00] | No, thanks, but you might want to eat that knish pretty fast. | |
[24:02] | What do you got? | |
[24:03] | Well, blue trace on the glove | |
[24:04] | turned out to be ferric ferrocyanide. | |
[24:06] | Also known as Prussian Blue. | |
[24:07] | That’s blueprint ink. | |
[24:09] | Yes, a very old blueprint ink. | |
[24:11] | It’s been replaced by Diazo and Whiteprints. | |
[24:14] | That’s how our Hollys knew to use | |
[24:16] | the ventilation shaft as their escape route. Exactly. | |
[24:18] | They got ahold of the original blueprints. | |
[24:20] | Cross and Cross designed the building in 1940. | |
[24:22] | Only place that has the original blueprints | |
[24:23] | is the Department of Building and Records. | |
[24:25] | Put a call in; turns out | |
[24:26] | an engineering student recently requested the plans. | |
[24:28] | Oh, tell me you got a name. You know I do. | |
[24:30] | Who’s our suspect? | |
[24:32] | Natalie Lederman. | |
[24:40] | Natalie Lederman, NYPD. | |
[24:43] | Ms. Lederman? Hello? | |
[24:48] | Heads up. We got a woman down. | |
[24:50] | I got the bathroom. | |
[24:51] | I got the closet. Clear. | |
[24:53] | Clear. | |
[24:59] | Damn. | |
[25:02] | She’s just a kid. | |
[25:25] | Got a muzzle stamp on the gunshot wound. | |
[25:27] | Says close contact. | |
[25:32] | Yeah, she was executed. | |
[25:38] | It’s a through and through. | |
[25:40] | The bullet’s lodged in the mattress. | |
[25:49] | 41 millimeter. | |
[25:51] | SP-4 armor-piercing jacketed. | |
[25:53] | Ammo of choice when using | |
[25:54] | a PSS 7.62 caliber pistol. | |
[25:56] | Not a weapon you see every day. | |
[25:58] | And not the weapon our crew used for the takedown. | |
[26:00] | Well maybe they were carrying spares. | |
[26:01] | Found blood | |
[26:02] | under the debris. | |
[26:03] | Indicates that the place was ransacked | |
[26:04] | after Natalie was murdered. | |
[26:06] | Our intruder was looking for something. | |
[26:07] | Yeah, the stolen merch, but it’s not here. | |
[26:08] | Double cross? | |
[26:10] | But if her partners whacked her | |
[26:12] | for the jewels, why would they toss her place? | |
[26:14] | Well, maybe they had | |
[26:15] | a falling out, and Natalie hid it from them. | |
[26:19] | Found this in the bathroom. | |
[26:23] | A sine wave generator. | |
[26:25] | Download the output to an MP3, and you’re ready to boogie. | |
[26:31] | This is what the Hollys used to break the display cabinets. | |
[26:47] | I don’t hear anything. | |
[26:49] | That’s the point. | |
[27:07] | She was a tough one. | |
[27:09] | How do you figure? | |
[27:10] | I found traces of gun oil on her head. | |
[27:14] | Slight bruising. | |
[27:15] | Your killer held a gun to her head. | |
[27:17] | The pattern indicates | |
[27:18] | it was held there for some time. | |
[27:23] | Are you sure this is the same girl | |
[27:25] | who robbed your jewelry store? | |
[27:26] | Mm-hmm. | |
[27:27] | This kid’s barely out of her teens. | |
[27:29] | She should be at a kegger, | |
[27:31] | not… you know, here. | |
[27:37] | Sorry. | |
[27:39] | She just looks so much like… my daughter. | |
[27:42] | It’s okay. | |
[27:43] | We’re human. | |
[27:46] | Anyway… | |
[27:48] | This cut on her arm- looks fresh. Yeah. | |
[27:50] | It’s in the exact location of a tear | |
[27:51] | I found in one of the gloves. | |
[27:53] | You said there was a lot of glass. | |
[27:54] | I’m guessing she cut herself during the robbery. | |
[27:59] | That’s why there was blood on the necklace | |
[28:01] | that Eve was trying to appraise. | |
[28:07] | Blood dripping into blood. | |
[28:08] | Explains the high-velocity spatter. | |
[28:11] | Also found something in the corner of her left eye. | |
[28:17] | Looks like some type of mineral. | |
[28:19] | The primary coloration | |
[28:20] | appears to be red. | |
[28:21] | I’m thinking some kind of rust. | |
[28:22] | In her eye? | |
[28:24] | Mm-hmm. That’s weird. | |
[28:28] | Bonasera. | |
[28:30] | Danny, what do you got? | |
[28:32] | The name you gave me was good. | |
[28:33] | A woman by the name of Beth Larson | |
[28:35] | bought a sine wave generator program | |
[28:36] | last month from an on-line distributor. | |
[28:39] | Sent it to a P.O. box in the city. | |
[28:41] | Did you check it out? Yeah, I did. | |
[28:42] | Turns out she closed the box | |
[28:43] | two days after the package arrived. | |
[28:45] | Left no forwarding address | |
[28:46] | and the guy who owns the mail drop | |
[28:49] | remembers Beth as one hot party stopper. | |
[28:51] | Also mentioned she was studying physics in college. | |
[28:53] | Beth was studying physics, and Natalie was studying engineering. | |
[28:56] | Both minoring in robbery and homicide. | |
[28:58] | Using our scanned data points | |
[29:02] | and portions of the wall pulled from the rubble, | |
[29:04] | I recreated the crime scene and made | |
[29:06] | an attempt to prove that Sal Bovado | |
[29:07] | or someone else | |
[29:09] | killed Pauline Rayburn. | |
[29:10] | And? | |
[29:11] | I got nothing. | |
[29:13] | And what I thought I was sure of… I’m not. | |
[29:16] | For example? | |
[29:17] | Well, I checked the weather patterns for the last month | |
[29:19] | and for the most part | |
[29:20] | it was hot and humid, not dry. | |
[29:23] | Okay, so the body of Pauline Rayburn | |
[29:25] | should have decayed, not mummified. | |
[29:26] | And low humidity is mandatory for mummification. | |
[29:30] | The air conditioner | |
[29:33] | must have been running. | |
[29:34] | The body… | |
[29:37] | must have been… | |
[29:38] | directly in the path | |
[29:42] | of the air flow. | |
[29:48] | So the killer’s intention was | |
[29:51] | to mummify the body? | |
[29:53] | No. He placed it in front of the air conditioning unit | |
[29:56] | to prevent the smell of death. | |
[29:58] | Get me a print off this knob. | |
[30:00] | Chances are it belongs to Sal Bovado, | |
[30:02] | or, if Sal | |
[30:03] | is telling the truth, Matthew Rayburn. | |
[30:06] | You were born to do this work. | |
[30:24] | The beetle. | |
[30:25] | What? | |
[30:27] | They found a beetle stuck to the detached wallpaper. | |
[30:30] | Which would indicate | |
[30:32] | that the glue got sticky as a result of humidity and heat. | |
[30:36] | Which completely contradicts everything | |
[30:38] | we just concluded. | |
[30:40] | Unless the power went out. | |
[30:46] | Which means | |
[30:48] | the air conditioner | |
[30:49] | was out for a short while. | |
[30:52] | The body started to decay… | |
[30:54] | which attracted insects. | |
[31:00] | But the autopsy report shows | |
[31:02] | little evidence | |
[31:04] | that there was larvae in soft tissue areas. | |
[31:06] | There’s one explanation for that. | |
[31:08] | The power came back on. | |
[31:14] | For a short while, | |
[31:16] | there was significant temperature fluctuation | |
[31:18] | in that room. | |
[31:20] | That’s it. | |
[31:23] | That’s what we’re looking for. | |
[31:25] | Great work, Adam. | |
[31:30] | Thank you. | |
[31:34] | What you looking at? | |
[31:35] | Surveillance video before the robbery. | |
[31:37] | The trace that Sid found in the corner of Natalie’s eye wasn’t rust. | |
[31:40] | Turned out to be red chrome pyrope. | |
[31:42] | It’s a sediment found in the inclusion | |
[31:43] | of Congo River diamonds. | |
[31:46] | Means it was on the diamonds, | |
[31:47] | and our vic probably tried to remove it | |
[31:49] | and that’s how she came into contact. | |
[31:54] | Congo River? | |
[31:55] | Then Natalie was holding a blood diamond. | |
[31:57] | What’s a blood diamond? | |
[31:58] | They’re also known as “conflict diamonds.” | |
[32:00] | They’re mined by slave labor in African war zones. | |
[32:04] | Guerilla groups use them to finance their operations. | |
[32:07] | Some people say that’s how 9/11 was financed. | |
[32:09] | They’re the most portable form of cash on Earth, and the people | |
[32:11] | who trade in them will kill you in the blink of an eye. | |
[32:14] | Fieldcrest Jewelers wouldn’t sell conflict diamonds. | |
[32:16] | They’re illegal. | |
[32:17] | Then the diamonds didn’t belong to Fieldcrest Jewelers. | |
[32:20] | Our thieves stole somebody else’s ice. | |
[32:22] | But how would the stones have wound up in the jewelry store? | |
[32:25] | Good question. | |
[32:26] | That’s what we need to be looking for. | |
[32:31] | Freeze it. | |
[32:33] | Punch in. | |
[32:34] | Look at the size of that rock. | |
[32:35] | It’s uncut, unset. | |
[32:37] | He’s trying to sell them to the store. | |
[32:38] | I think we may have just figured | |
[32:40] | out how the blood diamonds got into Fieldcrest Jewelers. | |
[32:47] | I get the feeling I’ve got work to do. | |
[32:49] | Lots of it. | |
[32:51] | We discovered that the mummified body of Pauline Rayburn | |
[32:54] | was in a room where the air-conditioning unit | |
[32:56] | was on for a period of time, then off again. | |
[32:58] | That cold-to-hot cycle was repeated | |
[33:01] | when we then transported the body in a warm environment | |
[33:04] | and then stored it here | |
[33:05] | in one of your freezers. | |
[33:07] | So the body was exposed | |
[33:08] | to drastic temperature fluctuations | |
[33:10] | which gradually brought out changes that weren’t visible | |
[33:14] | when I first examined it. | |
[33:16] | I need to go back to the body. | |
[33:18] | You want some help? | |
[33:21] | Oh, I think I’ve got it. | |
[33:25] | Isotropic crystals that reach extinction | |
[33:27] | under crossed polars. | |
[33:29] | There’s red chrome pyrope | |
[33:30] | under the fingernail scrapings of our first vic. | |
[33:32] | He handled the same raw diamonds as Natalie. | |
[33:34] | So the question is | |
[33:35] | where are those stones now? | |
[33:36] | Based on the search job | |
[33:38] | our killer did on Natalie’s apartment, | |
[33:39] | I’m guessing he didn’t find them. | |
[33:40] | He held that gun at her head | |
[33:42] | for quite a long while. | |
[33:43] | He wanted the location of those diamonds. | |
[33:46] | Looks like our little smash-and-grab | |
[33:47] | just got a whole lot more complicated. | |
[33:48] | And then some. | |
[33:49] | Your diamond seller gave us a fake name. | |
[33:51] | I pulled the statement he gave us | |
[33:53] | after the robbery. | |
[33:53] | He said his name | |
[33:55] | was Adir Motubu from Central Africa | |
[33:56] | in New York on business. | |
[33:58] | I ran it. No person by that name exists | |
[34:00] | in any Customs database. | |
[34:01] | So our primary murder | |
[34:02] | suspect’s in the wind. | |
[34:04] | We have to find this guy before he gets to those girls. | |
[34:06] | we don’t. those two will die | |
[34:18] | Hey, expanded the database search of every print | |
[34:20] | we pulled from Natalie’s apartment. | |
[34:21] | Still no hits. | |
[34:23] | All right, we’re looking at all the flights that have | |
[34:24] | arrived from Central Africa in the past two weeks. | |
[34:25] | Hey, guys, look at this. | |
[34:27] | This was taken at JFK two days ago. | |
[34:28] | Flight in from Kinshasa. | |
[34:30] | Similar cranial features and stature. | |
[34:32] | Yeah, but nothing definitive. | |
[34:34] | Hey, hold on. The jacket’s the same. | |
[34:36] | Isolate that. | |
[34:38] | Bring up what we have from Fieldcrest Jewelers. | |
[34:39] | What are you thinking? | |
[34:42] | We can match the jacket if we compare the wear pattern | |
[34:44] | along the seam. | |
[34:53] | That’s him. | |
[34:54] | All right, cross-reference that time code from JFK | |
[34:56] | with Passport Control. | |
[34:58] | Let’s find out who came in just before then. | |
[35:02] | A man with the name Mosi Ghedi, | |
[35:05] | passport issued from the Democratic Republic of Congo, | |
[35:07] | passed through Customs exactly at our time code. | |
[35:09] | All right, let’s pull up his credit cards. | |
[35:10] | Let’s find out where he’s been since he arrived. | |
[35:19] | He rented a car. | |
[35:26] | Anti-theft tracking. | |
[35:27] | Great. Let’s find out where he is now. | |
[35:53] | Hairline fracture, antemortem. | |
[36:09] | You’re looking at tears in the tissue of the jaw line. | |
[36:11] | The vic was struck in the jaw | |
[36:13] | and the neck area before death. | |
[36:14] | After death, the red blood cells were trapped | |
[36:17] | in the capillaries near the injury site. | |
[36:18] | And there was no visible bruising. | |
[36:20] | Exactly. But the multiple | |
[36:22] | cycles of hot and cold temperature | |
[36:24] | caused the red blood cells to lyse | |
[36:27] | and then created a bruise in the dermis of our mummy. | |
[36:30] | What we thought was caused by the impact | |
[36:31] | of the wrecking ball was actually our cause of death. | |
[36:34] | The impact on the neck and jaw caused stress | |
[36:36] | to the carotid sinus, which led to the heart attack. | |
[36:39] | It’s definitely murder. | |
[36:40] | I think we have a suspect. | |
[36:45] | We know that the Rayburns wore matching Claddagh wedding rings. | |
[36:48] | It’s a perfect match to the impression | |
[36:49] | we found in the sub dermal tissue. | |
[36:52] | He is raising his left hand, | |
[36:53] | showing his Irish Claddagh wedding band… | |
[36:55] | Domestic violence led to death. | |
[36:57] | Matthew Rayburn killed his wife. | |
[37:00] | Yeah. | |
[37:04] | Did you have anything to do with your wife’s disappearance? | |
[37:09] | Councilman Matthew Rayburn will be charged | |
[37:12] | with first-degree murder. | |
[37:13] | It was our investigative team’s ability | |
[37:15] | not to rush to judgment, but to simply | |
[37:17] | and prudently examine the evidence… | |
[37:20] | which makes me very confident that we will | |
[37:22] | get a conviction. | |
[37:28] | The suspect has been identified as Mosi Ghedi. | |
[37:31] | The vehicle is located at 2116 Bedford Avenue. | |
[37:34] | All units proceed with caution. | |
[37:36] | The suspect is considered armed and dangerous. | |
[37:40] | Move, move, move, move! | |
[37:44] | Wait. Stop, stop! That girl… I’ve seen her before. | |
[37:49] | That’s one of our Hollys. | |
[37:52] | What the hell is going on? | |
[37:54] | Please, you don’t understand. | |
[37:56] | You have to let me go. | |
[37:57] | Merry Christmas. | |
[37:59] | Nice. Looks like it’s all here. | |
[38:01] | What’s your ne? | |
[38:03] | Beth. Beth Larson. | |
[38:04] | Please? | |
[38:05] | Are you working with Mosi Ghedi? | |
[38:06] | Who? No. | |
[38:08] | Please, they already killed Natalie. | |
[38:10] | Who pulled the trigger? | |
[38:11] | Whosever diamonds we stole. | |
[38:12] | I don’t know his name, but he knows us. | |
[38:14] | He followed us after the robbery. | |
[38:16] | We all split, and someone called me. | |
[38:18] | How did he know how to find you? | |
[38:19] | He said he had a partner | |
[38:21] | waiting outside the store for him. | |
[38:29] | He must have followed us. | |
[38:31] | He thought Natalie had taken everything home with her. | |
[38:32] | She didn’t. I did. | |
[38:34] | And when he found out Natalie didn’t have his diamonds, | |
[38:36] | he killed her, but not before he got | |
[38:38] | her to turn over her partners. | |
[38:39] | I want their names, where they live. | |
[38:42] | Tell me or I pull the trigger! | |
[38:44] | This wasn’t supposed to happen. | |
[38:46] | It was a one-time deal. | |
[38:47] | We-we figured between us | |
[38:48] | what we knew- engineering, physics, film- | |
[38:51] | we could pull it off. | |
[38:53] | That’s putting your college education to practical use. | |
[38:55] | None of us came from money, okay? | |
[38:57] | It was a way of staying in college, keeping our apartments. | |
[38:58] | No one was supposed to get hurt. | |
[39:00] | God, please, you have | |
[39:02] | to let me go now. You do not understand! | |
[39:04] | You’re not going anywhere. You’re under arrest. | |
[39:07] | If I don’t deliver the diamonds, they’re going to kill Dana! | |
[39:09] | Please! The man on the phone said | |
[39:11] | not to involve the cops! | |
[39:12] | Okay? I only have till 5:00! | |
[39:15] | That’s ten minutes away! | |
[39:17] | They have a hostage. We can’t just move in. | |
[39:20] | If we let her do the drop, she’s dead. I know, Stell, | |
[39:23] | but I can’t get an undercover here in under | |
[39:24] | a half an hour. I’ll do it. | |
[39:26] | I’m the same size. They were wearing wigs. | |
[39:28] | They’ll never know. | |
[39:32] | He’s putting a flash-bang grenade | |
[39:34] | with a pressure-sensitive trigger at the bottom of the bag. | |
[39:36] | It’ll only go off when Detective Monroe sets the bag down. | |
[39:38] | When she does, ESU’s moving in. | |
[39:41] | What do you think you’re doing? | |
[39:43] | Danny, I’ll be fine. | |
[39:45] | We have undercovers who can do this, all right? It’s not our job. | |
[39:47] | Well, it is now. | |
[39:48] | We’re out of time. You heard what she said. | |
[39:50] | If we don’t get in there in four minutes, her friend dies. | |
[40:05] | Come on, kiddo. | |
[40:07] | Raise your arms. Turn around. | |
[40:15] | Let her in! | |
[40:30] | Here’s everything we took. | |
[40:35] | Who are you? | |
[40:38] | Beth. | |
[40:54] | Try again. | |
[40:56] | She’s been made. Move now! Repeat: move now! | |
[40:59] | I’m at the door. Maintain cover on my mark! | |
[41:02] | Who are you?! | |
[41:04] | Who are you?! | |
[41:16] | On the floor, on the floor! | |
[41:17] | Move, now! | |
[41:20] | Everybody freeze! Gun, gun! | |
[41:22] | Got it. | |
[41:23] | Lindsay! | |
[41:25] | You like shooting little girls, | |
[41:26] | you sick bastard, huh? | |
[41:28] | Lindsay! | |
[41:28] | Danny. | |
[41:29] | Clear! | |
[41:32] | Clear! | |
[41:35] | It’s all right. | |
[41:38] | You’re fine. |